M-Audio DMAN Инструкция по эксплуатации онлайн [23/52] 18987
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Mixer - This button opens the Audio Mixer Control Panel
application.
Save - The Save button saves the current control settings to be
used as the initial settings when Windows is loaded.
OK - This button exits the Input Control Panel and keeps the
current device settings for the duration of the current Windows session.
Cancel - This button exits the Input Control Panel and restores
the device setting values which were present when it was opened.
Input Boost - The input boost slider control sets the gain on the
input audio signal to the Analog/Digital converter (this is
basically your recording level adjustment). The left and right
channels may be controlled separately or together by clicking on
the Gang box beneath the slider.
Volume Meter - The volume meter displays the amplitude of the
signal being controlled by the input boost slider control when the
VU On box beneath the meter is selected.
Input Selector - By clicking on any one of the four diamonds
below the Input Selector lets you select the source of the input
signal to be controlled (this selects the recording/capture source).
Only one source may be selected at a time. The four selections
are:
Synth - Selects the wavetable synthesizer as the input source
to the A/D, if the optional wavetable synthesizer is installed.
Line - Selects the Line Input jack as the input source to the
A/D.
Loop - Selects the internal loop back as the input source to the
A/D, feeding the output of the audio mixer back into the
A/D. This provides a mechanism for recording a mix of the
Mic, Synth, Line In, and Aux In signals simultaneously.
Mic - Selects the microphone as the input source to the A/D.
Boost - Clicking on the Boost box beneath the Mic diamond adds
20 dB additional gain to the microphone input. Use this only
with microphones that require it to maintain a good recording
level.
AGC - Clicking on the AGC box adds automatic gain control for
the microphone, adjusting its input gain automatically and
dynamically.
Содержание
- Contents 1
- Fcc class b european ce compliance 3
- Fcc id imjdman 3
- Introduction 4
- What s in the box 4
- About the dman 5
- Quick start guide 5
- Digital audio features of dman 6
- About plug and play 7
- The solution 7
- About digital recording 8
- Pnp theory of operation 8
- Digital recording dos and don ts 9
- Dman connection 10
- Dman connections 12
- Hardware installation 12
- Daughterboard installation optional 14
- Driver and utilities installation 15
- Please follow these step 15
- Windows 3 x software 15
- Audio setup for non pnp computers 19
- Windows 3 x driver control panel 19
- Audio setup for computers with pnp 20
- Midi mpu401 setup 21
- Audio input control panel 22
- Windows 3 x utility applications 22
- Audio mixer control panel 24
- The audio transport 26
- Defining a new audio file 28
- The user defined audio transport button 29
- Sound check application 30
- Driver installation 31
- Windows 95 software 31
- Windows 95 driver configuration 32
- Windows 95 mixer wss mixer 33
- Click the recording button with the left mouse button to bring up the recording mixer shown are the devices that are allowed as inputs to the recording mixer again unchecking a specific box will eliminate that device from the input mixer window known as the wave input window the wave input window is accessed when the ok button is clicked 35
- Windows sound recorder 36
- Dman diagnostics utility 38
- Dos software utilities 38
- Dman dos mixer utility 39
- Dman with 3rd party applications 41
- Audio formats 42
- Disk space per minute 42
- Disk space requirements for typical recording formats 42
- Dman supports recording and playback in many audio formats when selecting an audio format you are usually trading off sound quality versus the amount of disk space the recorded audio will consume in general sound quality increases as the sample rate increases as the number of bits used increases as stereo is used instead of mono and when the audio is not compressed i e its format is pcm not adpcm or a law sample rate is the parameter most directly related to frequency response and should be chosen carefully unless you have unlimited disk space available choose a sample rate that is at least twice the frequency this is called the nyquist value of the highest audio frequencies you want to record for example if your source material has a frequency range of 30 hz to 10 khz you can record at a sample rate of 22 khz increasing to 44 khz is unlikely to improve the audio quality and it will take twice as much disk space to store the file below is a table of commonly used audio formats and the 42
- Format 42
- Hard disk space requirements for typical audio formats 42
- Sample 42
- Typical use 42
- Interrupt ibm pc assigns this interrupt to 43
- This section addresses potential problems that can occur in all operating system environments with emphasis on hardware troubleshooting within the pc environment there is a limited number of hardware resources addresses irqs and dma channels available for use since audio cards require many resources most audio card installation problems arise from improperly set irq and dma values the tables below list the irq and dma channel assignments normally used in the pc environment when you experience problems that indicate a resource conflict you can compare the irq and dma channels shown in the tables below with your current parameters as listed in the configuration screen 43
- Troubleshooting 43
- Typical irq assignments 43
- Channel 44
- Ibm pc assigns this channel to 44
- Typical dma assignments 44
- Dos troubleshooting 45
- Windows 3 x troubleshooting 47
- Windows 95 troubleshooting 49
- Appendix technical specs 51
- Board configuration 51
- Channel volume controls 51
- External audio inputs 51
- External audio outputs 51
- Limited lifetime warranty 52
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