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PRESONUS ADL700 [22/32] Adl 700
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• Your memory is not what you think it is. Comparing a flat EQ and the
curve that you’ve created allows you to see and hear exactly what you’ve
done. So be honest with yourself. Sometimes that EQ setting you’ve
been working on for 15 minutes is not the right choice, so move on.
• Never be afraid of taking a risk. The best EQ tricks were found by mad scientists
of sound. With every instrument, there are frequencies that can be attenuated or
boosted to add clarity or fullness. Altering the wrong frequencies can make an
instrument shrill, muddy, or just downright annoying. The following two charts
suggest frequency ranges that should be accentuated or downplayed for the
most common instruments. These are just suggestions; the frequencies may need
to be adjusted up or down depending on the instrument, room, and microphone.
Table 1
Instrument What to Cut Why to Cut What to Boost Why to Boost
Human Voice 7 kHz Sibilance 8 kHz Big sound
2 kHz Shrill 3 kHz and above Clarity
1 kHz Nasal 200-400 Hz Body
80 Hz and below Popping P’s
Piano 1-2 kHz Tinny 5 kHz More presence
300 Hz Boomy 100 Hz Bottom end
Electric Guitar 1-2 kHz Shrill 3 kHz Clarity
80 Hz and below Muddy 125 Hz Bottom end
Acoustic Guitar 2-3 kHz Tinny 5 kHz and above Sparkle
200 Hz Boomy 125 Hz Full
Electric Bass 1 kHz Thin 600 Hz Growl
125 Hz Boomy 80 Hz and below Bottom end
String Bass 600 Hz Hollow 2-5 kHz Sharp attack
200 Hz Boomy 125 Hz and below Bottom end
Snare Drum 1 kHz Annoying 2 kHz Crisp
150-200 Hz Full
80 Hz Deep
Kick Drum 400 Hz Muddy 2-5 kHz Sharp attack
80 Hz and below Boomy 60-125 Hz Bottom end
Toms 300 Hz Boomy 2-5 kHz Sharp attack
80-200 Hz Bottom end
Cymbals 1 kHz Annoying 7-8 kHz Sizzle
8-12 kHz Brilliance
15 kHz Air
Horns 1 kHz Honky 8-12 kHz Big sound
120 Hz and below Muddy 2 kHz Clarity
String section 3 kHz Shrill 2 kHz Clarity
120 Hz and below Muddy 400-600 Hz Lush and full
18
3.0 Tutorial
3.2 Equalizers
ADL 700
Owner’s Manual
Содержание
- Adl 700 1
- Eu directives on the protection of the environment and other euro stuff 2
- Important safety instructions 2
- Hookup 3 3
- Overview 1 3
- Resources 20 3
- Table of contents 3
- Tutorial 14 3
- Adl 700 5
- Introduction 5
- Overview 5
- Owner s manual 5
- Adl 700 6
- Owner s manual 6
- Summary of adl 700 features 6
- What s in the box 6
- Adl 700 7
- Hookup 7
- Input controls 7
- Owner s manual 7
- Adl 700 8
- Compressor controls 8
- Owner s manual 8
- Adl 700 9
- Eq controls 9
- Owner s manual 9
- Adl 700 10
- Owner s manual 10
- Adl 700 11
- Owner s manual 11
- Vu meter and controls 11
- Adl 700 12
- Master controls 12
- Owner s manual 12
- Physical connections 12
- Adl 700 13
- Owner s manual 13
- Adl 700 14
- Hookup diagram adl 700 mono 14
- Owner s manual 14
- Adl 700 15
- Owner s manual 15
- Stereo linking two adl 700s 15
- Adl 700 16
- Owner s manual 16
- Adl 2 adl 1 adl 2 adl 1 17
- Adl 700 17
- Hookup diagram adl 700 stereo 17
- Owner s manual 17
- A brief tutorial on dynamics processing 18
- Adl 700 18
- Common questions regarding dynamics processing 18
- Owner s manual 18
- Tutorial 18
- Adl 700 19
- Compression demystified 19
- Owner s manual 19
- Adl 700 20
- Equalizers 20
- Owner s manual 20
- What is an eq 20
- Adl 700 21
- Equalization settings how to find the best and leave the rest 21
- Owner s manual 21
- Adl 700 22
- Equalizers 22
- Never be afraid of taking a risk the best eq tricks were found by mad scientists of sound with every instrument there are frequencies that can be attenuated or boosted to add clarity or fullness altering the wrong frequencies can make an instrument shrill muddy or just downright annoying the following two charts suggest frequency ranges that should be accentuated or downplayed for the most common instruments these are just suggestions the frequencies may need to be adjusted up or down depending on the instrument room and microphone 22
- Owner s manual 22
- Table 1 22
- Tutorial 22
- Your memory is not what you think it is comparing a flat eq and the curve that you ve created allows you to see and hear exactly what you ve done so be honest with yourself sometimes that eq setting you ve been working on for 15 minutes is not the right choice so move on 22
- Adl 700 23
- Equalizers 23
- Hz 100 hz 200 hz 400 hz 800 hz 1 khz 23
- Khz 5 khz 7 khz 10 khz 15 khz 23
- Owner s manual 23
- Table 2 23
- Tutorial 23
- Adl 700 24
- Audio specification 24
- Compressor 24
- Gain range 24
- Input impedance 24
- Maximum input level 24
- Owner s manual 24
- Performance 24
- Resources 24
- 320v 320v 25
- Adl 700 25
- Adl 700 block diagram 25
- Comp bypass 25
- Eq bypass 25
- Hi gain 25
- Hz 20 hz 25
- Hz 80 hz 25
- Instrument input 25
- Line input 25
- Linked 25
- Mic input 25
- Owner s manual 25
- Polarity 25
- Resources 25
- Ω 300 ω 25
- Adl 700 26
- Adl 700 recall sheet 26
- Artist 26
- Mic instr 26
- Owner s manual 26
- Resources 26
- Song title 26
- Adl 700 27
- Owner s manual 27
- Troubleshooting 27
- Adl 700 28
- Owner s manual 28
- Warranty 28
- Adl 700 29
- Owner s manual 29
- Added bonus presonus previously top secret recipe for 31
- Chicken and andouille gumbo 31
- Cooking instructions 31
- Ingredients 31
- Serves 12 31
- Adl 700 32
- Channel strip owner s manual 32
- Www presonus com part 820 pas0017 d 32
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