![Mackie 2404VLZ4 [7/40] Hookup diagrams](/img/pdf.png)
Mackie 2404VLZ4 [7/40] Hookup diagrams
![Mackie 2404VLZ4 [7/40] Hookup diagrams](/views2/1989817/page7/bg7.png)
7
Owner’s Manual
Hookup Diagrams
Typical Live Sound System
The drummer is the mic and channel hog of the band; Dustin has the kick, snare and three toms mic'd
up, in addition to two overhead mics. These run to mic inputs 1-7. desTROYer is rockin' the electric guitar
through an Ampeg GVT52-212 guitar amp. The amp is mic'd and connected to the channel 8 mic input.
Keyboard player Chris is connected to the channel 10 and 11 line inputs...well, Chris isn't connected to
the inputs; his keyboard is! Vocalist Anthony is singing through a mic connected to the mic 19 input. A
bass guitar is connected to an Ampeg rig which is connected (via DI) to the mic 20 input. The last four
mono channels of each 24 and 32-channel VLZ4 4•Bus mixer have built-in compressors, so feel free to
"squeeze" the vocals and bass to heart's desire since they lie here. Last, but not least, a DJ is spinning
records connected (via a d.2 Pro DJ mixer) to the line inputs on stereo channels 21/22. The sound guy
(or gal) may monitor levels using headphones (via the headphones output) and/or a pair of MR8mk3's
connected to the monitor L/R outputs.
Four SRM450v2 powered speakers are used as stage monitors for the band; they are connected to the
aux 1-4 send jacks. An SRM150 powered speaker receives a mono input from the aux 5 send, and is
used as a monitor for Chris (the keyboard player). Graphic EQs are connected to aux inserts 1-4 to help
prevent feedback.
The club is driven by connecting a pair of DLM12S powered subwoofers and a pair of DLM12
powered speakers to the main left and right outputs.
A laptop connects to the mixer via the USB port, allowing the 2-channel main mix to be recorded.
Any music (iTunes
®
, mp3s, or other pre-recorded audio) may be played back from the laptop, as well.
These can enter as either a source for the monitor and phones, or any available channels.
POWER
ON
PHANTOM
ON
3 2 1 2 1
2 1
6 5 4
3 2 16 5 4
3 2 14
SUBGROUP OUTS
BAL / UNBAL
SUBGROUP INSERTS
TIP SEND, RINGRETURN
AUX INSERTS
TIP SEND, RING RETURN
AUX SENDS
BAL / UNBAL
3 2 14
L
R
MONO
L
R
MONO
STEREO RETURNS
BAL / UNBAL
21/22 23/24
BAL / UNBALBAL / UNBAL
MONITOR
MONO
MONITOR
L
R
100 - 240 V
50 - 60 Hz 55W
TALKBACK
MIC
RIGHT
MAIN OUT
INSERT LINE
LEFT
MAIN OUT
INSERT LINE
MONO
MAIN OUT
INSERT LINE
LEVEL
OUTPUT
L
USB
R
L
R
TAPE
OUTIN
TIP SEND
RING RETURN
TIP SEND
RING RETURN
TIP SEND
RING RETURN
BAL / UNBAL BAL / UNBAL BAL / UNBAL
20
20
20
19
19
19
18
18
18
17
17
17
16
16
16
15
15
15
14
14
14
13
13
13
12
12
12
11
11
11
10
10
10
9
9
9
8
8
8
7
7
7
6
6
6
5
5
5
4
4
4
3
3
3
2
2
2
1
1
1
ONYX MIC PREAMPS
LINE (BAL / UNBAL)
INSERTS (TIP SEND, RING RETURN)
LINE (BAL / UNBAL)
INSERTS (TIP SEND, RING RETURN)
ONYX MIC PREAMPS
UNBALANCED
REVISION
SERIAL NUMBER
REPLACE WITH THE SAME TYPE FUSE AND RATING.
DISCONNECT SUPPLY CORD BEFORE CHANGING FUSE
UTILISE UN FUSIBLE DE RECHANGE DE MÊME TYPE.
DEBRANCHER AVANT DE REMPLACER LE FUSIBLE
WARNING:
TO REDUCE THE RISK OF FIRE OR ELECTRIC
SHOCK, DO NOT EXPOSE THIS EQUIPMENT TO RAIN OR
MOISTURE. DO NOT REMOVE COVER. NO USER SERVICEABLE
PARTS INSIDE. REFER SERVICING TO QUALIFIED PERSONNEL.
AVIS:
RISQUE DE CHOC ELECTRIQUE — NE PAS OUVRIR
THIS DEVICE COMPLIES WITH PART 15 OF THE FCC RULES FOR THE U.S. AND THE ICES-003 FOR CANADA. OPERATION
IS SUBJECT TO THE FOLLOWING TWO CONDITIONS: (1) THIS DEVICE MAY NOT CAUSE HARMFUL INTERFERENCE, AND
(2) THIS DEVICE MUST ACCEPT ANY INTERFERENCE RECEIVED, INCLUDING INTERFERENCE THAT MAY CAUSE
UNDESIRED OPERATION.
+6
U
power
input
reverb mastergain treble middle
bass
volume channel
1
1
2
gain treble middle bass volume
2
off
on
standby
TDSK
half
full
1
2
3
4
hi
lo
ultra hi / lo
5
master standby
standby/
power/
fault
powertreblefrequencymidrangebassgain
-15dB0dB
ks
pb
no
jd
pa
jh
LINE
MIC
R R
PGM 2
MAIN OUT MIC
L LLLL R
PHONO CD
SEND
R
BOOTH
FX
GND
LINE
PHONO
RETURN
L(MONO)
RR
L
R
LIVE
RECORD
PGM 1
LINE
PHONO
GND
PHONO CD
R R
LL
DLM12
Powered
Speaker
DLM12
Powered
Speaker
DLM12S
Powered
Subwoofer
DLM12S
Powered
Subwoofer
Laptop
Computer
with audio
production
software
Headphones
Turntables with phono-level output
d.2 Pro DJ mixer
MR8mk3
Powered Reference
Monitors L/R
SRM450v2 Powered Speakers
for Stage Monitors (Aux Sends 1-4)
Chris
on keys
Francis
on bass
DI
Box
Dustin
on drums
desTROYer
on six-string
Anthony on
lead vox
Monitor EQ
(Aux Inserts 1-4)
SRM150
Powered Monitor
for keyboard player
(Aux Send 5)
Содержание
- 32 29 30 1
- 32 channel 4 bus fx mixer with usb 1
- Ow n e r s m a n ua l 1
- Vlz4 4 bus 1
- Important safety instructions 2
- Vlz4 4 bus 2
- Warning to reduce the risk of fire or electric shock do not expose this apparatus to rain or moisture 2
- Contents 3
- Like us follow us watch our dang videos 3
- Owner s manual 3
- Features 4
- How to use this manual 4
- Vlz4 4 bus 4
- Awesomely unheard of features 5
- Email us at techmail loudtechinc com 5
- Introduction 5
- Need help with your mixer 5
- Owner s manual 5
- Powerful on board dual fx engines and eight individual compressors 5
- Telephone 1 800 898 3211 to speak with one of our splendid technical support chaps monday through friday normal business hours pacific time 5
- Usb recording and playback 5
- Visit www 20trees com and click support to find faqs manuals and other useful information 5
- Connections 6
- Getting started 6
- Set the levels 6
- Things to remember 6
- Vlz4 4 bus 6
- Zero the controls 6
- Hookup diagrams 7
- Owner s manual 7
- Typical live sound system 7
- As the session progresses the engineer band producer a r representative and whatever posse may be present can crank the tunes through a pair of mr8mk3 s and nod their collective heads to the beat 8
- Once the band has played a few shows and feel that the songs are up to par then it s time to record them for posterity and all three adoring fans the good thing is that the vlz4 4 bus mixer functions great in both environments live and recording here is how to record the band in three easy steps 1 drum tracking wire up everything as shown above bus the kick panned left to subgroup 1 and snare panned right to subgroup 2 so they are recorded to their own tracks in the daw they will show up on inputs 1 and 2 all four subgroup assign 1 2 left right switches should be engaged so these signals may be monitored in mono bus the tom mics and overhead mics to subgroups 3 and 4 set the pans as preferred the subgroup assign 3 left and subgroup assign 4 right switches should be engaged these signals are recorded and monitored with the pan image as set up on the mixer and will show up as inputs 3 and 4 check the levels carefully as they cannot be mixed later the drums now need to be mixed in the daw 8
- Typical recording system 8
- Vlz4 4 bus 8
- 7 7 9 18 9
- 8 8 8 6 9
- Rear panel connections 9
- Vlz4 4 bus features 9
- 22 23 24 10
- 7 7 9 18 10
- 8 8 8 6 10
- Insert 10
- Stereo line ins 10
- Stereo returns 1 2 10
- Tape ins outs 10
- Vlz4 4 bus 10
- 7 7 9 18 11
- 8 8 8 6 11
- Aux sends 1 6 11
- Group inserts 11
- Group outs 1 4 11
- Left right main outs xlr 1 4 11
- Main inserts 11
- Mono out 11
- Mono out level control 11
- Owner s manual 11
- 7 7 9 18 12
- 8 8 8 6 12
- Aux inserts 12
- Headphone out 12
- Left right monitor outs 12
- Mono monitor out 12
- Usb in out 12
- Vlz4 4 bus 12
- 7 7 9 18 13
- 8 8 8 6 13
- Owner s manual 13
- 7 7 9 18 14
- 8 8 8 6 14
- Power connection 14
- Talkback mic 14
- V phantom power 14
- Vlz4 4 bus 14
- Aux 1 4 15
- Aux 5 6 15
- Aux master 15
- Ch 1 2 ch 3 4 15
- Comp level 15
- Comp off max 15
- Db 0 dbu 15
- Eq eq eq 15
- Freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq 15
- Front panel channel strip 15
- Fx aux 5 6 15
- Fx master fx master 15
- Gain line gain line gain 15
- Hi 12k 15
- Hi mid 2 k 15
- Left right 15
- Level set 15
- Low 80hz 15
- Low cut 100 hz 15
- Low cut 100 hz fx 1 fx 2 15
- Low mid 400hz 15
- Main mix 15
- Monitor 15
- Mute alt 3 4 15
- Off max 15
- Pad 20db 15
- Phones 15
- Push to talk 15
- Rude solo 15
- Sig ol 15
- Solo mode 15
- Solo pfl afl 15
- Stereo 15
- Stereo returns 15
- Subgroups 15
- Subs 1 2 main 15
- Subs 3 4 15
- Talkback 15
- Tap delay 15
- Tape usb 15
- To aux 1 15
- To aux 2 15
- To lr to lr 15
- Track return 15
- Usb out 15
- Vlz4 4 bus features 15
- 24 2404vlz4 and29 30and31 32 3204vlz4 thereis20dbofattenuationfullydownand20dbof gainfullyup withunitygain u at12 00 16
- 2404vlz4 andchannels1 28 3204vlz4 thereis20 dbofattenuationfullydownand40dbofgainfullyup withunitygain u at10 00 16
- Allmonochannelshavealow cutswitch often referredtoasahigh passfilter thatcutsbass frequenciesbelow100hzatarateof18dbperoctave 16
- Andlineinputs thisallowssignalsfromtheoutside worldtobeadjustedtorunthrougheachchannelat optimalinternaloperatinglevels 16
- Anotherwaytoconsiderlow cut sfunction isthatitactuallyaddsflexibilityduringlive performances withtheadditionoflow cut 16
- Areinsertingahotsignal orwhenyouwanttoaddeq gain orboth withoutthis virtualpad thereismore chanceofchannelclipping 16
- Aux 1 4 16
- Aux 5 6 16
- Aux master 16
- Ch 1 2 ch 3 4 16
- Channel controls 16
- Comp level 16
- Comp off max 16
- Control itstandsfor unitygain meaningnochangein signallevel thelabelsonthecontrolsaremeasuredin decibels db soyou llknowwhatyou redoing level wiseifyouchoosetochangeacontrol ssettings 16
- Db 0 dbu 16
- Eq eq eq 16
- Freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq 16
- Fx aux 5 6 16
- Fx master fx master 16
- Gain line gain line gain 16
- Hi 12k 16
- Hi mid 2 k 16
- However microphonesandbalancedline levelsignals thatproduceahigheroutputthanusualmayrequire thatthegaincontrol23isturnedwaydown ifthisis thecase engagethepadswitchtoallowanadditional 20dbattheinputtothemicpreamp thisprevents overloadingthemicrophonepreampandprovidesbetter gaincontrol thepadonlyappliestoxlrinputs notthe 1 4 trsinputs 16
- Ifthesignaloriginatesthroughthemicxlrjack 16
- Ifyouhaven talready pleasereadthegettingstarted 16
- Inmostcases thepadswitchwillbedisengaged 16
- Left right 16
- Level set 16
- Low 80hz 16
- Low cut 100 hz 16
- Low cut 100 hz fx 1 fx 2 16
- Low mid 400hz 16
- Main mix 16
- Monitor 16
- Mute alt 3 4 16
- Off max 16
- Pad 20db 16
- Phones 16
- Push to talk 16
- Rude solo 16
- Sectiononpage6 16
- Sig ol 16
- Solo mode 16
- Solo pfl afl 16
- Stereo 16
- Stereo returns 16
- Subgroups 16
- Subs 1 2 main 16
- Subs 3 4 16
- Talkback 16
- Tap delay 16
- Tape usb 16
- Thegainknobsadjusttheinputsensitivityofthemic 16
- Therewillbe0dbofgainwiththeknobfullydown rampingto60dbofgainfullyup 16
- Theverticalchannelstripslookverysimilar and haveonlyafewdifferencesbetweenthem each channelworksindependently andjustcontrolsthe signalspluggedintotheinputsdirectlybehindit 16
- This20dbofattenuationcanbeveryhandywhenyou 16
- Throughthe1 4 lineinputofchannels1 20 16
- Throughthe1 4 lineinputofchannels21 22and 16
- To aux 1 16
- To aux 2 16
- To lr to lr 16
- Track return 16
- Usb out 16
- Vlz4mixershavea u symbolonalmosteverylevel 16
- Werecommendthatyouuselow cutonevery microphoneapplicationexceptkickdrum bassguitar orbassysynthpatches theseaside thereisn tmuch downtherethatyouwanttohear andfilteringitout makesthelowstuffyoudowantmuchmorecrispand tasty notonlythat butlow cutcanhelpreducethe possibilityoffeedbackinlivesituations andithelps toconserveamplifierpower 16
- Youcansafelyuselowequalizationonvocals many times bassshelvingeqcanreallybenefitvoices troubleis addingloweqalsoboostsstagerumble michandlingclunksandbreathpopsfromway down low applyinglow cutremovesallthoseproblems soyoucanaddloweqwithoutblowingyoursubwoofers 16
- Compressor 17
- Owner s manual 17
- Aux 1 4 18
- Aux 5 6 18
- Aux master 18
- Ch 1 2 ch 3 4 18
- Comp level 18
- Comp off max 18
- Db 0 dbu 18
- Eq eq eq 18
- Freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq 18
- Fx aux 5 6 18
- Fx master fx master 18
- Gain line gain line gain 18
- Hi 12k 18
- Hi mid 2 k 18
- Left right 18
- Level set 18
- Low 80hz 18
- Low cut 100 hz 18
- Low cut 100 hz low cut 100 hz low cut 100 hz low cut 100 hz fx 1 fx 2 18
- Low mid 400hz 18
- Main mix 18
- Monitor 18
- Mono channel 18
- Mute alt 3 4 18
- Off max 18
- Pad 20db 18
- Phones 18
- Push to talk 18
- Rude solo 18
- Sig ol 18
- Solo mode 18
- Solo pfl afl 18
- Stereo 18
- Stereo returns 18
- Subgroups 18
- Subs 1 2 main 18
- Subs 3 4 18
- Talkback 18
- Tap delay 18
- Tape usb 18
- To aux 1 18
- To aux 2 18
- To lr to lr 18
- Track return 18
- Usb out 18
- Vlz4 4 bus 18
- Aux 1 4 19
- Aux 5 6 19
- Aux master 19
- Ch 1 2 ch 3 4 19
- Comp level 19
- Comp off max 19
- Db 0 dbu 19
- Eq eq eq 19
- Freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq 19
- Fx aux 5 6 19
- Fx master fx master 19
- Gain line gain line gain 19
- Hi 12k 19
- Hi mid 2 k 19
- Left right 19
- Level set 19
- Low 80hz 19
- Low cut 100 hz 19
- Low cut 100 hz low cut 100 hz low cut 100 hz low cut 100 hz fx 1 fx 2 19
- Low mid 400hz 19
- Main mix 19
- Monitor 19
- Mute alt 3 4 19
- Off max 19
- Owner s manual 19
- Pad 20db 19
- Phones 19
- Push to talk 19
- Rude solo 19
- Sig ol 19
- Solo mode 19
- Solo pfl afl 19
- Stereo 19
- Stereo channel 19
- Stereo returns 19
- Subgroups 19
- Subs 1 2 main 19
- Subs 3 4 19
- Talkback 19
- Tap delay 19
- Tape usb 19
- To aux 1 19
- To aux 2 19
- To lr to lr 19
- Track return 19
- Usb out 19
- Assign 20
- Channel fader 20
- Fx1 and fx2 20
- Sig led 20
- Usb switch 20
- Vlz4 4 bus 20
- Asseen itisbrokendowninpercentages from0 21
- Aux 1 4 21
- Aux 5 6 21
- Aux master 21
- Ch 1 2 ch 3 4 21
- Comp level 21
- Comp off max 21
- Db 0 dbu 21
- Dependingonthepositionoftheswitch50 tothe solobus 21
- Eq eq eq 21
- Externalprocessorlikeareverbordigitaldelay from there theoutputsofthisexternalprocessorarefed backtothemixer sstereoreturnjacks5 thenthese signalsaresentthroughthestereoreturnlevelcontrols 54 andfinallydeliveredtothemainmixortoauxes 1 4 to add effects to monitors if so desired by the talent moreme morereverb 21
- Freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq 21
- Fromtherca tape inputs switchdisengaged or usb switchengaged 21
- Fx aux 5 6 21
- Fx master fx master 21
- Gain line gain line gain 21
- Hi 12k 21
- Hi mid 2 k 21
- Ifthebandperformingasksyouifyoucanmakethem 21
- Iftheyfollowinstructions buyyoubeers andarea 21
- Left right 21
- Level set 21
- Low 80hz 21
- Low cut 100 hz 21
- Low cut 100 hz low cut 100 hz low cut 100 hz low cut 100 hz fx 1 fx 2 21
- Low mid 400hz 21
- Main mix 21
- Mastersandstereoreturns andthemeters a4x2usb recordingandplaybackfunctionisatyourdisposal thismeansuptofoursignalsmayberecorded simultaneouslyandastereomixreturnedtothemixer forplayback 21
- Monitor 21
- Mute alt 3 4 21
- Off max 21
- Pad 20db 21
- Phones 21
- Post faderauxsendsmaybefedtotheinputsofan 21
- Pre faderauxsendsaretypicallyusedtoprovide anothermixforstagemonitors ifnoexternaleffects arebeingused thestereoreturnscanbeusedas additionalstereoinputs ornotusedatall 21
- Push to talk 21
- Readontolearnmoreaboutthesefeatures 21
- Rude solo 21
- Sig ol 21
- So theoriginalunprocessed dry signalsgofrom 21
- Solo mode 21
- Solo pfl afl 21
- Soundbetter replywitharesounding yes indeedican makeyousoundbetter iwillturndownthesuckknob 47whichwilldowondersforyourband 21
- Stereo 21
- Stereo returns 21
- Subgroups 21
- Subs 1 2 main 21
- Subs 3 4 21
- Suck turnedfullycounter clockwise to100 suck turnedfullyclockwise thiswayyougettodetermine the suckfactorpercentage sfp oftheband 21
- Swellbunch turntheknobcounter clockwise ifthe drummerhitsthesnaredrumortheguitaristdoesa screamingharmonicdive bombwhileyou resettingup micsontheirrespectiveequipment andthuslyhelping toruinyourhearing huh feelfreetocranktheknob clockwise 21
- Talkback 21
- Tap delay 21
- Tape usb 21
- Thecenterpinpositive connectanyqualitygooseneck lamphere 21
- Thechannelauxsends27 29 auxes1 4mayalsobe fedfromstereoreturns1 254andtalkback70 71 andaux1 2maygetinternaleffectsprocessoroutput viathefxtoauxcontrols62 anyorallofthese signalsaremixedtogether sautéedtoaturnandsent outtheauxsendjacks13aftertheoptimumoutput levelisdeterminedbytheauxmasters52 auxsends fromthechannelsarepre fader aux1 2 selectable pre orpost fader aux3 4 andpost fader aux5 6 allarepost eq 21
- Thechannelstothemainmix andtheprocessed wet signalsgofromthestereoreturnstothemainmix and oncemixedtogether thedryandwetsignalscombineto createaglorioussound 21
- Thesixauxesreceivesignalsfromthechannelsvia 21
- This knob controls the overall level to the mains of thetape rca orusb dependingonthepositionof the2 trackreturntape usbswitch50 thisknob s levelrangesfromoff throughunity centerdetent position onupto20dbofextragain fullyclockwise 21
- Thisdeterminesifthe2 trackreturngetsitssignal 21
- Thisfemalebncconnectorprovides12voltsdcwith 21
- Thissectionincludesthe2 trackreturns usb aux 21
- Thisswitchsendsthe2 trackreturn tapeorusb 21
- To aux 1 21
- To aux 2 21
- To lr to lr 21
- Track return 21
- Track usb aux masters and meters 21
- Usb out 21
- Aux 1 4 22
- Aux 5 6 22
- Aux master 22
- Ch 1 2 ch 3 4 22
- Comp level 22
- Comp off max 22
- Db 0 dbu 22
- Eq eq eq 22
- Freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq 22
- Fx aux 5 6 22
- Fx master fx master 22
- Gain line gain line gain 22
- Hi 12k 22
- Hi mid 2 k 22
- Left right 22
- Level set 22
- Low 80hz 22
- Low cut 100 hz 22
- Low cut 100 hz low cut 100 hz low cut 100 hz low cut 100 hz fx 1 fx 2 22
- Low mid 400hz 22
- Main mix 22
- Monitor 22
- Mute alt 3 4 22
- Off max 22
- Pad 20db 22
- Phones 22
- Push to talk 22
- Rude solo 22
- Sig ol 22
- Solo mode 22
- Solo pfl afl 22
- Stereo 22
- Stereo returns 22
- Subgroups 22
- Subs 1 2 main 22
- Subs 3 4 22
- Talkback 22
- Tap delay 22
- Tape usb 22
- To aux 1 22
- To aux 2 22
- To lr to lr 22
- Track return 22
- Usb out 22
- Vlz4 4 bus 22
- Left right level meters 23
- Owner s manual 23
- Rude solo light 23
- Solo mode 23
- Affectionatelyreferredtoas themeat npotatoes 24
- Andmainsindependently useaux1andaux2to provideeffectstomonitors slowlyaddeffectstothe monitorsbyturningthe toaux1 and toaux2 knobs clockwise usetheauxmastertomonitortheamount sent thefxoutputtothemainswillbehearddirectly from the pa 24
- Anewpresetwillbeloadedapproximately1 4ofa 24
- Aux 1 4 24
- Aux 5 6 24
- Aux master 24
- Ch 1 2 ch 3 4 24
- Channels23 24 on the 2404 vlz4 31 32 on the 3204 vlz4 usingthethefx1and orfx2switches44 thisallowsforwaymoreflexibility forexample you caneqthefxandsendthemtoanyaux group or main justremembertoturnthe toaux1 toaux2 and tomain knobs62fullycounter clockwiseto avoiddouble bussing 24
- Comp level 24
- Comp off max 24
- Db 0 dbu 24
- Effectsprocessors theyaremono in stereo outeffects processors with24presetseach signalstotheseeffects processorscomefromadjustingthefx1and orfx2aux send29oneachchannelandthefxmasters61 24
- Eq eq eq 24
- Freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq 24
- Fx aux 5 6 24
- Fx master fx master 24
- Gain line gain line gain 24
- Hi 12k 24
- Hi mid 2 k 24
- Left right 24
- Level set 24
- Levelgoingintoeacheffectsprocessoriswithinagood operatingrange sig theyilluminaterediftheeffects processorisoverloadedwithtoostrongofasignal ol turndownthesendmasterlevels61andcheckthe channelsendsiftheselightredregularly 24
- Low 80hz 24
- Low cut 100 hz 24
- Low cut 100 hz low cut 100 hz low cut 100 hz low cut 100 hz fx 1 fx 2 24
- Low mid 400hz 24
- Main mix 24
- Monitor 24
- Mute alt 3 4 24
- Off max 24
- Orthefxreturnsmayberoutedtothestereoinput 24
- Pad 20db 24
- Phones 24
- Push to talk 24
- Rude solo 24
- Secondafteryoustopturningtheknob anditwillbe storedintothefxmemoryafteraboutonesecond whenthevlz44 busmixeristurnedon thefx sectionwillloadupthelast usedpreset 24
- Selectedeffectspreset asshowninthelistofpresets silkscreenedabove rotatethepresetselectorknob rightorlefttochangeapreset 24
- Sig ol 24
- Solo mode 24
- Solo pfl afl 24
- Stereo 24
- Stereo effects processors headphones talkback main and groups mix 24
- Stereo returns 24
- Subgroups 24
- Subs 1 2 main 24
- Subs 3 4 24
- Talkback 24
- Tap delay 24
- Tape usb 24
- Thechannels aux5 6sends29 thechannelgain23 eq31 36 andchannelfaders43 aswellasthefx sendmaster61 24
- Therearetwoidenticalrunning man32 bitinternal 24
- These knobs control the level of the signals going into eachinternaleffectsprocessor adjustthemcarefully keepinganeyeontheadjacentsig olled63to preventoverloadingtheeffectsprocessor 24
- Thesedisplaysshowthenumberofthecurrently 24
- Thesedual ledsilluminategreenwhenthesignal 24
- Theseknobsroutetheeffectsoutputtoaux1 aux 24
- Thesignalsgoingintotheprocessorsareaffectedby 24
- Thestereooutputfromeachprocessormaybe addedtothemainmixusingthe fxtomain knob62 thestereooutputfromeachprocessormayalso beaddedtoaux1and oraux2byadjustingthe fxtoaux control62 24
- Thetalkbackfeatureallowstheengineerto communicatewiththetalenteitherthroughthephones output17ortheaux1 4sendoutputs13using anexternaltalkbackmicrophone thissavesalotof shoutingovertheaudience sheadsasyousetupthe talentedone sstagemonitorstotheirpeculiarly picky satisfaction 24
- To aux 1 24
- To aux 2 24
- To lr to lr 24
- Track return 24
- Usb out 24
- Aux 1 4 25
- Aux 5 6 25
- Aux master 25
- Ch 1 2 ch 3 4 25
- Comp level 25
- Comp off max 25
- Db 0 dbu 25
- Eq eq eq 25
- Freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq 25
- Fx aux 5 6 25
- Fx master fx master 25
- Gain line gain line gain 25
- Hi 12k 25
- Hi mid 2 k 25
- Left right 25
- Level set 25
- Low 80hz 25
- Low cut 100 hz 25
- Low cut 100 hz low cut 100 hz low cut 100 hz low cut 100 hz fx 1 fx 2 25
- Low mid 400hz 25
- Main mix 25
- Monitor 25
- Mute alt 3 4 25
- Off max 25
- Owner s manual 25
- Pad 20db 25
- Phones 25
- Push to talk 25
- Rude solo 25
- Sig ol 25
- Solo mode 25
- Solo pfl afl 25
- Stereo 25
- Stereo returns 25
- Subgroups 25
- Subs 1 2 main 25
- Subs 3 4 25
- Talkback 25
- Tap delay 25
- Tape usb 25
- To aux 1 25
- To aux 2 25
- To lr to lr 25
- Track return 25
- Usb out 25
- Compressor 26
- Groups assign 26
- Monitor level 26
- Phones level 26
- Push to talk main aux 1 4 26
- Talkback level 26
- Vlz4 4 bus 26
- Group 1 4 faders 27
- Main mix 27
- Owner s manual 27
- Appendix a service information 28
- Appendix b connections 28
- Bad channel 28
- Bad output 28
- Balanced xlr input connector 28
- Repair 28
- Troubleshooting 28
- Balanced 1 4 trs connector 29
- Balanced xlr output connector 29
- Owner s manual 29
- Unbalanced 1 4 ts connector 29
- Unbalanced rca connector 29
- Trs send receive insert jacks 30
- Using the send only on an insert jack 30
- Vlz4 4 bus 30
- Appendix c technical information 31
- Owner s manual 31
- Specifications 31
- Aux 1 out 32
- Block diagram 32
- Main out 32
- Monitor out 32
- Mono out 32
- Phones 32
- Sub 1 out 32
- Tape out 32
- Usb out 32
- Vlz4 4 bus 32
- Aux 1 out 33
- Aux 2 6 identical 33
- Central park 33
- Hudson river 33
- Internal fx 1 33
- Main level 33
- Main out 33
- Monitor out 33
- Mono level 33
- Mono out 33
- Owner s manual 33
- Phones 33
- Stereo return 1 2 33
- Sub 1 out 33
- Sub 2 4 identical 33
- Talkback assign 33
- Talkback level 33
- Tape input 33
- Tape out 33
- Usb in 33
- Usb out 33
- Aux 1 4 34
- Aux 5 6 34
- Aux master 34
- Ch 1 2 ch 3 4 34
- Comp level 34
- Comp off max 34
- Db 0 dbu 34
- Freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq 34
- Fx aux 5 6 34
- Fx master fx master 34
- Hi 12k 34
- Hi mid 2 k 34
- Left right 34
- Level set 34
- Low 80hz 34
- Low cut 100 hz 34
- Low cut 100 hz low cut 100 hz low cut 100 hz low cut 100 hz fx 1 fx 2 34
- Low mid 400hz 34
- Monitor 34
- Mute alt 3 4 34
- Off max 34
- Pad 20db 34
- Phones 34
- Push to talk 34
- Rude solo 34
- Sig ol 34
- Solo mode 34
- Solo pfl afl 34
- Stereo 34
- Stereo returns 34
- Subgroups 34
- Subs 1 2 main 34
- Subs 3 4 34
- Talkback 34
- Tap delay 34
- Tape usb 34
- To aux 1 34
- To aux 2 34
- To lr to lr 34
- Track return 34
- Track sheet mono channels 34
- Usb out 34
- Vlz4 4 bus 34
- Aux 1 4 35
- Aux 5 6 35
- Aux master 35
- Ch 1 2 ch 3 4 35
- Comp level 35
- Comp off max 35
- Db 0 dbu 35
- Freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq freq 35
- Fx aux 5 6 35
- Fx master fx master 35
- Hi 12k 35
- Hi mid 2 k 35
- Left right 35
- Level set 35
- Low 80hz 35
- Low cut 100 hz 35
- Low cut 100 hz fx 1 fx 2 35
- Low mid 400hz 35
- Monitor 35
- Mute alt 3 4 35
- Off max 35
- Owner s manual 35
- Pad 20db 35
- Phones 35
- Push to talk 35
- Rude solo 35
- Sig ol 35
- Solo mode 35
- Solo pfl afl 35
- Stereo 35
- Stereo returns 35
- Subgroups 35
- Subs 1 2 main 35
- Subs 3 4 35
- Talkback 35
- Tap delay 35
- Tape usb 35
- To aux 1 35
- To aux 2 35
- To lr to lr 35
- Track return 35
- Track sheet comp stereo channels and master section 35
- Usb out 35
- Dimensions 36
- Vlz4 4 bus 36
- Weight 31 lb 14 kg 36
- Weight 39 lb 17 kg 36
- Appendix d usb 37
- Owner s manual 37
- Appendix e table of effects presets 38
- Forpresets17to24 thedelaycanbeenteredbytappingthepresetselectorknobs65morethanonce 38
- Vlz4 4 bus 38
- Owner s manual 39
- Please keep your sales receipt in a safe place 39
- Vlz4 4 bus limited warranty 39
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