Behringer DX2000USB [9/16] Sub bass
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Behringer DX2000USB [9/16] Sub bass

Behringer DX2000USB [9/16] Sub bass
9 PRO MIXER DX2000USB User Manual
7. Sub Bass
The sub bass output (63) on the back panel comes with two rotary controls,
onefor output LEVEL (62) (max. +22 dBu) and another for adjusting the crossover
frequency of the low pass lter, CROSSOVER FREQUENCY. (61) (low pass lter
variable from 30 Hz to 200 Hz). This can be used to drive a very low frequency
sound system in a studio or club to provide added bottom end.
◊ Sub bass units are often useful in small studios where there is no room
for large extended-range monitors in front of the mixer.
8. Controlling External Devices
8.1 Desk lamp
A connector (37) for an optional standard 12 V working light is oered,
immediately above the bargraph meters. You should only use 5 Watt lights.
8.2 Remote control of audio devices
We have not yet mentioned the big non-latching TRACK START buttons (20)
immediately below the faders on channels 3 to 7. These have nothing to do with
the audio side of your desk. They are REMOTE CONTROL buttons for interfacing
with certain audio sources such as CD players, CART machines etc. which have
remote jacks built into them. Please refer to the manufacturer’s specications
to see if your equipment conforms to this protocol. If it does, connection to
the DX2000USB is by simple jack leads (55) on the rear panel. Please ensure
that your equipment’s remote control output does not exceed 30 V DC/50 mA
(Thisisunlikely!).
The advantages of REMOTE CONTROL are purely ergonomic—you don’t have
to stretch over the desk to bring in an audio le, jingle or music CD in oncue.
For clarity of function it is best to associate each REMOTE button on the
DX2000USB with the device supplying audio to the stereo channel immediately
above it. Otherwise things could get very confusing! Please refer to the
specications of the equipment you want to connect.
8.3 Sound-to-light
A mono audio output (60) is provided for connection to lighting controllers with
a sound-to-light facility. Connection is via a standard ¼" jack on the back panel.
Sensitivity is conveniently adjustable from the DX2000USB by the LIGHT LEVEL
knob (40) to the left of the bargraph meters. Too high, and the lights will stay on,
too low and they won’t ash at all. Adjust LIGHT LEVEL until lights ash in time
with the music.
9. Connections
9.1 PRO MIXER DX2000USB connections
Follow us on a walk along the rear panel of your PRO MIXER, starting left:
(50) Channel inserts. For inserting into the channel signal, pre-EQ and pre-fader.
Unbalanced, send and return on a single ¼" jack socket, wired tip = send
(out), ring = return (in) and sleeve = ground/screen.
(51) Line input. Balanced ¼" jack socket, wired tip = hot (+ve), ring = cold (-ve)
and sleeve = ground/screen.
(52) Mic input. Balanced XLR, wired pin 1 = ground/screen, 2 = hot (+ve)
and 3 = cold (-ve).
(53) (Aux) Send. Unbalanced ¼" jack socket, wired tip = signal and
sleeve = ground/screen.
(54) (Aux) Return. Unbalanced ¼" jack sockets, wired tip = signal and
sleeve = ground/screen.
(55) Remote control. ¼" jack socket.
(56) Line Input (Input 7). Unbalanced ¼" jack sockets, wired tip = signal and
sleeve = ground/screen.
(57) CD inputs. RCA sockets.
(58) CD inputs. RCA sockets.
(59) Phono/Line inputs. RCA sockets.
(60) Light out. Unbalanced ¼" jack socket, wired tip = signal and
sleeve = ground/screen.
(63) Sub bass out. Balanced XLR, wired pin 1 = ground/screen, pin 2 = hot (+ve)
and pin 3 = cold (-ve).
(64) Main inserts. For inserting into the main mix signal. Unbalanced, send and
return of one channel on a single ¼" jack socket, wired tip = send (out),
ring= return (in) and sleeve = ground/srceen.
(65) Main outputs. Balanced ¼" jack sockets, wired tip = hot (+ve),
ring = cold(-ve) and sleeve = ground/screen.
(66) Record out (with voice). RCA sockets.
(67) Main outputs. Balanced XLR, wired pin 1 = ground/screen, pin 2 = hot (+ve)
and pin 3 = cold (-ve).
(61) (60) (64) (65) (68) (69) (53) (55)
(71)
(72)
(73) (63) (62) (67) (70) (54) (56) (57) (58) (59)
(50)
(51)
(52)
(66)
(74)

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