Allen&Heath ALLEN & HEATH PA20-CP [22/36] Œ ž ƒ ƒ
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Allen&Heath ALLEN & HEATH PA20-CP [22/36] Œ ž ƒ ƒ

Allen&Heath ALLEN & HEATH PA12-CP [22/36] Œ ž ƒ ƒ
22 PA-CP €•‚ƒ„ƒ…†‡„ƒ ˆƒ‰Š‹ƒ„Œ‡•‰Ž
16 €•‚ƒ‚„…†
€• ‚ƒ•„…†‡ˆ‰, Š†‹•Œ•Žˆ• ‡†••‘•’Žˆ
“‘•••••‹ ”•••Ž••‹ ‚••†‡•‹„•‡– ‹ “•Šˆ—ˆˆ ‡†ˆ˜•„•• …†•••
“‘ˆƒ•‡™•ƒ–• ‹ šˆ‹•ƒ •‹•Œ•‡ˆˆ. ›†‡‡†™ •†˜„ˆ—† “•Ž†Š–‹†••
‡†••‘•’Žˆ “‘ˆƒ•‡•‡‡–• ‹ “‘••••†œ. •‡ˆƒ†••„ž‡• “‘••„‚Ÿ†’••
‹•• “‘••••–, Œ„™ „‚…Ÿ• • “•‡ˆƒ†‡ˆ™ Š‹‚…†‡ˆ™ ”•••Ž••‹.
¡†••‘•’Žˆ “‘•••••‹ ˆŠƒ•‡™‰••™ “• MIDI “‘ˆ “•ƒ•¢ˆ “‘• ‘†ƒƒ–
PA FX Editor, Š†“‚•Ž†•ƒ•’ • PC.
‡ƒ„•…ˆƒ„†… ‰•…Š‚ƒƒ…•‹ •• ‹‡‚•‘•‡‡•ƒ “‘•—••••‘•
”•••Ž••‹ “‘••Œ‚•ƒ••‘•‡• Œ‹† —ˆ•‘•‹–œ ˜„•Ž† Œ„™
••ŠŒ†‡ˆ™ ‘†Š„ˆ…‡†œ •ˆ“•‹ •˜‘†˜••Žˆ - ‘•‹•‘, Œ•„”’,”œ•,
œ•‘‚•, •†Š•‘ ˆ.•.Œ. ›„™ Œ•••ˆš•‡ˆ™ ‡••˜œ•Œˆƒ• • Š‹‚…†‡ˆ™,
Ž†šŒ–’ •ˆ“ •˜‘†˜••Žˆ ‡†••‘†ˆ‹†•••™ “• •“‘•Œ•„•‡‡–ƒ
“†‘†ƒ••‘†ƒ. £„•Žˆ “‘•—••••‘† ƒ• ‚• ˜–•ž ‡†••‘••‡– ‹ •Œˆ‡
”•••Ž• Œ„™ “•„‚…•‡ˆ™ •†Ž•’ •˜‘†˜••Žˆ Ž†Ž ‚•••’ ‘•‹•‘, ˆ„ˆ
‡†••‘••‡– ‹ Œ‹•’‡•’ ”•••Ž•, Ž†Ž ‡†“‘ˆƒ•‘ ”œ• •ƒ•Ÿ†‡•• •
‘•‹•‘•ƒ.
Œ„•Ž••‚‘’‚ ƒ’ƒ„‚“” €‘•—••••‘ ”•••Ž••‹
‡• Š†“•ƒˆ‡†•• “••„•Œ‡ˆ’ ‹–˜‘†‡–’ ”•••Ž• “‘ˆ ‹–Ž„‰…•‡ˆˆ
•ˆ•••ƒ–. ¤†šŒ–’ ‘†Š, “••„• ‹Ž„‰…•‡ˆ™ “‚„ž•†, ‚˜•Œˆ•••ž
…•• “‘ˆƒ•‡•‡ ••• “‘•••• Ž•••‘–’ •†ƒ ‡••˜œ•Œˆƒ.
Œ„•Ž••‚‘’‚ •––‚•„…† €•‚ ƒ„…•†‡ˆ‰Š‚
‹ŒŒˆ…„ƒ•, …‰ƒŽ…ƒ• SEL ••‘ˆ’ˆ„ˆ Žƒ“Š”Š†
• …ƒ„ƒ’ƒ• “ˆ•ˆ‰•• Š‰•Š…–„ƒ’ –…„Š•‰ƒ—„Š
Ž’ˆ—ˆ„– Žƒ„˜™‰ˆ„. €–‰‰–‚ Žƒ“Š”Š‚ —•ˆ•˜ˆ„
“– Žƒ—•ˆ•‰Šš • —ŽŠ—…ˆ Ž’ˆ—ˆ„ƒš (PH+REV).
€‚—‹Ž˜ †•Ž••‚‘’™ Žƒ“•ƒ•‚ˆ„ Š—Žƒ•›“ƒ•–„› Œ˜‰…”Š†
MUTE …–‰–•– FX. œ—Žƒ•›“˜•„ˆ Žˆ•–•›, ••ˆ Ž’Š ‰–ž–„ŠŠ, • TS Jack
…ƒ‰‰ˆ…„ƒ’ˆ Ž•†— (tip) “–š•…–ˆ„—‚ ‰– “ˆš•† (sleeve). Ÿ’ˆ•˜—šƒ„’ˆ‰ƒ
••– ’ˆžŠš– ’–‘ƒ„• Žˆ•–•Š: ‰–ž–„Šˆ Š ˜•ˆ’ž–‰Šˆ, • „ˆ‡ˆ‰Šˆ …ƒ„ƒ’ƒ•ƒ
••Žƒ•‰‚ˆ„—‚ MUTE, Š•Š ‰–ž–„Šˆ Ž’Ššˆ‰‚ˆ„ MUTE, – —•ˆ•˜† ˆˆ
‰–ž–„Šˆ ˆ•ƒ ƒ„šˆ‰‚ˆ„. Ÿƒš‰Š„ˆ, ‡„ƒ Žˆ•–•› ‰ˆ ‘˜•ˆ„ •ˆ•—„•ƒ•–„›
ˆ—•Š …‰ƒŽ…– MUTE …–‰–•– FX ˜žˆ ‰–ž–„–.
☺ €•‚ƒ„…†ƒ‡ˆ‰Š‹ Œ••‹Ž•ƒ‡ €•‚ƒ„…† ‡ ˆ‡…•ƒ‰Š‹„
‹‰ƒ…Œ‰••†Œ‰Š FX Š Ž„ƒ„Ž•••ƒ‰† •‰•‰‘†ƒ„† ƒ• Š‡†’ ‹•ƒ•••’,
• “†”†Œ• ‹•ƒ••• FX Š •‰•‰‘†ƒ„† "0". •Œ‰Š†Œ•…† ƒ† ƒ•‘•…
•„ MUTE. –—˜†Œ„…† ‰”„ƒ „™ 16 •Œ†‡†…‰Š. š‹‹ˆŒ•…ƒ‰ ‰…•Œ•Š•…†
„‡…‰‚ƒ„‹ ‡„›ƒ••• Š Ž•‡…†Œ. š‹‹ˆŒ•…ƒ‰ •‰Š‰Œ•‚„Š•œ…† ‹‰ƒ…Œ‰••†Œ
FX, ƒ• ‹•ƒ••†,›”† •‰”‹••‚†ƒ „‡…‰‚ƒ„‹, –— ”‰•‘ƒ— ˆ‡•—ž•…•
‹•‹ Š ™Šˆ‚•ƒ„† ”‰˜•Š•Ÿ†…‡Ÿ ““†‹….
¡…†Œ†‰ ““†‹…—, …•‹„† ‹•‹ Œ†Š†Œ, ”‰˜•Š•Ÿ•… •Œ‰‡…Œ•ƒ‡…Š•
Š Ž„‹‡. ¢‹‡•†Œ†Ž†ƒ…„Œˆœ…† ‡ •Œ†‡†…•Ž„. £‡…†Œ†›•œ…†‡•
‘†••ƒ„Ÿ ”‰˜•Š„…• Œ†Š†Œ ƒ• Š‡† ™Šˆ‹„ Š Ž„‹‡†. ¤•Ÿ •Œ„”•ƒ„Ÿ
‘„Š‰‡…„ ™Šˆ‚•ƒ„• ƒ† …Œ†˜ˆ†…‡Ÿ Žƒ‰›‰ ““†‹…•. ¤•Ÿ „™˜†‘•ƒ„Ÿ
Š‰™ƒ„‹ƒ‰Š†ƒ„Ÿ ‰˜Œ•…ƒ‰œ ‡ŠŸ™„, ƒ† ”‰˜•Š•Ÿœ…† Žƒ‰›‰ ““†‹…•
Š Ž‰ƒ„…‰Œ—. ¥†Š†Œ ’‰Œ‰ž‰ ™Šˆ‚„… ƒ• Š‰‹•••’, ”ˆ’‰Š—’,
•‹‹ˆ‡…„‚†‡‹„’ ›„…•Œ•’ „ ‹••Š„ž•’. €† Œ†‹‰Ž†ƒ”ˆ†…‡Ÿ
„‡•‰••™‰Š•…• Œ†Š†Œ ”•Ÿ ˜•‡‡-›„…•Œ— „•„ "˜‰‚‹„". HALL -
’‰Œ‰ž†† •Œ‰ŸŠ•†ƒ„† Œ†Š†Œ˜†Œ•¦„„. GATED REV - „ƒ…†Œ†‡ƒ‰
™Šˆ‚„… ƒ• Ž••‰Ž ˜•Œ•˜•ƒ†. – •Œ‰Ž†‘ˆ…‹•’ Ž†‘”ˆ •†‡ƒŸŽ„
ƒ••Œ„Ž†Œ, ‡…•Œ•œ…†‡• •Œ„˜„Œ•…• ˆŒ‰Š†ƒ• ““†‹…• •Œ„ •‰Ž‰§„
“†œ”†Œ•, „•„ ‘† ‡‰Š‡†Ž ‰…‹••‚•…• †›‰ ‹ƒ‰•‹‰œ MUTE.
1 STAGE Short reverb typical of stage area
pre-delay 15 0-99
decay 8 1-10 St
damping 9 1-10
2 ROOM Short reverb typical of medium sized room
pre-delay 5 0-99
decay 8 1-10 Ro
damping 5 1-10
3 HALL Medium reverb typical of a small hall. Good basic reverb
pre-delay 35 0-99
decay 7 1-10
Ha
damping 8 1-10
4 PLATE Classic studio plate reverb. Good for vocals
pre-delay 0 0-99
decay 5 1-10
Pl
damping 3 1-10
5 CHAMBER Larger reverb typical of a big hall
pre-delay 30 0-99
decay 9 1-10
Ch
damping 8 1-10
6 CATHEDRAL Long reverb typical of a high ceiling church
pre-delay 65 0-99
decay 8 1-10
Ca
damping 7 1-10
7 ARENA Long tailed reverb simulating a large arena
pre-delay 80 0-99
decay 5 1-10
Ar
damping 10 1-10
8 GATED REV Special reverb with gated tail. Popular with snare drums
pre-delay 0 0-99
decay 7 1-10
Ga
damping 8 1-10
9
KARAOKE Stereo vocal echo effect. Enhances the voice
de
l
ay
4 1-5
repeats 10 1-10
D4
10 PING PONG Repeating echo effect
delay c
1.5
0.1-2.0
delay f 0 0-99
D3
f
eedb
ack 20 0-99
1
1 CHORUS Stereo chorus effect. Good for instruments
speed
6
1-99
depth 40 0-40
Ch
delay 40 0-40
12
SLAP + REV Slap delay with hall reverb. Popular for vocals
delay c
0.1
0.1-2.0
delay f 20 0-99
D1
feedback 0 0-99
pre-delay 35 0-99
decay 9 1-10
Ha
damping 7 1-10
level 20 0-99
13
DLY + REV Delay with hall reverb
delay c
0.2
0.1-2.0
delay f 70 0-99
D3
feedback 20 0-99
pre-delay 35 0-99
decay 8 1-10
Ha
dam
ping 4 1-10
level 30 0-99
14 ECHO + REV Echo with plate reverb. Good for vocals
delay c
0.6 0.1-2.0
delay f 0 0-99
D3
f
eedback 20 0-99
pre-delay 40 0-99
decay 10 1-10
Pl
dam
ping 2 1-10
level 20 0-99
15 CH + REV Chorus with arena reverb. Rich effect
spee
d 30 0-99
depth 15 0-40
Ch
del
ay 10 0-40
pre-delay 65 0-99
decay 2 1-10
Ar
dam
ping 7 1-10
level 15 0-99
16 PH + REV Phasing effect with plate reverb. Special effect
spee
d 30 0-99
depth 90 0-99
Ph
f
eedback 70 0-97
pre-delay 30 0-99
decay 5 1-10
Pl
dam
ping 9 1-10
level 20 0-99
17
OFF Disables the internal effects unit

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