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Line6 Semi Variax (1961 Gibson ES-335) [18/28] Special
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Variax
Variax
14
Special
Данная модель основана на гитаре Gibson
Les Paul Junior 1956 года (положение 1)
Модель Les Paul Junior была выпущена в
1954 году в качестве недорогой модели в
линейке Les Paul. Корпус был плоским и
делался из махагони, а электроника была
максимально упрощена – гитара имела
только один задний звукосниматель P90.
“Мясной” звук, малый вес и максимальное
удобство при игре – вот те качества, за ко-
торые любит Les Paul Junior Лесли Уэст из
группы Mountain.
Данная модель основана на гитаре Gibson
Les Paul Special 1955 года (положения 3 и 5)
Модель Special присоединилась к серии
Les Paul в 1955 году и была средней сту-
пенью между утилитарным Junior и более
роскошным Standard. Добавление второго
звукоснимателя P90 позволило достичь
большего разнообразия в звучании, что и
сделало модель Special любимой гитарой
легенды музыки регги Боба Марли.
Положение 3: Задний + передний звуко-
сниматель
Положение 5: Передний звукосниматель
Данная модель основана на гитаре Gibson
Firebird V 1976 года (положения 2 и 4)
Модель firebird, выпущенная в 1963 году,
была создана в сотрудничестве с автомо-
бильным дизайнером из Детройта Рэем
Дитрихом. Сквозной гриф и мини-хам-
бакеры в стиле гитар Epiphone создают
уникальную комбинацию длительного сус-
тейна и острого, яркого звучания – за эти
характеристики модель Firebird полюбил
легендарный блюзовый слайд-гитарист
Джонни Винтер.
Положение 2: Задний звукосниматель
Положение 4: Передний звукосниматель
Based on 1955 Gibson
®
Les Paul
®
Special
The Special was added to the Les Paul
®
line in 1955
as an intermediate step between the utilitarian Junior
and more luxurious Standard. The greater tonal
options made possible by the second P-90 helped
make the Special a favorite of reggae legend Bob
Marley. Our model is based on the original single
cutaway version.
Position 3: Bridge+Neck
Position 5: Neck
Based on 1956 Gibson
®
Les Paul
®
Junior
The Les Paul
®
Junior was introduced in 1954 as the
budget member of the Les Paul
®
Series. The body
is a flat mahogany slab, and the electronics are
simplified to include only a single P-90 in the bridge
position. The meaty tone, light weight, and
uncompromised playability made the Junior a
favorite of Mountain’s Leslie West.
Based on 1976 Gibson
®
Firebird V
The Firebird, introduced in 1963, was created with
the help of Detroit automobile designer Ray Dietrich.
Neck-through construction and Epiphone
®
-style
mini-humbuckers gave the Firebird a unique
combination of good sustain and a biting, trebly
sound—characteristics which made it a favorite of
blues slide guitar legend Johnny Winter.
Position 2: Bridge
Position 4: Neck
Gibson
®
, Les Paul
®
and Epiphone
®
are registered trademarks of Gibson Guitar Corp. All product names are trademarks of their respective owners,
which are in no way associated or affiliated with Line 6. These product names, descriptions and images are provided for the sole purpose of identifying
the specific products that were studied during Line 6’s sound model development.
SPECIAL
1
2
4
3
5
14
* Наименования Gibson®, Les Paul® и Epiphone® являются зарегистрированными торговыми марками компании
Gibson Guitar Corp. Все наименования продукции являются торговыми марками, принадлежащими их соот-
ветствующим обладателям, и никоим образом не ассоциируются и не связаны с компанией Line 6. данные
наименования продукции, описания и изображения приводятся с единственной целью – обозначить продукцию,
которая исследовалась компанией Line 6 при разработке моделей звучания.
Based on 1955 Gibson
®
Les Paul
®
Special
The Special was added to the Les Paul
®
line in 1955
as an intermediate step between the utilitarian Junior
and more luxurious Standard. The greater tonal
options made possible by the second P-90 helped
make the Special a favorite of reggae legend Bob
Marley. Our model is based on the original single
cutaway version.
Position 3: Bridge+Neck
Position 5: Neck
Based on 1956 Gibson
®
Les Paul
®
Junior
The Les Paul
®
Junior was introduced in 1954 as the
budget member of the Les Paul
®
Series. The body
is a flat mahogany slab, and the electronics are
simplified to include only a single P-90 in the bridge
position. The meaty tone, light weight, and
uncompromised playability made the Junior a
favorite of Mountain’s Leslie West.
Based on 1976 Gibson
®
Firebird V
The Firebird, introduced in 1963, was created with
the help of Detroit automobile designer Ray Dietrich.
Neck-through construction and Epiphone
®
-style
mini-humbuckers gave the Firebird a unique
combination of good sustain and a biting, trebly
sound—characteristics which made it a favorite of
blues slide guitar legend Johnny Winter.
Position 2: Bridge
Position 4: Neck
Gibson
®
, Les Paul
®
and Epiphone
®
are registered trademarks of Gibson Guitar Corp. All product names are trademarks of their respective owners,
which are in no way associated or affiliated with Line 6. These product names, descriptions and images are provided for the sole purpose of identifying
the specific products that were studied during Line 6’s sound model development.
SPECIAL
1
2
4
3
5
14
Based on 1955 Gibson
®
Les Paul
®
Special
The Special was added to the Les Paul
®
line in 1955
as an intermediate step between the utilitarian Junior
and more luxurious Standard. The greater tonal
options made possible by the second P-90 helped
make the Special a favorite of reggae legend Bob
Marley. Our model is based on the original single
cutaway version.
Position 3: Bridge+Neck
Position 5: Neck
Based on 1956 Gibson
®
Les Paul
®
Junior
The Les Paul
®
Junior was introduced in 1954 as the
budget member of the Les Paul
®
Series. The body
is a flat mahogany slab, and the electronics are
simplified to include only a single P-90 in the bridge
position. The meaty tone, light weight, and
uncompromised playability made the Junior a
favorite of Mountain’s Leslie West.
Based on 1976 Gibson
®
Firebird V
The Firebird, introduced in 1963, was created with
the help of Detroit automobile designer Ray Dietrich.
Neck-through construction and Epiphone
®
-style
mini-humbuckers gave the Firebird a unique
combination of good sustain and a biting, trebly
sound—characteristics which made it a favorite of
blues slide guitar legend Johnny Winter.
Position 2: Bridge
Position 4: Neck
Gibson
®
, Les Paul
®
and Epiphone
®
are registered trademarks of Gibson Guitar Corp. All product names are trademarks of their respective owners,
which are in no way associated or affiliated with Line 6. These product names, descriptions and images are provided for the sole purpose of identifying
the specific products that were studied during Line 6’s sound model development.
SPECIAL
1
2
4
3
5
14
Содержание
- Pilot s handbook 1
- Руководство пользователя 1
- Xps mini блок питания кабель trs ключ для регулиров ки струнодержателя ключ для регулировки анкерного стержня 2
- Внимание 2
- Комплект поставки вашего variax дол жен включать следующие аксессуары 2
- Перед использованием вашего variax прочтите данную инструкцию по технике безопасности сохраните дан ную инструкцию в надежном месте 2
- Пожалуйста обратите внимание 3
- Оглавление 4
- Добро пожаловать в мир variax 5
- Как работает variax 5
- Мечты 5
- Путешествие 6
- Basic operations 7
- Основные действия 7
- Питание от батареи 7
- Подключение 7
- Простое подключение 7
- Питание через xps mini 8
- Характеристики кабеля 8
- Итак давайте по порядку от про стого к сложному 9
- Управление 9
- Создание собственной модели гитары 11
- Положения ручки custom 13
- The guitars of variax 14
- Модели гитар в variax 14
- Общая информация о моделях 14
- T model 15
- Lester 17
- Special 18
- R billy 19
- Jazzbox 22
- Acoustic 23
- After playing wipe down the guitar and strings 25
- Care and maintenance 25
- Change strings when they become discolored or 25
- If you are familiar with this kind of adjustment use the supplied wrench to adjust the truss rod if the string was touching at the 10th fret too little relief turn the rod counterclockwise if the gap was too great too much relief turn the rod clockwise in both cases make small adjustments and check the relief as you go never force the rod to turn excessive tightening can damage your variax if you are unfamiliar or uncomfortable with this kind of adjustment ask your local guitar shop to refer you to a qualified guitar tech 25
- Lemon oil and the painted surfaces with guitar or furniture polish 25
- Neck relief adjustment depending on where you live seasonal temperature and humidity variations may make it necessary to adjust the neck relief of the variax if you find that your variax suddenly starts buzzing or is generally difficult to play it may be time for this kind of adjustment to check the neck relief press the high e string to the first fret with your left hand and press the same string to the last fret with your right hand while holding the string at both points check the point where the e string passes over the 10th fret if the string is touching the fret or if there is more space under the string than the thickness of a thin pick it s time to adjust the neck 25
- Occasionally clean the fingerboard surface with 25
- Only a few simple measures are required to keep your variax looking and performing like new 25
- The guitar begins to sound dull 25
- With a clean soft cloth 25
- Регулировка прогиба грифа 25
- Уход и обслуживание 25
- Регулировка высоты струн 26
- Регулировка интонации 26
- Служба поддержки 27
- Сервис на фабрике 28
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