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Mackie
24-канальный микшер
2404VLZ4
Руководство по эксплуатации Страница: 36

Mackie 2404VLZ4 [36/40] Dimensions

VLZ4 4•Bus

Dimensions

6.0 in

153 mm

1.8 in

46 mm

29.4 in / 748 mm

19.1 in / 486 mm

6.0 in / 153 mm

WEIGHT

31.0 lb

14.1 kg

6.0 in

153 mm

1.8 in

46 mm

38.0 in / 964 mm

19.1 in / 486 mm

6.0 in / 153 mm

WEIGHT

39.0 lb

17. 7 kg

Содержание

32 29 30 1
32 channel 4 bus fx mixer with usb 1
Ow n e r s m a n ua l 1
Vlz4 4 bus 1
Important safety instructions 2
Vlz4 4 bus 2
Warning to reduce the risk of fire or electric shock do not expose this apparatus to rain or moisture 2
Contents 3
Like us follow us watch our dang videos 3
Owner s manual 3
Features 4
How to use this manual 4
Vlz4 4 bus 4
Awesomely unheard of features 5
Email us at techmail loudtechinc com 5
Introduction 5
Need help with your mixer 5
Owner s manual 5
Powerful on board dual fx engines and eight individual compressors 5
Telephone 1 800 898 3211 to speak with one of our splendid technical support chaps monday through friday normal business hours pacific time 5
Usb recording and playback 5
Visit www 20trees com and click support to find faqs manuals and other useful information 5
Connections 6
Getting started 6
Set the levels 6
Things to remember 6
Vlz4 4 bus 6
Zero the controls 6
Hookup diagrams 7
Owner s manual 7
Typical live sound system 7
As the session progresses the engineer band producer a r representative and whatever posse may be present can crank the tunes through a pair of mr8mk3 s and nod their collective heads to the beat 8
Once the band has played a few shows and feel that the songs are up to par then it s time to record them for posterity and all three adoring fans the good thing is that the vlz4 4 bus mixer functions great in both environments live and recording here is how to record the band in three easy steps 1 drum tracking wire up everything as shown above bus the kick panned left to subgroup 1 and snare panned right to subgroup 2 so they are recorded to their own tracks in the daw they will show up on inputs 1 and 2 all four subgroup assign 1 2 left right switches should be engaged so these signals may be monitored in mono bus the tom mics and overhead mics to subgroups 3 and 4 set the pans as preferred the subgroup assign 3 left and subgroup assign 4 right switches should be engaged these signals are recorded and monitored with the pan image as set up on the mixer and will show up as inputs 3 and 4 check the levels carefully as they cannot be mixed later the drums now need to be mixed in the daw 8
Typical recording system 8
Vlz4 4 bus 8
7 7 9 18 9
8 8 8 6 9
Rear panel connections 9
Vlz4 4 bus features 9
22 23 24 10
7 7 9 18 10
8 8 8 6 10
Insert 10
Stereo line ins 10
Stereo returns 1 2 10
Tape ins outs 10
Vlz4 4 bus 10
7 7 9 18 11
8 8 8 6 11
Aux sends 1 6 11
Group inserts 11
Group outs 1 4 11
Left right main outs xlr 1 4 11
Main inserts 11
Mono out 11
Mono out level control 11
Owner s manual 11
7 7 9 18 12
8 8 8 6 12
Aux inserts 12
Headphone out 12
Left right monitor outs 12
Mono monitor out 12
Usb in out 12
Vlz4 4 bus 12
7 7 9 18 13
8 8 8 6 13
Owner s manual 13
7 7 9 18 14
8 8 8 6 14
Power connection 14
Talkback mic 14
V phantom power 14
Vlz4 4 bus 14
Aux 1 4 15
Aux 5 6 15
Aux master 15
Ch 1 2 ch 3 4 15
Comp level 15
Comp off max 15
Db 0 dbu 15
Eq eq eq 15
Freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq 15
Front panel channel strip 15
Fx aux 5 6 15
Fx master fx master 15
Gain line gain line gain 15
Hi 12k 15
Hi mid 2 k 15
Left right 15
Level set 15
Low 80hz 15
Low cut 100 hz 15
Low cut 100 hz fx 1 fx 2 15
Low mid 400hz 15
Main mix 15
Monitor 15
Mute alt 3 4 15
Off max 15
Pad 20db 15
Phones 15
Push to talk 15
Rude solo 15
Sig ol 15
Solo mode 15
Solo pfl afl 15
Stereo 15
Stereo returns 15
Subgroups 15
Subs 1 2 main 15
Subs 3 4 15
Talkback 15
Tap delay 15
Tape usb 15
To aux 1 15
To aux 2 15
To lr to lr 15
Track return 15
Usb out 15
Vlz4 4 bus features 15
24 2404vlz4 and29 30and31 32 3204vlz4 thereis20dbofattenuationfullydownand20dbof gainfullyup withunitygain u at12 00 16
2404vlz4 andchannels1 28 3204vlz4 thereis20 dbofattenuationfullydownand40dbofgainfullyup withunitygain u at10 00 16
Allmonochannelshavealow cutswitch often referredtoasahigh passfilter thatcutsbass frequenciesbelow100hzatarateof18dbperoctave 16
Andlineinputs thisallowssignalsfromtheoutside worldtobeadjustedtorunthrougheachchannelat optimalinternaloperatinglevels 16
Anotherwaytoconsiderlow cut sfunction isthatitactuallyaddsflexibilityduringlive performances withtheadditionoflow cut 16
Areinsertingahotsignal orwhenyouwanttoaddeq gain orboth withoutthis virtualpad thereismore chanceofchannelclipping 16
Aux 1 4 16
Aux 5 6 16
Aux master 16
Ch 1 2 ch 3 4 16
Channel controls 16
Comp level 16
Comp off max 16
Control itstandsfor unitygain meaningnochangein signallevel thelabelsonthecontrolsaremeasuredin decibels db soyou llknowwhatyou redoing level wiseifyouchoosetochangeacontrol ssettings 16
Db 0 dbu 16
Eq eq eq 16
Freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq 16
Fx aux 5 6 16
Fx master fx master 16
Gain line gain line gain 16
Hi 12k 16
Hi mid 2 k 16
However microphonesandbalancedline levelsignals thatproduceahigheroutputthanusualmayrequire thatthegaincontrol23isturnedwaydown ifthisis thecase engagethepadswitchtoallowanadditional 20dbattheinputtothemicpreamp thisprevents overloadingthemicrophonepreampandprovidesbetter gaincontrol thepadonlyappliestoxlrinputs notthe 1 4 trsinputs 16
Ifthesignaloriginatesthroughthemicxlrjack 16
Ifyouhaven talready pleasereadthegettingstarted 16
Inmostcases thepadswitchwillbedisengaged 16
Left right 16
Level set 16
Low 80hz 16
Low cut 100 hz 16
Low cut 100 hz fx 1 fx 2 16
Low mid 400hz 16
Main mix 16
Monitor 16
Mute alt 3 4 16
Off max 16
Pad 20db 16
Phones 16
Push to talk 16
Rude solo 16
Sectiononpage6 16
Sig ol 16
Solo mode 16
Solo pfl afl 16
Stereo 16
Stereo returns 16
Subgroups 16
Subs 1 2 main 16
Subs 3 4 16
Talkback 16
Tap delay 16
Tape usb 16
Thegainknobsadjusttheinputsensitivityofthemic 16
Therewillbe0dbofgainwiththeknobfullydown rampingto60dbofgainfullyup 16
Theverticalchannelstripslookverysimilar and haveonlyafewdifferencesbetweenthem each channelworksindependently andjustcontrolsthe signalspluggedintotheinputsdirectlybehindit 16
This20dbofattenuationcanbeveryhandywhenyou 16
Throughthe1 4 lineinputofchannels1 20 16
Throughthe1 4 lineinputofchannels21 22and 16
To aux 1 16
To aux 2 16
To lr to lr 16
Track return 16
Usb out 16
Vlz4mixershavea u symbolonalmosteverylevel 16
Werecommendthatyouuselow cutonevery microphoneapplicationexceptkickdrum bassguitar orbassysynthpatches theseaside thereisn tmuch downtherethatyouwanttohear andfilteringitout makesthelowstuffyoudowantmuchmorecrispand tasty notonlythat butlow cutcanhelpreducethe possibilityoffeedbackinlivesituations andithelps toconserveamplifierpower 16
Youcansafelyuselowequalizationonvocals many times bassshelvingeqcanreallybenefitvoices troubleis addingloweqalsoboostsstagerumble michandlingclunksandbreathpopsfromway down low applyinglow cutremovesallthoseproblems soyoucanaddloweqwithoutblowingyoursubwoofers 16
Compressor 17
Owner s manual 17
Aux 1 4 18
Aux 5 6 18
Aux master 18
Ch 1 2 ch 3 4 18
Comp level 18
Comp off max 18
Db 0 dbu 18
Eq eq eq 18
Freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq 18
Fx aux 5 6 18
Fx master fx master 18
Gain line gain line gain 18
Hi 12k 18
Hi mid 2 k 18
Left right 18
Level set 18
Low 80hz 18
Low cut 100 hz 18
Low cut 100 hz low cut 100 hz low cut 100 hz low cut 100 hz fx 1 fx 2 18
Low mid 400hz 18
Main mix 18
Monitor 18
Mono channel 18
Mute alt 3 4 18
Off max 18
Pad 20db 18
Phones 18
Push to talk 18
Rude solo 18
Sig ol 18
Solo mode 18
Solo pfl afl 18
Stereo 18
Stereo returns 18
Subgroups 18
Subs 1 2 main 18
Subs 3 4 18
Talkback 18
Tap delay 18
Tape usb 18
To aux 1 18
To aux 2 18
To lr to lr 18
Track return 18
Usb out 18
Vlz4 4 bus 18
Aux 1 4 19
Aux 5 6 19
Aux master 19
Ch 1 2 ch 3 4 19
Comp level 19
Comp off max 19
Db 0 dbu 19
Eq eq eq 19
Freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq 19
Fx aux 5 6 19
Fx master fx master 19
Gain line gain line gain 19
Hi 12k 19
Hi mid 2 k 19
Left right 19
Level set 19
Low 80hz 19
Low cut 100 hz 19
Low cut 100 hz low cut 100 hz low cut 100 hz low cut 100 hz fx 1 fx 2 19
Low mid 400hz 19
Main mix 19
Monitor 19
Mute alt 3 4 19
Off max 19
Owner s manual 19
Pad 20db 19
Phones 19
Push to talk 19
Rude solo 19
Sig ol 19
Solo mode 19
Solo pfl afl 19
Stereo 19
Stereo channel 19
Stereo returns 19
Subgroups 19
Subs 1 2 main 19
Subs 3 4 19
Talkback 19
Tap delay 19
Tape usb 19
To aux 1 19
To aux 2 19
To lr to lr 19
Track return 19
Usb out 19
Assign 20
Channel fader 20
Fx1 and fx2 20
Sig led 20
Usb switch 20
Vlz4 4 bus 20
Asseen itisbrokendowninpercentages from0 21
Aux 1 4 21
Aux 5 6 21
Aux master 21
Ch 1 2 ch 3 4 21
Comp level 21
Comp off max 21
Db 0 dbu 21
Dependingonthepositionoftheswitch50 tothe solobus 21
Eq eq eq 21
Externalprocessorlikeareverbordigitaldelay from there theoutputsofthisexternalprocessorarefed backtothemixer sstereoreturnjacks5 thenthese signalsaresentthroughthestereoreturnlevelcontrols 54 andfinallydeliveredtothemainmixortoauxes 1 4 to add effects to monitors if so desired by the talent moreme morereverb 21
Freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq 21
Fromtherca tape inputs switchdisengaged or usb switchengaged 21
Fx aux 5 6 21
Fx master fx master 21
Gain line gain line gain 21
Hi 12k 21
Hi mid 2 k 21
Ifthebandperformingasksyouifyoucanmakethem 21
Iftheyfollowinstructions buyyoubeers andarea 21
Left right 21
Level set 21
Low 80hz 21
Low cut 100 hz 21
Low cut 100 hz low cut 100 hz low cut 100 hz low cut 100 hz fx 1 fx 2 21
Low mid 400hz 21
Main mix 21
Mastersandstereoreturns andthemeters a4x2usb recordingandplaybackfunctionisatyourdisposal thismeansuptofoursignalsmayberecorded simultaneouslyandastereomixreturnedtothemixer forplayback 21
Monitor 21
Mute alt 3 4 21
Off max 21
Pad 20db 21
Phones 21
Post faderauxsendsmaybefedtotheinputsofan 21
Pre faderauxsendsaretypicallyusedtoprovide anothermixforstagemonitors ifnoexternaleffects arebeingused thestereoreturnscanbeusedas additionalstereoinputs ornotusedatall 21
Push to talk 21
Readontolearnmoreaboutthesefeatures 21
Rude solo 21
Sig ol 21
So theoriginalunprocessed dry signalsgofrom 21
Solo mode 21
Solo pfl afl 21
Soundbetter replywitharesounding yes indeedican makeyousoundbetter iwillturndownthesuckknob 47whichwilldowondersforyourband 21
Stereo 21
Stereo returns 21
Subgroups 21
Subs 1 2 main 21
Subs 3 4 21
Suck turnedfullycounter clockwise to100 suck turnedfullyclockwise thiswayyougettodetermine the suckfactorpercentage sfp oftheband 21
Swellbunch turntheknobcounter clockwise ifthe drummerhitsthesnaredrumortheguitaristdoesa screamingharmonicdive bombwhileyou resettingup micsontheirrespectiveequipment andthuslyhelping toruinyourhearing huh feelfreetocranktheknob clockwise 21
Talkback 21
Tap delay 21
Tape usb 21
Thecenterpinpositive connectanyqualitygooseneck lamphere 21
Thechannelauxsends27 29 auxes1 4mayalsobe fedfromstereoreturns1 254andtalkback70 71 andaux1 2maygetinternaleffectsprocessoroutput viathefxtoauxcontrols62 anyorallofthese signalsaremixedtogether sautéedtoaturnandsent outtheauxsendjacks13aftertheoptimumoutput levelisdeterminedbytheauxmasters52 auxsends fromthechannelsarepre fader aux1 2 selectable pre orpost fader aux3 4 andpost fader aux5 6 allarepost eq 21
Thechannelstothemainmix andtheprocessed wet signalsgofromthestereoreturnstothemainmix and oncemixedtogether thedryandwetsignalscombineto createaglorioussound 21
Thesixauxesreceivesignalsfromthechannelsvia 21
This knob controls the overall level to the mains of thetape rca orusb dependingonthepositionof the2 trackreturntape usbswitch50 thisknob s levelrangesfromoff throughunity centerdetent position onupto20dbofextragain fullyclockwise 21
Thisdeterminesifthe2 trackreturngetsitssignal 21
Thisfemalebncconnectorprovides12voltsdcwith 21
Thissectionincludesthe2 trackreturns usb aux 21
Thisswitchsendsthe2 trackreturn tapeorusb 21
To aux 1 21
To aux 2 21
To lr to lr 21
Track return 21
Track usb aux masters and meters 21
Usb out 21
Aux 1 4 22
Aux 5 6 22
Aux master 22
Ch 1 2 ch 3 4 22
Comp level 22
Comp off max 22
Db 0 dbu 22
Eq eq eq 22
Freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq 22
Fx aux 5 6 22
Fx master fx master 22
Gain line gain line gain 22
Hi 12k 22
Hi mid 2 k 22
Left right 22
Level set 22
Low 80hz 22
Low cut 100 hz 22
Low cut 100 hz low cut 100 hz low cut 100 hz low cut 100 hz fx 1 fx 2 22
Low mid 400hz 22
Main mix 22
Monitor 22
Mute alt 3 4 22
Off max 22
Pad 20db 22
Phones 22
Push to talk 22
Rude solo 22
Sig ol 22
Solo mode 22
Solo pfl afl 22
Stereo 22
Stereo returns 22
Subgroups 22
Subs 1 2 main 22
Subs 3 4 22
Talkback 22
Tap delay 22
Tape usb 22
To aux 1 22
To aux 2 22
To lr to lr 22
Track return 22
Usb out 22
Vlz4 4 bus 22
Left right level meters 23
Owner s manual 23
Rude solo light 23
Solo mode 23
Affectionatelyreferredtoas themeat npotatoes 24
Andmainsindependently useaux1andaux2to provideeffectstomonitors slowlyaddeffectstothe monitorsbyturningthe toaux1 and toaux2 knobs clockwise usetheauxmastertomonitortheamount sent thefxoutputtothemainswillbehearddirectly from the pa 24
Anewpresetwillbeloadedapproximately1 4ofa 24
Aux 1 4 24
Aux 5 6 24
Aux master 24
Ch 1 2 ch 3 4 24
Channels23 24 on the 2404 vlz4 31 32 on the 3204 vlz4 usingthethefx1and orfx2switches44 thisallowsforwaymoreflexibility forexample you caneqthefxandsendthemtoanyaux group or main justremembertoturnthe toaux1 toaux2 and tomain knobs62fullycounter clockwiseto avoiddouble bussing 24
Comp level 24
Comp off max 24
Db 0 dbu 24
Effectsprocessors theyaremono in stereo outeffects processors with24presetseach signalstotheseeffects processorscomefromadjustingthefx1and orfx2aux send29oneachchannelandthefxmasters61 24
Eq eq eq 24
Freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq 24
Fx aux 5 6 24
Fx master fx master 24
Gain line gain line gain 24
Hi 12k 24
Hi mid 2 k 24
Left right 24
Level set 24
Levelgoingintoeacheffectsprocessoriswithinagood operatingrange sig theyilluminaterediftheeffects processorisoverloadedwithtoostrongofasignal ol turndownthesendmasterlevels61andcheckthe channelsendsiftheselightredregularly 24
Low 80hz 24
Low cut 100 hz 24
Low cut 100 hz low cut 100 hz low cut 100 hz low cut 100 hz fx 1 fx 2 24
Low mid 400hz 24
Main mix 24
Monitor 24
Mute alt 3 4 24
Off max 24
Orthefxreturnsmayberoutedtothestereoinput 24
Pad 20db 24
Phones 24
Push to talk 24
Rude solo 24
Secondafteryoustopturningtheknob anditwillbe storedintothefxmemoryafteraboutonesecond whenthevlz44 busmixeristurnedon thefx sectionwillloadupthelast usedpreset 24
Selectedeffectspreset asshowninthelistofpresets silkscreenedabove rotatethepresetselectorknob rightorlefttochangeapreset 24
Sig ol 24
Solo mode 24
Solo pfl afl 24
Stereo 24
Stereo effects processors headphones talkback main and groups mix 24
Stereo returns 24
Subgroups 24
Subs 1 2 main 24
Subs 3 4 24
Talkback 24
Tap delay 24
Tape usb 24
Thechannels aux5 6sends29 thechannelgain23 eq31 36 andchannelfaders43 aswellasthefx sendmaster61 24
Therearetwoidenticalrunning man32 bitinternal 24
These knobs control the level of the signals going into eachinternaleffectsprocessor adjustthemcarefully keepinganeyeontheadjacentsig olled63to preventoverloadingtheeffectsprocessor 24
Thesedisplaysshowthenumberofthecurrently 24
Thesedual ledsilluminategreenwhenthesignal 24
Theseknobsroutetheeffectsoutputtoaux1 aux 24
Thesignalsgoingintotheprocessorsareaffectedby 24
Thestereooutputfromeachprocessormaybe addedtothemainmixusingthe fxtomain knob62 thestereooutputfromeachprocessormayalso beaddedtoaux1and oraux2byadjustingthe fxtoaux control62 24
Thetalkbackfeatureallowstheengineerto communicatewiththetalenteitherthroughthephones output17ortheaux1 4sendoutputs13using anexternaltalkbackmicrophone thissavesalotof shoutingovertheaudience sheadsasyousetupthe talentedone sstagemonitorstotheirpeculiarly picky satisfaction 24
To aux 1 24
To aux 2 24
To lr to lr 24
Track return 24
Usb out 24
Aux 1 4 25
Aux 5 6 25
Aux master 25
Ch 1 2 ch 3 4 25
Comp level 25
Comp off max 25
Db 0 dbu 25
Eq eq eq 25
Freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq 25
Fx aux 5 6 25
Fx master fx master 25
Gain line gain line gain 25
Hi 12k 25
Hi mid 2 k 25
Left right 25
Level set 25
Low 80hz 25
Low cut 100 hz 25
Low cut 100 hz low cut 100 hz low cut 100 hz low cut 100 hz fx 1 fx 2 25
Low mid 400hz 25
Main mix 25
Monitor 25
Mute alt 3 4 25
Off max 25
Owner s manual 25
Pad 20db 25
Phones 25
Push to talk 25
Rude solo 25
Sig ol 25
Solo mode 25
Solo pfl afl 25
Stereo 25
Stereo returns 25
Subgroups 25
Subs 1 2 main 25
Subs 3 4 25
Talkback 25
Tap delay 25
Tape usb 25
To aux 1 25
To aux 2 25
To lr to lr 25
Track return 25
Usb out 25
Compressor 26
Groups assign 26
Monitor level 26
Phones level 26
Push to talk main aux 1 4 26
Talkback level 26
Vlz4 4 bus 26
Group 1 4 faders 27
Main mix 27
Owner s manual 27
Appendix a service information 28
Appendix b connections 28
Bad channel 28
Bad output 28
Balanced xlr input connector 28
Repair 28
Troubleshooting 28
Balanced 1 4 trs connector 29
Balanced xlr output connector 29
Owner s manual 29
Unbalanced 1 4 ts connector 29
Unbalanced rca connector 29
Trs send receive insert jacks 30
Using the send only on an insert jack 30
Vlz4 4 bus 30
Appendix c technical information 31
Owner s manual 31
Specifications 31
Aux 1 out 32
Block diagram 32
Main out 32
Monitor out 32
Mono out 32
Phones 32
Sub 1 out 32
Tape out 32
Usb out 32
Vlz4 4 bus 32
Aux 1 out 33
Aux 2 6 identical 33
Central park 33
Hudson river 33
Internal fx 1 33
Main level 33
Main out 33
Monitor out 33
Mono level 33
Mono out 33
Owner s manual 33
Phones 33
Stereo return 1 2 33
Sub 1 out 33
Sub 2 4 identical 33
Talkback assign 33
Talkback level 33
Tape input 33
Tape out 33
Usb in 33
Usb out 33
Aux 1 4 34
Aux 5 6 34
Aux master 34
Ch 1 2 ch 3 4 34
Comp level 34
Comp off max 34
Db 0 dbu 34
Freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq 34
Fx aux 5 6 34
Fx master fx master 34
Hi 12k 34
Hi mid 2 k 34
Left right 34
Level set 34
Low 80hz 34
Low cut 100 hz 34
Low cut 100 hz low cut 100 hz low cut 100 hz low cut 100 hz fx 1 fx 2 34
Low mid 400hz 34
Monitor 34
Mute alt 3 4 34
Off max 34
Pad 20db 34
Phones 34
Push to talk 34
Rude solo 34
Sig ol 34
Solo mode 34
Solo pfl afl 34
Stereo 34
Stereo returns 34
Subgroups 34
Subs 1 2 main 34
Subs 3 4 34
Talkback 34
Tap delay 34
Tape usb 34
To aux 1 34
To aux 2 34
To lr to lr 34
Track return 34
Track sheet mono channels 34
Usb out 34
Vlz4 4 bus 34
Aux 1 4 35
Aux 5 6 35
Aux master 35
Ch 1 2 ch 3 4 35
Comp level 35
Comp off max 35
Db 0 dbu 35
Freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq 35
Fx aux 5 6 35
Fx master fx master 35
Hi 12k 35
Hi mid 2 k 35
Left right 35
Level set 35
Low 80hz 35
Low cut 100 hz 35
Low cut 100 hz fx 1 fx 2 35
Low mid 400hz 35
Monitor 35
Mute alt 3 4 35
Off max 35
Owner s manual 35
Pad 20db 35
Phones 35
Push to talk 35
Rude solo 35
Sig ol 35
Solo mode 35
Solo pfl afl 35
Stereo 35
Stereo returns 35
Subgroups 35
Subs 1 2 main 35
Subs 3 4 35
Talkback 35
Tap delay 35
Tape usb 35
To aux 1 35
To aux 2 35
To lr to lr 35
Track return 35
Track sheet comp stereo channels and master section 35
Usb out 35
Dimensions 36
Vlz4 4 bus 36
Weight 31 lb 14 kg 36
Weight 39 lb 17 kg 36
Appendix d usb 37
Owner s manual 37
Appendix e table of effects presets 38
Forpresets17to24 thedelaycanbeenteredbytappingthepresetselectorknobs65morethanonce 38
Vlz4 4 bus 38
Owner s manual 39
Please keep your sales receipt in a safe place 39
Vlz4 4 bus limited warranty 39

Mackie 2404VLZ4 [36/40] Dimensions

Содержание

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