Home
Главная
Soundcraft
Цифровой микшер
Si Impact
Руководство по эксплуатации Страница: 1

Soundcraft Si Impact Руководство по эксплуатации онлайн

User Guide V1.4

For Soundcraft Si Impact Console

Содержание

For soundcraft si impact console 1
User guide 1
Important please read this manual carefully before using your mixer for the first time 2
Information 2
User manual 2
Contents 3
User manual 3
Introduction 4
Introduction to impact 4
The soundcraft si impact is a compact digital console optimised for live sound it s powerful yet simple to use with intuitive controls consistent colour coded feedback and rapid parameter access features such as analogue madi and usb i o as standard motorised faders the assignable channel strip acs totem fast mix access buttons and vcas mean that any aspect of the performance can be served to the surface in an instant with analogue style control of its comprehensive feature set 4
User manual 4
Welcome to impact 4
For your own safety and to avoid invalidation of the warranty please read this section carefully 5
Important symbols 5
Safety 5
Safety notices 5
User manual 5
Safety 6
User manual 6
Warnings 6
Safety 7
User manual 7
Warnings 7
User manual 8
Warranty 8
Specifications 9
User manual 9
Getting started 10
Starting off an introduction to this manual 10
User manual 10
Overview 11
User manual 11
Parts of the console 12
User manual 12
Parts of the console 13
User manual 13
Faderglow 14
The si impact faderglow colours are 14
User manual 14
Assignable controls 15
At the heart of the si impact is a group of assignable controls that make the console easier and faster to navigate and operate assignable controls work by changing the function of sections of the console surface in this way a single control can do several jobs depending on the mode the console is working in it is important that you understand the assignable controls on the console in order to use it effectively especially the way in which the faders and totem buttons together determine the functionality of the control channels and faders 15
User manual 15
Fader layers 16
The are four main fader layers on the impact console selected by the faders button group a b c and d to the right of the control channels the additional buttons in this group assign graphic eq bands across the faders for convenient control 16
User manual 16
Control channels 17
User manual 17
Control channel assignment 18
User manual 18
Control channel assignment 19
User manual 19
Assignment 20
Control channel assignment 20
Insert a blank control channel into the currently selected control channel slot and shift the others to the left or right 20
Insert blank 20
Shift the currently selected channel allocation to the left or the right as long as there is an unassigned slot available 20
User manual 20
Assignable channel strip 21
User manual 21
Totem fader follow 22
User manual 22
Touch screen 23
User manual 23
Copy paste 24
Main menu 24
Security 24
The touch screen main menu can be accessed at any time by pressing the menu button next to the touch screen from here you can navigate to any of the settings menus 24
User manual 24
Assign dsp channels to control channel slots 25
Brightness settings and d o g s system direct out gain stabiliser on off 25
Fader setup 25
Insert 25
Main menu 25
Setup and patching of the four available insert sends and returns 25
Solo system settings 25
System 25
System information hiqnet and ip addressing selective console reset functions and the event log 25
User manual 25
Graphic representation of the eq for the selected channel 26
Inputchannelorvcamaster specificsettings 26
Inputs vca 26
Main menu 26
Monitor 26
Outputchannel specificsettings 26
Outputs 26
Settings and operations for the built in oscillator 26
Settings for the monitoring systems 26
User manual 26
Inputs and outputs 27
Inputs outputs 27
User manual 27
Patching 28
User manual 28
Patching 29
User manual 29
Soundweb 30
Soundweb control 30
User manual 30
Disable enable soundweb london preamp control for this patch 31
External control status 31
Input card 31
Input channel 31
Node address 31
Select an input card on the soundweb london device 31
Select an input channel on the selected card and device 31
Set the soundweb london devices node address to send and receive hiqnet values to your si console 31
Soundweb 31
Soundweb control 31
User manual 31
Default patching 32
User manual 32
User manual 33
Visi connect 33
User manual 34
Visi connect cards 34
User manual 35
Visi connect cards 35
Stageboxes 36
User manual 36
Madi usb card 37
User manual 37
Madi usb set up 38
User manual 38
Madi usb 39
Pc driver 39
Usb pc driver 39
User manual 39
Channels busses 40
User manual 40
Input channels 41
Input channels receive either external input from instruments microphones and so on or they receive input from the internal lexicon fx units fx return stereo input channels 1 4 41
User manual 41
Input channels 42
User manual 42
An input channel can either be mono linked or stereo 43
Input setup 43
Isolate 43
Isolate this channel from automation playback 43
Name the selected input channel 43
Pan mode 43
Set pan mode for this channel to lr left right or lcr left centre right 43
Therearevariousinput specificoptions foundviathetouchscreenmainmenuinputsbutton theseoffer channel naming linking lr or lcr panning routing pre post routing options for mix busses and direct outputs and physical input and direct output patching 43
User manual 43
Choose an analogue or digital input for this input channel 44
Choose an analogue or digital output for this channel s direct output 44
Choose whether the direct output patch is sourced pre filter or post filter 44
Directout patch 44
Directout pre post 44
Input patch 44
Input setup 44
Lcr pan width 44
Mix 1 14 pre post 44
Set a global routing for all mix bus contributions from the input channel 44
Set global post pre 44
Set individual pre or post fade routing to mix busses 1 14 44
Set the proportion of centre channel signal sent to left and right 44
User manual 44
All contributions to a mix bus are summed into mix bus master dsp channels mix 1 14 they have various uses including feeding auxiliary effects as monitoring mixes or creating unique mixes for zoned areas contribution to the main mix and more all output channels include a graphic eq 45
Mix outputs 45
User manual 45
Mix outputs 46
User manual 46
Isolate 47
Mix outputs setup 47
Mix width 47
Outputs setup 47
Pan mode 47
User manual 47
Choose a pan mode for all contributions to this bus 48
Choosespecificanalogueordigitaloutputsforthisdspchannel 48
Contribution pan mode 48
Lcr pan width 48
Mix outputs setup 48
Output patching 48
Outputs setup 48
Set mix sends pre post 48
Set the pre post routing for all contributions to this mix bus 48
Set the proportion of centre channel signal sent to left and right 48
User manual 48
Matrix outputs 49
The matrix busses feed the matrix master channels matrix busses can be used for many things includingaconvenientwaytosendthesamemixtoseveralmonitordestinationsatdifferinglevels or to use as an alternative main mix of mix groups to feed additional front of house zones 49
User manual 49
Matrix outputs 50
User manual 50
Choose mono or stereo type for the matrix master output 51
Choosespecificanalogueordigitaloutputsforthemasteroutputchannel 51
Isolate 51
Isolate the matrix master dsp channel from automation playback 51
Matrix outputs setup 51
Matrix width 51
Name the selected matrix bus 51
Patching 51
Therearevariousmatrixoutput specificoptions foundviathetouchscreenmainmenuoutputsbutton these offer naming isolate width and physical output patching 51
User manual 51
Main mix out 52
Main mix outputs 52
The main left right and mono centre busses and master channels are used for the main mix output and receive their inputs from the input channels and mix bus master channels the mono bus is the centre bus when the panning mode of contributing channels is set to lcr and mono routing is enabled 52
User manual 52
Choosespecificanalogueanddigitaloutputsforthisdspchannel 53
Isolate 53
Isolate the main output master dsp channel from automation playback 53
Main mix outputs setup 53
Name the selected main output bus 53
Patching 53
Therearevariousmainlrandm specificoptions foundviathetouchscreenmainmenuoutputsbutton these offer naming isolate and physical output patching 53
User manual 53
Fx busses 54
User manual 54
Channel elements 55
Dsp elements 55
User manual 55
Function focus 56
User manual 56
Acs elements 57
The assignable channel strip acs follows the currently selected dsp channel and provides almost all of the controls relating to that it is broken down into logical sections making it easy to identify control groups and functions at a glance 57
User manual 57
Acs input section 58
Metering 58
The input section mainly provides the features required for input channels such as phantom power and mic line level metering is applicable to all dsp channel types and hpf high pass filter is available in mix bus master channels 58
User manual 58
V phantom power 58
Acs input section 59
Adjust mic gain or line trim for input channels 59
Adjust the cut off 3db frequency of the high pass filter 59
Gain trim 59
Hpf frequency 59
Hpf on off 59
Invert signal phase 180 degrees 59
Phase invert 59
Switches the high pass filter on and off 59
User manual 59
Acs gate section 60
Attack 60
Release 60
User manual 60
Acs gate section 61
User manual 61
Acs compressor section 62
Attack 62
Compressor 62
Release 62
User manual 62
Acs compressor section 63
Adjust the make up gain of the compressor 63
Adjust the ratio value for the compressor 63
Adjust the threshold level of the compressor 63
Comp on off 63
Compressor 63
Gain reduction meter 63
Indicates amount of gain reduction currently being applied by the compression process 63
Switch the compression process on or off 63
Threshold 63
User manual 63
Acs equaliser section 64
Equaliser 64
Hf freq 64
Hf level 64
User manual 64
Acs equaliser section 65
Adjust the q of the hi mid filter 65
Adjusttheboost attenuationofthehimidfilter 65
Adjusttheboost attenuationofthelomidfilter 65
Adjustthecentrefrequencyofthehimidfilter 65
Equaliser 65
Hi mid freq 65
Hi mid level 65
Hi mid q 65
Lo mid freq 65
Lo mid level 65
User manual 65
Acs equaliser section 66
Adjust the q of the hi mid filter and switch bell shelf mode 66
Adjust the q of the lo mid filter 66
Adjusttheboost attenuationofthelf bell filter 66
Adjustthecut offfrequencyofthelf bell filter 66
Eq on off 66
Equaliser 66
Lf freq 66
Lf level 66
Lo mid q 66
Switch the eq process for this channel on and off 66
User manual 66
Acs output section 67
Output 67
User manual 67
Acs output section 68
User manual 68
Channel name function 69
Control channel 69
Gate closed x 69
User manual 69
Control channel 70
Gain reduction meter 70
Indicates audio level for the selected channel dbfs 70
Indicates gain reduction for the selected channel 70
Level meter 70
On key function is dependant on the channel type and selected fader layer a long press of this button will use momentary behaviour 70
Select this control channel 70
User manual 70
Adjust signal level 71
Control channel 71
Press to solo this dsp channel input channel mix bus master matrix master 71
User manual 71
Graphic eq geq 72
User manual 72
Adjust the level of the assigned geq band 73
Clr geq 73
Geq hi 73
Geq lo 73
Graphic eq geq 73
Lighted red to indicate an active non zero geq band press to zero that band 73
On red 73
Press to assign the 14 high geq bands 800hz 16khz to the control channel faders 73
Press to assign the 14 low geq bands 31hz 630hz to the control channel faders 73
User manual 73
Zero all bands in the active geq 73
Mix features 74
Mute groups 74
User manual 74
Mute group master 75
Mute groups 75
Mute groups enable group muting of selected channels at any time create up to eight mute groups operated from the mute vca group masters button group 1 8 mute groups can be cumulative while not in vca or mute setup modes the buttons are always mute group masters 75
Mute mute group setup 75
User manual 75
Alt clr 76
Clear all 76
Clear selection 76
Mute groups 76
Mute status indication 76
Select control channels 76
User manual 76
Mute groups 77
User manual 77
Vca groups 77
User manual 78
Vca group master 78
Vca groups 78
Vca vca group setup 78
Alt clr 79
Clear all 79
Clear selection 79
Offset the level of vca group member channels 79
User manual 79
Vca group mute status indication 79
Vca groups 79
Vca master fader 79
Copy and paste 80
Copy paste 80
Paste hold 80
This facility allows almost any processing section to be copied easily and quickly from a channel or bus and pasted to another channel or bus you can also copy and paste the internal lexicon fx settings and aux fx send and matrix mixes 80
User manual 80
Copy and paste 81
User manual 81
Audio interrogate 82
Audio interrogate is a powerful method of checking and changing a particular switch status across all channels on the currently selected fader layer for example you can check at a glance which channels are routed to the main lr mix bus and change that status rapidly for all visible channels 82
Interrogate 82
User manual 82
Solo provides a way of monitoring and checking individual channels and groups of channels quickly by routing only the soloed channels either to the monitoring system normal operation or to the main mix outputs solo in place sip 83
Solo system 83
User manual 83
Access solo settings menu 84
Highlight level 84
Indicators light to show solo mode status 84
Press to clear any active solos 84
Press to solo the assigned channel 84
Solo clr 84
Solo in place 84
Solo status indicators 84
Solo system 84
Solo touch screen 84
Switch solo in place sip mode on or off 84
The attenuation level of the unhighlighted soloed channels while highlight is active 84
User manual 84
10db of trim to the level of the solo bus to the monitor system 85
Allow input solos to temporarily override an output afl 85
Blend level 85
Enable or disable select follows solo mode 85
Enable or disable the solo auto cancel mode 85
Input priority 85
Input solo mode 85
Select follows solo 85
Set the input solo mode to auto afl or pfl 85
Solo auto cancel mode 85
Solo system 85
Solo trim 85
The attenuation level of the primary monitor source while a pfl or afl is active 85
User manual 85
Mon level 86
Monitoring 86
Monitors 86
The si impact monitoring system is comprehensive yet simple the monitoring source active monitor signal will normally be the main lr mix though will switch to any selection made in the solo system afl or pfl busses 86
User manual 86
Delay time samples milliseconds 87
Enable disable the monitor output delay 87
Enable disable the monitor output patch 87
Enable or disable the lr mon level swap function 87
L r monitor speaker 87
Lr mon level swap 87
Monitor l r out patch 87
Monitoring 87
Monitoring settings menu 87
Mono check 87
Outputs a mono sum of the stereo monitor signal 87
Set the monitor output delay time 87
Set the physical patching for the monitor output signal 87
User manual 87
You access the monitor settings menu by touching the monitor touch screen button from the main menu 87
Clr alt clr 88
Clr functions 88
The alt button above right of lrm mix faders can be used in conjunction with the clr button to clear or reset parameters channels and bus mixes across the whole of the console 88
The clr clear button located to the right of the channel faders area is used in conjunction with individual input channels output channels channel parameters and mutes to clear or reset to default 88
User manual 88
Alt clr functions 89
Clr alt clr 89
User manual 89
Clr alt clr 90
Other alt button functions 90
User manual 90
Shows cuelist and snapshots 91
Shows cuelist snapshots 91
User manual 91
Delete 92
New show 92
User manual 92
Global isolate filters 93
Initiate the load show process 93
Initiate the process of saving the current show 93
Name the current show 93
Re establishthesystemconfiguration 93
Reset config 93
Save as 93
Select and isolate parameters from recall by the automation system 93
Show name 93
User manual 93
Cuelist snapshots 94
User manual 94
Alt next 95
Bring up the cuelist screen in the console touch screen 95
Cue list 95
Cuelist snapshots 95
Load the currently highlighted cue 95
Load the next cue 95
Load the previous cue 95
Recall 95
Store the current snapshot in the cuelist 95
User manual 95
Cuelist snapshots 96
Delete 96
Delete the currently highlighted cue 96
Edit cue 96
Edit the cue details in the touch screen 96
Move down 96
Move the currently highlighted cue down one in the cue list 96
Move the currently highlighted cue up one in the cue list 96
Move up 96
Update 96
Update the currently active cue with the current snapshot 96
User manual 96
Cuelist snapshots 97
User manual 97
Edit cue 98
User manual 98
Lexicon fx 99
The console comes with four lexicon fx processors each with 29 available algorithms each fx unit has its own dedicated fx send bus and stereo return path 99
User manual 99
Adjust scroll touch screen control 100
Lexicon fx 100
User manual 100
Chamber reverb 101
Plate reverbs 101
Reverbs 101
User manual 101
Ambience reverb 102
Reverbs 102
Reverse reverb 102
Room reverb 102
Spring reverb 102
User manual 102
Adjust the amount of time the mid range reverb can be heard 103
Adjust time delay between the source signal and the onset of reverberation 103
Adjusttheamountoftimebeforereverbearlyreflectionsoccur 103
Adjustthelevelofearlyreflectionswithinthereverb 103
Build up rate of diffusion after the initial period which is controlled by diffusion 103
Er level early reflections level 103
Er time early reflections time 103
Mid rt mid range reverb time 103
Pre dly pre delay 103
Reverb parameters 103
Rt high cut 103
Rthcsetsthefrequencyabovewhicha6db octavelow passfilterattenuatesthereverberated signal 103
User manual 103
Adjust reverb onset and sustain 104
Adjust the amount of high frequency content in the reverberation tails 104
Adjust the contour of the reverberation envelope 104
Bass bst bass boost 104
Boost or cut frequencies below the bass boost frequency the transition point from mid rt to low rt 104
Diff diffusion 104
Hi cut 104
Initial echo density 104
Reverb parameters 104
Rt hi cut reverb time high cut 104
Setthefrequencyofa6db octavelow passfilteronthereverberatedsignal 104
Spread 104
User manual 104
Delays 105
Modulated delay 105
Mono delay 105
Pong delay 105
Reverse delay 105
Studio delay 105
Tap delay 105
Tape delay 105
User manual 105
Controls the length of the delay time relative to tempo 106
Controls the number of delay repeats by feeding the delay output signal back into the delay input 106
Delay parameters 106
Dly time delay time 106
Duck lvl duck level 106
Duck thr duck threshold 106
Ducking attenuation amount 106
Feedback 106
Frequenciesabovethisarefiltered removed 106
Frequenciesbelowthisarefiltered removed 106
Hi pass 106
Lo pass 106
Set the input signal level at which ducking occurs 106
User manual 106
Adjustthepanpositionsinthestereofieldoftap1andtap2 107
Control the intensity of modulation or depth in the modulated delay 107
Controls the tap ratio of left and right outputs relative to the delay time 107
Delay parameters 107
Depth modulation depth 107
Ducking attenuation amount 107
Pan tap pan 107
Ratio of wet to dry signal 107
Ratio tap ratio 107
Swap tap swap 107
Swaps the delay time tap offset set by the tap ratio 107
User manual 107
Chorus 108
Detune 108
Flanger 108
Misc fx 108
Phaser 108
Pitch shift 108
Rotary 108
Tremolo 108
User manual 108
Vibrato 108
Misc fx parameters 109
User manual 109
Misc fx parameters 110
User manual 110
Misc fx parameters 111
User manual 111
Misc fx parameters 112
User manual 112
Settings software reset 113
System settings 113
User manual 113
Preferences 114
User manual 114
Preferences 115
User manual 115
System menu 116
User manual 116
System menu 117
User manual 117
Choose an internal external or option card wordclock reference 118
Ip address 118
Ip address resolution 118
Mac address 118
Set ip resolution to dhcp dynamic or manual 118
Subnet mask 118
System menu 118
System time 118
The ip address of this console on the network 118
The media access control address read only 118
Used to specify the subnet for this device 118
User manual 118
Wordclock 118
System menu 119
User manual 119
Add user 120
Edit user 120
Security menu 120
User manual 120
Security menu 121
User manual 121
Add edit user 122
User manual 122
Add edit user 123
User manual 123
Delete profile 124
New profile 124
Profiles 124
User manual 124
Profiles 125
User manual 125
Software update 126
User manual 126
Reset console 127
The following procedure will restore the console back to the factory defaults and re format the internal sd card do not do this is you wish to keep saved data shows 127
User manual 127
Oscillator 128
Route to all 128
Route to mix mtx 128
User manual 128
Oscillator 129
User manual 129
A troubleshooting guide oneofthemostcommonproblemsexperiencedwithmixingconsolesisfindingthataninputisn tap pearing at an output there are many possible reasons for this but the best way to troubleshoot it is to firstmakesurethecontrolchannelissetupcorrectly thentogothroughthesignalpathandworkout where the break is 130
Appendix 01 no sound 130
Are solos inactive 130
Are the control channel input channel and input patch correct 130
Are they in phase 130
Is there anything on the meters 130
No sound 130
User manual 130
You can check the exact audio path of any signal by referring to the signal path diagrams in chapter 6 130
Appendix 01 no sound 131
If there is an insert point assigned is the signal returned 131
Is the channel on and unmuted 131
Is the channel panned to a valid output 131
Is the fader up 131
Is the gate shut 131
No sound 131
User manual 131
Almost exactly the same checks as above can be done on the output master channel whether it s a mix matrix or lr m master 132
Appendix 01 no sound 132
Is the output master channel path valid 132
Is the output patch valid 132
Is the signal routed to a valid output bus or channel 132
No sound 132
Routing can cover lr and mono routing as well as mix bus routing 132
To check the physical output patch select the relevant bus master channel and then go to the outputs menu in the touch screen 132
User manual 132

Soundcraft Si Impact Руководство по эксплуатации онлайн

Содержание

Похожие устройства