LINE 6 DT50 212 [4/8] Onnections
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LINE 6 DT50 212 [4/8] Onnections

LINE 6 DT50 212 [4/8] Onnections
Front Panel Controls & ConneCtions
1. Guitar In – Plugyourguitarinhere.It’snotuncommontouseHIGH
input for guitars equipped with standard pickups and LOW when using
guitarsequippedwithactiveelectronics.SomeliketouseHIGH input
for guitars equipped with single coil pickups and LOW when using
guitarsequippedwithhumbuckers.There’snohardandfastrule–just
plug in to the input that sounds best to you.
2. Power Switch – Connect the included power cable to your rear panel.
For optimum tube life always power your amp on with your amp set to
STBY.
3. Standby Switch – Allowtheamptowarmupforoneminutebefore
setting STBY to ON. This extends the life and performance of your
vacuum tubes. It is not necessary to set the amp to STBY before
setting the Power Switch to its OFF position, but it can be a good
habit,ifonlytoensureyou’vegotitsetproperlynexttimeyoupower
up the amp.
4. Master Volume – Setstheoverallvolumeoftheamplierwithout
having to change your individual channel settings.
5. Channel A & B Controls – DRIVE controls how much “dirt” or
“distortion” you get in your sound. BASS, MID, TREBLE and
PRESENCE controls will interact differently depending on which
VOICING you have selected.
REVERBadjuststhechannel’sreverb level,allowing youto switch
betweenchannelswithdifferentamountsofreverb.Ifyoudon’twant
any reverb, simply turn this knob fully counter-clockwise.
VOLUME sets the output level for its channel only.
6. Channel Select Switch – DT50 features two independent
channels, A & B.WhensettoA,usethe(5A)controls.ForB use
the (5B) controls. You can assign unique combinations of Voicing/
Feedback Topology, Amplier Operating Class and Pentode/
Triode settings for each channel. This provides much more than the
traditionalclean/dirtychannelconguration.Eitherchannelcanbeset
upanywayyoulike…evenidentically,ifthat’swhatyou’relookingfor.
Customizationofeachchannelisnotlimitedtosimplychangingsome
components of the preamp or tone stack - the entire power section
canbe reconguredandswitched instantlytoo. It’slike havingtwo
extremely versatile tube amps in one box!
7. Voicing Switch – This switch determines the flavor of the currently
selected channel’s preamp and tone stack, as well as the Negative
Feedback Loop topology (NFL). NFL has a big impact on tonal
characteristics and the overall “feel” of the amp. Flip the switch up or
downtotogglethroughsettingsIthroughIV.Withasingleswitchyour
tonecangofromcleantomean.Eachvoicingisdistinct:
I – PutstheNFLinitstightestsettingwhileconguringtheChannel
Control’sbehaviorreminiscentofthegreatAmerican“Blackface”
ampsofthe60’s.Recommended settings: Class AB, Pentode
II – Sets the NFL topology to be a little looser than I while the
Channel Control settings are capable of dialing in echoes of
classic British amps. Recommended settings: Class AB, Pentode
III – ThisistheZeroNegativeFeedbackLoopsettingwhichproducesa
very “open” or “dynamic” feeling amp. In this setting, the Channel

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