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Soundcraft Si Impact [2/132] User manual
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User Manual
INFORMATION
INFORMATION
INFORMATION
IMPORTANT
Please read this manual carefully before using your mixer
for the rst time.
This equipment complies with the EMC directive 2004/108/EC and LVD 2006/95/EC.
This product is approved to safety standards:
IEC 60065:2005 (Seventh Edition) +A1:2005
EN60065:2006 +A1:2006 +A1:2008
UL60065 2012 7th Edition
CAN/CSA-E60065-03 + A1: 2006
And EMC standards
EN55103-1: 2009 (E2)
EN55103-2: 2009 (E2)
Warning: Any modication or changes made to this device, unless explicitly approved by Harman, will
invalidate the authorisation of this device. Operation of an unauthorised device is prohibited under Section
302 of the Communications act of 1934, as amended, and Subpart 1 of Part 2 of Chapter 47 of the Code of
Federal Regulations.
NOTE: This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to
Part 15 of the FCC Rules. These limits are designed to provide reasonable protection against harmful interference in
a residential installation. This equipment generates, uses and can radiate radio frequency energy and, if not installed
and used in accordance with the instructions, may cause harmful interference to radio communications. However,
there is no guarantee that interference will not occur in a particular installation. If this equipment does cause harmful
interference to radio or television reception, which can be determined by turning the equipment off and on, the user is
encouraged to try to correct the interference by one or more of the following measures:
* Reorient or relocate the receiving antenna
* Increase the separation between the equipment and the receiver
* Connect the equipment into an outlet on a circuit different from that to which the receiver is connected.
* Consult the dealer or an experienced radio/TV technician for help.
For further details contact: Harman International Industries Ltd, Cranbourne House, Cranbourne Road, Potters Bar,
Hertfordshire EN6 3JN, UK. Telephone +44 (0)1707 665000 Fax: +44 (0)1707 660742 email: soundcraft@harman.com
© Harman International Industries Ltd. 2014 All rights reserved
Parts of the design of this product may be protected by worldwide patents.
Part No. 5059376
Rev 1.0
E&OE September 2014
Soundcraft is a trading division of Harman International Industries Ltd. Information in this manual is subject to change
without notice and does not represent a commitment on the part of the vendor. Soundcraft shall not be liable for any
loss or damage whatsoever arising from the use of information or any error contained in this manual. No part of this
manual may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic,
electrical, mechanical, optical, chemical, including photocopying and recording, for any purpose without the express
written permission of Soundcraft.
Harman International Industries Limited
Cranborne House, Cranborne Road, Potters Bar, Hertfordshire, EN6 3JN, UK
Tel: +44 (0)1707 665000
Fax: +44 (0)1707 660742
http://www.soundcraft.com
Содержание
- For soundcraft si impact console 1
- User guide 1
- Important please read this manual carefully before using your mixer for the first time 2
- Information 2
- User manual 2
- Contents 3
- User manual 3
- Introduction 4
- Introduction to impact 4
- The soundcraft si impact is a compact digital console optimised for live sound it s powerful yet simple to use with intuitive controls consistent colour coded feedback and rapid parameter access features such as analogue madi and usb i o as standard motorised faders the assignable channel strip acs totem fast mix access buttons and vcas mean that any aspect of the performance can be served to the surface in an instant with analogue style control of its comprehensive feature set 4
- User manual 4
- Welcome to impact 4
- For your own safety and to avoid invalidation of the warranty please read this section carefully 5
- Important symbols 5
- Safety 5
- Safety notices 5
- User manual 5
- Safety 6
- User manual 6
- Warnings 6
- Safety 7
- User manual 7
- Warnings 7
- User manual 8
- Warranty 8
- Specifications 9
- User manual 9
- Getting started 10
- Starting off an introduction to this manual 10
- User manual 10
- Overview 11
- User manual 11
- Parts of the console 12
- User manual 12
- Parts of the console 13
- User manual 13
- Faderglow 14
- The si impact faderglow colours are 14
- User manual 14
- Assignable controls 15
- At the heart of the si impact is a group of assignable controls that make the console easier and faster to navigate and operate assignable controls work by changing the function of sections of the console surface in this way a single control can do several jobs depending on the mode the console is working in it is important that you understand the assignable controls on the console in order to use it effectively especially the way in which the faders and totem buttons together determine the functionality of the control channels and faders 15
- User manual 15
- Fader layers 16
- The are four main fader layers on the impact console selected by the faders button group a b c and d to the right of the control channels the additional buttons in this group assign graphic eq bands across the faders for convenient control 16
- User manual 16
- Control channels 17
- User manual 17
- Control channel assignment 18
- User manual 18
- Control channel assignment 19
- User manual 19
- Assignment 20
- Control channel assignment 20
- Insert a blank control channel into the currently selected control channel slot and shift the others to the left or right 20
- Insert blank 20
- Shift the currently selected channel allocation to the left or the right as long as there is an unassigned slot available 20
- User manual 20
- Assignable channel strip 21
- User manual 21
- Totem fader follow 22
- User manual 22
- Touch screen 23
- User manual 23
- Copy paste 24
- Main menu 24
- Security 24
- The touch screen main menu can be accessed at any time by pressing the menu button next to the touch screen from here you can navigate to any of the settings menus 24
- User manual 24
- Assign dsp channels to control channel slots 25
- Brightness settings and d o g s system direct out gain stabiliser on off 25
- Fader setup 25
- Insert 25
- Main menu 25
- Setup and patching of the four available insert sends and returns 25
- Solo system settings 25
- System 25
- System information hiqnet and ip addressing selective console reset functions and the event log 25
- User manual 25
- Graphic representation of the eq for the selected channel 26
- Inputchannelorvcamaster specificsettings 26
- Inputs vca 26
- Main menu 26
- Monitor 26
- Outputchannel specificsettings 26
- Outputs 26
- Settings and operations for the built in oscillator 26
- Settings for the monitoring systems 26
- User manual 26
- Inputs and outputs 27
- Inputs outputs 27
- User manual 27
- Patching 28
- User manual 28
- Patching 29
- User manual 29
- Soundweb 30
- Soundweb control 30
- User manual 30
- Disable enable soundweb london preamp control for this patch 31
- External control status 31
- Input card 31
- Input channel 31
- Node address 31
- Select an input card on the soundweb london device 31
- Select an input channel on the selected card and device 31
- Set the soundweb london devices node address to send and receive hiqnet values to your si console 31
- Soundweb 31
- Soundweb control 31
- User manual 31
- Default patching 32
- User manual 32
- User manual 33
- Visi connect 33
- User manual 34
- Visi connect cards 34
- User manual 35
- Visi connect cards 35
- Stageboxes 36
- User manual 36
- Madi usb card 37
- User manual 37
- Madi usb set up 38
- User manual 38
- Madi usb 39
- Pc driver 39
- Usb pc driver 39
- User manual 39
- Channels busses 40
- User manual 40
- Input channels 41
- Input channels receive either external input from instruments microphones and so on or they receive input from the internal lexicon fx units fx return stereo input channels 1 4 41
- User manual 41
- Input channels 42
- User manual 42
- An input channel can either be mono linked or stereo 43
- Input setup 43
- Isolate 43
- Isolate this channel from automation playback 43
- Name the selected input channel 43
- Pan mode 43
- Set pan mode for this channel to lr left right or lcr left centre right 43
- Therearevariousinput specificoptions foundviathetouchscreenmainmenuinputsbutton theseoffer channel naming linking lr or lcr panning routing pre post routing options for mix busses and direct outputs and physical input and direct output patching 43
- User manual 43
- Choose an analogue or digital input for this input channel 44
- Choose an analogue or digital output for this channel s direct output 44
- Choose whether the direct output patch is sourced pre filter or post filter 44
- Directout patch 44
- Directout pre post 44
- Input patch 44
- Input setup 44
- Lcr pan width 44
- Mix 1 14 pre post 44
- Set a global routing for all mix bus contributions from the input channel 44
- Set global post pre 44
- Set individual pre or post fade routing to mix busses 1 14 44
- Set the proportion of centre channel signal sent to left and right 44
- User manual 44
- All contributions to a mix bus are summed into mix bus master dsp channels mix 1 14 they have various uses including feeding auxiliary effects as monitoring mixes or creating unique mixes for zoned areas contribution to the main mix and more all output channels include a graphic eq 45
- Mix outputs 45
- User manual 45
- Mix outputs 46
- User manual 46
- Isolate 47
- Mix outputs setup 47
- Mix width 47
- Outputs setup 47
- Pan mode 47
- User manual 47
- Choose a pan mode for all contributions to this bus 48
- Choosespecificanalogueordigitaloutputsforthisdspchannel 48
- Contribution pan mode 48
- Lcr pan width 48
- Mix outputs setup 48
- Output patching 48
- Outputs setup 48
- Set mix sends pre post 48
- Set the pre post routing for all contributions to this mix bus 48
- Set the proportion of centre channel signal sent to left and right 48
- User manual 48
- Matrix outputs 49
- The matrix busses feed the matrix master channels matrix busses can be used for many things includingaconvenientwaytosendthesamemixtoseveralmonitordestinationsatdifferinglevels or to use as an alternative main mix of mix groups to feed additional front of house zones 49
- User manual 49
- Matrix outputs 50
- User manual 50
- Choose mono or stereo type for the matrix master output 51
- Choosespecificanalogueordigitaloutputsforthemasteroutputchannel 51
- Isolate 51
- Isolate the matrix master dsp channel from automation playback 51
- Matrix outputs setup 51
- Matrix width 51
- Name the selected matrix bus 51
- Patching 51
- Therearevariousmatrixoutput specificoptions foundviathetouchscreenmainmenuoutputsbutton these offer naming isolate width and physical output patching 51
- User manual 51
- Main mix out 52
- Main mix outputs 52
- The main left right and mono centre busses and master channels are used for the main mix output and receive their inputs from the input channels and mix bus master channels the mono bus is the centre bus when the panning mode of contributing channels is set to lcr and mono routing is enabled 52
- User manual 52
- Choosespecificanalogueanddigitaloutputsforthisdspchannel 53
- Isolate 53
- Isolate the main output master dsp channel from automation playback 53
- Main mix outputs setup 53
- Name the selected main output bus 53
- Patching 53
- Therearevariousmainlrandm specificoptions foundviathetouchscreenmainmenuoutputsbutton these offer naming isolate and physical output patching 53
- User manual 53
- Fx busses 54
- User manual 54
- Channel elements 55
- Dsp elements 55
- User manual 55
- Function focus 56
- User manual 56
- Acs elements 57
- The assignable channel strip acs follows the currently selected dsp channel and provides almost all of the controls relating to that it is broken down into logical sections making it easy to identify control groups and functions at a glance 57
- User manual 57
- Acs input section 58
- Metering 58
- The input section mainly provides the features required for input channels such as phantom power and mic line level metering is applicable to all dsp channel types and hpf high pass filter is available in mix bus master channels 58
- User manual 58
- V phantom power 58
- Acs input section 59
- Adjust mic gain or line trim for input channels 59
- Adjust the cut off 3db frequency of the high pass filter 59
- Gain trim 59
- Hpf frequency 59
- Hpf on off 59
- Invert signal phase 180 degrees 59
- Phase invert 59
- Switches the high pass filter on and off 59
- User manual 59
- Acs gate section 60
- Attack 60
- Release 60
- User manual 60
- Acs gate section 61
- User manual 61
- Acs compressor section 62
- Attack 62
- Compressor 62
- Release 62
- User manual 62
- Acs compressor section 63
- Adjust the make up gain of the compressor 63
- Adjust the ratio value for the compressor 63
- Adjust the threshold level of the compressor 63
- Comp on off 63
- Compressor 63
- Gain reduction meter 63
- Indicates amount of gain reduction currently being applied by the compression process 63
- Switch the compression process on or off 63
- Threshold 63
- User manual 63
- Acs equaliser section 64
- Equaliser 64
- Hf freq 64
- Hf level 64
- User manual 64
- Acs equaliser section 65
- Adjust the q of the hi mid filter 65
- Adjusttheboost attenuationofthehimidfilter 65
- Adjusttheboost attenuationofthelomidfilter 65
- Adjustthecentrefrequencyofthehimidfilter 65
- Equaliser 65
- Hi mid freq 65
- Hi mid level 65
- Hi mid q 65
- Lo mid freq 65
- Lo mid level 65
- User manual 65
- Acs equaliser section 66
- Adjust the q of the hi mid filter and switch bell shelf mode 66
- Adjust the q of the lo mid filter 66
- Adjusttheboost attenuationofthelf bell filter 66
- Adjustthecut offfrequencyofthelf bell filter 66
- Eq on off 66
- Equaliser 66
- Lf freq 66
- Lf level 66
- Lo mid q 66
- Switch the eq process for this channel on and off 66
- User manual 66
- Acs output section 67
- Output 67
- User manual 67
- Acs output section 68
- User manual 68
- Channel name function 69
- Control channel 69
- Gate closed x 69
- User manual 69
- Control channel 70
- Gain reduction meter 70
- Indicates audio level for the selected channel dbfs 70
- Indicates gain reduction for the selected channel 70
- Level meter 70
- On key function is dependant on the channel type and selected fader layer a long press of this button will use momentary behaviour 70
- Select this control channel 70
- User manual 70
- Adjust signal level 71
- Control channel 71
- Press to solo this dsp channel input channel mix bus master matrix master 71
- User manual 71
- Graphic eq geq 72
- User manual 72
- Adjust the level of the assigned geq band 73
- Clr geq 73
- Geq hi 73
- Geq lo 73
- Graphic eq geq 73
- Lighted red to indicate an active non zero geq band press to zero that band 73
- On red 73
- Press to assign the 14 high geq bands 800hz 16khz to the control channel faders 73
- Press to assign the 14 low geq bands 31hz 630hz to the control channel faders 73
- User manual 73
- Zero all bands in the active geq 73
- Mix features 74
- Mute groups 74
- User manual 74
- Mute group master 75
- Mute groups 75
- Mute groups enable group muting of selected channels at any time create up to eight mute groups operated from the mute vca group masters button group 1 8 mute groups can be cumulative while not in vca or mute setup modes the buttons are always mute group masters 75
- Mute mute group setup 75
- User manual 75
- Alt clr 76
- Clear all 76
- Clear selection 76
- Mute groups 76
- Mute status indication 76
- Select control channels 76
- User manual 76
- Mute groups 77
- User manual 77
- Vca groups 77
- User manual 78
- Vca group master 78
- Vca groups 78
- Vca vca group setup 78
- Alt clr 79
- Clear all 79
- Clear selection 79
- Offset the level of vca group member channels 79
- User manual 79
- Vca group mute status indication 79
- Vca groups 79
- Vca master fader 79
- Copy and paste 80
- Copy paste 80
- Paste hold 80
- This facility allows almost any processing section to be copied easily and quickly from a channel or bus and pasted to another channel or bus you can also copy and paste the internal lexicon fx settings and aux fx send and matrix mixes 80
- User manual 80
- Copy and paste 81
- User manual 81
- Audio interrogate 82
- Audio interrogate is a powerful method of checking and changing a particular switch status across all channels on the currently selected fader layer for example you can check at a glance which channels are routed to the main lr mix bus and change that status rapidly for all visible channels 82
- Interrogate 82
- User manual 82
- Solo provides a way of monitoring and checking individual channels and groups of channels quickly by routing only the soloed channels either to the monitoring system normal operation or to the main mix outputs solo in place sip 83
- Solo system 83
- User manual 83
- Access solo settings menu 84
- Highlight level 84
- Indicators light to show solo mode status 84
- Press to clear any active solos 84
- Press to solo the assigned channel 84
- Solo clr 84
- Solo in place 84
- Solo status indicators 84
- Solo system 84
- Solo touch screen 84
- Switch solo in place sip mode on or off 84
- The attenuation level of the unhighlighted soloed channels while highlight is active 84
- User manual 84
- 10db of trim to the level of the solo bus to the monitor system 85
- Allow input solos to temporarily override an output afl 85
- Blend level 85
- Enable or disable select follows solo mode 85
- Enable or disable the solo auto cancel mode 85
- Input priority 85
- Input solo mode 85
- Select follows solo 85
- Set the input solo mode to auto afl or pfl 85
- Solo auto cancel mode 85
- Solo system 85
- Solo trim 85
- The attenuation level of the primary monitor source while a pfl or afl is active 85
- User manual 85
- Mon level 86
- Monitoring 86
- Monitors 86
- The si impact monitoring system is comprehensive yet simple the monitoring source active monitor signal will normally be the main lr mix though will switch to any selection made in the solo system afl or pfl busses 86
- User manual 86
- Delay time samples milliseconds 87
- Enable disable the monitor output delay 87
- Enable disable the monitor output patch 87
- Enable or disable the lr mon level swap function 87
- L r monitor speaker 87
- Lr mon level swap 87
- Monitor l r out patch 87
- Monitoring 87
- Monitoring settings menu 87
- Mono check 87
- Outputs a mono sum of the stereo monitor signal 87
- Set the monitor output delay time 87
- Set the physical patching for the monitor output signal 87
- User manual 87
- You access the monitor settings menu by touching the monitor touch screen button from the main menu 87
- Clr alt clr 88
- Clr functions 88
- The alt button above right of lrm mix faders can be used in conjunction with the clr button to clear or reset parameters channels and bus mixes across the whole of the console 88
- The clr clear button located to the right of the channel faders area is used in conjunction with individual input channels output channels channel parameters and mutes to clear or reset to default 88
- User manual 88
- Alt clr functions 89
- Clr alt clr 89
- User manual 89
- Clr alt clr 90
- Other alt button functions 90
- User manual 90
- Shows cuelist and snapshots 91
- Shows cuelist snapshots 91
- User manual 91
- Delete 92
- New show 92
- User manual 92
- Global isolate filters 93
- Initiate the load show process 93
- Initiate the process of saving the current show 93
- Name the current show 93
- Re establishthesystemconfiguration 93
- Reset config 93
- Save as 93
- Select and isolate parameters from recall by the automation system 93
- Show name 93
- User manual 93
- Cuelist snapshots 94
- User manual 94
- Alt next 95
- Bring up the cuelist screen in the console touch screen 95
- Cue list 95
- Cuelist snapshots 95
- Load the currently highlighted cue 95
- Load the next cue 95
- Load the previous cue 95
- Recall 95
- Store the current snapshot in the cuelist 95
- User manual 95
- Cuelist snapshots 96
- Delete 96
- Delete the currently highlighted cue 96
- Edit cue 96
- Edit the cue details in the touch screen 96
- Move down 96
- Move the currently highlighted cue down one in the cue list 96
- Move the currently highlighted cue up one in the cue list 96
- Move up 96
- Update 96
- Update the currently active cue with the current snapshot 96
- User manual 96
- Cuelist snapshots 97
- User manual 97
- Edit cue 98
- User manual 98
- Lexicon fx 99
- The console comes with four lexicon fx processors each with 29 available algorithms each fx unit has its own dedicated fx send bus and stereo return path 99
- User manual 99
- Adjust scroll touch screen control 100
- Lexicon fx 100
- User manual 100
- Chamber reverb 101
- Plate reverbs 101
- Reverbs 101
- User manual 101
- Ambience reverb 102
- Reverbs 102
- Reverse reverb 102
- Room reverb 102
- Spring reverb 102
- User manual 102
- Adjust the amount of time the mid range reverb can be heard 103
- Adjust time delay between the source signal and the onset of reverberation 103
- Adjusttheamountoftimebeforereverbearlyreflectionsoccur 103
- Adjustthelevelofearlyreflectionswithinthereverb 103
- Build up rate of diffusion after the initial period which is controlled by diffusion 103
- Er level early reflections level 103
- Er time early reflections time 103
- Mid rt mid range reverb time 103
- Pre dly pre delay 103
- Reverb parameters 103
- Rt high cut 103
- Rthcsetsthefrequencyabovewhicha6db octavelow passfilterattenuatesthereverberated signal 103
- User manual 103
- Adjust reverb onset and sustain 104
- Adjust the amount of high frequency content in the reverberation tails 104
- Adjust the contour of the reverberation envelope 104
- Bass bst bass boost 104
- Boost or cut frequencies below the bass boost frequency the transition point from mid rt to low rt 104
- Diff diffusion 104
- Hi cut 104
- Initial echo density 104
- Reverb parameters 104
- Rt hi cut reverb time high cut 104
- Setthefrequencyofa6db octavelow passfilteronthereverberatedsignal 104
- Spread 104
- User manual 104
- Delays 105
- Modulated delay 105
- Mono delay 105
- Pong delay 105
- Reverse delay 105
- Studio delay 105
- Tap delay 105
- Tape delay 105
- User manual 105
- Controls the length of the delay time relative to tempo 106
- Controls the number of delay repeats by feeding the delay output signal back into the delay input 106
- Delay parameters 106
- Dly time delay time 106
- Duck lvl duck level 106
- Duck thr duck threshold 106
- Ducking attenuation amount 106
- Feedback 106
- Frequenciesabovethisarefiltered removed 106
- Frequenciesbelowthisarefiltered removed 106
- Hi pass 106
- Lo pass 106
- Set the input signal level at which ducking occurs 106
- User manual 106
- Adjustthepanpositionsinthestereofieldoftap1andtap2 107
- Control the intensity of modulation or depth in the modulated delay 107
- Controls the tap ratio of left and right outputs relative to the delay time 107
- Delay parameters 107
- Depth modulation depth 107
- Ducking attenuation amount 107
- Pan tap pan 107
- Ratio of wet to dry signal 107
- Ratio tap ratio 107
- Swap tap swap 107
- Swaps the delay time tap offset set by the tap ratio 107
- User manual 107
- Chorus 108
- Detune 108
- Flanger 108
- Misc fx 108
- Phaser 108
- Pitch shift 108
- Rotary 108
- Tremolo 108
- User manual 108
- Vibrato 108
- Misc fx parameters 109
- User manual 109
- Misc fx parameters 110
- User manual 110
- Misc fx parameters 111
- User manual 111
- Misc fx parameters 112
- User manual 112
- Settings software reset 113
- System settings 113
- User manual 113
- Preferences 114
- User manual 114
- Preferences 115
- User manual 115
- System menu 116
- User manual 116
- System menu 117
- User manual 117
- Choose an internal external or option card wordclock reference 118
- Ip address 118
- Ip address resolution 118
- Mac address 118
- Set ip resolution to dhcp dynamic or manual 118
- Subnet mask 118
- System menu 118
- System time 118
- The ip address of this console on the network 118
- The media access control address read only 118
- Used to specify the subnet for this device 118
- User manual 118
- Wordclock 118
- System menu 119
- User manual 119
- Add user 120
- Edit user 120
- Security menu 120
- User manual 120
- Security menu 121
- User manual 121
- Add edit user 122
- User manual 122
- Add edit user 123
- User manual 123
- Delete profile 124
- New profile 124
- Profiles 124
- User manual 124
- Profiles 125
- User manual 125
- Software update 126
- User manual 126
- Reset console 127
- The following procedure will restore the console back to the factory defaults and re format the internal sd card do not do this is you wish to keep saved data shows 127
- User manual 127
- Oscillator 128
- Route to all 128
- Route to mix mtx 128
- User manual 128
- Oscillator 129
- User manual 129
- A troubleshooting guide oneofthemostcommonproblemsexperiencedwithmixingconsolesisfindingthataninputisn tap pearing at an output there are many possible reasons for this but the best way to troubleshoot it is to firstmakesurethecontrolchannelissetupcorrectly thentogothroughthesignalpathandworkout where the break is 130
- Appendix 01 no sound 130
- Are solos inactive 130
- Are the control channel input channel and input patch correct 130
- Are they in phase 130
- Is there anything on the meters 130
- No sound 130
- User manual 130
- You can check the exact audio path of any signal by referring to the signal path diagrams in chapter 6 130
- Appendix 01 no sound 131
- If there is an insert point assigned is the signal returned 131
- Is the channel on and unmuted 131
- Is the channel panned to a valid output 131
- Is the fader up 131
- Is the gate shut 131
- No sound 131
- User manual 131
- Almost exactly the same checks as above can be done on the output master channel whether it s a mix matrix or lr m master 132
- Appendix 01 no sound 132
- Is the output master channel path valid 132
- Is the output patch valid 132
- Is the signal routed to a valid output bus or channel 132
- No sound 132
- Routing can cover lr and mono routing as well as mix bus routing 132
- To check the physical output patch select the relevant bus master channel and then go to the outputs menu in the touch screen 132
- User manual 132
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