MartinLogan Aeon i [5/24] Bi wire connection
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A
EON
TM
i
Amplifier
right speaker output
ESL
Woofer
left speaker output
Figure 2. Bi-wire connection. One channel shown.
Jumper clips
removed
Please take note of the jumper clips installed under the
binding posts. These clips attach the high and low frequency
sections of the crossover together. Leaving these in place,
connect the (+) wire from your amplifier to either red
binding post and the (–) wire from your amplifier to either
black binding post (see figure 1).
Bi-Wire Connection
This method of connection replaces the jumper clips installed
under the binding posts with individual runs of speaker
wire from your amplifier. This doubles the signal-carrying
conductors from the amplifier to the speaker, thus direct-
coupling each portion of the crossover to the amplifier.
To bi-wire you must first loosen the binding posts and
remove the jumper clips. Connect one set of wires to the
upper set of binding posts which connect to the panel of
the Aeon i. Then connect a second set of wires to the lower
binding posts which connect to the woofer. Next, connect
both sets of wires to the appropriate terminals on your
amplifier. Please take care to connect both (+) wires to
the (+) amplifier terminals and both (–) wires to the (–)
amplifier terminals. This is known as a parallel connection
(see figure 2).
Passive Bi-Amplification
For those who desire ultimate performance, the Aeon i may
be passively bi-amplified using the existing internal passive
crossover elements.
WARNING! Only after the jumper clips are removed
may you connect individual runs of speaker cable
from your amplifiers to the high pass (ESL) and
low pass (WOOFER) signal input binding posts.
Damage will occur to your amplifiers if the
jumper clips are not removed.
This method takes the bi-wiring concept one step further.
Now you will have a dedicated channel of amplification
directly connected to the high and low pass sections of the
Aeon i crossover. There are two different methods for bi-
amping with two stereo amplifiers. The first and most
common is referred to as horizontal bi-amping. The second
method is referred to as vertical bi-amping. With either
method you may use two stereo amplifiers or four mono
amplifiers, or two mono amplifiers and one stereo amplifi-
er. Get the idea? With either form of passive bi-amplification,
your preamplifier must have dual outputs. If your preamplifier is
not so equipped, you must either purchase or construct a
“Y” adapter.
Horizontal Passive Bi-Amplification
Horizontal bi-amping allows you to use two different types,
models or brands of amplifiers (i.e., tubes on top, transis-
tor on the bottom). However, we recommend that you
use two identical amplifiers (i.e., same brand and model).
If you must use two different amplifiers, it is essential that
they have the same gain or that one of the two have
adjustable gain so that you can match their gain character-
istics. If the amplifiers of choice do not have the same gain
characteristics, then a sonic imbalance will occur.
Single-Wire Connection
Figure 1. Single-wire connection. One channel shown.
A EON
TM
i
Amplifier
Jumper clips
in place,
full-range
right speaker output
ESL
Woofer
Operation 5
left speaker output
Содержание
- Front cover 1
- U s e r s m a n u a l 1
- Contents and introduction 2
- Contents introduction 2
- Ntroduction 2
- Ontent 2
- Quality and will provide years of enduring enjoyment and 2
- Installation in brief 3
- Making sure that you have made a firm 3
- Nstallation i 3
- Plug them i 3
- A variety of speaker cables are available whose 4
- Ac power connection 4
- Break in 4
- Jumper clips 4
- Peration 4
- Signal connection 4
- Bi wire connection 5
- Passive bi amplification 5
- Single wire connection 5
- This method of connection replaces the jumper clips installed 5
- Active bi amplification 6
- On off 6
- Turning the na 6
- Experimentation 7
- Lacement 7
- Listening position 7
- Placement 7
- The side walls 7
- The wall behind the listener 7
- The wall behind the speakers 7
- Your initial setup for the next few days as the speaker 7
- Enjoy yourself 8
- Final placement 8
- The extra tweak 8
- Coustics 9
- Room acoustics 9
- Rules of thumb 9
- Terminology 9
- Your room 9
- Dipolar speakers and your room 10
- Solid footing 10
- Controlled horizontal dispersion 11
- Controlled vertical dispersion 11
- Dispersion 11
- Dispersion interactions 11
- Ispersio 11
- Nac dispersion 11
- Nteractions 11
- Three major types of dispersion 12
- Heater 13
- Home theater 13
- Dvantages 14
- Electrostatic advantages 14
- Lectrostati 14
- Conventional loudspeaker martinlogan aeon i 15
- Critical zone 450hz 20khz 15
- Full range operation 15
- Curvilinear line source cl 16
- Generation 2 diaphragm 16
- Transducer integrity 16
- Xclusives 16
- Esl history 17
- Istory 17
- Lectrostati 17
- Oudspeake 17
- Rice and kellogg had narrowed the field of contestants down to the cone and the electrostat 17
- Electrostatic speakers have progressed and prospered 18
- These developments allow the consumer to own the highest performance loud speaker products ever built 18
- When janszen corporation was 18
- Faq and troubleshooting 19
- Frequently asked questions 19
- Requentl 19
- Roubleshooting 19
- Uestions an 19
- Troubleshooting 20
- General information 21
- Nformation 21
- Service 21
- Specifications 21
- Warranty and registration 21
- Warranty and registration specifications 21
- Glossary of audio terms 22
- Lossary o 22
- A r t i 24
- Back cover 24
- O g a n 24
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