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MartinLogan Aerius i [7/28] E r i u s
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With horizontal bi-amping, one amplifier drives the high
pass (ESL) section while the second amplifier drives the
low pass (WOOFER) section. To horizontally bi-amp your
Aerius i’s you must loosen the binding posts and remove the
jumper clips. Connect the low frequency amplifier to the
lower set of binding posts of both speakers. Connect the
high frequency amplifier to the upper set of binding posts.
Next, connect the left and right preamplifier outputs to the
appropriate left and right inputs of both amplifiers (See
Figure 3).
Vertical Passive Bi-Amplification
The very nature of vertical bi-amping dictates that both
amplifiers be identical. With vertical bi-amping, each of
the stereo amplifiers is dedicated to one speaker. For
instance, the left channel of each amplifier drives the low
pass (WOOFER) section while the right channel drives the
high pass (ESL) section. To vertically bi-amp your Aerius i’s
you must loosen the binding posts and remove the jumper
clips from both speakers. Starting with one speaker, connect
the right channel to the lower binding posts and the left
channel to the upper binding posts. Repeat the same procedure
for the other speaker. Connect the left preamplifier outputs
to both inputs of the left channel amplifier and the right
preamplifier outputs to both inputs of the right channel
speaker (See Figure 4).
Figure 3. Horizontal passive bi-amplification. One Channel shown.
High Amplifier
speaker output
Low Amplifier
speaker output
ESL
Woofer
Jumper clips
removed
Figure 4. Vertical passive bi-amplification. One Channel shown.
Left Channel Amplifier
speaker output
ESL
Woofer
Jumper clips
removed
A ERIUS
TM
i
Loud Speaker
A ERIUS
TM
i
Loud Speaker
Operation 7
Содержание
- E r i u s 1
- U s e r s m a n u a l 1
- Contents 2
- Ontents 2
- Installation in brief 3
- Making sure that you have made a firm 3
- Nstallation i 3
- Plug them i 3
- Introduction 4
- Ntroduction 4
- Quality and will provide years of enduring enjoyment and 4
- Selected hardwoods they are then grain and color 4
- A variety of speaker cables are now available whose 5
- Ac power connection 5
- Break in 5
- Jumper clips 5
- Operation 5
- Peration 5
- Signal connection 5
- Bi wire connection 6
- E r i u s 6
- Passive bi amplification 6
- Single wire connection 6
- This method of connection replaces the jumper clips installed 6
- E r i u s 7
- Experimentation 8
- Lacement 8
- Listening position 8
- Placement 8
- The side walls 8
- The wall behind the listener 8
- The wall behind the speakers 8
- Your initial setup for the next few days as the speaker 8
- Enjoy yourself 9
- Final placement 9
- The extra tweak 9
- Coustics 10
- Room acoustics 10
- Rules of thumb 10
- Terminology 10
- Your room 10
- Dipolar speakers and your room 11
- Solid footing 11
- Controlled horizontal dispersion 12
- Controlled horizontal dispersion three major types of dispersion 12
- Controlled vertical dispersion 12
- Dispersion interactions 12
- Ispersio 12
- Nteractions 12
- Three major types of dispersion 12
- Dispersion interactions 13 13
- Heater 14
- Home theater 14
- Dvantages 15
- Electrostatic advantages 15
- Lectrostati 15
- Conventional loudspeaker martinlogan aerius i 16
- Critical zone 450hz 20khz 16
- Full range operation 16
- Curvilinear line source cl 17
- Curvilinear line source cls tm 17
- Martinlogan exclusives 17
- Transducer integrity 17
- Vapor deposited film 17
- Xclusives 17
- Advantage of the new recording medium bell labs 18
- Electrostatic loudspeaker history 18
- Istory 18
- Lectrostati 18
- Oudspeake 18
- Rice and kellogg had narrowed the field of contestants down to the cone and the electrostat 18
- Electrostatic speakers have progressed and prospered 19
- These developments allow the consumer to own the highest performance loud speaker products ever built 19
- When janszen corporation was 19
- Frequently asked questions 20
- Requentl 20
- Uestions 20
- Roubleshooting 22
- Troubleshooting 22
- General information 23
- Nformation 23
- Service 23
- Specifications 23
- Warranty and registration 23
- Warranty and registration specifications 23
- Glossary of audio terms 24
- Lossary o 24
- A r t i 28
- Back cover 28
- O g a n 28
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