RME M-32 AD [18/57] Remote control
![RME M-32 AD [18/57] Remote control](/views2/2007999/page18/bg12.png)
18
User’s Guide M-32 AD © RME
9. Remote Control
9.1 MIDI
The M-32 AD can be completely remote controlled via MIDI. It reacts on special SysEx com-
mands. Furthermore, upon request it will report the complete device status, including all con-
trols and LEDs on the front plate. Each M-32 AD can be programmed with its own ID, providing
a separated remote control of multiple devices via a single MIDI channel. A description of the
MIDI implementation is found in chapter 19.
The key REMOTE is used to select the source of the MIDI remote control commands: MIDI
port, MADI port and Off. The latter is a safety function to prevent any setup-change by any MIDI
signal.
The diagram shows the signal flow
of the MIDI data with all I/Os. The
MIDI input signal reaches both the
internal Remote Command
Processor and the MIDI outputs.
This MIDI Through function
provides the base for a simplified
serial MIDI cabling when using
multiple M-32 ADs. The same is
true for remote control via MADI,
where MIDI is passed through from
device to device automatically via
the serial MADI cabling.
9.2 MIDI over MADI
MADI allows for a transmission of 64 audio channels over long distances with a single line –
perfect. So what about MIDI? Be it remote control commands or sequencer data, in practice
only a single MADI line will not suffice. Therefore RME developed a MIDI over MADI technol-
ogy. The data at the MIDI input are being included into the MADI signal invisibly, and can be
collected at the MIDI output of another M-series converter, ADI-8 QS, ADI-6432, ADI-642, ADI-
648, Micstasy or a HDSP MADI, at the other end of the MADI line.
Technically every single MADI channel includes several additional bits containing various infor-
mation (Channel Status). RME uses the usually unused User bit of channel 56 (channel 28 in
96k frame mode) to transmit MIDI data invisibly within MADI, ensuring full compatibility.
Unlike other MADI-based devices from RME, the M-32 AD is no bi-directional MIDI to MADI
converter for external signals, because only one direction is available for the transmission.
Содержание
- I o steadycloc 1
- M 16 ad 1
- M 32 ad 1
- Madi i o 1
- Professional 32 16 channel a d converter fully symmetrical circuit design analog limiter 32 16 channel analog to madi adat interface 24 bit 192 khz digital audio midi remote control 1
- Syncchec 1
- Totalremot 1
- User s guide 1
- General 2
- Inputs and outputs 2
- Usage and operation 2
- Application examples 3
- Technical reference 3
- Important safety instructions 4
- General 5
- M 16 ad 5
- M 32 ad 5
- User s guide 5
- Brief description and characteristics 6
- Introduction 6
- Package contents 6
- Controls connectors displays 7
- First usage quick start 7
- Quick start 9
- Accessories 10
- Appendix 11
- Warranty 11
- Ce fcc compliance 12
- Iso 9001 12
- Note on disposal 12
- M 16 ad 13
- M 32 ad 13
- Usage and operation 13
- User s guide 13
- Analog input 14
- Front panel controls 14
- Madi input 14
- Madi out 14
- Madi output 14
- Clock section 15
- Limiter 15
- Lock keys 17
- Remote 17
- Midi over madi 18
- Remote control 18
- Remote control software 19
- Inputs and outputs 21
- M 16 ad 21
- M 32 ad 21
- User s guide 21
- Analog inputs 22
- Adat optical 23
- Digital inputs outputs 23
- Madi input 23
- Madi output 24
- Word clock 25
- Word clock input and output 25
- Operation and technical background 26
- Cabling and termination 27
- M 16 ad 29
- M 32 ad 29
- Technical reference 29
- User s guide 29
- Analog 30
- Digital inputs 30
- Technical specifications 30
- Digital 31
- Digital outputs 31
- Firmware 32
- General 32
- Madi user bit chart 32
- Connector pinouts d sub analog inputs 33
- Trs jacks analog inputs outputs 33
- Technical background 34
- Terminology 34
- Lock and synccheck 35
- Latency and monitoring 36
- Ds double speed 37
- Qs quad speed 37
- Madi basics 38
- Steadyclock 39
- Block diagram m 32 ad 40
- Block diagram m 16 ad 41
- Basic sysex format 42
- Message types 42
- Midi implementation m series 42
- Application examples 47
- M 16 ad 47
- M 32 ad 47
- User s guide 47
- Formats and number of channels 48
- Multichannel playback 49
- Multichannel recording 51
- Multichannel recording and playback 53
- Digital multicore 56
- Multiple playbacks 57
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