MartinLogan Aeon i [10/24] Dipolar speakers and your room
![MartinLogan Aeon i [10/24] Dipolar speakers and your room](/views2/1197591/page10/bga.png)
If your speaker system is not securely planted on the floor
or solid surface, it can shake as it produces sound and,
consequently, the sound can be compromised. If your
speaker is sitting on the carpet and only foot gliders are
used, the bass can be ill defined and even boomy. The use
of spikes is recommended to insure secured footing for
your speakers. (See Solid Footing, this page, for spike infor-
mation and installation instructions).
Dipolar Speakers and Your Room
MartinLogan electrostatic loudspeakers are known as dipolar
radiators. This means that they produce sound from both
their fronts and their backs. Consequently, musical infor-
mation is reflected by the wall behind them and may arrive
either in or out of step with the information produced by
the front of the speaker.
The low frequencies can either be enhanced or nulled by
the position from the front wall. Your Aeon i’s have been
designed to be placed two to three feet from the front wall
(the wall in front of the listening position) to obtain the
best results; however, your room may see things differently.
So listening to the difference of the bass response as a
result of the changes in distance from the front wall can
allow you to get the best combination of depth of bass and
tonal balance.
Now that you know about reflective surfaces and resonant
objects, you can see how the midrange and high frequencies
can be affected. The timing of the initial wave as it radiates
to your ears, and then the reflected information as it arrives
at your ears later in time, can result in confusion of the pre-
cious timing information that carries the clues to imaging.
Consequently the result is blurred imaging and excessive
brightness. Soft walls, curtains, wall hangings, or sound
dampeners (your dealer can give you good information
here) can be effective if these negative conditions occur.
After living and experimenting with your Aeon i’s, you
may want to use ETC (energy transfer coupler) Spikes (see
figure 6), which are available from your local MartinLogan
dealer or from the Xtatic shop at www.martinlogan.com.
With the use of these spikes, the Aeon i will become firmly
planted on the floor and, consequently, bass will tighten
and imaging will become more coherent and detailed. It is
best not to implement the spikes, however, until you are
secure in the positioning, as the spikes can damage the
floor if the speaker is moved. MartinLogan ETC spikes will
fit any common
1
/4 inch thread insert that may be found
on your other audio equipment (racks, speakers, etc.).
Spike Installation Instructions:
1 Carefully lay your speaker on its side to gain access to
the bottom.
2 Remove existing feet or spikes. Thread new spikes into
holes and screw them in all of the way. If the speaker
does not sit level loosen one spike until level is achieved.
3 Tighten the jam nut snugly by hand. Do not over tighten
the nut.
4 Right the speaker.
Caution: Make sure your hands and any cabling are clear
of the spikes. Do not slide speaker as spikes are sharp and
can damage your floor or carpet.
5 Adjust to level by rotating spikes. Tighten the jam nut
securely when satisfied that speaker is level.
Caution: Walking the speaker may result in a broken spike.
Figure 6. The ETC Spike.
Solid Footing
10 Room Acoustics
Содержание
- Front cover 1
- U s e r s m a n u a l 1
- Contents and introduction 2
- Contents introduction 2
- Ntroduction 2
- Ontent 2
- Quality and will provide years of enduring enjoyment and 2
- Installation in brief 3
- Making sure that you have made a firm 3
- Nstallation i 3
- Plug them i 3
- A variety of speaker cables are available whose 4
- Ac power connection 4
- Break in 4
- Jumper clips 4
- Peration 4
- Signal connection 4
- Bi wire connection 5
- Passive bi amplification 5
- Single wire connection 5
- This method of connection replaces the jumper clips installed 5
- Active bi amplification 6
- On off 6
- Turning the na 6
- Experimentation 7
- Lacement 7
- Listening position 7
- Placement 7
- The side walls 7
- The wall behind the listener 7
- The wall behind the speakers 7
- Your initial setup for the next few days as the speaker 7
- Enjoy yourself 8
- Final placement 8
- The extra tweak 8
- Coustics 9
- Room acoustics 9
- Rules of thumb 9
- Terminology 9
- Your room 9
- Dipolar speakers and your room 10
- Solid footing 10
- Controlled horizontal dispersion 11
- Controlled vertical dispersion 11
- Dispersion 11
- Dispersion interactions 11
- Ispersio 11
- Nac dispersion 11
- Nteractions 11
- Three major types of dispersion 12
- Heater 13
- Home theater 13
- Dvantages 14
- Electrostatic advantages 14
- Lectrostati 14
- Conventional loudspeaker martinlogan aeon i 15
- Critical zone 450hz 20khz 15
- Full range operation 15
- Curvilinear line source cl 16
- Generation 2 diaphragm 16
- Transducer integrity 16
- Xclusives 16
- Esl history 17
- Istory 17
- Lectrostati 17
- Oudspeake 17
- Rice and kellogg had narrowed the field of contestants down to the cone and the electrostat 17
- Electrostatic speakers have progressed and prospered 18
- These developments allow the consumer to own the highest performance loud speaker products ever built 18
- When janszen corporation was 18
- Faq and troubleshooting 19
- Frequently asked questions 19
- Requentl 19
- Roubleshooting 19
- Uestions an 19
- Troubleshooting 20
- General information 21
- Nformation 21
- Service 21
- Specifications 21
- Warranty and registration 21
- Warranty and registration specifications 21
- Glossary of audio terms 22
- Lossary o 22
- A r t i 24
- Back cover 24
- O g a n 24
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