M-Audio OmniStudio USB [10/45] Theory of operation
![M-Audio OmniStudio USB [10/45] Theory of operation](/views2/1790280/page10/bga.png)
A recording console performs two functions. It routes the signal you are about to record, providing the ability to pre-amplify and shape that
signal before it gets to the recording device. At the same time, it handles all playback, allowing you to mix, add an effect, and monitor your
recorded signal as well as your “virtual” MIDI keyboard tracks.
The OmniStudio USB is designed to perform these tasks. The OmniStudio USB, in conjunction with your PC or Macintosh computer and
compatible audio software, adds the functionality of a recording console in a desktop unit. The OmniStudio USB is modeled after what is
known as a “split console” design, where the recording and monitoring sections function independently.
Two high quality M-Audio Mic/Instrument preamps are routed to the OmniStudio USB’s analog inputs 1 and 2. The level you record is controlled by
the OmniStudio USB preamp’s independent gain controls in conjunction with the 20dB pad switch. An insert jack added to the record path
allows you to process the signal with outboard gear, should you choose to. Line Inputs 3 & 4 offer you selectable input level of +4dB or -10dB,
and give you a total of 4 direct analog inputs to your computer.
The audio from your computer connects to the OmniStudio’s internal mixer, with individual FX Send Level controls to create a mono FX Send.
This internal mixer then blends the audio from your computer with the Direct Monitor levels, the four Stereo Aux Inputs, and the audio from
the FX Returns. The OmniStudio USB’s rear panel Stereo Aux Inputs can also be routed directly to the OmniStudio USB’s inputs to the computer,
making it extremely convenient when you want to record your “virtual” tracks. The OmniStudio USB’s four Direct Outs take the audio from your
computer and bypass the OmniStudio’s internal mixer. These can simultaneously be used as independent balanced/unbalanced direct
outputs for additional effects sends, alternate mix outputs or feeds to a secondary mixer.
USB Operability
The USB port provides a high-speed connection to your computer. Devices can be “hot-plugged” into the USB port with no need to
power down the computer. Additionally, there’s no need to open the computer, no tools are required, nor is it necessary to configure
the device other than installing the drivers and plugging it in to the USB port.The OmniStudio USB utilizes the convenience of your
computer’s USB port to bring high quality, high resolution audio to your desktop or laptop computer. The PC requires no IRQ other than
the one that is already dedicated to the USB controller when it is enabled.
It is important to note that while multiple devices can, in theory, be connected to the USB port (with the addition of a USB hub), audio
over USB requires significant bandwidth. We therefore recommend that you plug the OmniStudio USB directly into your computer’s USB
port, and not into a USB hub shared with other devices. Of course, if you are using a USB keyboard and mouse, you may have those
plugged into your computer’s other USB port (two are usually supplied on PC and Mac).
Note, however, that in most computers these two USB ports ultimately share a single USB bus, and all devices connected to either port
will create bandwidth demands to some degree. For optimal audio performance, we strongly recommend refraining from using other
bandwidth-intensive USB devices (e.g., printers, scanners, modems, etc.) while recording. In fact, in many cases it’s best to disconnect
these devices entirely while recording – some device drivers are written to“poll” (send a signal to) the CPU every millisecond, even
when not in use, and this can lead to drop-outs or noise in your audio.
Audio Protocols
Your OmniStudio USB is a 24-bit /96kHz capable device. This means you can record at any sampling rate your recording software
supports, up to 96kHz at a bit width of 24-bits, and at 16- or 24-bits with a sampling rate of 48kHz or less. An ASIO control panel included
with your driver software allows you to set the OmniStudio USB to its different operating modes.The OmniStudio USB has several
operating modes, and when using the included ASIO drivers it will function as a 4-in, 4-out audio device. On the PC, the ASIO drivers,
as well as the Windows WDM/MME drivers, will load automatically during the driver installation procedure.
6. Theory of Operation
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Содержание
- Table of contents 2
- Introduction 4
- Features 5
- Detachable rack ears 6
- Iim mppoorrttaanntt the omnistudio usb is supported under windows xp windows 2000 windows me and windows 98se the omnistudio usb is not supported under windows 98 first edition or windows 95 6
- In the case of windows 2000 you must be running sp3 or later for windows xp you must be running sp1 or later visit the windows update web pages to make certain you have the most current updates and fixes supplied by microsoft 6
- Macintosh g3 or g4 with native usb compatibility 6
- Mb ram for 48khz operation 6
- Mb ram for 96khz operation 6
- Note that macos9 support has included a number of updates relevant to usb audio check the apple website for current information 6
- Omnistudio usb recording interface 6
- Oms 2 for midi operation 6
- On the mac the omnistudio usb is supported under macos 9 or later and mac osx version 10 or later earlier versions of mac operating systems are not supported your macintosh computer must have native usb support 6
- Os 9 or later or os 10 or later check the apple website for update information 6
- Pentium 2 or equivalent 400 mhz or higher 64 mb ram for 48khz operation 6
- Pentium 3 or equivalent 500 mhz or higher 128 mb ram for 96khz operation 6
- System requirements 6
- Udma eide or scsi hard disk 6
- Usb 1 cable 6
- Users manual 6
- Vac 3500 milliamp power supply 6
- What s in the box 6
- Whatõs in the box 6
- Windows and mac driver software cd 6
- Windows xp sp1 windows 2000 sp3 windows me or windows 98se the omnistudio usb is not supported under windows 98 first edition or windows 95 6
- Your omnistudio usb package contains the following 6
- Features and technical in 7
- Features and technical information 7
- Audio protocols 10
- Theory of operation 10
- Usb operability 10
- I o levels 11
- Inputs and outputs 11
- Operational basics and de 12
- Operational basics and definitions 12
- Phantom power 12
- Sends and returns 12
- Unbalanced signals 12
- Balanced cabling connections 13
- Plugs and jacks 13
- Stereo input and insert cab 13
- Stereo input and insert cables connections 13
- Unbalanced cabling connec 13
- Unbalanced cabling connections 13
- Hardware installation 14
- Line levels vs mic instr levels 14
- Virtual tracks 14
- Software installation 15
- Windows xp 15
- Windows 2000 17
- Windowsme 19
- Windows 98se 21
- Mac osx 23
- Mac os9 25
- Installing and configuring o 26
- Installing and configuring oms macos 9 only 26
- To configure oms 26
- To install oms 26
- Along with your driver installation the omnistudio usb control panel is also installed on your system on the pc you ll find a tiny m logo located in your system tray which can be double clicked to open the panel on the mac the apple menu s control panel section will allow you to select and open the omnistudio usb control panel 27
- In 0 out 24 bit at 88 or 96khz 27
- In 2 out 24 bit at 48khz 44 khz 22 5khz or 11khz 27
- In 2 out 24 bit at 88 or 96khz 27
- In 4 out 16 bit at 48khz 44 khz 22 5khz or 11khz 27
- In 4 out 24 bit at 48khz 44 khz 22 5khz or 11khz 27
- Output mode 27
- Please refer to section 16 for specifications on usb 1 limitations 27
- The control panel is used to select the omnistudio usb s output mode and buffer size audio latency and also displays current driver and panel version numbers windows only offers you the option of removing the m audio omnistudio usb icon from your system tray 27
- This drop down menu will select the omnistudio usb s output mode maximum bit depth and the maximum sample rate at which your audio software may record the following options are available 27
- Using the control panel 27
- Latency 28
- Hardware connections 29
- Using the input and output l 30
- Using the input and output level switches 30
- Using the mic inst and line 30
- Using the mic inst and line inputs 30
- Using the aux inputs 31
- Using the direct outs 1 4 31
- Using the fx sends and returns 31
- Using the inserts 31
- Basic recording playback 32
- Basic recording playback operation 32
- Playback 32
- Using the omnistudio usb s direct monitoring 32
- Using the omnistudio usbõs 32
- Adding effects 33
- Using asio or wdm software 33
- Using asio or wdm software monitoring 33
- Setting record levels using 34
- Setting record levels using the inserts 34
- Setting record levels using the mic inst and line inputs 34
- Monitoring virtual tracks u 35
- Monitoring virtual tracks using the aux inputs 35
- Recording external effects 35
- Recording your midi instruments as audio tracks 35
- Setting midi playback levels 35
- Recording and overdubbing li 36
- Recording and overdubbing live inputs 36
- Recording your midi instrum 36
- Setting the audio track playback levels 36
- Mixing with the omnistudio usb 37
- Optimizing your computer 38
- Optimizing your computer for audio 38
- Troubleshooting 39
- Contact us 40
- M audio canada 40
- M audio deutschland germany 40
- M audio france 40
- M audio u k 40
- M audio u s 40
- All measured performance specifications were obtained using 24 bit 48khz settings 41
- Balanced direct 10dbv output 41
- Balanced direct 4dbu output 41
- Bit 88 or 96 khz 2 in or 2 out 41
- Bit up to 48 khz 4 in 2 out or 2 in 4 out 41
- Bit up to 48 khz 4 in 4 out 41
- Both channels have clip red 1dbfs and signal present green 15dbfs led 41
- Dynamic range 60dbfs 100 db a weighting 41
- Dynamic range 60dbfs 103 db no a weighting 120 db a weighting 41
- Dynamic range 60dbfs 103 db no a weighting 122 db a weighting 41
- Dynamic range 60dbfs 103 db no a weighting 123 db a weighting 41
- Dynamic range 60dbfs 107 db a weighting 41
- Dynamic range 60dbfs 109 db a weighting 41
- Dynamic range 60dbfs 97 db no a weighting 101 db a weighting 41
- Inst input 41
- Main output 41
- Mic input 41
- Mic input to main output 41
- Performance specifications 41
- Product specs 41
- Recording playback configurations usb bandwidth limited 41
- Signal to noise ratio 104 db no a weighting 107 db a weighting 41
- Signal to noise ratio 105 db no a weighting 108 db a weighting 41
- Signal to noise ratio 96 db no a weighting 41
- Signal to noise ratio 96 db no a weighting 101 db a weighting 41
- Signal to noise ratio 96 db no a weighting 99 db a weighting 41
- Signal to noise ratio 97 db no a weighting 103 db a weighting 41
- Stereo aux input 41
- Thd n 90 db no a weighting 41
- Thd n 93 db no a weighting 41
- Thd n 95 db 41
- Thd n 95 db no a weighting 41
- All other outputs 470ohm 42
- Dimensions and weight 42
- Direct outs 10dbv nom 2 vpp 0 dbv 42
- Direct outs 4dbu nom 10 vpp 13 dbu 42
- Frequency response 42
- H x 13 w x 6 d for normal desktop use 42
- H x 19 w x 6 d with rack ears w o rubber feet for rack mounting 42
- Headphone output 75ohm 42
- Headphone outs 19 vpp with 75ohm output impedance 42
- Input impedances 42
- Input specifications 42
- Inst in 1mohm 42
- Inst in max gain no pad 19mvpp 42
- Inst in min gain no pad 9 vpp 42
- Instrument in to main output 0 0 db 20hz 20khz 42
- Lbs 4 lbs w rack ears 42
- Line 3 4 in to main output 0 0 db 20hz 20khz 42
- Line in 3 4 10dbv nom 5 vpp 42
- Line in 3 4 4dbu nom 21 vpp 42
- Line in 3 and 4 50kohm 42
- Ma 9vac lump in the line power supply required for operation 42
- Main outs 2 vpp 1 dbv 42
- Max input levels 42
- Max output levels 42
- Mic in 3 kohm 1 k per leg to ground 42
- Mic in max gain no pad 3 mvpp balanced 42
- Mic in max gain w pad 38mvpp balanced 42
- Mic in min gain no pad 3 vpp balanced 42
- Mic in min gain w pad 34vpp balanced 42
- Mic in to main output 0 0 db 20hz 20khz 42
- Monitor outs 2 vpp 1 dbv 42
- Output impedances 42
- Output specifications 42
- Power supply 42
- Stereo aux inputs 3 vpp 42
- Stereo aux inputs fx return insert return 10kohm 42
- Minimum system requirements 43
- Signal flow block diagram 44
- Warranty 45
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