MartinLogan Depth [10/24] Channel mode with 2 channel output
![MartinLogan Depth [10/24] Channel mode with 2 channel output](/views2/1197717/page10/bga.png)
10 Connections and Control Settings
This setup is recommended if your Depth will be used in a
2-channel only system and you intend to use the Depth’s
High Pass Filter Out.
Signal Connection (see figure 10):
1 Connect the left and right outputs of your preamplifier to
the left and right inputs of the Depth using quality RCA
interconnects.
2 Connect the left and right outputs of your Depth to the
left and right inputs of your amplifier using quality RCA
interconnects.
Recommended Control Settings (see figure 3):
1 Set the controls as recommended on page 6.
2 The High Pass Filter: Out switch should be set, at the user’s
discretion, to the option with the best sounding result.
As a general rule, if your main loudspeakers are bookshelf
speakers, set the High Pass Filter: Out to 70Hz. Likewise,
40Hz for floorstanding loudspeakers. Use ‘None’, if you
want to pass an unaltered signal out of the Depth.
3 At this time the Depth’s Low Pass Filter should be set to
approximately 70% of your main loudspeakers lowest
frequency response—make note of this number, as you
will use it below to determine the correct setting for
your low pass filter.
If the High Pass Filter: Out is set to ‘None’, the Low Pass
Filter should remain at approximately 70% of your loud-
speakers lowest frequency response.
If the High Pass Filter: Out is set to 40Hz, the Low Pass
Filter should be set to 35Hz or 70%, whichever is greater.
If the High Pass Filter: Out is set to ‘70Hz’, the Low Pass
Filter should be set to 55Hz or 70%, whichever is greater.
Why the Filters Are Not Equal
You may have noticed the recommended setting procedure
above does not advise setting the Low Pass Filter and High
Pass Filter: Out to the same frequency. This is because you
are setting the filter points, not the crossover point. Between
20Hz and 100Hz, as the subwoofers output decreases, the
loudspeakers output increases. For a seamless crossover of
these two slopes, the summation of their two values, at any
given frequency, should add to maintain a level output. By
correctly setting your High Pass Out and Low Pass filters,
this result can easily be achieved (see figure 11).
Figure 10. Signal connection for 2-channel mode with 2-channel output.
Figure 11. Filters settings for a loudspeaker with a Low End of 56Hz.
2-Channel Mode With 2-Channel Output
Содержание
- E p t h 1
- Front cover 1
- U s e r s m a n u a l 1
- Contents 2
- Ontents 2
- Nstallation i 3
- Untitled 3
- Introduction 4
- Introduction and assembly 4
- Introduction trim removal and installation 4
- Ntroduction an 4
- Ssembly 4
- Trim removal and installation 4
- About the controls 5
- Bout th 5
- Ontrols 5
- Before connecting the depth 6
- Channel mode 6
- Connections and control settings 6
- Ettings 6
- Onnections an 6
- Multi channel mode 7
- Channel multi channel mode 8
- Channel mode using speaker level inputs 9
- Channel mode with 2 channel output 10
- Why the filters are not equal 10
- Sub out using multiple depths 11
- Ac power connection 12
- Ac power connection replacing the fuse 12
- Break in 12
- Replacing the fuse 12
- Ask your dealer 13
- Enjoy yourself 13
- Installing the depth in a cabinet 13
- Lacement 13
- Listening position 13
- Placement 13
- Coustics 14
- Room acoustics 14
- Terminology 14
- Your room 14
- Solid footing 15
- Heater 16
- Home theater 16
- Balancedforce for cleaner bass 17
- Balancedforce for cleaner bass low pass filters maximize blending 17
- Depth advantages 17
- Dvantages 17
- Hz level control 17
- Low pass filters maximize blending 17
- Servo controlled dynamic drivers 17
- Trilinear configuration 17
- Faq troubleshooting 18
- Frequently asked questions 18
- Frequently asked questions troubleshooting 18
- Requentl 18
- Roubleshooting 18
- Troubleshooting 18
- Uestion 18
- General information 19
- Nformation 19
- Service 19
- Specifications 19
- Warranty and registration 19
- Warranty and registration specifications 19
- Glossary of audio terms 20
- Lossary o 20
- A r t i 24
- Back cover 24
- O g a n 24
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