Behringer EUROLIGHT LC2412 [12/25] Crossfading between different setups
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12 EUROLIGHT LC2412 User Manual
4.2 Crossfading between dierent setups
4.2.1 Crossfading between presets and memories
Crossfading between memories and presets works exactly the same way as
crossfading between two presets. The only dierence is that the EUROLIGHT
LC2412 has to be in memory mode.
1. Activate a stored scene (see chapter 4.1.2).
2. Activate a preset by using a fader from the A PRESET section;
fader A remains locked.
3. Now pull fader B down and fader A up. The preset appears at the console
output, while the memories dissappear.
4.2.2 Crossfading between memories
There are several ways to crossfade between memories:
Crossfading steplessly using the FLASH keys
Please take the following required steps, as follows:
1. Disengage the CHANNEL FLASH key (32);
2. Pull up the CHASE fader (50);
3. Press the INSERT key (49);
4. Adjust the X-FADE control (51) to the desired fade in/out speed;
5. Press the FLASH key (one of the (22) / (23) keys).
The memory is faded in. You determine the illumination level by using the CHASE
and the MAIN fader. To switch to another memory, simply press another FLASH
key. You can alternate between two memories (the current one and the one
selected before it) by using the STEP key (53). You can fade in the current preset
setting instead of the memory by using the PRESET FLASH key (44).
◊ Faders A and B ((41) and (42)) as well as the faders of the B MEMORY
section and the A PRESET section can be pulled down; in that case,
only the memories/presets activated by means of the FLASH keys
are visible.
◊ If you are currently replaying a chase, it will be interrupted as soon
as you hit the INSERT key. When you hit the INSERT key for the second
time, the chase resumes.
Manually crossfading between memories using
theX-FADER
If you activate the MANUAL key (54) in addition to the setup desicribed in chapter
4.2.2, you can then determine the crossfade times by switching from memory to
memory using the X-FADE fader.
1. Select a memory using a FLASH key.
2. Now, move the X-FADE fader to an end position, and the memory will be
faded in.
◊ If you select no new memory, you can alternate between the two most
recently used memories back and forth.
Fading memories out
To fade memories out, release the INSERT key (49). If you pull the X-FADE
fader in the same direction while having faded in a memory right before
that, the memory is faded out only when you pull the control down again.
Renewedpulling the control upwards, no memory is displayed.
◊ Activating a chase and interrupting it by pressing the INSERT key
fades in the next CHASE step when you pull the X-FADE fader upward.
To fade out, you have to first select a chase that contains no steps
(see chapter 6.2).
When you let go of the MANUAL key, using the STEP key (53) lets you fade out
withing the time set up using the X-FADE fader.
◊ When a chase is active, and you interrupt it by pressing the INSERT key,
pressing the STEP key fades the next chase step in.
4.2.3 Crossfading between memories of dierent banks
You can change your current storage bank by selecting a new bank using the
UP/DOWN keys. The memory activated previously remains on the stage unti you
pull the fader to zero. The LEDs of the UP/DOWN keys ash in case there are active
memories belonging to the “abandoned” bank. Pull up a memory fader, and the
memory stored at this location in the new storage bank is activated.
◊ The memories that were activated before you changed the bank
remain visible on the stage until you pull the fader down into its
zero position. This way, you can see multiple memories on the stage
(and the respective control lights).
4.3 Preset ash and memory ash
4.3.1 Preset ash
This key activates the ash function for the A PRESET section. If the solo function
is not active, PRESET FLASH adds a lighting conguration (set up in the A PRESET
section) to an active memory (fader A (41) at zero). When the solo function is
active, “pulled up” memories are switched o.
Conguration:
Memory mode, memory fader (13) raised
Fader A (41) closed, MAIN fader (43) raised
Fade in the preset conguration using PRESET FLASH. The A PRESET fader and the
MAIN fader determine the illumination level.
With solo function: memories are deactivated.
4.3.2 Memory ash
The “memory ash” function can be activated to abruptly implement stored
presets (memories) into an active preset, instead of smoothly fading it in using
afader.
◊ No memory can be recalled in preset mode. Additionally,
the “memory flash” function can not be executed.
Conguration:
Memory mode, memory fader (13) raised,
Fader A raised, fader B closed or partially raised, MAIN fader raised.
Fade in the “pulled up” memories using the MEMORY FLASH. The B MEMORY
fader and the MAIN fader determine the illumination level.
With solo function: The preset is deactivated.
Содержание
- Eurolight lc2412 1
- Table of contents 2
- Thank you 2
- Important safety instructions 3
- Legal disclaimer 3
- Limited warranty 3
- Before you get started 4
- General features and functions 4
- Introduction 4
- The user s manual 4
- Control elements 5
- 14 15 16 17 7
- Control elements of the sound to light section 7
- Flash keys and solo 7
- Section 7
- 25 26 27 28 30 31 32 29 24 8
- 33 34 35 8
- 38 39 40 8
- 41 42 43 8
- 44 45 45 47 8
- Control elements of the main section 8
- Control elements of the programming section 8
- 53 54 55 9
- 58 59 60 61 9
- Control elements of the chase section 9
- Rear panel connectors of the lc2412 9
- Basic configuration 10
- Expanding to 24 preset channels upper mode 10
- Presets 10
- Crossfading between presets 11
- Programming recalling and altering memories scenes 11
- The b memory section 11
- Crossfading between different setups 12
- Preset flash and memory flash 12
- Additional application of memories 13
- Chase control 13
- Previewing memories individually on the stage live mode 13
- Programming memories without direct control blind 13
- Programming or erasing chases 13
- Sound to light 13
- Running and pausing chases 14
- Saving chases as memories chase to memory 15
- Additional functions of the lc2412 16
- Locking program mode 16
- Previewing chases in live mode 16
- Putting the output on hold 16
- Special channels 16
- Midi functions 17
- Theater mode 17
- Adjusting differing illumination levels 18
- Erasing all settings displaying software version 18
- Storing data on a memory card 18
- Analog control 19
- Digital control via dmx512 19
- Dimmer control 19
- Cables recommended for dmx512 20
- Installation 20
- Pin assignment 20
- Terminal resistor bus termination 20
- Always make sure that your lc2412 is provided with sufficient 21
- As long as a footswitch is kept pressed the connection of both contacts is closed therefore a footswitch does not act as a switch 21
- Audio connections 21
- Coonect to other midi equipment or another eurolight lc2412 by using common midi cables the cables should never be longer than 15 m 45 ft 21
- Eurolight lc2412 user manual 21
- Footswitch 21
- Midi connection 21
- Rack mounting 21
- Sub d connections analog control 21
- The following table shows the cable layout of the individual contacts of the sub d connection for analog dimmer control 21
- To control the eurolight lc2412 via an audio signal please use a mono jack connector with standard configuration 21
- Ventilation to avoid overheating of the unit 21
- You can use a footswitch to trigger chase steps this way both of your hands remain free letting you control additional settings of your lc2412 21
- Your eurolight lc2412 is factory equipped with rack mounting brackets you can screw these on to the side of your lc2412 on a per need basis 21
- Specifications 22
- Eurolight lc2412 user manual 23
- Eurolight lc2412 24
- Federal communications commission compliance information 24
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