Korg microKORG MK1 [32/68] Voice synth vocoder

Korg microKORG MK1 [32/68] Voice synth vocoder
Модулятор
Ñèãíàë ñî âõîäà AUDIO IN 1 (ðàçúåìû CONDENSER èëè DYNAMIC) ÿâëÿåòñÿ ìîäóëÿòîðîì. Îáû÷íî, ýòî
ãîëîñîâîé ñèãíàë, íî ìîæíî èñïîëüçîâàòü ðèòìè÷åñêèå èëè äðóãèå çâóêè.
Секция вокодера
Îíà ñîñòîèò èç äâóõ íàáîðîâ 16 ïîëîñîâûõ ôèëüòðîâ (ANALYSIS FILTER è SYNTHESIS FILTER) è äåòåêòîðà
îãèáàþùåé (ENVELOPE FOLLOWER).
Àóäèîñèãíàë ñî âõîäà AUDIO IN 1 (ìîäóëÿòîð) ïîïàäàåò íà 16 ïîëîñîâûõ ôèëüòðîâ (ANALYSIS FILTER), è
ENVELOPE FOLLOWER îïðåäåëÿåò îãèáàþùóþ ãðîìêîñòè (âðåìåííûå èçìåíåíèÿ) â êàæäîé ïîëîñå ÷àñòîò.
Çàòåì, ñèãíàë âíóòðåííåãî òîí-ãåíåðàòîðà èëè ñî âõîäà AUDIO IN 2 (íåñóùàÿ) ïîïàäàåò íà âòîðîé íàáîð èç 16
ïîëîñîâûõ ôèëüòðîâ (SYNTHESIS FILTER) è îáðàáàòûâàåòñÿ îãèáàþùåé, âûäåëåííîé ENVELOPE FOLLOWER,
ìîäóëèðóÿ íåñóùóþ õàðàêòåðèñòèêàìè ãîëîñà, ïðîèçâîäÿ ýôôåêò âîêîäåðà (“ãîâîðÿùåãî èíñòðóìåíòà”).
Òàêæå âîçìîæíî èñïîëüçîâàíèå ïàðàìåòðîâ “FORMANT SHIFT” èëè “CUTOFF” äëÿ íàñòðîéêè ÷àñòîò
ïîëîñîâîãî ôèëüòðà íåñóùåé. Ýòî ïðèâîäèò ê èçìåíåíèþ ÷àñòîòíîé êðèâîé è êàðäèíàëüíîìó èçìåíåíèþ òîíà.
Эффекты
Âûõîä ñåêöèè âîêîäåðà ïîäàåòñÿ íà ýôôåêò ìîäóëÿöèè (MOD FX) -> ýôôåêò çàäåðæêè (DELAY) -> ýêâàëàéçåð
(EQ).  êà÷åñòâå ìîäóëÿöèîííîãî ýôôåêòà ìîæíî âûáðàòü òðè ðàçíîâèäíîñòè, òèïà õîðóñà. Èìåþòñÿ òðè òèïà
çàäåðæêè, âêëþ÷àÿ ñòåðåîçàäåðæêó. Ýêâàëàéçåð — äâóõïîëîñíûé.
Арпеджиатор
Äëÿ âîñïðîèçâåäåíèÿ ïðîãðàììû âîêîäåðà ìîæíî èñïîëüçîâàòü àðïåäæèàòîð. Ýòî — ïîøàãîâûé àðïåäæèàòîð
ñ 6 òèïàìè àðïåäæèî.
1. VOICE SYNTH/VOCODER
Ïàðàìåòðû “1. VOICE” àíàëîãè÷íû ïðîãðàììå ñèíòåçà ñ óñòàíîâêîé
“SINGLE/LAYER” â Single.
Äëÿ èñïîëüçîâàíèÿ ïðîãðàììû â êà÷åñòâå ïðîãðàììû âîêîäåðà óñòàíîâèòå
“SYNTH/VOCODER” (ðåãóëÿòîð 1) â Vocoder (Ucd)).
2. PITCH SYNTH/VOCODER
Ïàðàìåòðû “2. PITCH” àíàëîãè÷íû ïðîãðàììå ñèíòåçà. Îíè óñòàíàâëèâàþò âûñîòó íåñóùåé.
3. OSC1 SYNTH/VOCODER
Çäåñü âûáèðàåòñÿ ôîðìà âîëíû íåñóùåé. Ïàðàìåòðû “3. OSC1” àíàëîãè÷íû ïðîãðàììå ñèíòåçà.
Âûáîðîì ôîðì âîëíû äëÿ “WAVE” (ðåãóëÿòîð 1) âû ìîæåòå èçìåíÿòü ãëóáèíó ýôôåêòà. Îáû÷íî, OSC 1
“WAVE” óñòàíàâëèâàåòñÿ â òðåóãîëüíóþ âîëíó, äàþùóþ áîãàòûé ñïåêòð ãàðìîíèê, èëè VOX WAVE äëÿ
ýìóëÿöèè ÷åëîâå÷åñêîãî ãîëîñà. Òàêæå ìîæíî âûáðàòü DWGS (dig), èñïîëüçîâàòü “CONTROL 2” äëÿ âûáîðà
âîëíû íîìåð 26 (5th Wave3: èíòåðâàë â êâèíòó) è áðàòü àêêîðä.
ÏÏððèèììååðð ððååääààêêööèèèè ïïððîîããððààììììûû ââîîêêîîääååððàà
1) Ïîäàéòå àóäèîñèãíàë íà ìèêðîôîííûé âõîä. Óñòàíîâèòå ðåãóëÿòîð EDIT SELECT 1 â ïîëîæåíèå AUDIO IN
1. Óñòàíîâèòå ðåãóëÿòîð 2 (“THRESHOLD”). Ïðè åãî âðàùåíèè âïðàâî ïîðîã ïðîïóñêàíèÿ âîçðàñòàåò.
Îïòèìèçèðóéòå ðåãóëÿòîð òàê, ÷òîáû îòñå÷ü øóìû ïàóçû. Çàòåì óñòàíîâèòå ðåãóëÿòîð 1 (“GATE SENSE”)
òàêèì îáðàçîì, ÷òîáû çâóê ïðåðûâàëñÿ åñòåñòâåííî. Âðàùåíèå ðåãóëÿòîðà 4 (“HPF GATE”) âïðàâî
ïîä÷åðêèâàåò øèïÿùèå çâóêè ãîëîñà.
2) Ïðîèçâåäèòå óñòàíîâêè ôèëüòðà. Óñòàíîâèòå ðåãóëÿòîð EDIT SELECT 1 â ïîëîæåíèå FILTER. Ðåãóëÿòîðîì
4 (“EF SENSE”) óñòàíîâèòå ÷óâñòâèòåëüíîñòü äåòåêòîðà îãèáàþùåé. Ïðè åãî âðàùåíèè âïðàâî, âûõîäíîé
ñèãíàë âîêîäåðà áóäåò íàðàñòàòü áîëåå ïëàâíî è äîëüøå çàòóõàòü. Âðàùåíèå ðåãóëÿòîðà 2 (“CUTOFF”) èëè
ðåãóëÿòîðà 1 (“FORMANT SHIFT”) çàìåòíî èçìåíÿåò ÷àñòîòó ñðåçà ïîëîñîâîãî ôèëüòðà íåñóùåé, ìåíÿÿ
òîíàëüíûé õàðàêòåð âûõîäíîãî ñèãíàëà.
Óñòàíîâèòå ðåãóëÿòîð EDIT SELECT 2 â ïîëîæåíèå CH LEVEL A èëè CH LEVEL B. Ðåãóëÿòîðàìè 1–4 äëÿ
CH LEVEL A èëè CH LEVEL B óñòàíîâèòå âûõîäíûå óðîâíè âñåõ 8 êàíàëîâ ïîëîñîâîãî ôèëüòðà íåñóùåé.
Óñòàíîâèòå ðåãóëÿòîð EDIT SELECT 2 â ïîëîæåíèå CH PAN A èëè CH PAN B. Ðåãóëÿòîðàìè 1–4 äëÿ CH
PAN A èëè CH PAN B óñòàíîâèòå âûõîäíûå ïàíîðàìû âñåõ 8 êàíàëîâ ïîëîñîâîãî ôèëüòðà íåñóùåé.
32 Korg microKORG. Ðóêîâîäñòâî ïîëüçîâàòåëÿ

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