M-Audio Wizoo Darbuka [9/30] The play page
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Darbuka • User Guide 4
11
English
The Play Page
The first page you’ll see when you start Darbuka is the
Play Page. On this page you will find most of the general
controls for the whole percussion instrument, the types of
controls that affect all or most Tracks being played in a
Style. Let’s take a deeper look at what’s possible and what
might be useful when making music with Darbuka .
Speed
The Speed control allows you to run Darbuka at normal,
half or double your song tempo. This can be very useful
in some situations:
Maybe you’re working on a slow groove masterpiece that’s 80 beats per minute but running your host
application at 160, you’ve been working for months and you realize that the last thing you need is some
Darbukas Congas in the middle eight, you load a Style in anticipation and your lovely delicate middle eight is
now full of drummers on Guarana, the cat gives birth, light bulbs explode..... Never fear, we at Wizoo value
our cats and our light bulbs, with a casual flick of the Speed switch to Half the world will become normal again
and hey the Darbukas sound pretty good in there too.
Speed control can also be quite a useful creative tool, allowing you the flexibility to play a nice syncopated 80
BPM groove over a 160 bpm Drum’n’Bass track or an interesting half time groove over a 110 bpm pop song. It’s
up to you, Darbuka has no tempo limits.
Variance
Variance is a sophisticated feature with a very simple control. What it does is replace percussion hits within
each Track with other percussion hits that sound similar from within the Style, in effect adding variation to each
Track. A setting of Max replaces a lot of hits with similar hits and the Off setting plays the groove exactly as the
original percussionists played it.
Timing
The Timing control might also be called humanize or even quantize. Setting Timing to the center value of fifty
percent plays the percussion grooves with all the natural anticipations and feel of the real players, increasing
the value towards Tight quantizes the timing to strict machine like precision, and decreasing towards Loose
exaggerates the natural live timing.
Quantize
Quantize sets a maximum musical timing resolution. Any percussion hits that fall outside of this timing grid
are removed. For example you may like a particular Style but there are a lot of 32nd and 64th note rolls and
fills and what you’d really like is for the groove to be simpler. Try setting Quantize to a value of 1/16th, all of the
busy fills are removed and only the notes that fall close to a 16th note in the bar remain, in effect simplifying
the groove. Of course you can simplify Styles quite a lot, right down to a1/4 note value.
Experimenting with combinations of the Tempo and Quantize features can lead to interesting and useful
rhythmic variations.
Swing
Swing is a feature most are familiar with. This control pushes the timing of all Tracks in a Style from their original
position in a groove towards a triplet timing. In some cases a Style is already naturally playing a triplet feel in
which case the Swing control pushes the triplet beats to an even later position in the bar.
Содержание
- English 1
- Minimum system requirements mac 1
- Minimum system requirements pc 1
- System requirements 1
- System requirements installation 1
- Welcome to darbuka 1
- Product certification 2
- To install darbuka on a macintosh 2
- To install darbuka on a pc 2
- To uninstall darbuka on a macintosh 2
- To uninstall darbuka on a pc 2
- Demo licences 3
- English 3
- General overview 3
- Off line certification 3
- On line certification 3
- What is a style 3
- Loading styles 4
- Previewing styles 4
- Style info 4
- English 5
- Playing styles 5
- Saving styles 5
- The color keyboard 5
- Scrolling track tabs 6
- Track tabs 6
- What is a track 6
- Adding tracks 7
- Copying tracks 7
- English 7
- Replacing tracks 7
- The instrument symbols 7
- Changing darbuka s master volume 8
- Deleting tracks 8
- Moving tracks 8
- Sorting styles in the styles selector 8
- Xxl mode 8
- English 9
- Quantize 9
- The play page 9
- Timing 9
- Variance 9
- Ambience in stereo 10
- Ambience in surround 10
- Complexity 10
- Master ambience 10
- Muting track types 10
- Ambience controls 11
- English 11
- Master dynamics 11
- Master equalizer 11
- Stereo and surround 11
- Mixing tracks 12
- Mixing tracks using the stage 12
- The mix page 12
- Vertical movement 12
- English 13
- Horizontal movement 13
- The track mixer 13
- Ambience 14
- Assigning tracks to outputs 14
- Enabling surround mode 15
- English 15
- Placing tracks in the surround panorama 15
- The edit page 15
- What is a part 15
- Working in surround 15
- Arranging with darbuka 16
- What is a pattern 16
- Arranging in the pattern arranger 17
- Color shading 17
- English 17
- Moving patterns 17
- Naming a pattern 17
- Setting play modes 17
- The pattern selector 17
- Choosing a single part 18
- Choosing a whole track 18
- Choosing all parts in a pattern 18
- Using key commands 18
- Using the mouse wheel 18
- English 19
- Selecting parts 19
- Special options in the part menu 19
- The part parameters 19
- Performing with darbuka 20
- Using midi controller ccs 20
- Default midi controller settings 21
- English 21
- Midi channels 2 15 21
- Midi controllers for channels 2 15 21
- Using track mutes 21
- Color coding 22
- Individual outputs 22
- Main outputs 22
- The setup page 22
- Bar length 23
- English 23
- Mute mode 23
- Pattern change 23
- Quantize 23
- Sync mode 23
- Knob mode 24
- Mix page vertical axis 24
- Tooltips 24
- Default midi cc assignments 25
- English 25
- Lothar krell 25
- Save as defaults 25
- Suat borazan 25
- The producer and percussionists 25
- Basem darwisch schürmann 26
- Darbuka 26
- Mohammed zaki 26
- The instruments 26
- Bendir 27
- Bongos 27
- Douhola 27
- English 27
- English 28
- Iqaà means rhythm and rhythms play a very important role in the arab turkish and nubian cultures whether it s work celebration mourning dancing praying religious rites or ceremonies everything in everyday life has a connection with rhythm 28
- Reversed 28
- Shaker 28
- Shakers come in many shapes and forms and can be constructed from plastic metal tubing hard wood and even bone the filling is also varied anything from seeds steel shot beans or pebbles can be used 28
- Style information 28
- The reversed instrument is a backwards douhola or darbuka which you may find useful in your tracks the reversed instrument plays at different bar positions depending on which part you select in the scene editor 28
- 3d rendering 29
- Audio preparation 29
- Credits 29
- English 29
- Head of development 29
- Percussion recordings 29
- Producer 29
- User interface design 29
- Virtual instrument 29
- Support 30
- Trademarks 30
- _darbuka_ug_en01 30
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