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Line6 Semi Variax (1961 Gibson ES-335) [23/28] Acoustic
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Variax
Variax
19
Acoustic
Данная модель основана на гитаре Martin
D-28 1959 года (положение 1)
Модель D-28 обычно считается наибо-
лее известной гитарой Martin с плоской
верхней декой. Корпус типа “дредно-
ут” (или “D”) в сочетании с палисандровой
обечайкой и нижней декой создает мощ-
ный звук, идеальный для игры медиатором.
Данная модель основана на гитаре Martin
D12-28 1970 года (положение 2)
В 1970 году компания Martin добавила еще
шесть струн к успешной модели D-28, чтобы
воплотить идеи фолк-музыки тех времен.
Данная модель основана на гитаре Martin
O-18 1967 года (положение 3)
Корпус меньшего размера (“кабинетный”)
с обечайкой и нижней декой из махагони
имеет сбалансированное звучание, идеаль-
ное для игры пальцами.
Данная модель основана на гитаре Guild
F212 1966 года (положение 4)
Двенадцатиструнные гитары Guild с кор-
пусами типа “джамбо” давали музыкантам
труднодостижимое сочетание громкости и
прозрачности звучания. Мы смоделирова-
ли одну из самых простых моделей данной
линейки, F212 с нижней декой и обечайкой
из махагони.
Данная модель основана на гитаре Gibson
J-200 1995 года (положение 5)
Легко узнаваемую благодаря своему вну-
шительному размеру и отделке модель
J-200 можно часто увидеть в руках блестя-
щих исполнителей кантри и вестерн-музы-
ки, именно она была последней любовью
Элвиса Пресли.
Based on 1959 Martin
®
D-28
The D-28 is generally considered the definitive
Martin
®
flat-top. The Dreadnought (or “D”) body
combined with rosewood back and sides produces
a full sound ideal for flatpicking.
Based on 1970 Martin
®
D12-28
In 1970, Martin
®
added 6 more strings to the
successful D-28 to capitalize on then-current folk
music trends.
Based on 1967 Martin
®
O-18
The smaller “parlor” sized body with mahogany back
and sides has a balanced tone ideal for fingerstyle
playing.
Based on 1966 Guild
®
F212
Guild
®
’s Jumbo-bodied 12-strings offered players
the elusive combination of volume and clarity.
We’ve modeled one of the simpler models in the
line, the F212 with mahogany back and rims.
Based on 1995 Gibson
®
J-200
Easily identified by its impressive size and
ornamentation, the J-200 was often seen played by
flashy country and western artists and was a later
favorite of Elvis Presley.
Martin
®
is a registered trademark of C.F. Martin & Co., Inc. Guild
®
is a registered trademark of Fender Musical Instruments Corporation. Gibson
®
is a registered trademark of Gibson Guitar Corp. All product names are trademarks of their respective owners, which are in no way associated or
affiliated with Line 6. These product names, descriptions and images are provided for the sole purpose of identifying the specific products that were
studied during Line 6’s sound model development.
ACOUSTIC
1
2
3
5
4
19
* Наименование Martin® является зарегистрированной торговой маркой компании C.F.Martin & Co., Inc. На-
именование Guild® является зарегистрированной торговой маркой компании Fender Musical Instruments
Corporation. Наименование Gibson® является зарегистрированной торговой маркой компании Gibson Guitar Corp.
Все наименования продукции являются торговыми марками, принадлежащими их соответствующим обладате-
лям, и никоим образом не ассоциируются и не связаны с компанией Line 6. данные наименования продукции,
описания и изображения приводятся с единственной целью – обозначить продукцию, которая исследовалась
компанией Line 6 при разработке моделей звучания.
Based on 1959 Martin
®
D-28
The D-28 is generally considered the definitive
Martin
®
flat-top. The Dreadnought (or “D”) body
combined with rosewood back and sides produces
a full sound ideal for flatpicking.
Based on 1970 Martin
®
D12-28
In 1970, Martin
®
added 6 more strings to the
successful D-28 to capitalize on then-current folk
music trends.
Based on 1967 Martin
®
O-18
The smaller “parlor” sized body with mahogany back
and sides has a balanced tone ideal for fingerstyle
playing.
Based on 1966 Guild
®
F212
Guild
®
’s Jumbo-bodied 12-strings offered players
the elusive combination of volume and clarity.
We’ve modeled one of the simpler models in the
line, the F212 with mahogany back and rims.
Based on 1995 Gibson
®
J-200
Easily identified by its impressive size and
ornamentation, the J-200 was often seen played by
flashy country and western artists and was a later
favorite of Elvis Presley.
Martin
®
is a registered trademark of C.F. Martin & Co., Inc. Guild
®
is a registered trademark of Fender Musical Instruments Corporation. Gibson
®
is a registered trademark of Gibson Guitar Corp. All product names are trademarks of their respective owners, which are in no way associated or
affiliated with Line 6. These product names, descriptions and images are provided for the sole purpose of identifying the specific products that were
studied during Line 6’s sound model development.
ACOUSTIC
1
2
3
5
4
19
Based on 1959 Martin
®
D-28
The D-28 is generally considered the definitive
Martin
®
flat-top. The Dreadnought (or “D”) body
combined with rosewood back and sides produces
a full sound ideal for flatpicking.
Based on 1970 Martin
®
D12-28
In 1970, Martin
®
added 6 more strings to the
successful D-28 to capitalize on then-current folk
music trends.
Based on 1967 Martin
®
O-18
The smaller “parlor” sized body with mahogany back
and sides has a balanced tone ideal for fingerstyle
playing.
Based on 1966 Guild
®
F212
Guild
®
’s Jumbo-bodied 12-strings offered players
the elusive combination of volume and clarity.
We’ve modeled one of the simpler models in the
line, the F212 with mahogany back and rims.
Based on 1995 Gibson
®
J-200
Easily identified by its impressive size and
ornamentation, the J-200 was often seen played by
flashy country and western artists and was a later
favorite of Elvis Presley.
Martin
®
is a registered trademark of C.F. Martin & Co., Inc. Guild
®
is a registered trademark of Fender Musical Instruments Corporation. Gibson
®
is a registered trademark of Gibson Guitar Corp. All product names are trademarks of their respective owners, which are in no way associated or
affiliated with Line 6. These product names, descriptions and images are provided for the sole purpose of identifying the specific products that were
studied during Line 6’s sound model development.
ACOUSTIC
1
2
3
5
4
19
Based on 1959 Martin
®
D-28
The D-28 is generally considered the definitive
Martin
®
flat-top. The Dreadnought (or “D”) body
combined with rosewood back and sides produces
a full sound ideal for flatpicking.
Based on 1970 Martin
®
D12-28
In 1970, Martin
®
added 6 more strings to the
successful D-28 to capitalize on then-current folk
music trends.
Based on 1967 Martin
®
O-18
The smaller “parlor” sized body with mahogany back
and sides has a balanced tone ideal for fingerstyle
playing.
Based on 1966 Guild
®
F212
Guild
®
’s Jumbo-bodied 12-strings offered players
the elusive combination of volume and clarity.
We’ve modeled one of the simpler models in the
line, the F212 with mahogany back and rims.
Based on 1995 Gibson
®
J-200
Easily identified by its impressive size and
ornamentation, the J-200 was often seen played by
flashy country and western artists and was a later
favorite of Elvis Presley.
Martin
®
is a registered trademark of C.F. Martin & Co., Inc. Guild
®
is a registered trademark of Fender Musical Instruments Corporation. Gibson
®
is a registered trademark of Gibson Guitar Corp. All product names are trademarks of their respective owners, which are in no way associated or
affiliated with Line 6. These product names, descriptions and images are provided for the sole purpose of identifying the specific products that were
studied during Line 6’s sound model development.
ACOUSTIC
1
2
3
5
4
19
Based on 1959 Martin
®
D-28
The D-28 is generally considered the definitive
Martin
®
flat-top. The Dreadnought (or “D”) body
combined with rosewood back and sides produces
a full sound ideal for flatpicking.
Based on 1970 Martin
®
D12-28
In 1970, Martin
®
added 6 more strings to the
successful D-28 to capitalize on then-current folk
music trends.
Based on 1967 Martin
®
O-18
The smaller “parlor” sized body with mahogany back
and sides has a balanced tone ideal for fingerstyle
playing.
Based on 1966 Guild
®
F212
Guild
®
’s Jumbo-bodied 12-strings offered players
the elusive combination of volume and clarity.
We’ve modeled one of the simpler models in the
line, the F212 with mahogany back and rims.
Based on 1995 Gibson
®
J-200
Easily identified by its impressive size and
ornamentation, the J-200 was often seen played by
flashy country and western artists and was a later
favorite of Elvis Presley.
Martin
®
is a registered trademark of C.F. Martin & Co., Inc. Guild
®
is a registered trademark of Fender Musical Instruments Corporation. Gibson
®
is a registered trademark of Gibson Guitar Corp. All product names are trademarks of their respective owners, which are in no way associated or
affiliated with Line 6. These product names, descriptions and images are provided for the sole purpose of identifying the specific products that were
studied during Line 6’s sound model development.
ACOUSTIC
1
2
3
5
4
19
Based on 1959 Martin
®
D-28
The D-28 is generally considered the definitive
Martin
®
flat-top. The Dreadnought (or “D”) body
combined with rosewood back and sides produces
a full sound ideal for flatpicking.
Based on 1970 Martin
®
D12-28
In 1970, Martin
®
added 6 more strings to the
successful D-28 to capitalize on then-current folk
music trends.
Based on 1967 Martin
®
O-18
The smaller “parlor” sized body with mahogany back
and sides has a balanced tone ideal for fingerstyle
playing.
Based on 1966 Guild
®
F212
Guild
®
’s Jumbo-bodied 12-strings offered players
the elusive combination of volume and clarity.
We’ve modeled one of the simpler models in the
line, the F212 with mahogany back and rims.
Based on 1995 Gibson
®
J-200
Easily identified by its impressive size and
ornamentation, the J-200 was often seen played by
flashy country and western artists and was a later
favorite of Elvis Presley.
Martin
®
is a registered trademark of C.F. Martin & Co., Inc. Guild
®
is a registered trademark of Fender Musical Instruments Corporation. Gibson
®
is a registered trademark of Gibson Guitar Corp. All product names are trademarks of their respective owners, which are in no way associated or
affiliated with Line 6. These product names, descriptions and images are provided for the sole purpose of identifying the specific products that were
studied during Line 6’s sound model development.
ACOUSTIC
1
2
3
5
4
19
Содержание
- Pilot s handbook 1
- Руководство пользователя 1
- Xps mini блок питания кабель trs ключ для регулиров ки струнодержателя ключ для регулировки анкерного стержня 2
- Внимание 2
- Комплект поставки вашего variax дол жен включать следующие аксессуары 2
- Перед использованием вашего variax прочтите данную инструкцию по технике безопасности сохраните дан ную инструкцию в надежном месте 2
- Пожалуйста обратите внимание 3
- Оглавление 4
- Добро пожаловать в мир variax 5
- Как работает variax 5
- Мечты 5
- Путешествие 6
- Basic operations 7
- Основные действия 7
- Питание от батареи 7
- Подключение 7
- Простое подключение 7
- Питание через xps mini 8
- Характеристики кабеля 8
- Итак давайте по порядку от про стого к сложному 9
- Управление 9
- Создание собственной модели гитары 11
- Положения ручки custom 13
- The guitars of variax 14
- Модели гитар в variax 14
- Общая информация о моделях 14
- T model 15
- Lester 17
- Special 18
- R billy 19
- Jazzbox 22
- Acoustic 23
- After playing wipe down the guitar and strings 25
- Care and maintenance 25
- Change strings when they become discolored or 25
- If you are familiar with this kind of adjustment use the supplied wrench to adjust the truss rod if the string was touching at the 10th fret too little relief turn the rod counterclockwise if the gap was too great too much relief turn the rod clockwise in both cases make small adjustments and check the relief as you go never force the rod to turn excessive tightening can damage your variax if you are unfamiliar or uncomfortable with this kind of adjustment ask your local guitar shop to refer you to a qualified guitar tech 25
- Lemon oil and the painted surfaces with guitar or furniture polish 25
- Neck relief adjustment depending on where you live seasonal temperature and humidity variations may make it necessary to adjust the neck relief of the variax if you find that your variax suddenly starts buzzing or is generally difficult to play it may be time for this kind of adjustment to check the neck relief press the high e string to the first fret with your left hand and press the same string to the last fret with your right hand while holding the string at both points check the point where the e string passes over the 10th fret if the string is touching the fret or if there is more space under the string than the thickness of a thin pick it s time to adjust the neck 25
- Occasionally clean the fingerboard surface with 25
- Only a few simple measures are required to keep your variax looking and performing like new 25
- The guitar begins to sound dull 25
- With a clean soft cloth 25
- Регулировка прогиба грифа 25
- Уход и обслуживание 25
- Регулировка высоты струн 26
- Регулировка интонации 26
- Служба поддержки 27
- Сервис на фабрике 28
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