Xoro YAMAHA DGX-620 [88/142] Ëôëòóí ì òú óâí ùûìíˆëè

Xoro YAMAHA DGX-620 [88/142] Ëôëòóí ì òú óâí ùûìíˆëè
88 DGX-620/520, YPG-625/525 êÛÍÓ‚Ó‰ÒÚ‚Ó ÔÓθÁÓ‚‡ÚÂÎfl
îÛÌ͈ËË
ëÔËÒÓÍ Ì‡ÒÚÓÂÍ ÙÛÌ͈ËÈ
ä‡Ú„ÓËfl è‡‡ÏÂÚ ÙÛÌ͈ËË ÑˇԇÁÓÌ/ÛÒÚ‡ÌÓ‚ÍË éÔËÒ‡ÌËÂ
VOLUME
ÓÏÍÓÒÚ¸)
Style Volume
ÓÏÍÓÒÚ¸ ÒÚËÎÂÈ)
000–127 éÔ‰ÂÎflÂÚ „ÓÏÍÓÒÚ¸ ÒÚËÎfl.
Song Volume (ÉÓÏÍÓÒÚ¸ ÔÂÒÌË) 000–127 éÔ‰ÂÎflÂÚ „ÓÏÍÓÒÚ¸ ÔÂÒÌË.
OVERALL
(é·˘ËÂ
̇ÒÚÓÈÍË)
Transpose (í‡ÌÒÔÓÌËÓ‚‡ÌËÂ) -12–+12 éÔ‰ÂÎflÂÚ ‚˚ÒÓÚÛ Á‚Û͇ ËÌÒÚÛÏÂÌÚ‡ Ò ¯‡„ÓÏ ‚ Ó‰ËÌ ÔÓÎÛÚÓÌ.
Tuning (ç‡ÒÚÓÈ͇) -100–+100 ìÒڇ̇‚ÎË‚‡ÂÚ ‚˚ÒÓÚÛ Á‚Û͇ ËÌÒÚÛÏÂÌÚ‡ Ò ¯‡„ÓÏ ‚ 1 ÔÓˆÂÌÚ.
Pitch Bend Range (ÑˇԇÁÓÌ
ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇)
01–12 ìÒڇ̇‚ÎË‚‡ÂÚ ‰Ë‡Ô‡ÁÓÌ ËÁÏÂÌÂÌËfl ‚˚ÒÓÚ˚ Á‚Û͇ Ò ¯‡„ÓÏ ‚ ÔÓÎÚÓ̇.
Split Point (íӘ͇ ‡Á‰ÂÎÂÌËfl
Í·‚ˇÚÛ˚)
000–127(C-2–G8)
éÔ‰ÂÎflÂÚ Ò‡ÏÛ˛ ‚˚ÒÓÍÛ˛ Í·‚Ë¯Û ‰Îfl ÂÊËχ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚
Ë Á‡‰‡ÂÚ «ÚÓ˜ÍÛ ‡Á‰ÂÎÂÌËfl», ÚÓ ÂÒÚ¸ Í·‚˯Û, ÓÚ‰ÂÎfl˛˘Û˛ ÌËÊÌËÈ ÚÂÏ·
(Split voice) ÓÚ ‚ÂıÌÂ„Ó (Main voice). íӘ͇ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ (Split Point)
Ë ÚӘ͇ ‡Á‰ÂÎÂÌËfl Í·‚ˇÚÛ˚ ‰Îfl ‡ÍÍÓÏÔ‡ÌÂÏÂÌÚ‡ (Accompaniment Split Point)
‡‚ÚÓχÚ˘ÂÒÍË ÛÒڇ̇‚ÎË‚‡˛ÚÒfl ̇ Ó‰ÌÓ Á̇˜ÂÌËÂ.
Touch Sensitivity
(óÛ‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í·‚˯ Í
ÒËΠ̇ʇÚËfl)
1 (ÌËÁ͇fl), 2 (Ò‰Ìflfl), 3
(‚˚ÒÓ͇fl), 4 (ÓÚÍÎ.)
éÔ‰ÂÎflÂÚ ˜Û‚ÒÚ‚ËÚÂθÌÓÒÚ¸ Í·‚˯.
Chord Fingering
(êÂÊËÏ Chord Fingering)
1 (ÂÊËÏ Multi Fingering),
2 (ÂÊËÏ FullKeyboard)
ᇉ‡ÂÚ ÂÊËÏ ÓÔ‰ÂÎÂÌËfl ‡ÍÍÓ‰Ó‚. Ç ÂÊËÏ Multi Fingering ‡ÒÔÓÁ̇˛ÚÒfl
Í‡Í Ó·˚˜Ì˚ ‡ÍÍÓ‰˚, Ú‡Í Ë ÔÓÒÚ˚ ‡ÍÍÓ‰˚, ‚ÓÒÔÓËÁ‚Ó‰ËÏ˚ Ò΂‡ ÓÚ ÚÓ˜ÍË
‡Á‰ÂÎÂÌËfl. Ç ÂÊËÏ Full Keyboard ‡ÒÔÓÁ̇˛ÚÒfl Ó·˚˜Ì˚ ‡ÍÍÓ‰˚,
Ò˚„‡ÌÌ˚ ‚ β·ÓÈ ˜‡ÒÚË Í·‚ˇÚÛ˚, ‡ Ú‡ÍÊ ‚ÓÒÔÓËÁ‚Ó‰ËÏ˚ ÌÓÚ˚.
MAIN VOICE
(éÒÌÓ‚ÌÓÈ
ÚÂÏ·)
Main Volume
(éÒÌӂ̇fl „ÓÏÍÓÒÚ¸)
000–127 éÔ‰ÂÎflÂÚ „ÓÏÍÓÒÚ¸ ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡.
Main Octave (éÒÌӂ̇fl ÓÍÚ‡‚‡) -2–+2 éÔ‰ÂÎflÂÚ ‰Ë‡Ô‡ÁÓÌ ÓÍÚ‡‚˚ ‰Îfl ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡.
Main Pan (éÒÌӂ̇fl Ô‡ÌÓ‡Ï‡)
000 (΂‡fl ÔÓÁˈËfl) –
64 (ˆÂÌÚ) –
127 (Ô‡‚‡fl ÔÓÁˈËfl)
ᇉ‡ÂÚ ÔÓÁËˆË˛ Ô‡ÌÓ‡ÏËÓ‚‡ÌËfl ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ ‚ ÒÚÂÂÓÁ‚Û˜‡ÌËË.
á̇˜ÂÌË «0» ÒÏ¢‡ÂÚ Ô‡ÌÓ‡ÏÛ Á‚Û˜‡ÌËfl ÔÓÎÌÓÒÚ¸˛ ‚΂Ó; Á̇˜ÂÌË «127»
ÒÏ¢‡ÂÚ Ô‡ÌÓ‡ÏÛ Á‚Û˜‡ÌËfl ÔÓÎÌÓÒÚ¸˛ ‚Ô‡‚Ó.
Main Reverb Level (ìÓ‚Â̸
ÓÒÌÓ‚ÌÓÈ ‚Â·Â‡ˆËË)
000–127
éÔ‰ÂÎflÂÚ, ͇͇fl ˜‡ÒÚ¸ Ò˄̇· ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ ·Û‰ÂÚ Ó·‡·Óڇ̇
˝ÙÙÂÍÚÓÏ ‚Â·Â‡ˆËË.
Main Chorus Level
(ìÓ‚Â̸ ÓÒÌÓ‚ÌÓ„Ó ıÓÛÒ‡)
000–127
éÔ‰ÂÎflÂÚ, ͇͇fl ˜‡ÒÚ¸ Ò˄̇· ÓÒÌÓ‚ÌÓ„Ó ÚÂÏ·‡ ·Û‰ÂÚ Ó·‡·Óڇ̇
˝ÙÙÂÍÚÓÏ ıÓÛÒ‡.
DUAL VOICE
(ç‡ÎÓÊÂÌËÂ
ÚÂÏ·Ó‚)
Dual Volume (ÉÓÏÍÓÒÚ¸
‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚)
000–127 éÔ‰ÂÎflÂÚ „ÓÏÍÓÒÚ¸ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚.
Dual Octave (éÍÚ‡‚‡ ‚ ÂÊËÏÂ
̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚)
-2–+2 éÔ‰ÂÎflÂÚ ‰Ë‡Ô‡ÁÓÌ ÓÍÚ‡‚˚ ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚.
Dual Pan (è‡ÌÓ‡Ï‡ ‚ ÂÊËÏÂ
̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚)
000 (΂‡fl ÔÓÁˈËfl) –
64 (ˆÂÌÚ) –
127 (Ô‡‚‡fl ÔÓÁˈËfl)
ᇉ‡ÂÚ ÔÓÁËˆË˛ Ô‡ÌÓ‡ÏËÓ‚‡ÌËfl ÂÊËχ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ ÔË
ÒÚÂÂÓÁ‚Û˜‡ÌËË. á̇˜ÂÌË «0» ÒÏ¢‡ÂÚ Ô‡ÌÓ‡ÏÛ Á‚Û˜‡ÌËfl ÔÓÎÌÓÒÚ¸˛ ‚΂Ó;
Á̇˜ÂÌË «127» ÒÏ¢‡ÂÚ Ô‡ÌÓ‡ÏÛ Á‚Û˜‡ÌËfl ÔÓÎÌÓÒÚ¸˛ ‚Ô‡‚Ó.
Dual Reverb Level
(ìÓ‚Â̸ ‚Â·Â‡ˆËË
‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚)
000–127
éÔ‰ÂÎflÂÚ, ͇͇fl ˜‡ÒÚ¸ Ò˄̇· ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ ·Û‰ÂÚ
Ó·‡·Óڇ̇ ˝ÙÙÂÍÚÓÏ ‚Â·Â‡ˆËË.
Dual Chorus Level
(ìÓ‚Â̸ ıÓÛÒ‡ ‚ ÂÊËÏÂ
̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚)
000–127
éÔ‰ÂÎflÂÚ, ͇͇fl ˜‡ÒÚ¸ Ò˄̇· ‚ ÂÊËÏ ̇ÎÓÊÂÌËfl ÚÂÏ·Ó‚ ·Û‰ÂÚ
Ó·‡·Óڇ̇ ˝ÙÙÂÍÚÓÏ ıÓÛÒ‡.
SPLIT VOICE
‡Á‰ÂÎÂÌËÂ
ÚÂÏ·Ó‚)
Split Volume (ÉÓÏÍÓÒÚ¸
‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚)
000–127 éÔ‰ÂÎflÂÚ „ÓÏÍÓÒÚ¸ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚.
Split Octave (éÍÚ‡‚‡ ‚ ÂÊËÏÂ
‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚)
-2–+2 éÔ‰ÂÎflÂÚ ‰Ë‡Ô‡ÁÓÌ ÓÍÚ‡‚˚ ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚.
Split Pan (è‡ÌÓ‡Ï‡ ‚ ÂÊËÏÂ
‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚)
000 (΂‡fl ÔÓÁˈËfl) –
64 (ˆÂÌÚ) –
127 (Ô‡‚‡fl ÔÓÁˈËfl)
ᇉ‡ÂÚ ÔÓÁËˆË˛ Ô‡ÌÓ‡ÏËÓ‚‡ÌËfl ÂÊËχ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ ÔË
ÒÚÂÂÓÁ‚Û˜‡ÌËË. á̇˜ÂÌË «0» ÒÏ¢‡ÂÚ Ô‡ÌÓ‡ÏÛ Á‚Û˜‡ÌËfl ÔÓÎÌÓÒÚ¸˛ ‚΂Ó;
Á̇˜ÂÌË «127» ÒÏ¢‡ÂÚ Ô‡ÌÓ‡ÏÛ Á‚Û˜‡ÌËfl ÔÓÎÌÓÒÚ¸˛ ‚Ô‡‚Ó.
Split Reverb Level
(ìÓ‚Â̸ ‚Â·Â‡ˆËË
‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚)
000–127
éÔ‰ÂÎflÂÚ, ͇͇fl ˜‡ÒÚ¸ Ò˄̇· ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ ·Û‰ÂÚ
Ó·‡·Óڇ̇ ˝ÙÙÂÍÚÓÏ ‚Â·Â‡ˆËË.
Split Chorus Level
(ìÓ‚Â̸ ıÓÛÒ‡ ‚ ÂÊËÏÂ
‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚)
000–127
éÔ‰ÂÎflÂÚ, ͇͇fl ˜‡ÒÚ¸ Ò˄̇· ‚ ÂÊËÏ ‡Á‰ÂÎÂÌËfl ÚÂÏ·Ó‚ ·Û‰ÂÚ
Ó·‡·Óڇ̇ ˝ÙÙÂÍÚÓÏ ıÓÛÒ‡.

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