M-Audio Wizoo Darbuka [12/30] The mix page
![M-Audio Wizoo Darbuka [12/30] The mix page](/views2/1019699/page12/bgc.png)
14
3 English
The Mix Page
Mixing Tracks
The Mix Page offers all you need to balance, pan,
equalize and add effects to any of the Tracks in your
percussion groove, as well as a few other handy
features.
The Mix Page parameters affect a Track for all
Patterns used in the Style. If you want to tweak a
Track just for particular Patterns check out the Part
Parameters section of this manual).
Mixing Tracks Using The Stage
The fastest and easiest way to mix or balance Tracks
is by using the Stage feature at the top of the Mix
Page.
The Stage allows you to mix Tracks visually by simply
clicking their instrument symbols and dragging
them.
• Instrument symbols of muted tracks appear grey but are still fully functional, i.e. can be selected and
moved.
• Limiting movement: By holding [Shift]/[Alt] you can limit dragging to horizontal/vertical direction.
< Vertical Movement
To choose which mix parameter is changed when moving a Track vertically on the Stage click in the upper left
corner of the Stage and make a selection from the drop down menu. Alternatively you can also go to the Mix
Page Vertical Axis menu in the Setup Page and make a selection from the drop down menu there.
• Off: When Off is chosen, vertical movement of a Symbol in the Stage has
no effect on the Track.
• Level: When Level is selected, vertical movement in the Stage controls
individual Track volumes.
• Ambience Send: This option allows you to visually mix Ambience Send
amounts for each Track via the Stage.
• Front/Rear: This may be the fastest and most intuitive setting for creating a
surround panorama. The top of the Stage becomes the front left and right,
the bottom becomes the rear left and right.
• Room Mode: Just imagine you’re in a room, surrounded by percussion
instruments. Simply put, that’s what we call “Room Mode”.
While in all other modes the Stage is a X/Y coordinate system, here the Stage represents a top view on a real
recording room with the listener in the center and the instruments around him. The borders of the Stage acting
like real walls.
Of course, the Room Mode is most realistic in Surround Mode, because only there are the front and rear
positions reflected in the resulting audio signal.
Содержание
- English 1
- Minimum system requirements mac 1
- Minimum system requirements pc 1
- System requirements 1
- System requirements installation 1
- Welcome to darbuka 1
- Product certification 2
- To install darbuka on a macintosh 2
- To install darbuka on a pc 2
- To uninstall darbuka on a macintosh 2
- To uninstall darbuka on a pc 2
- Demo licences 3
- English 3
- General overview 3
- Off line certification 3
- On line certification 3
- What is a style 3
- Loading styles 4
- Previewing styles 4
- Style info 4
- English 5
- Playing styles 5
- Saving styles 5
- The color keyboard 5
- Scrolling track tabs 6
- Track tabs 6
- What is a track 6
- Adding tracks 7
- Copying tracks 7
- English 7
- Replacing tracks 7
- The instrument symbols 7
- Changing darbuka s master volume 8
- Deleting tracks 8
- Moving tracks 8
- Sorting styles in the styles selector 8
- Xxl mode 8
- English 9
- Quantize 9
- The play page 9
- Timing 9
- Variance 9
- Ambience in stereo 10
- Ambience in surround 10
- Complexity 10
- Master ambience 10
- Muting track types 10
- Ambience controls 11
- English 11
- Master dynamics 11
- Master equalizer 11
- Stereo and surround 11
- Mixing tracks 12
- Mixing tracks using the stage 12
- The mix page 12
- Vertical movement 12
- English 13
- Horizontal movement 13
- The track mixer 13
- Ambience 14
- Assigning tracks to outputs 14
- Enabling surround mode 15
- English 15
- Placing tracks in the surround panorama 15
- The edit page 15
- What is a part 15
- Working in surround 15
- Arranging with darbuka 16
- What is a pattern 16
- Arranging in the pattern arranger 17
- Color shading 17
- English 17
- Moving patterns 17
- Naming a pattern 17
- Setting play modes 17
- The pattern selector 17
- Choosing a single part 18
- Choosing a whole track 18
- Choosing all parts in a pattern 18
- Using key commands 18
- Using the mouse wheel 18
- English 19
- Selecting parts 19
- Special options in the part menu 19
- The part parameters 19
- Performing with darbuka 20
- Using midi controller ccs 20
- Default midi controller settings 21
- English 21
- Midi channels 2 15 21
- Midi controllers for channels 2 15 21
- Using track mutes 21
- Color coding 22
- Individual outputs 22
- Main outputs 22
- The setup page 22
- Bar length 23
- English 23
- Mute mode 23
- Pattern change 23
- Quantize 23
- Sync mode 23
- Knob mode 24
- Mix page vertical axis 24
- Tooltips 24
- Default midi cc assignments 25
- English 25
- Lothar krell 25
- Save as defaults 25
- Suat borazan 25
- The producer and percussionists 25
- Basem darwisch schürmann 26
- Darbuka 26
- Mohammed zaki 26
- The instruments 26
- Bendir 27
- Bongos 27
- Douhola 27
- English 27
- English 28
- Iqaà means rhythm and rhythms play a very important role in the arab turkish and nubian cultures whether it s work celebration mourning dancing praying religious rites or ceremonies everything in everyday life has a connection with rhythm 28
- Reversed 28
- Shaker 28
- Shakers come in many shapes and forms and can be constructed from plastic metal tubing hard wood and even bone the filling is also varied anything from seeds steel shot beans or pebbles can be used 28
- Style information 28
- The reversed instrument is a backwards douhola or darbuka which you may find useful in your tracks the reversed instrument plays at different bar positions depending on which part you select in the scene editor 28
- 3d rendering 29
- Audio preparation 29
- Credits 29
- English 29
- Head of development 29
- Percussion recordings 29
- Producer 29
- User interface design 29
- Virtual instrument 29
- Support 30
- Trademarks 30
- _darbuka_ug_en01 30
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