![Soundcraft Signature 10 [3/55] Contents](/img/pdf.png)
Soundcraft Signature 10 [3/55] Contents
![Soundcraft Signature 10 [3/55] Contents](/views2/2007962/page3/bg3.png)
CONTENTS
CONTENTS
CONTENTS
1.0 AN INTRODUCTION TO SIGNATURE
1.0.1 The Signature Legacy
1.0.2 Sapphyre Asymmetric EQ
1.1: Safety
1.2: Warranty
1.3:Specications
2.0: GETTING STARTED
2.1: Introduction To Consoles
2.2: Parts Of The Console
3.0: INPUTS AND OUTPUTS
3.1: Introduction to I/O
3.2: Console Inputs
3.3: Console Outputs
3.4: Other I/O
4.0: CONSOLE ROUTING
4.1: Mono Input Channel
4.1: Stereo Input Channel
4.3: FX Return Channel
4.4: Aux Master Output
4.5: Group Master Output
4.6: Master Stereo Output
5.0: CHANNEL CONTROLS
5.1: Input Controls
5.1.1: Mono Input Controls
5.1.2: Stereo Input Controls
5.1.3: FX Return Controls
5.2: Aux Master Controls
5.3: Group Master Controls
5.4: Master Stereo Controls
6.0: SOLO AND MONITORING
7.0: USB OPERATION
7.1: Signature 10, 12 USB
7.2: Signature 12MTK USB
8.0: LEXICON FX
8.1: FX Control
8.2: Reverbs
8.3: Delays And Modulation
APPENDIX 01: NO SOUND?
A Troubleshooting Guide.
For clarity, this manual uses section references rather than page numbers. In some instances, one section reference
may extend to several pages.
10, 12, 12MTK User Manual
Содержание
- 12 12mtk user manual 2
- Harman international industries limited cranborne house cranborne road potters bar hertfordshire en6 3jn uk tel 44 0 1707 665000 fax 44 0 1707 660742 http www soundcraft com 2
- Important please read this manual carefully before using your mixer for the first time 2
- Information 2
- 12 12mtk user manual 3
- Contents 3
- 12 12mtk user manual 4
- Drawing on over 40 years experience in live sound mixing the signature series combines a superb analogue control surface with the unrivalled british sound of soundcraft in a powerful compact professionally spec d mixer built tough for trouble free performance night after night signature series mixers deliver great sounding results thanks to high grade ghost preamps the most musical eq in the business pristine lexicon effects and powerful dbx dynamics all designed to let you discover your signature sound 4
- Introduction 4
- Introduction to signature 4
- 12 12mtk user manual 5
- Signature legacy 5
- 12 12mtk user manual 6
- Sapphyre eq 6
- 12 12mtk user manual 7
- For your own safety and to avoid invalidation of the warranty please read this section carefully 7
- Important symbols 7
- Safety 7
- Safety notices 7
- 12 12mtk user manual 8
- Safety 8
- Warnings 8
- 12 12mtk user manual 9
- Safety 9
- Warnings 9
- 12 12mtk user manual 10
- Safety 10
- Warranty 10
- 12 12mtk user manual 11
- Specifications 11
- 12 12mtk user manual 12
- Anyone with minimal audio experience should be able to operate the soundcraft signature console without reading too much of this manual though we do recommend you take the time to go through it an excellent place to start would be the feature list on the introductory page section 1 which will familiarise you with all of the main possibilities facilities and functions 12
- Getting started 12
- Getting started an introduction to this manual 12
- Introduction to this manual 12
- 12 12mtk user manual 13
- Console intro 13
- Introduction to consoles 13
- Introduction to mixing consoles 13
- 12 12mtk user manual 14
- Parts of the console 14
- 12 12mtk user manual 15
- Parts of the console 15
- 12 12mtk user manual 16
- Parts of the console 16
- 12 12mtk user manual 17
- Parts of the console 17
- 12 12mtk user manual 18
- Inputs and outputs 18
- 12 12mtk user manual 19
- Intro to i o 19
- Introduction to i o 19
- The signature console offers a choice of industry standard audio inputs and outputs all jack and xlr inputs are balanced below are some terms used in this manual and on the console labelling that may be of use to you 19
- 12 12mtk user manual 20
- Console inputs 20
- 12 12mtk user manual 21
- Aux 1 aux 2 aux 3 21
- Console outputs 21
- Grp 1 grp 2 signature 12 and 12 mtk only 21
- Headphones 21
- Mst l mst r 21
- The console outputs offer a range of connection options depending on the application always consider carefully the best output and routing strategy for your particular application 21
- 12 12mtk user manual 22
- Footswitch 22
- Other i o 22
- The console outputs offer a range of connection options depending on the application always consider carefully the best output and routing strategy for your particular application 22
- Usb power 22
- Usb signature 10 and 12 22
- Usb signature 12mtk 14 track i o 22
- 12 12mtk user manual 23
- Console routing 23
- 12 12mtk user manual 24
- Mono input 24
- Mono input routing 24
- 12 12mtk user manual 25
- Stereo input 25
- Stereo input routing 25
- 12 12mtk user manual 26
- Fx return 26
- Fx return routing 26
- 12 12mtk user manual 27
- Aux master 27
- Aux master routing 27
- 12 12mtk user manual 28
- Group master 28
- Group master routing 28
- 12 12mtk user manual 29
- Master stereo output 29
- Master stereo output routing 29
- 12 12mtk user manual 30
- Channel control 30
- Channel controls 30
- 12 12mtk user manual 31
- Input controls 31
- 12 12mtk user manual 32
- Activate the input limiter 32
- Adjust the input gain 32
- Apply a dc voltage of 48v to all microphone inputs 32
- Gain reduction led 32
- Lights when the limiter is applying gain reduction 32
- Limiter 32
- Mono input controls 32
- Phantom power 48v 32
- Switch the line jack input to hi z high impedance mode 32
- 12 12mtk user manual 33
- Activate the high pass filter 33
- Adjusttheboost attenuationofthehighfrequencyshelvingfilter 33
- Adjusttheboost attenuationofthemfbell typefilter 33
- Adjustthecentrefrequencyofthemid rangefilter 33
- Enable the usb return function 33
- Hpf 100hz 33
- Mf frequency 33
- Mf level 33
- Mono input controls 33
- Usb rtn 12 mtk only 33
- 12 12mtk user manual 34
- Adjust the level of this channel s contribution both to the aux 3 bus as per aux 1 and 2 and the internal fx processor 34
- Adjust the level of this channel s contribution to the aux 1 and aux 2 busses 34
- Adjust the signal s stereo position and group routing 34
- Adjusttheboost attenuationofthelowfrequencyshelvingfilter 34
- Aux1 aux2 34
- Aux3 fx 34
- Lf level 34
- Mono input controls 34
- Mute the signal 34
- 12 12mtk user manual 35
- Adjust signal level 35
- Grp 1 2 35
- Lights when signal reaches peak level or shows that the channel is muted 35
- Mono input controls 35
- Peak mute led 35
- Route the channel output to group 1 and 2 busses 35
- Route the channel output to the master left right bus 35
- Route the signal to the solo bus and mute any channels not routed to the solo bus 35
- 12 12mtk user manual 36
- Aux 1 2 3 fx 36
- Aux 1 2 pre post 36
- Pan bal 36
- Stereo input controls 36
- There are two types of signature stereo input channels the normal type has two jack inputs normalised so that a single jack or microphone input will operate as a mono input channel balance becomes pan note controls common to all input channel types are shown in the mono input chan nel control list 5 36
- 12 12mtk user manual 37
- Adjust stereo balance for this channel 37
- Grp 1 2 37
- Route the channel output to group 1 and 2 busses 37
- Stereo input controls 37
- 12 12mtk user manual 38
- Fx return controls 38
- Grp 1 2 38
- 12 12mtk user manual 39
- Aux master output 39
- 12 12mtk user manual 40
- Group master output 40
- 12 12mtk user manual 41
- Interval mute 41
- Master stereo output 41
- 12 12mtk user manual 42
- Solo and monitoring 42
- 12 12mtk user manual 43
- Adjust the level of the headphone output 43
- Bargraph display of current monitoring headphones signal 43
- Bargraph metering 43
- Enable the pre fade listen function 43
- Lights when a pfl or afl is active 43
- Pfl afl led 43
- Phones level 43
- Solo and monitoring 43
- Switch the after fader listen function 43
- 12 12mtk user manual 44
- Usb operation 44
- 12 12mtk user manual 45
- Signature 10 12 45
- Signature 10 12 usb 45
- The signature 10 and 12 consoles have 2 track usb input and output functionality this could be used for recording a mix to a pc or tablet for example or to use a computer as a playback device chan nels 1 and 2 are received by the highest numbered stereo channel 9 10 for signature 10 11 12 for signature 12 45
- There are two usb send output options to send either the master stereo mst output or the aux 1 and 2 outputs these are sent on usb output channels 1 and 2 45
- Usb i o 45
- Usb send 45
- 12 12mtk user manual 46
- Signature 12mtk 46
- Signature 12mtk usb 46
- 12 12mtk user manual 47
- A usb standard b plug for usb data connection 47
- Press to use the usb return path for this channel 47
- Signature 12mtk 47
- Signature 12mtk usb 47
- Usb i o 47
- Usb rtn 47
- 0 lexicon fx 48
- 12 12mtk user manual 48
- Lexicon fx 48
- 12 12mtk user manual 49
- Becausetheinternalfxprocessorhasfixedrouting operationisverysimple 49
- Fx control 49
- Fx type 49
- Param 1 param 2 49
- Tousethefx simplyturnupanactiveinputchannel saux3sendcontrol withthefxtypeencod erselectanappropriatealgorithmandpresstheencodertoactivate pushupthefxreturnchannel fader on signature 12 and 12mtk you must ensure that the fx return output routing is correctly for the application mst and or grp 1 2 49
- 12 12mtk user manual 50
- Plate mod 50
- Reverberation or reverb for short is the complex effect created by the way we perceive sound in an enclosed space when sound waves encounter an object or boundary they don t just stop some of thesoundisabsorbedbytheobject butmostofthesoundisreflectedorisdiffused inanenclosed space reverb is dependent on many features of that space including the size shape and the type of materials that line the walls even with closed eyes a listener can easily tell the difference between a cupboard a locker room and a large auditorium reverb is a natural component of the acoustic experience and most people feel that something is missing without it 50
- Reverbs 50
- Room mod 50
- 12 12mtk user manual 51
- Hall chorus 51
- Hall delay 51
- Plate chorus 51
- Plate delay 51
- Reverbs 51
- Spring 51
- 12 12mtk user manual 52
- Delay 2 sec 52
- Delay mod 52
- Delays modulation 52
- Delaysrepeatasoundashorttimeafteritfirstoccurs delaybecomesechowhentheoutputisfed back into the input feedback this turns a single repeat into a series of repeats each a little softer than the last 52
- Modulationeffectsusealowfrequencyoscillatortovaryfrequency amplitude andfilterparameters over time 52
- Slap karaoke 52
- 12 12mtk user manual 53
- Delays modulation 53
- Modern chorus 53
- Parameter 1 modulation speed parameter 2 modulation depth 53
- Parameter 1 number of repeats parameter 2 delay time 53
- Rotary 53
- Studio chorus 53
- Tremolo 53
- 12 12mtk user manual 54
- Delays modulation 54
- Parameter 1 modulation speed parameter 2 modify phase control 54
- Parameter 1 modulation speed parameter 2 modulation depth 54
- Phaser 54
- Vibrapan 54
- Vibrato 54
- 12 12mtk user manual 55
- A troubleshooting guide isaninputfailingtoappearatappearingatanoutput thebestapproachitistofirstmakesurethe inputisvalid andthenworkthroughthesignalpathtofindoutwherethe break is checktheexact audio path of any signal by referring to the signal path diagrams in chapter 4 55
- Appendix 1 no sound 55
- Check bus masters 55
- Check input channel path to routing 55
- Check input channel path to solo bus 55
- Check solos 55
- No sound 55
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