Yamaha DJX (PSR-D1) Руководство по эксплуатации онлайн
Содержание
- Please keep this manual 2
- Special message section 2
- Special message section u s a 2
- Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others or damage to the instrument or other property these precautions include but are not limited to the following 3
- Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock short circuiting damages fire or other hazards these precautions include but are not limited to the following 3
- Caution 3
- I saving user data 3
- Please keep these precautions in a safe place for future reference 3
- Please read carefully before proceeding 3
- Precautions 3
- Warning 3
- Congratulations 4
- Congratulations on your purchase of the yamaha djx 4
- Digital sampling 4
- Main features 4
- Other powerful features include 4
- Read this owner s manual carefully while playing your new djx in order to take full advantage of its various features 4
- Real time controls 4
- You now own a portable keyboard that combines advanced func tions great sound and exceptional ease of use in a highly compact package its outstanding features also make it a remarkably expres sive and versatile instrument 4
- Contents 5
- Digital sampling 69 5
- Effects 34 5
- Midi functions 92 5
- Panel controls and terminals 6 5
- Panel display indications 22 5
- Patterns the style mode 44 5
- Performance setup 56 5
- Playing voices the voice mode 24 5
- Quick guide 10 5
- Ribbon controller 66 5
- Setting up 8 5
- Song playback the song mode 40 5
- Song recording 80 5
- The knobs 59 5
- Front panel 6
- Panel controls and terminals 6
- Arpeggiator button 7
- Beat a b break out buttons 7
- Dc in 10 12v jack 7
- Dual button 7
- Foot switch jack 7
- Lead in lead out button 7
- Line in jack 7
- Mic jack 7
- Midi in out terminals 7
- Performance setup song memory buttons 7
- Phones aux out jack 7
- Pitch bend wheel 7
- Rear panel 7
- Record button 7
- Reverb button 7
- Stand by on switch 7
- Power requirements 8
- Setting up 8
- This section contains information about setting up your djx for playing make sure to read this section carefully before using the instrument 8
- Turning on the power 8
- Using an ac power adaptor 8
- Using batteries 8
- Accessory jacks 9
- Cut loose on the ribbon cut loose on the ribbon 10
- Give it some juice give it some juice 10
- Mix up the beats mix up the beats 10
- Quick guide 10
- Quick guide quick guide 10
- Shake it up and turn it round shake it up and turn it round 10
- Start it up start it up 10
- Step 1 the djx take it for a spin 10
- Work out on the knobs work out on the knobs 10
- Arpeggiator magic arpeggiator magic 11
- Drop parts out fly parts in drop parts out fly parts in 11
- Pick your own parts pick your own parts 11
- Play the wheel play the wheel 11
- Tweak the voice while you play tweak the voice while you play 11
- Analog kit 3 12
- Bpmc4 096bpmc4 102bpmc4 12
- Bpmc4 106bpmc4 12
- Bpmc4 135bpmc4 137bpmc4 12
- Bpmc4 144bpmc4 110bpmc4 12
- Bpmc4 160bpmc4 12
- Bpmc4 samba137 12
- C1 c2 c3 c4 c5 c6 12
- Dd djx 12
- Measure 12
- Scratch h scratch l come on 1 come on 2 getup go uhh yeah fmtb1 blj trill fmtb2 omen fx reverse signal turntable huea hiuhu yo kurt ohh 1 ohh 2 one more time uhh hit 12
- Special djx demo voice special djx demo voice 12
- Step 2 using the keyboard 12
- Using the djx s multi function keyboard using the djx s multi function keyboard 12
- Beat reverse key see page 52 13
- C1 a b 2 a2 c6 13
- C1 b1 c2 a b 2 a2 c6 13
- Entire keyboard c1 c6 is used for performance 13
- More keyboard settings 13
- Other keyboard settings are available depending on the on off settings of part control and pattern control you can turn these on and off with the part control and pattern control buttons 13
- Part on off keys 13
- Part select keys 13
- Pattern keys performance keys 13
- Performance keys 13
- Step 2 using the keyboard 13
- Turn part control off by pressing the part control button 13
- Turn part control off by pressing the part control button turn pattern control off by pressing the pattern control button in this condition you can play the entire keyboard normally 13
- Turn pattern control off by pressing the pattern control button 13
- When part control and pattern control are both off 13
- When part control is off 13
- When pattern control is off 13
- Panel voice list 14
- Panel voices 1 140 140 voices 141 155 15 drum kit voices gm voices 156 283 128 voices sampling voice 284 14
- Playing back all three songs playing back all three songs 14
- Selecting a voice selecting a voice 14
- Step 3 demo song voice style 14
- Want to find out more see page 25 14
- Want to find out more see page 41 14
- Dd djx 15
- Selecting a style selecting a style 15
- Style list 15
- Techno 15
- Want to find out more see page 44 15
- Join the sampling revolution join the sampling revolution 16
- Sampling 16
- Step 4 digital sampling 16
- Dd djx 17
- Demo start 17
- Measure 17
- Microphone icon indicates sample recording 17
- Record 17
- Record indication stays lit during actual sampling 17
- Sampling 17
- Velocity 17
- Want to find out more see page 69 17
- Current value of the selected function parameter 18
- Enter the function number on the numeric keypad 18
- Function 18
- Negative values to directly enter negative values for those parameters that have negative values simultaneously hold down the button and press the desired number button 18
- Press the function button each press advances through the numbers hold down the button to continuously advance through the numbers 18
- Restoring the default value if you ve changed the parameter setting you can instantly restore the default setting by pressing both buttons simultaneously 18
- Since the function indication flashes for only a couple of seconds make sure to select the parameter quickly after step 1 above 18
- Step 5 function parameters 18
- The function number can be selected while the function indication is flashing 18
- Using the function parameters using the function parameters 18
- Velocity 18
- Demo start 19
- Measure 19
- Step 5 function parameters 19
- Velocity 19
- Arpeggiator speed arpspeed 20
- Assign knob and ribbon controller changing the assignment assign knob and ribbon controller changing the assignment 20
- Assigning various controls to the assign knob 20
- Attack time attack 20
- Chorus send level cholevel 20
- Currently assigned control or function 20
- Currently selected controller 20
- Cutoff frequency cutoff 20
- Demo start 20
- Description 20
- Dsp send level dsplevel 20
- Dynamics dynamics 20
- Dynamics strength strength 20
- For more information on the assign knob and ribbon controller see pages 63 66 20
- Function name display name 20
- Groove groove 20
- Measure 20
- Modulation mod 20
- Pan pan 20
- Release time release 20
- Resonance resonanc 20
- Reverb send level revlevel 20
- Step 6 20
- Step 6 assigning various controls to the assign knob ribbon controller and footswitch 20
- These functions can be assigned only to the ribbon controller these functions are effective regardless of the part select setting see page 60 these function parameters are effective only for the main voice regardless of the part select settings 20
- This creates a vibrato like pitch wavering effect 20
- This determines both the tempo and the pitch of the entire djx sound affect ing all parts of the pattern and all voices 20
- This determines how long the sound sustains after a note is released for certain percussive sounds this may have little or no audible effect 20
- This determines the amount or strength of the level change in the dynamics parameter 09 above this affects the entire pattern 20
- This determines the attack of the sound or in other words how long it takes for the sound to reach full volume when a note is played for certain percussive sounds this may have little or no audible effect 20
- This determines the depth of the chorus effect see page 35 20
- This determines the depth of the dsp effect see page 36 20
- This determines the depth of the reverb effect see page 34 turning the knob also automatically turns on reverb if it was originally turned off 20
- This determines the position of the sound in the stereo image left center or right 20
- This determines the speed of the arpeggiator function see page 37 20
- This determines the volume level of the sound 20
- This is the same parameter as controlled by the cutoff knob page 61 20
- This is the same parameter as controlled by the groove knob page 61 20
- This is the same parameter as controlled by the resonance knob page 61 20
- This makes both subtle and dramatic changes in the pattern by altering the level of the individual notes this affects the entire pattern 20
- Turntable turntbl 20
- Volume volume 20
- Footswitch control changing the assignment footswitch control changing the assignment 21
- Function 21
- Ribbon controller and footswitch 21
- Panel display indications 22
- Gm system level 1 23
- Playing voices the voice mode 24
- The voice mode features 270 authentic voices including 128 general midi voices plus 15 special drum kits all of which have been created with yamaha s sophisticated awm advanced wave memory tone generation system the voice mode gives you many powerful and versatile tools for playing and enhancing these voices 24
- Nufloor 25
- Playing a voice main voice 25
- About panel voices and gm voices 26
- Drum kit voice chart voices 141 155 26
- Play the selected voice 26
- Std kit1 26
- Function parameters 27
- Function parameters main voice 27
- Playing voices the voice mode 27
- Reverb send level chorus send level dsp effect send level 27
- Selecting and changing the function parameters press the function button then use the numeric keypad to select the parameter number after function stops flashing use the numeric keypad or buttons to change the setting for details see page 18 27
- The function parameters provide additional settings for the main voice these settings are especially useful when using a second voice in the dual or split modes since they let you change or enhance the sound of the main voice separate from the dual or split voice these settings include 27
- These settings are not saved when you turn off the power if you wish to save them save them to a user bank in the performance setup feature page 56 27
- Volume octave pan 27
- Transpos 28
- Transpose 28
- Transpose and tuning 28
- Transpose and tuning transpose and tuning 28
- Playing two voices dual voice 29
- Playing two voices dual voice playing two voices dual voice 29
- Tuning 29
- Exit the function mode 30
- Function parameters 30
- Function parameters dual voice 30
- Once you ve made all desired settings press one of the other mode but tons song style or voice 30
- Select the desired dual voice and make other set tings for the voice if desired in the function mode 30
- Selecting and changing the function parameters press the function button then use the numeric keypad to select the parameter number after function stops flashing use the numeric keypad or buttons to change the setting for details see page 18 30
- The function parameters provide all settings for the dual voice like the similar settings in the main voice mode these settings let you change or enhance the sound of the dual voice separate from the main voice these settings include 30
- Exit the function mode 31
- In the split voice mode you can assign two different voices to opposite parts of the performance section of the keyboard and play one voice with your left hand while your right plays another for example you could play bass with the left hand and play piano with the right the right hand or upper voice is selected in the main voice mode page 25 and the left hand or lower voice is selected in the split voice mode as described below 31
- Make other settings for the split voice if desired in the function mode 31
- Once you ve made all desired settings press one of the other mode but tons song style or voice 31
- Playing two voices split voice 31
- Playing two voices split voice playing two voices split voice 31
- To do this press the function button then use the numeric keypad to select parameter number 28 after function stops flashing use the buttons to change the setting for details see page 18 31
- Turn the split voice on in the function parameters 28 31
- Where the split voice is actually played on the keyboard depends on the part control and pattern control on off settings when both of these are off the entire keyboard can be used for the main and split voices for details see page 13 31
- Function parameters 32
- Function parameters split voice 32
- Playing voices the voice mode 32
- Reverb send level chorus send level dsp effect send level 32
- Split voice split on off split point 32
- The function parameters provide all settings for the split voice like the similar settings in the main voice mode these settings let you change or enhance the sound of the split voice separate from the main voice these settings include 32
- Volume octave pan 32
- Additional voice functions voice set touch sensitivity and pitch bend range 33
- Additional voice functions voice set touch sensitivity and pitch bend range additional voice functions voice set touch sensitivity and pitch bend range 33
- Function parameters 33
- Function parameters voice set touch sensitivity and pitch bend range 33
- Pitch bend range lets you set the amount of pitch change when using the pitch bend wheel see page 7 33
- Playing voices the voice mode 33
- Selecting and changing the function parameters press the function button then use the numeric keypad to select the parameter number after function stops flashing use the numeric keypad or buttons to change the setting for details see page 18 33
- Touch sensitivity also described below gives you dynamic expressive control over the voices by letting you set how the volume of the djx responds to your playing strength 33
- Voice set touch sensitivity and pitch bend range are three important voice related parameters and are found in the function parameters 33
- When voice set described in greater detail below is set to on you can automatically call up a variety of voice related settings that best suit the selected voice 33
- Effects 34
- Reverb 34
- Reverb reverb 34
- Set the desired reverb type 32 in the function mode 34
- Turn on the reverb effect 34
- Chorus 35
- Chorus chorus 35
- Exit the function mode 35
- For a list of the chorus types see page 39 35
- Once you ve made all desired settings press one of the other mode but tons song style or voice 35
- Selecting and changing the function parameters press the function button then use the numeric keypad to select the parameter number after function stops flashing use the numeric keypad or buttons to change the setting for details see page 18 35
- Set the chorus send level for the desired voice s 35
- Set the reverb send level for the desired voice s 35
- The chorus effect lets you enhance the sound of a voice with through the use of pitch modulation two basic types are provided chorus and flanger chorus produces a thicker warmer and more animated sound whereas flanger creates a swirling metallic effect a total of four chorus types are available 35
- The main dual and split voices can each be set to have different amounts of chorus use the corresponding chorus send level parameters in the function mode main 05 dual 15 split 25 to control this see pages 27 30 32 35
- The main dual and split voices can each be set to have different amounts of reverb use the corresponding reverb send level parameters in the function mode main 04 dual 14 split 24 to control this see pages 27 30 32 35
- Turn on the chorus effect 33 and set the chorus type 34 in the function mode 35
- Dsp dsp 36
- Exit the function mode 36
- For a list of the dsp types see page 39 36
- Once you ve made all desired settings press one of the other mode but tons song style or voice 36
- Selecting and changing the function parameters press the function button then use the numeric keypad to select the parameter number after function stops flashing use the numeric keypad or buttons to change the setting for details see page 18 36
- Set the dsp send level for the desired voice s 36
- The dsp effect section provides many reverb and chorus effects plus a wealth of other useful and dynamic effects for enhancing and changing the sound of the voices included among these miscellaneous effects are reverse gate reverb phaser rotary speaker tremolo echo delay distortion equalization and wah a total of thirty three dsp types are available 36
- The main dual and split voices can each be set to have different amounts of dsp use the corresponding dsp send level parameters in the function mode main 06 dual 16 split 26 to control this see pages 27 30 32 36
- Turn on the dsp effect 35 and set the dsp type 36 in the function mode 36
- Arpeggiator 37
- Arpeggiator arpeggiator 37
- Exit the function mode 37
- Function parameters effects 37
- Set the arpeggiator type 38 in the function mode 37
- Turn on the arpeggiator effect 37
- Arpeggiator types 38
- Effect types 38
- Effects 38
- Function parameters 38
- I effect types 38
- Chorus types 39
- Dsp types 39
- Effects 39
- Reverb types 39
- Press the song button 40
- Select a song with the numeric keypad 40
- Select the song mode press the song button 40
- Selecting and playing a song 40
- Song playback display 40
- Song playback the song mode 40
- Start and stop song playback with the start stop button 40
- The demo songs are generally for your listening enjoyment however you can also play along with them on the keyboard 40
- The user songs are empty and cannot be played until something has been recorded to them for instructions on recording your own songs see page 80 40
- Changing the bpm tempo 41
- Changing the bpm tempo changing the bpm tempo 41
- About the beat display 42
- About the beat display about the beat display 42
- P _ trance 42
- Adjusting the song volume 43
- Adjusting the song volume adjusting the song volume 43
- Songvol 43
- Patterns the style mode 44
- Selecting a style and playing the pattern 44
- Techno 44
- Select the desired style number 45
- Start the pattern 45
- Techno 45
- Turn pattern control on if it isn t on already 45
- Starting with a lead in section 46
- Using sync start 46
- Pattern controls 47
- Pattern controls pattern controls 47
- Pressing the start stop button 47
- Pressing the sync start button 47
- Stop the pattern 47
- Using a lead out section 47
- Changing the bpm tempo 48
- Changing the bpm tempo changing the bpm tempo 48
- Each style has four different break out sections that play in the following conditions 48
- Pattern sections beat a beat b and break outs 48
- Pattern sections beat a beat b and break outs pattern sections beat a beat b and break outs 48
- The bpm tempo of song and pattern playback can be adjusted over a range of 32 280 bpm beats per minute for instructions on changing the bpm tempo see page 41 48
- While the pattern is playing you can add variation by pressing one of the beat a b break out buttons this automatically plays one of four break out sections and smoothly leads into the next section even if it is the same section 48
- Adjusting the pattern volume 49
- Adjusting the pattern volume adjusting the pattern volume 49
- Ptrnvol 49
- Chords played in the pattern section of the keyboard are also detected and played when the pattern is stopped in effect this gives you a split keyboard with bass and chords in the left hand and the normally selected voice in the right 50
- Fingering 50
- Fingering fingering 50
- For example all single note chords in the techno style 001 are minor all chords for trip hop 002 are minor 7th 11th etc this lets you quickly and easily play the most musically useful and stylistically appropriate chord changes just by pressing a single key 50
- Naturally you can play full chords like those shown in the chart below and the pattern will change harmonically in response when you play single notes the djx automatically produces chords that are based on the root note you play and are best suited to the selected style 50
- Patterns the style mode 50
- Playing full chords may not change the pattern chord as intended for example playing major seventh chords will not change the chords of a pattern that has minor and dominant seventh phrases and lines 50
- Recognized chords root note c 50
- Using the key of c as an example the chart below shows the types of chords that can be recognized when part control is turned on the range of the pattern section may be too narrow for proper recognition of all of the following chords in all twelve keys for best results when playing full chords in the pattern section turn part control off see page 59 50
- When pattern control is set to on page 45 the djx automatically creates the backing tracks drums percussion bass chords hits and other phrases and changes the chords of the backing right along with you all you have to do is play single notes or chords in the pattern section of the keyboard and the djx follows you 50
- A perfect fifth 1 5 produces a pattern based only on the root and fifth which can be used with both major and minor chords 51
- If you play any three adjacent keys including black keys the chord sound will be cancelled and only the rhythm instruments will continue playing chord cancel function 51
- Inversion of the 7sus4 chord are not recognized if the 5th is omitted 51
- M7 m7 b 5 6 m6 sus4 aug dim7 7 b 5 6 9 m7 11 1 2 5 51
- Notes in parentheses can be omitted 51
- Patterns the style mode 51
- Playing two same root keys in the adjacent octaves produces a pattern based only on the root 51
- The chord fingerings listed are all in root position but other inversions can be used with the following exceptions 51
- The pattern will some times not change when related chords are played in sequence e g some minor chords followed by the minor seventh 51
- Two note fingerings will produce a chord based on the previously played chord 51
- Beat reverse 52
- Beat reverse beat reverse 52
- Part on off 52
- Part on off part on off 52
- Techno 52
- About the parts 53
- As the pattern is playing back press the key in the part on off section that corresponds to the part you want to mute un mute you can also press several keys at once to instantly mute un mute several parts 53
- Do this in the normal way need a refresher course see pages 44 46 53
- Press the appropriate keys to mute and un mute the desired parts 53
- Press the part control button 53
- Select a style and start the pattern 53
- To turn the part on off function off press the part control button again when part control is off appears in the part control sec tion of the icon window 53
- Turn part control on if it isn t on already 53
- Patterns the style mode 54
- Setting the pattern split point 54
- Setting the pattern split point setting the pattern split point 54
- The actual split points of both the split voice and the pattern keys change according to the part control on off setting when part control is on the split points are as set when part control is turned off both the split points drop one octave down increasing the range of the performance section the following examples illustrate how the split points change in each case 54
- The pattern split point determines the highest key for the pattern section the pattern can be played with the keys up to and including the pattern split point key 54
- This parameter can be set lower but not higher than the split point in the split mode when set to different values the two settings affect one another in the following way 54
- When part control is off 54
- When part control is on 54
- When the split mode split point is set higher than the pattern split point 54
- When the split mode split point is set to the same key as the pattern split point 54
- Function parameter pattern split point 55
- Function parameters 55
- Patterns the style mode 55
- Selecting and changing the pattern split point press the function button then use the numeric keypad to select parameter num ber 51 after function stops flashing use the numeric keypad or buttons to change the setting for details see page 18 the value can also be set directly by pressing the desired key while this parameter is selected after setting this make sure to select a different parameter or exit the function mode before playing the keyboard 55
- Performance setup 56
- Performance setup user 56
- Psu 1 user 56
- Recording a user performance setup 56
- Call up the style mode 57
- Exit from the record mode 57
- Once you ve recorded your settings to a user button you can in stantly recall those settings any time you want 57
- Press the appropriate performance setup user button 57
- Press the corresponding user performance setup button 1 4 doing this records the settings to the selected button 57
- Press the record button 57
- Press the style button 57
- Press the user button 1 4 corresponding to the desired settings 57
- Recalling a user performance setup 57
- Select the desired user number 57
- Selecting a user bank 57
- Performance setup preset 58
- Performance setup preset performance setup preset 58
- Play the pattern 58
- Press the appropriate performance setup preset button 58
- Select a style 58
- Selecting a preset performance setup 58
- If part control isn t on turn it on by pressing the part control button 59
- The knobs 59
- Using the knobs 59
- Using the knobs using the knobs 59
- Press one of the part select keys at the lower end of the keyboard c 1 b1 each of the keys corresponds to a different voice or part of the pattern letting you select the individual instrument sound you want to tweak with the knobs 60
- Press the start stop button for instructions on other ways to start the pattern refer to page 46 60
- Select the part you want to control 60
- Start the pattern start the song 60
- The key indicating the selected part is darkened in the display 60
- The knobs 60
- The name of each part is printed above each key 60
- The part select keys function differently when the song mode is selected 60
- Here s what each of the knobs do 61
- Turn the desired knob to the left for minimum or negative effect and to the right for maximum or positive each knob has a center detent for the 0 or 12 o clock position making it easy to feel your way back to zero 61
- Turn the knobs to change the sound 61
- Want to have even more keys in the per formance section of the keyboard 61
- Want to instantly call up your favorite set tings 61
- About cutoff and resonance 62
- About groove 62
- Assign knob 63
- Assign knob assign knob 63
- Dynamics 63
- Assign knob parameters 64
- Keep in mind that the assigned parameter may have little or no effect depending on the selected song style or voice 64
- The knobs 64
- On your own 65
- Want to quickly switch among different assign knob parameters 65
- Want to use another one of these param eters at the same time 65
- Ribbon controller 66
- Turntbl 66
- Using the ribbon controller 66
- Keep in mind that the assigned parameter may have little or no effect depending on the selected song style or voice 67
- Ribbon controller 67
- Ribbon controller parameters 67
- The following chart lists and briefly explains the parameters for more information on the workings of the ribbon controller see the box on page 68 67
- Cutoff 68
- How the ribbon controller works 68
- Select a part and start the pattern song 68
- Use the ribbon controller to change the sound 68
- About digital sampling 69
- About digital sampling about digital sampling 69
- Digital sampling 69
- Edit play 69
- Sampling 69
- Sampling of course is a revolutionary new technology but it s much more than that in case you haven t been paying attention sampling is extraor dinarily popular and is an integral part of most cutting edge music of today it s also the most revolutionary way of making music since virtually anything can be sampled and then digitally twisted and regurgi tated into new music 69
- What is sampling technically sampling is making a digital recording of a sound the sound could be your voice or an acoustic instru ment taken from a microphone or a recorded sound from a cd or cassette player once it is recorded the resulting sample can be edited for example trimmed or looped and can then be played at various pitches from a keyboard 69
- With the built in digital sampling features the djx makes it exceptionally easy for you to use this groundbreaking technology in your own music the samples you create are automatically stored to voice 284 sampled and can be played from the keyboard like any other voice and can be tweaked with the knobs ribbon controller and pitch bend wheel as well 69
- Recording a sample and playing it 70
- Recording a sample and playing it recording a sample and playing it 70
- Sampling 70
- Avoiding feedback 71
- Connections 71
- Guidelines for sampling 71
- Proper levels 71
- Sample start points 71
- Simultaneous mic and line in use 71
- Trigger level 71
- Press the key to which the new sample will be as signed 72
- Sampling 72
- Set sampling to standby 72
- Sampled 73
- Sampling memory capacity 73
- Delete 74
- Deleting a sample 74
- Recording additional samples 74
- Call up the sample editing functions 75
- Enter the sampling mode 75
- Sample editing 75
- Sample editing sample editing 75
- Setting the end point 75
- Wave sel 75
- Ep 1 16 76
- Call up the sample editing functions 78
- Creating loops 78
- Enter the sampling mode 78
- Exit from the sampling mode 78
- Select the desired sample wave 78
- Set the sample for loop play 78
- About the resolution settings 79
- Adjust the end point 79
- Exit from the sampling mode 79
- Press the record button digital sampling again your new loop and end point settings are automatically saved and are called up each time you select the sampled voice 284 79
- This operation is the same as in step 5 of setting the end point above 79
- To edit other samples in the voice simply repeat the entire operation above 79
- Use the overall buttons to change the setting if necessary for loop this should be set to yes 79
- Psu 1 user 80
- Realtime 80
- Song recording 80
- Before you actually start recording you ll need to make various settings for the song such as selecting a style setting the bpm tempo and select ing a voice see pages 44 41 and 24 81
- If desired also make other settings refer to the list above for settings that can be recorded to a song 81
- Make all desired djx settings 81
- Recording a user song realtime recording 81
- Recording a user song realtime recording recording a user song realtime recording 81
- Selecting a style lets you use the sophisticated pattern features as part of your song in this way you can simply play the chords and the djx auto matically creates the appropriate bass and chord backing for more information on patterns see page 44 81
- Realtime 82
- Start recording 83
- Stop recording 83
- User 1 1 83
- Additional operations 84
- Exit from the record mode 84
- Listen to your new recording 84
- Record to other tracks as desired 84
- Recording a user song step recording 85
- Recording a user song step recording recording a user song step recording 85
- Recording notes 86
- Select a track number 86
- Select a user song for recording 86
- Start recording 86
- Additional operations 88
- Exit from the record mode 89
- Listen to your new recording 89
- Record to other tracks as desired 89
- Replacing a note or rest 89
- At the change prompt press the button yes to actually enter the selected velocity curve or press the button to cancel the operation 90
- Entering velocity curves 90
- In step recording all notes are recorded at the same velocity or volume to make a step recorded track sound more natural or to create some dynamic changes in the track use the velocity curve function 90
- Select the first note to be affected by the velocity curve by using the buttons of the numeric keypad all subsequent notes will be velocity transformed 2 simultaneously hold down the velocity button 0 in the numeric keypad and press or to select the desired velocity curve 90
- Song recording 90
- Velocity curve chart 90
- You can specify a velocity curve in the middle of a track before recording the notes that the curve will affect to do this select the last note of the track by using the buttons then enter the desired velocity curve in this case the velocity curve is not applied to that last note but affects all subsequently entered notes 90
- After the function indication stops flashing and the clr prompt appears press the button to start the song clear operation 91
- Clearing a song 91
- Press the function button 91
- Press to actually clear the corresponding song or press to cancel the operation and return to step 3 91
- The song clear operation of the function parameters completely erases all recorded data on all tracks of a selected user song use this operation only when you re sure you want to erase a song and record a new one 91
- To exit from the song clear operation press one of the other mode but tons song style or voice 91
- Usng1clr 91
- While the function indication is flashing use the numeric keypad to select the desired function parameter number 91
- Even though the djx is enormously versatile and powerful on its own it can also be used effectively in any midi setup the djx is midi compatible featuring midi in and midi out terminals and pro viding a variety of midi related controls by using the midi functions you can expand your musical possibilities this section explains what midi is and what it can do as well as how you can use midi on your djx 92
- Midi functions 92
- What is midi 92
- What is midi what is midi 92
- Channel messages 93
- Example of keyboard information 93
- G channel messages 93
- G system messages 93
- Midi functions 93
- Midi is an acronym that stands for musical instrument digital interface which allows electronic musical instruments to communicate with each other by sending and receiving compatible note control change program change and various other types of midi data or messages the djx can control a midi device by transmitting note related data and various types of controller data the djx can be controlled by the incoming midi messages which automatically determine tone generator mode select midi channels voices and effects change parameter values and of course play the voices specified for the various parts 93
- Midi messages can be divided into two groups channel messages and system messages below is an explanation of the various types of midi messages which the djx can receive transmit 93
- System messages 93
- The djx is an electronic instrument that can handle 16 channels this is usually expressed as it can play 16 instruments at the same time channel messages transmit information such as note on off program change for each of the 16 channels 93
- The messages transmitted received by the djx are shown in the midi implementation chart on page 112 93
- This is data that is used in common by the entire midi system system messages include messages like exclusive messages that transmit data unique to each instrument manufacturer and realtime mes sages that control the midi device 93
- By connecting your djx s midi terminals to a personal computer you can have access to a wide variety of music software 94
- Connecting to a personal computer 94
- Connecting to a personal computer connecting to a personal computer 94
- G connect the midi terminals of the djx to the midi terminals of the personal computer 94
- G when using a midi interface with a macintosh series com puter connect the rs 422 terminal of the computer modem or printer terminal to the midi interface as shown in the diagram below 94
- Midi terminals 94
- Use only special midi cables when connecting midi devices 94
- When using a midi interface device installed in the personal computer connect the midi terminals of the personal computer and the djx 94
- Function parameters 95
- Function parameters midi 95
- Function parameters midi function parameters midi 95
- Selecting and changing the function parameters press the function button then use the numeric keypad to select the parameter number after function stops flashing use the numeric keypad or buttons to change the setting for details see page 18 95
- The function parameters provide additional more detailed midi settings for the djx these settings include 95
- Saving bulk data sampling data 97
- Using bulk dump send sampling send to save data 97
- Using bulk dump send sampling send to save data using bulk dump send sampling send to save data 97
- At the sure prompt start sending the data 98
- Bulksnd 98
- Exit from the bulk dump send sampling send operation 98
- Send psu 98
- Send sng 98
- Smplsnd 98
- Loading bulk data sampling data 99
- Make sure that the djx is set to the style mode 99
- Rcv psu 99
- Rcv smpl 99
- Rcv sng 99
- Set up the connected midi device for sending the appropriate data 99
- Start sending the data from the connected midi device 99
- Sending initial setup data 100
- Using initial setup send with a sequencer 100
- Using initial setup send with a sequencer using initial setup send with a sequencer 100
- At the initsnd prompt above set the opera tion to standby 101
- Exit from the initial setup send operation 101
- Start recording on the sequencer then send the initial setup data 101
- Stop recording on the sequencer 101
- Appendix 102
- Troubleshooting 102
- Backup 103
- Data backup initialization 103
- Data initialization 103
- I maximum polyphony 104
- Panel voice list 104
- Voice list 104
- Voice list 105
- Gm voice list 106
- Voice list 106
- Sampled voice 107
- Voice list 107
- Drum kit list 108
- Indicates that the drum sound is the same as standard kit 1 each percussion voice uses one note the midi note and note are actually one octave lower than listed for example in 141 standard kit 1 the seq click h note 36 note c1 corresponds to note 24 note c0 key off keys marked o stop sounding the instant they are released voices with the same alternate note number 1 4 cannot be played simultaneously they are designed to be played alternately with each other 108
- Drum kit list 109
- Analog kit 3 however the main voice octave setting for voices 153 electronic kit 2 154 b900 kit and 155 djx kit is 0 to hear these voices properly play the keys one octave lower than they are listed in this chart for example to hear reverse bd in voice 155 play c5 and not c6 as listed 110
- Djx special drum kit list 110
- Drum kit list 110
- In this list the keyboard note and note values shown are applicable when the main voice octave setting function 02 is set to 1 this is the default setting for voices 141 standard kit 1 through 152 110
- Rows shaded in black for kits 141 154 and 155 indicate that no percussion sounds have been assigned to the corresponding notes hence no sound results when playing those notes 110
- Style list 111
- Midi implementation chart 112
- Midi implementation chart 113
- Chorus 114
- I effect map 114
- Midi implementation chart 114
- Reverb 114
- Specifications 115
- Consumers responsibilities 117
- Days labor 1 year parts 117
- Exclusions 117
- Keep this document for your records do not mail 117
- Limited warranty 117
- Fcc information u s a 118
- Important 118
- Important notice do not modify this unit 118
- Africa 119
- Argentina 119
- Australia 119
- Austria 119
- Belgium 119
- Brazil 119
- Canada 119
- Central south america 119
- Countries and trust territories in pacific ocean 119
- Denmark 119
- Die einzelheiten zu produkten sind bei ihrer unten aufgeführten nie derlassung und bei yamaha vertragshändlern in den jeweiligen bestimmungsländern erhältlich 119
- Europe 119
- Finland 119
- For details of products please contact your nearest yamaha or the authorized distributor listed below 119
- France 119
- Germany switzerland 119
- Greece 119
- Head office 119
- Hong kong 119
- Iceland 119
- Indonesia 119
- Ireland 119
- Malaysia 119
- Mexico 119
- Middle east 119
- New zealand 119
- North america 119
- Norway 119
- Oceania 119
- Other countries 119
- Other european countries 119
- Panama and other latin american countries caribbean countries 119
- Para detalles sobre productos contacte su tienda yamaha más cercana o el distribuidor autorizado que se lista debajo 119
- Philippines 119
- Portugal 119
- Pour plus de détails sur les produits veuillez vous adresser à yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante 119
- Singapore 119
- Sweden 119
- Taiwan 119
- Thailand 119
- The netherlands 119
- The people s republic of china and other asian countries 119
- The united kingdom 119
- Turkey cyprus 119
- Yamaha corporation electronic musical instrument division 119
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