RME M-32 AD [38/57] Madi basics
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User’s Guide M-32 AD © RME
16.6 MADI Basics
MADI, the serial Multichannel Audio Digital Interface, has been defined already in 1989 as an
extension of the existing AES3 standard following several manufacturers' wish. The format also
known as AES/EBU, a balanced bi-phase signal, is limited to two channels. Simply put, MADI
contains 28 of those AES/EBU signals in serial, i. e. after one another, and the sample rate can
still even vary by +/-12.5%. The limit which cannot be exceeded is a data rate of 100Mbit/s.
Because an exact sampling frequency is used in most cases, the 64 channel mode was intro-
duced officially in 2001. It allows for a maximum sample rate of 48 kHz + ca. 1%, corresponding
to 32 channels at 96 kHz, without exceeding the maximum data rate of 100 Mbit/s. The effective
data rate of the port is 125 Mbit/s due to additional coding.
Older devices understand and generate only the 56 channel format. Newer devices often work
in the 64 channel format, but offer still no more than 56 audio channels. The rest is being eaten
up by control commands for mixer settings etc.. RME units show that this can be done in a
much better way, with an invisible transmission of 16 MIDI channels plus serial RS232 data
stream, and the 64-channel MADI signal still being 100% compatible.
For the transmission of the MADI signal, proved methods known from network technology were
applied. Most people know unbalanced (coaxial) cables with 75 Ohms BNC plugs, they are not
expensive and easy to get. The optical interface is much more interesting due to its complete
galvanic separation, but for many users it is a mystery, because very few have ever dealt with
huge cabinets full of professional network technology. Therefore here are some explanations
regarding 'MADI optical'.
• The cables used are standard in computer network technology. They are thus not at all
expensive, but unfortunately not available in every computer store.
• The cables have an internal fibre of only 50 or 62.5 µm diameter and a coating of 125 µm.
They are called network cables 62.5/125 or 50/125, the former mostly being blue and the
latter mostly being orange. Although in many cases not clearly labelled, these are always (!)
glass fibre cables. Plastic fibre cables (POF, plastic optical fibre) can not be manufactured
in such small diameters.
• The plugs used are also an industry standard and called SC. Please don't mix them up with
ST connectors, which look similar to BNC connectors and are being screwed. Plugs used in
the past (MIC/R) were unnecessarily big and are not being used any longer.
• The cables are available as a duplex variant (2 cables being glued together) or as a simplex
variant (1 cable). The M-series’ optical module supports both variants.
• The transmission uses the multimode technique which supports cable lengths of up to al-
most 2 km. Single mode allows for much longer distances, but it uses a completely different
fibre (8 µm). Due to the wave-length of the light being used (1300 nm) the optical signal is
invisible to the human eye.
Содержание
- I o steadycloc 1
- M 16 ad 1
- M 32 ad 1
- Madi i o 1
- Professional 32 16 channel a d converter fully symmetrical circuit design analog limiter 32 16 channel analog to madi adat interface 24 bit 192 khz digital audio midi remote control 1
- Syncchec 1
- Totalremot 1
- User s guide 1
- General 2
- Inputs and outputs 2
- Usage and operation 2
- Application examples 3
- Technical reference 3
- Important safety instructions 4
- General 5
- M 16 ad 5
- M 32 ad 5
- User s guide 5
- Brief description and characteristics 6
- Introduction 6
- Package contents 6
- Controls connectors displays 7
- First usage quick start 7
- Quick start 9
- Accessories 10
- Appendix 11
- Warranty 11
- Ce fcc compliance 12
- Iso 9001 12
- Note on disposal 12
- M 16 ad 13
- M 32 ad 13
- Usage and operation 13
- User s guide 13
- Analog input 14
- Front panel controls 14
- Madi input 14
- Madi out 14
- Madi output 14
- Clock section 15
- Limiter 15
- Lock keys 17
- Remote 17
- Midi over madi 18
- Remote control 18
- Remote control software 19
- Inputs and outputs 21
- M 16 ad 21
- M 32 ad 21
- User s guide 21
- Analog inputs 22
- Adat optical 23
- Digital inputs outputs 23
- Madi input 23
- Madi output 24
- Word clock 25
- Word clock input and output 25
- Operation and technical background 26
- Cabling and termination 27
- M 16 ad 29
- M 32 ad 29
- Technical reference 29
- User s guide 29
- Analog 30
- Digital inputs 30
- Technical specifications 30
- Digital 31
- Digital outputs 31
- Firmware 32
- General 32
- Madi user bit chart 32
- Connector pinouts d sub analog inputs 33
- Trs jacks analog inputs outputs 33
- Technical background 34
- Terminology 34
- Lock and synccheck 35
- Latency and monitoring 36
- Ds double speed 37
- Qs quad speed 37
- Madi basics 38
- Steadyclock 39
- Block diagram m 32 ad 40
- Block diagram m 16 ad 41
- Basic sysex format 42
- Message types 42
- Midi implementation m series 42
- Application examples 47
- M 16 ad 47
- M 32 ad 47
- User s guide 47
- Formats and number of channels 48
- Multichannel playback 49
- Multichannel recording 51
- Multichannel recording and playback 53
- Digital multicore 56
- Multiple playbacks 57
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