Yashica CS 250 AF [17/33] Using the focus lock

Yashica CS 250 AF [17/33] Using the focus lock
· In the manual-exposure and shutter-priority auto exposure modes the shutter speeds can be set in 1-step increments, and the
apertures in 1/2-step increments. Intermediate setting is impossible.
· If the exposure mode is "PROGRAM", "Tv" or "Av", the lens' smallest-aperture value will blink when the subject is overexposed
relative to the correct exposure measured by the camera; and the maximum-aperture value will blink if it is underexposed.
Using the Focus Lock
If you are taking auto-focus pictures and the subject you want to focus is not located in the center of the viewfinder, or if the
subject is difficult to focus in the situations mentioned below, use the focus lock.4www.butkus.org
1. First, aim the Focusing Frame at your subject and focus. If the Shutter Release is depressed halfway, the lens will start
focusing itself. As soon as it is focused on the subject, the green LED will turn on to tell you that focusing has been completed.
2. Lock the focus, recompose your picture and shoot.
* If you are shooting in the "AF" mode, the focus will remain locked while the subject is in sharp focus and the Shutter Release
is depressed halfway.
* If you are shooting in the "CAF" mode, lock the focus by pressing the AF Lock Button when the subject is focused.
(The focus will remain locked as long as you keep your finger on the AF Lock Button.)
<Subjects That are Difficult to Focus>
In the following cases, the auto-focus system will not function properly and the "Focusing Impossible" mark "=" will blink in the
viewfinder. In such cases, focus the lens on another object located nearly the same distance as the subject, activate the focus lock
and shoot. You can also focus the lens manually.
(1) When the subject is too bright or too dark;
(2) When the subject contrast is extremely low;
(3) When there is a strong light source in or around the Focusing Frame;
(4) When there are two or more subjects at extremely different distances in the Focusing Frame;
(5) When the subject has a uniform pattern such as vertical stripes
(6) Fast moving subjects;
(7) When the subject has no concrete form, such as flame or smoke;
(8) When the quantity of light from the subject is extremely reduced by an ND filter or polarizing filter.
4www.butkus.org
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