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PA-CP €•‚ƒ„ƒ…†‡„ƒ ˆƒ‰Š‹ƒ„Œ‡•‰Ž 5
€•‚ƒ„…†‡ˆƒ
‰‡Š•„‹†Œˆ•
€•‚ƒ„…‚„† ‡ˆƒ•‚ˆ†.........................................13
‰•Š•‚‹‚Œ† ˆ ‚† ••Š•‚‹‚Œ† Ž„‚‚†Žƒ„•Œ.......13
•ˆŽ•„‘„‚‚Œ’ ‡•†“”‹ˆŠˆƒ†Š•........................14
€ˆŠ•ƒ• ‚ˆ–Žˆ— ˜•‹ƒ„ƒ (HPF) ...........................14
™Žš•Šˆ–•›ˆœ …„‚„ Ž•‚•Š• ..............................15
••† ˆ ‡„‹ƒ ‘†’“†•‚Œ† ‡„‹ŒŠŒ aux...............16
•„‹ŒŠŒ ‚• ž‘‘†ŽƒŒ.......................................16
•„‹ŒŠŒ Foldback (FB).....................................16
€†’“†•‚•œ ŸŽ•Š• dB.......................................17
•¡œ‹‚†‚ˆ† dB (“†›ˆ•†Š)...............................17
•¡œ‹‚†‚ˆ† PFL..............................................17
™Žš•Šˆ–•›ˆœ ‹ƒ†•†„ Ž•‚•Š•............................19
••œ…„’ ˆ „••••„ƒ•‚Œ’ ‹ˆ¢‚•Š ž‘‘†Žƒ„š.....20
£‹ƒ•„’‹ƒš„ ‡•„›†‹‹„•• ž‘‘†Žƒ„š.................22
••„¢••……• •†“•Ž›ˆˆ ž‘‘†Žƒ„š PAFX Editor.23
•¡œ‹‚†‚ˆ† AFL...............................................24
¤ƒ•”Žƒ”•• ˜”š‹ƒšˆƒ†Š•‚„‹ƒˆ...........................24
¤”• ••‹„šŒ’ “ˆ‚•…ˆŽ......................................25
¥“†œ ˆ ”‹ƒ•„’‹ƒš„ ”‹ˆŠˆƒ†Šœ.........................26
•¡œ‹‚†‚ˆ† ‡„‹ƒ„œ‚‚„¢„ ‡ˆƒ•‚ˆœ..................26
€•‚ƒ„…†‡ƒ…ˆ ‰ Š‚ƒ‰„‚•ƒ…ˆ …‹‹Œ•„‰‹…............27
Ž•Œ•‰• ‹‚ƒ‘‰•Œ•…’‰‰ Œ•‰†‰„•†•“..................27
”…•…Š•„•‰•••‹‰“ –‹…—…†…“˜•• —™š‚›‚—.......27
œ„•‹•• TRS Jack.............................................28
•‰ƒ•“ƒ™“ Œ•‚—•ƒ‡...........................................28
ž™š‚›™ • Ÿ…†…ƒ•ƒ™Š •‚ •‚„‰—†•ƒ‰•Š.........28
¡Ÿ¢ˆ•ƒ•ƒ‰• SPDIF..........................................30
☺ € •‚ƒ‚„… €•‚ƒ„•…†‡ˆ‚‰
€•‚ƒ„• … †•‡ˆ‰Š‹ ‹…„ƒŒˆ‹••Š‹ ••ˆ•Žƒ•..........13
•…„•ˆƒ••• Œ‘•…„•‹„’Ž“ˆƒ…„‹ ••ˆ•Ž•.................13
”…•ƒŽ“‡ƒ••ˆ‹’ –‹Ž“„†• ˆ‹‡•‹— Œ•…„ƒ„............14
”…•ƒŽ“‡ƒ••ˆ‹’ ••ˆ•Ž“ˆƒ˜ƒ ™•••Ž•š‡’†•..........15
”…•ƒŽ“‡ƒ••ˆ‹’ ‚ƒŽ’’ ƒ›ˆƒ˜ƒ ‚Žƒ•• ™––’•„ƒ•16
œ•…„†ƒš•• Šƒˆ‹„ƒ†ˆƒ˜ƒ Š‹•…• (FB)...................16
”…•ƒŽ“‡ƒ••ˆ‹’ ••ˆ•†•Š‰ ••ˆ•Ž•.....................17
”…•ƒŽ“‡ƒ••ˆ‹’ ••ˆ•Ž“ˆ‰— –’š›’†ƒ•...............17
”…•ƒŽ“‡ƒ••ˆ‹’ PFL.............................................17
”…•ƒŽ“‡ƒ••ˆ‹’ …„’†’ƒ ••ˆ•Žƒ•.........................18
••’›’ˆ‹’ ›•‘— …„’†’ƒ …‹˜ˆ•Žƒ• • ƒ›‹ˆ ••ˆ•Ž.18
žƒ…‰Ž ST1 (3) • Š•…„’†.....................................18
”…•ƒŽ“‡ƒ••ˆ‹’ ™•••Ž•š‡’†• …„’†’ƒ ••ˆ•Ž•....19
Ÿ––’•„‰ • Šƒˆ‹„ƒ†•—.......................................21
”…•ƒŽ“‡ƒ••ˆ‹’ PFL ••ˆ•Ž• FX..........................21
”…•ƒŽ“‡ƒ••ˆ‹’ ™––’•„ƒ•..................................22
ž†ƒ•’†•• …„†‘•„‘†‰ Œ‘•…„•‹„’Ž“ˆƒ…„‹.............24
”…•ƒŽ“‡ƒ••ˆ‹’ PFL ‹ AFL..................................25
”…•ƒŽ“‡ƒ••ˆ‹’ ¡ •‰—ƒ›ˆ‰— ™•••Ž•š‡’†ƒ•....27
”…•ƒŽ“‡ƒ••ˆ‹’ …‹˜ˆ•Žƒ• Ž‹ˆ’šˆƒ˜ƒ ‘†ƒ•ˆ¢.....28
”…•ƒŽ“‡ƒ••ˆ‹’ ˆ’/‚•Ž•ˆ…ˆ‰— •ƒˆˆ’•„ƒ†ƒ•....
..28
€•‚ƒ„• … ••„‹•ˆƒš •••‘…„‹•ƒš........
....................29
¡‰‚ƒ† ˆ•‘£ˆ‹•ƒ•.............
...................................29
¤ƒŠŠ‘„•¥‹¢ SPDIF..............................................30
žƒ›•Ž¦Œ’ˆ‹’ Œ’†’‡ •†ƒ¥’……ƒ† •....................30
œ’„ •‰—ƒ›• … ‘…‹Ž‹„’Ž¢?....................................31
¤•• •†ƒ•’†‹„“ •ƒŽ¢†ˆƒ…„“ ›‹ˆ•Š‹••.................31
‡ˆ‰‚Š‰‹Œ •Ž••Œ‘‹
€•‚ƒ„…†‡ˆˆ ‰Š ‹Œ•Š‰Ž‚•Š‚ƒˆ..................... 3
•‹•Š„...................................................6
€•‚ƒ„................................................. 7
•Œ–•ˆ—Œ‚†ˆŒ –Ž„Ž†ƒŒ„ˆ‚ƒˆ†ˆ................. 7
˜Ž‚†“Ž™†Ž ‰Ž•Œ“ˆ................................. 8
š›‚ƒ„›œ ‚ƒŽ„ƒ...................................... 9
•‚ƒŽ•Šž†Ž ‰…“’ƒŽ................................. 10
ŸˆƒŽ•ˆŒ ˆ •Ž•Œ “Œ•ˆŒ.......................... 11
¡Ž‹Œ“ˆ ˆ †Š••Œ†ƒŠ„›..............................12
•Š•Š †Ž•Ž“............................................13
•Š•Š ¢†žŽ“Žœ•Œ„................................. 15
£ƒŒ„ŒŠ †Ž•Ž“........................................18
£ƒŒ„ŒŠ ¢†žŽ“Žœ•Œ„.............................. 19
¡Ž•Ž“ ¢¤¤Œ†ƒŠž....................................20
MIDI ˆ ¥¤¤Œ†ƒ›................................... 23
MASTER €•‚ƒ„…................................24
•‚ˆ“ˆƒŒ“ˆ............................................. 26
¦›‹Š„ ˆ‚ƒŠ—•ˆ†Ž …‚ˆ“Œ•ˆ”................... 27
§¦ ¦›–Š™•Šœ ¢†žŽ“Žœ•Œ„..................... 27
•ASTER †Š••Œ†ƒŠ„›........................... 28
£‰Œ‡ˆ¤ˆ†Ž‡ˆ”....................................32
£–Œ Ž ‚ˆ‚ƒŒ ›..................................... 33
•‚ƒŽ•Šž†Ž „¢†Šž›– †„Œ‰“Œ•ˆœ...............34
Cue Sheet........................................ 35
Содержание
- Pa cp series 1
- Š ƒ ƒ 1
- Ƒ ƒ ƒ 1
- ˆƒ š ƒ œ ž 1
- Œ 4956 ˆ 3 2
- Ƒ ƒ ƒ ˆƒ š ƒ œ ž pa cp series 2
- Ƒ ˆ ˆš 2
- Ƒƒ ˆ ƒ ˆ š ˆ ˆ ƒ ˆœ ž ˆ œˆ ˆƒ ˆ šœƒš š šœ ˆš œƒ šœ ž ˆ ˆ œˆ žœ œ ž œ š œ œˆ ƒƒ ˆ žœ œ œ ˆ œ ž œž ƒˆ ƒ ˆ ƒ žœ š š œ ž ˆ ƒˆ ž ƒ žœ ƒ ž ˆˆ ˆ ƒ œˆ ƒ ˆ ˆ ˆ ƒ allen heath ˆˆ žœ ƒ ˆ žœ œˆ ƒ ƒš š šƒ œ œ ˆ žœ ˆœž œ ƒˆƒ ž ˆ ÿ ž 2
- Ƒ ƒ ˆ š œ ž ž ƒ ˆ 3
- Ƒ ˆ š œ ž š ƒˆ ˆƒ ƒ š œ ƒ 3
- Ƒ ˆ š ƒ œ œˆž ˆ 3
- ª ƒ ƒ š žƒšƒ š œ šƒ œ ƒ ƒ š ƒ ƒ šƒšœ ž œ ƒ œ š š šš œ ƒ ƒ œ žƒ œš šžž œ ž š šƒ œ ž šƒ š ƒ š ƒ œ ž 4
- Œ œ ˆƒ ˆ 4
- Š ž š ž ƒš šœ ˆ š š šœš žš œƒ žš ƒ œš ƒ ƒ šœ šƒ ƒ š ƒ œ œ š œ ˆ š š œš šž œ œ ž ƒ ƒ ž š š ƒ œ ƒ š žšœ šƒ š ƒ šœ š ƒ šƒ žšœ žƒ š œš ž œ 4
- Ÿ ž œš ƒ ƒ šƒ š šš œ ƒ 4
- Žž ˆÿ šˆ ˆƒœ ˆœ š ž œ ˆÿšˆ ˆ ž œ šˆ œƒ šˆ šˆ š ž ˆ ˆš ˆˆ ƒ ˆ ÿš 4
- Ƒ š š šˆ ˆžˆ žš šˆ ƒ œ œ ƒ 4
- Ƒ ƒ ƒ ƒ ˆ ž š ˆƒ ƒ ž š ˆš ˆ œš ˆˆ 4
- Ƒ ˆ š ˆ œ ž ƒ œ š žœ œƒ ˆ œ allen heth 4
- Ƒ ˆ šˆ œš ˆˆ šƒ žž ˆžˆ šš ƒ ƒ šˆ ˆ ˆ ˆ ˆ ˆ ˆ 4
- Ƒ ˆ ˆ œ œœ œˆ š š ˆ ƒœœ 4
- Ƒ ˆœ œ ƒž œ œ ˆ ƒ œ œ ƒ œ ž ƒ ˆ š ƒš šœ šƒ š ž œšš œ ž œ š ž š ƒ š œ ž ž ƒ ƒ ƒ ƒ žš š œš šƒ š š œ šœš ƒ œ š šž ˆ ž ƒ žš œ ž šœš ƒ œ žš š œ š š œ žÿœ ž ÿž œ ž ƒ ƒ šš œ ž œ ƒ œ ž ž š œ ƒ ˆ š š š ƒ ƒ š œ šž ƒ ƒ œ ƒ ƒ ƒ œ œ šžž ƒ ƒ ƒ ƒ š šž œž žš ƒ œ 4
- Ƒ ˆƒ ˆ 4
- ˆ š œ ƒ ƒ ƒ ƒ ˆ ž š ˆƒ 4
- Aster š œ ƒš 5
- Cue sheet 5 5
- Master ƒ 5
- Midi ˆ œ ƒ 5
- Œ ž ˆ ƒœ 5
- Œ ˆ œ ˆœ ž ž ƒœ ˆ ƒˆ 5
- Œ ˆ ˆ ž ˆ 5
- Š š ž ž 5
- Š š žž žœ œ 5
- Š šœ žž žœ œ 5
- Š ƒ œ ƒž 5
- Š ˆ ƒš ˆ ž ˆ œ ˆ 5
- Ÿˆƒž ˆœ ˆ ž œ œ ˆœ 5
- Ž œ ˆ ˆ š œ ƒš 5
- Ž ž œ ƒšž 5
- Ž ž ž ž œ 5
- Ƒ ƒ ˆ 5
- Ƒ ˆƒ 5
- Ƒ ˆˆ š œ š ž š ƒˆ 5
- Ƒœ œš ž ž 5
- Ƒœ œš žž žœ œ 5
- Ƒž šž ž šž œ œ ˆœ 5
- Ƒž šž ž ƒž 5
- ˆ š œ ž œ 5
- ˆ ˆƒœ ˆ 5
- Al4061 7
- Pa eq visualiser 7
- Pa fx editor 7
- Pa12 cp 7
- Pa20 cp 7
- Š ƒœ 7
- Ƒ ž ˆ ƒ 7
- Pan pan 8
- Parametric output equaliser 8
- Ƒ ƒ ƒ ˆƒ š ƒ œ ž pa cp 8
- Ƒ ƒ ƒ 9
- Ƒ ƒ ˆ 10
- Š œ ž ƒ 11
- Ƒ ƒ ˆ 11
- Ƒ ˆˆƒ š 12
- Š š œ 13
- Ƒ ˆ š œ 13
- Ƒ ˆ šƒ 14
- Bass treble 15
- High pass filter 15
- Pa cp ƒ ƒ ƒ ˆƒ š ƒ œ ž 15
- Š ƒž žˆ š š ƒ ˆ š ƒ ƒ œ š žž ž ˆš š š ƒ ˆž š ž ž ž š š š ƒ œ ˆ œ ž ˆ š ƒ ž ž š ž ˆž ž ž ž œ š š ƒ ˆž š š ÿ š ˆ ž œˆ ˆ ƒ ÿ ƒ œ ž šž ˆ ƒ š š ˆž žš ž ˆ ˆ 15
- Ž š ž ž œž sound check š ž ƒ œ ˆž ˆ œ ˆ ˆžš ˆ ˆ žˆ ˆ œž ˆ œ š š ƒ ˆž pfl š ˆ š œ ˆž 100hz š ˆ ž š ˆ ž ÿ œ ˆž šž ÿ ƒ œž š ƒž š ƒ 12 œ ˆ ˆž ž ˆ š ˆ š ž š ƒ œž žƒ ˆž œž š ˆž š ƒ ž ƒ ž ˆ ƒ ž ÿ š ƒ ƒ ž ˆž ˆ š ˆžšž š ƒ ž žˆ ˆ peak ˆ š ž ˆž œ ˆ ˆžš ˆ 15
- Ž ˆ š œˆ œ š ÿ ž œ š ž œˆ 15db š šƒ œˆ œ žƒ ƒ 60 hz š š 15
- Ž ˆ š šƒ š œˆ ˆ ˆ ƒ ÿ ž š ˆ š 250 hz œ š ž œˆ 15 db q 1 ššƒ ž ˆ š œ œœœš ž œ ž 15
- Ž ˆ ƒ šƒ œˆ ˆ ˆ ƒ ÿ ž ž š ž œˆ œ ž ƒ 350 hz 7khz œ š ž œˆ 15 db œ š q 1 15
- Ž ˆ ƒ ˆœ œ š ÿ ž ˆ œ ˆ œ ƒ š œ š 15db š šƒ œˆ œ žƒ ƒ 12khz ƒ 15
- Ƒ ƒ ˆ 15
- Ƒ ƒ ˆ š œ ˆ ˆž ˆ ƒ ˆ ˆ ˆ ˆ ˆ š ƒ š š š ƒ ˆž ˆ žˆ ˆ œ ž ˆ ž ˆ š š ž ˆž ÿ š ƒ šžž š ÿ œž ˆ œ šž ž œ ƒ œ œ š ˆ š ˆ œ ƒ œ ˆžš šžžœ žˆ ˆ ƒ œ š ˆ ž œˆ š ˆ ˆ š ƒž š œ ˆž œž ˆ ž cd ƒ ž ˆž žž š ˆ ˆž ˆ ššž ž ˆ š ž š š ž ˆž ž ˆž ž ƒ š š š œž ž š ˆž ž ˆ ˆ šž ž žœž ˆ œ š ƒ š š ž ž ÿ ÿ š š š ˆ š š ˆ šž ž ž š œ ž œ žˆž ƒ ˆ ƒ œ ž š ž žšž ÿ œ ˆ ˆ ˆž ˆ ž š œž žˆ ÿ ˆ ˆ ˆ žƒ ˆ ˆ š šž ˆ ƒ œž ˆ š ˆ ˆ ƒ œ ˆ œ 15
- Ƒ ƒ ˆ ˆ šƒ pa series œ š ž š š ˆ œ žƒ š š ˆ ˆ ƒ ˆ šƒ ˆœ ž š ˆ œ ˆ š œ œ ˆ šœ ž žš š ˆ œš ˆ š ˆˆ ƒ œ š œˆ š ž 15 db ž ˆ š ˆ ƒ œˆ œ š ÿ ž ž ˆ š 60 hz 12 khz ž ˆ ƒ š œˆ ˆ ˆ ƒ ÿ ž œ š ˆ š ˆ šœ ƒ œ š š ƒ q š ƒ ˆ š ˆ š ˆ ˆš ƒ š 1 ƒ 15
- Ƒ ˆ šƒ ˆœ ž š ˆ šƒ ˆ ž ž šš š ˆ ƒ š œ žƒ ˆ œˆ ˆœ š œ š š ˆ ˆ œ š š œˆ ž šƒ œ š š 15
- Ƒ ƒ aux 16
- ˆ ƒ ˆƒ 17
- St1 3 ž 18
- St1 3 ž ƒ ƒ 18
- St2 4 ž 18
- Š œ ƒ ˆ 18
- Mute pfl pk and fader 19
- Stereo eq 19
- Š š aux 19
- Ƒ ƒ ˆ 19
- Ƒ ˆ š 20
- Fb1 and fb 21
- Ƒ ext fx 21
- Arena long tailed reverb simulating a large arena 22
- Cathedral long reverb typical of a high ceiling church 22
- Ch rev chorus with arena reverb rich effect 22
- Chamber larger reverb typical of a big hall 22
- Chorus stereo chorus effect good for instruments 22
- Dly rev delay with hall reverb 22
- Echo rev echo with plate reverb good for vocals 22
- Gated rev special reverb with gated tail popular with snare drums 22
- Hall medium reverb typical of a small hall good basic reverb 22
- Karaoke stereo vocal echo effect enhances the voice 22
- Off disables the internal effects unit 22
- Pa cp ƒ ƒ ƒ ˆƒ š ƒ œ ž 22
- Ph rev phasing effect with plate reverb special effect 22
- Ping pong repeating echo effect 22
- Plate classic studio plate reverb good for vocals 22
- Room short reverb typical of medium sized room 22
- Slap rev slap delay with hall reverb popular for vocals 22
- Stage short reverb typical of stage area 22
- Œ œ š œ š ÿ œ œ ƒ š š ž œ ž ƒ œˆœ œ ž œ œ ƒ ÿ š œ š œ ƒ š šˆ š ž ÿ œ ƒ ÿ š šˆ ƒ ƒ œ ˆ ÿ žƒ ÿ ƒ ÿ š ƒ ƒ š ƒ ÿ œ ƒ œ šÿ ƒ š ÿœ žƒ š ž ƒ œ š œ œ ž šˆ ƒ š ˆ š ˆ œ š ž œ ž ƒ ˆ ÿ š œ š œ ÿ œ hall œ ž œ ÿš ƒ œ š œ œ gated rev ƒ œ ƒ šˆ ƒ ž ž œ ƒ œ ž ˆ ž ˆ ƒÿž ƒ œ ž œ œ œ œ œ ˆœ š ƒ œ ž œ œ š ž ƒ œ mute 22
- Œ ž ƒ ƒ 22
- Ž š ƒˆ œ ˆ ž ˆ ž ˆˆ ˆ ƒ šœ š ž ˆ ž œˆ ž ˆƒ ž ƒ œ œˆƒ 22
- Žƒ ƒ ˆ š žƒ ƒ œ š mute fx œ žƒ ˆ žˆ ˆ ž š ž šš ts jack ƒ ˆ ƒ ˆ ž tip š ˆ ˆš sleeve ÿ ˆ šƒ ˆ ƒ ˆžšš ƒ žˆ š ž šˆ š ˆ ž šˆ ˆ ˆ šˆ ƒ ƒ ƒ ƒ žƒ ˆ mute š š ž šˆ ž ššˆ ˆ mute ˆ ˆˆ ž šˆ ˆ ƒ ƒ šˆ ˆ ÿƒš š ˆ ƒ žˆ ˆ ˆ ˆ ƒ ˆ š ƒž mute fx žˆ ž 22
- Ƒ ƒ ˆ š œ ž ƒ ƒ ˆ ƒ š ƒ œ œ š fx š ž ƒ ž ƒ ƒ ƒ š ƒ œ ƒ fx š ƒ 0 œ š œ ƒ ƒ mute œ ƒ 16 œ š š ˆœ ƒ œ š ƒ ƒ š ž œ š ˆœ ƒ š œ š œ ƒ œ œ fx ƒ ƒ ƒ ƒ ƒ ˆ ž š šˆ ƒ š ÿ ÿ 22
- Ƒ ˆ š œ œ ˆ ƒ ƒ ž ƒ s e l ˆ ˆ ˆ ž ƒ š š ƒ ƒ ƒ ˆ ˆ š š ƒ š ƒ š ž ˆ ˆ ž ƒ ˆ ž ƒ š š ˆ ˆ ž ƒ ˆ š š ž š ˆ ž ˆ ˆ ƒ š p h r e v 22
- Ƒ ˆ š œ žˆ žˆ ž šˆ ˆˆ ˆ ˆƒ ƒ šˆ ƒ œ ˆˆ ˆ ž š žˆ ˆƒ œ ˆƒ ž ÿ œ ÿ ˆƒ ˆ š ˆ ž žˆ ˆšƒ midi ˆ ƒ ˆ ƒƒ pa fx editor š ž ƒ pc 22
- Ƒ ˆƒ š ƒƒ ƒ ž œ ƒ œ ˆ œ ž œ šœ ˆ š ˆ œ ˆ žˆ œ œ œ š ˆ œ œ ˆš ˆ œ œˆƒ š ˆ ž šœ ˆ žˆ ˆ œ ƒ ƒ ƒ žˆ ƒ ž œˆ ž œ ˆ ž žˆ ž ž ˆ ˆ œ ž ž ž ˆƒ œ ƒ ÿ ƒ 22
- 10 0a 11 23
- Detuner threshold karaoke release 23
- E 15 0d 14 23
- Flanger lo cut boost phaser mid frequency tremelo mid cut boost panner hi cut boost 23
- Hex program number 23
- Pa fx editor 23
- Rotary speaker pitch shift noise gate 23
- Stage reverb pre delay room reverb decay hall reverb damping plate reverb diffusion chamber reverb delay course cathedral reverb delay fine arena reverb repeats gated reverb feedback mono delay 1 tap speed stereo delay 1 tap depth mono delay 2 tap level 23
- Stereo delay 2 tap chorus equaliser 23
- Types parameters 23
- Š š ƒšƒ ž 23
- Š ˆœ ž ƒ midi ˆ ž ˆ ƒ ƒ ž 23
- Š ˆœ ž ƒ midi ˆ ƒ ƒ ƒšƒ ž 23
- Ƒ midi ˆ 23
- Fb1 fb2 af 24
- Fb1 fb2 lr mut 24
- Master ƒ 24
- Master ˆ š šœ 24
- Ž šœ fb1 fb2 lr 24
- C ƒ ˆ 25
- Lr 2tr 25
- Pfl afl le 25
- Standb 25
- Standby 25
- Sub filte 25
- Trk ou 25
- Trk out 25
- Trk to l 25
- Œ ž ž š š 25
- Œ ƒ š ƒ ž š 25
- Œ ƒ ˆ 25
- Š ˆ ˆƒ šƒ pa sires 25
- Šˆ ƒ œ headphones 25
- Ƒ mono out 25
- Ƒ ˆ ƒš œƒ 2 track 25
- Ƒš ˆ œ š bgm 25
- ˆ š headphones 25
- Spk of 26
- Ƒ š ƒ 26
- Ƒ ƒ ƒ 26
- Ab output eq 27
- Frequency žš š 27
- Lf lm hm h 27
- Lf lm hm hf 27
- Ƒ ˆ š 27
- Fb1 fb2 ou 28
- Š ˆ œˆ ž 28
- Ƒ ˆˆ ƒ 28
- Headphone 29
- Lr insert 29
- Lr main ou 29
- Mono ou 29
- Ƒ ˆ œ 29
- Ab amp inpu 30
- Ab slave ou 30
- Trk digital ou 30
- Trk inpu 30
- Trk ou 30
- Constant power switch 31
- Ohms 4 ohms 31
- Žœžš š ž 31
- ˆ œ ž ž š š 31
- Œš ž 32
- ˆ š š 32
- Insert ƒˆ ˆ 33
- System block diagram 33
- Šœ œ š žƒ šƒ š ƒž 33
- Šœ œ š žƒ šƒ ƒ 33
- Šœ ƒ 33
- Šˆ ƒˆ ˆœ 33
- Ƒ ƒˆ ˆ 33
- Ƒ ƒ ˆ š ˆœ žœ 12 34
- 10 30 30 35
- 20 30 5 20 35
- 30 10 10 35
- 30 10 30 10 10 30 10 30 10 10 10 30 10 35
- 5 20 0 35
- 5 5 5 20 0 5 20 0 5 5 5 20 0 5 5 35
- Cathedral 35
- Ch rev 35
- Chamber 35
- Chorus 35
- Dly rev 35
- Echo rev 35
- Gated rev 35
- Karaoke 35
- Line 50 35
- Line mic 35
- Mic line 35
- Ph rev 35
- Ping pong 35
- Plate slap rev 35
- Post lr fader 35
- Pre lr post lr 35
- Http www allen heath com 36
- Š œ ƒ ž ƒ 36
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