Behringer ULTRADRIVE PRO DCX2496 Руководство по эксплуатации онлайн
User Manual
ULTRADRIVE PRO DCX2496
Ultra High-Precision Digital 24-Bit/96 kHz
Loudspeaker Management System
Содержание
- Ultradrive pro dcx2496 1
- User manual 1
- Table of contents 2
- Thank you 2
- Important safety instructions 3
- Legal disclaimer 3
- Limited warranty 3
- Before you get started 4
- Control elements 4
- Front panel 4
- Introduction 4
- The user s manual 4
- 14 13 12 5
- 15 16 16 5
- 19 20 21 5
- Rear panel 5
- General operating structure and display presentation 6
- Menu structure and editing 6
- Muting input output channels mute 6
- Quick start 6
- Recalling presets 6
- Restoring the factory presets 6
- Selecting an output configuration 6
- Setting crossover frequencies 6
- Storing presets 6
- Setup menu 7
- Any further changes to the parameters of a specific output will be transferred directly to the linked output however any edits made to a long delay value see chapters 4 and 4 will not be transferred to the other output this parameter can be adjusted specifically for each output short delay settings see chapters 4 and 4 will be transferred as long as out stereo link is on 8
- Be activated 8
- Fig 4 0 setup in out 8
- Fig 4 output configuration lhlhlh 8
- Fig 4 output configuration llmmhh 8
- Fig 4 output configuration lmhlmh 8
- Fig 4 output configuration mono 8
- Fig 4 setup in out 8
- In the mono configuration the out stereo link function cannot 8
- L 1 h 2 l 3 h 4 l 5 h 6 8
- L 1 l 2 m 3 m 4 h 5 h 6 8
- L 1 m 2 h 3 l 4 m 5 h 6 8
- Mono no stereo links 8
- Tab 4 survey of all out link configurations 8
- The following link options output configurations are available 8
- The inputs can also be linked using the parameter in stereo link thus all settings of one input can be transferred to another input or to all inputs 8
- Ultradrive pro dcx2496 user manual 8
- When out stereo link is enabled the unit warns you that all settings for the linked outputs will be lost because they will be overwritten with the values of the output to be selected 8
- In a b c menu 12
- Sum menu 13
- Out 1 6 menu 14
- Mute menu 15
- Recall menu 15
- Store menu 15
- Applications 17
- Audio connections 17
- Fig 6 stereo 3 way operation 18
- Stereo tri amp operation 18
- Stereo tri amp operation is one of the most popular applications the stereo input signals in a b are split up into three frequency bands per stereo side and then reproduced using the 6 outputs this ensures the best possible use of your 3 way sound reinforcement system since the individual drivers reproduce only those frequency ranges for which they are ideally suited intermodulation distortion is thus effectively minimized 18
- Ultradrive pro dcx2496 user manual 18
- Each driver speaker diaphragm of the two 2 way speaker cabinets is controlled separately to ensure optimum reproduction of treble and mid range frequencies the bass is reproduced by a mono subwoofer which is driven by a power amp in mono bridged mode the sub woofer receives its signal from the dcx s sum input which is limited to bass frequencies and is the sum of mix signals in a b the unused input c and output 6 could be used for a mono delay line for example 19
- Fig 6 stereo 2 way operation plus subwoofer 19
- Stereo bi amp operation plus mono subwoofer 19
- Ultradrive pro dcx2496 user manual 19
- Fig 6 3x2 way operation lcr triple bi amping 20
- Three 2 way speakers driven from three inputs such a setup is used for stage monitors or in cinemas where in most cases the two stereo cabinets completely to the left and right are used to play back music and effects while the center cabinet reproduces voices hence the name l c r which stands for left center right 20
- Ultradrive pro dcx2496 user manual 20
- X bi amp operation lcr triple bi amping 20
- A full range stereo signal is sent to two active speaker cabinets for stereo reproduction there is no need for a dedicated frequency separation because the crossover and amplifier in the active speaker are perfectly adapted to each other however to achieve more power in the bass low frequencies are cut off in the active cabinets and routed to a subwoofer the power amp is set to mono bridged mode and the sum signal derived from in a b is sent to the subwoofer outputs 4 to 6 can be used as mono or stereo delay lines 21
- Fig 6 stereo operation plus mono subwoofer 21
- Stereo operation plus mono subwoofer 21
- Ultradrive pro dcx2496 user manual 21
- Fig 6 stereo operation plus 2 woofer cabinets 22
- Only two frequency ranges low and high are used on each stereo side the two passive speaker cabinets for the higher frequencies are limited towards the bass end and are fine tuned in their sound with the dcx s internal equalizer the stereo bass signal is first sent to the active woofer which also provides the passive woofer cabinet with sufficient power for the right hand low frequency channel the unused outputs 5 and 6 can be used as mono delay lines 22
- Stereo operation plus 2 subwoofers 22
- Ultradrive pro dcx2496 user manual 22
- Fig 6 stereo 2 way operation plus subwoofer and additional monitor 23
- Inputs a b carry the stereo signal optimized for the two 2 way speakers the woofer signal is derived from the sum signal of a b limited in its frequency range and routed to the active sub woofer a separate signal from the mixing console aux subgroup for a separate speaker can be processed via in c in our example this is a full range stage monitor with its own amplifier able to play back a dedicated monitor mix for the singer drummer or other performers 23
- Stereo bi amp operation plus subwoofer and additional monitor 23
- Ultradrive pro dcx2496 user manual 23
- Fig 6 mono 6 way zoning signal distribution mode 24
- In this special purpose application the ultradrive pro is not used as a frequency crossover but rather as a signal distributor for dedicated eqing plus individual delays and separate volume settings for each output the monophonic mix signal is split up and sent to six equal outputs it can be used for a variety of applications requiring the transmission of music or speech over large distances or to several rooms or rooms consisting of several compartments examples are large discotheques multi room clubs pubs bars shopping malls restaurants hotels lobbies trade show and conference halls railway stations churches cathedrals and even at home where you can use the dxc2496 to play back music in every room 24
- Mono 6 zone distribution mode 24
- Ultradrive pro dcx2496 user manual 24
- Fig 6 triple stereo delay line 25
- In this application the ultradrive pro is not used as a crossover network instead it produces stereo delay lines i e stereo speaker cabinets delayed in time with regard to each other all pairs of cabinets are supplied with the same full range stereo input signal a b then these pairs can be placed at regular distances away from the stage as is often the case at big open air concerts the farther away the original signal usually the music played on stage is the more audible the delay between speaker signal close to the listener and original signal far away becomes the dcx2496 allows you to make up for the resulting echoes by adding specific delay times to the speaker signals this allows the audience to feel as if they were part of it even though they may be far away from the stage and this without any annoying echoes 25
- Stereo 3 zone delay line 25
- Ultradrive pro dcx2496 user manual 25
- Channel surround 26
- Fig 6 surround 3 26
- Ultradrive pro dcx2496 user manual 26
- With this 3 channel configuration your audience experiences a live surround sound that comes close to the popular dolby surround sound format the 2 way front speakers carry the main stereo signal from inputs a b a separate mono surround signal is supplied via in c which is reproduced by two rear or side full range speakers the surround signal can be a delayed signal derived from the stereo sum signal it can be processed with reverb or any other effect or it can even provide a separate sound using this configuration your surround music performances slide shows silent movies or video shows will be a real experience the sound of ocean waves lapping onto the shore or space ships flying through outer space all embedded into atmo sounds floating around the room 26
- Fig 6 0 4 way mono bridged operation plus 2 monitors per stereo side 27
- In this example each dcx2496 is supplied with one side of the main stereo signal in a two additional mono signals are routed from the console to inputs b and c two power amps each are used for the 4 way paths of each p a stack while the third power amp drives two full range stage monitors this allows for building a stereo 4 way system that gives the musicians four on stage monitors that can be accessed individually 27
- Stereo 4 way bridged system plus 2 monitors 27
- This application uses one ultradrive pro for each stereo side when both units are coupled to each other via the link jacks and one of them is additionally connected to a notebook pc you can use the computer to remotely control both devices with our free crossoverremote software 27
- Ultradrive pro dcx2496 user manual 27
- Again two ultradrive pros can be remotely controlled from a notebook pc by using our free crossoverremote software 28
- Fig 6 1 5 way mono operation plus 1 additional mono signal per stereo side 28
- This set up is similar to the one described in chapter 6 0 here however even five frequency optimized ways per stereo side are transmitted the subwoofer has a separate mono bridged power amp just like the sixth channel which can be used independently and is controlled from the separate b input in our example one of these mono channels is used for an individual subwoofer while the the mono channel of the second ultradrive pro drives a full range stage monitor 28
- Ultradrive pro dcx2496 user manual 28
- Way mono operation plus 1 additional mono signal 28
- Fig 6 2 surround 5 29
- Surround operation 29
- To be continued on next page 29
- Ultradrive pro dcx2496 user manual 29
- Specifications 30
- Block diagram 32
- Menu structure 33
- Federal communications commission compliance information 34
- Ultradrive pro dcx2496 34
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