Soundcraft Signature 12 [7/55] Important symbols

Содержание

• 12 12mtk user manual p.2
• Information p.2
• Important please read this manual carefully before using your mixer for the first time p.2
• Contents p.3
• 12 12mtk user manual p.3
• Introduction p.4
• Drawing on over 40 years experience in live sound mixing the signature series combines a superb analogue control surface with the unrivalled british sound of soundcraft in a powerful compact professionally spec d mixer built tough for trouble free performance night after night signature series mixers deliver great sounding results thanks to high grade ghost preamps the most musical eq in the business pristine lexicon effects and powerful dbx dynamics all designed to let you discover your signature sound p.4
• 12 12mtk user manual p.4
• Introduction to signature p.4
• Signature legacy p.5
• 12 12mtk user manual p.5
• Sapphyre eq p.6
• 12 12mtk user manual p.6
• Important symbols p.7
• Safety notices p.7
• Safety p.7
• For your own safety and to avoid invalidation of the warranty please read this section carefully p.7
• 12 12mtk user manual p.7
• 12 12mtk user manual p.8
• Warnings p.8
• Safety p.8
• Safety p.9
• 12 12mtk user manual p.9
• Warnings p.9
• Warranty p.10
• Safety p.10
• 12 12mtk user manual p.10
• Specifications p.11
• 12 12mtk user manual p.11
• Getting started an introduction to this manual p.12
• Introduction to this manual p.12
• Getting started p.12
• Anyone with minimal audio experience should be able to operate the soundcraft signature console without reading too much of this manual though we do recommend you take the time to go through it an excellent place to start would be the feature list on the introductory page section 1 which will familiarise you with all of the main possibilities facilities and functions p.12
• 12 12mtk user manual p.12
• 12 12mtk user manual p.13
• Introduction to mixing consoles p.13
• Introduction to consoles p.13
• Console intro p.13
• 12 12mtk user manual p.14
• Parts of the console p.14
• Parts of the console p.15
• 12 12mtk user manual p.15
• Parts of the console p.16
• 12 12mtk user manual p.16
• Parts of the console p.17
• 12 12mtk user manual p.17
• Inputs and outputs p.18
• 12 12mtk user manual p.18
• 12 12mtk user manual p.19
• The signature console offers a choice of industry standard audio inputs and outputs all jack and xlr inputs are balanced below are some terms used in this manual and on the console labelling that may be of use to you p.19
• Introduction to i o p.19
• Intro to i o p.19
• Console inputs p.20
• 12 12mtk user manual p.20
• 12 12mtk user manual p.21
• The console outputs offer a range of connection options depending on the application always consider carefully the best output and routing strategy for your particular application p.21
• Mst l mst r p.21
• Headphones p.21
• Grp 1 grp 2 signature 12 and 12 mtk only p.21
• Console outputs p.21
• Aux 1 aux 2 aux 3 p.21
• Usb signature 12mtk 14 track i o p.22
• Usb signature 10 and 12 p.22
• Usb power p.22
• The console outputs offer a range of connection options depending on the application always consider carefully the best output and routing strategy for your particular application p.22
• Other i o p.22
• Footswitch p.22
• 12 12mtk user manual p.22
• Console routing p.23
• 12 12mtk user manual p.23
• 12 12mtk user manual p.24
• Mono input routing p.24
• Mono input p.24
• Stereo input routing p.25
• Stereo input p.25
• 12 12mtk user manual p.25
• Fx return routing p.26
• Fx return p.26
• 12 12mtk user manual p.26
• Aux master routing p.27
• Aux master p.27
• 12 12mtk user manual p.27
• Group master routing p.28
• Group master p.28
• 12 12mtk user manual p.28
• Master stereo output p.29
• 12 12mtk user manual p.29
• Master stereo output routing p.29
• Channel controls p.30
• Channel control p.30
• 12 12mtk user manual p.30
• Input controls p.31
• 12 12mtk user manual p.31
• Switch the line jack input to hi z high impedance mode p.32
• Phantom power 48v p.32
• Mono input controls p.32
• Limiter p.32
• Lights when the limiter is applying gain reduction p.32
• Gain reduction led p.32
• Apply a dc voltage of 48v to all microphone inputs p.32
• Adjust the input gain p.32
• Activate the input limiter p.32
• 12 12mtk user manual p.32
• Hpf 100hz p.33
• Usb rtn 12 mtk only p.33
• Mono input controls p.33
• Mf level p.33
• Mf frequency p.33
• Enable the usb return function p.33
• Adjustthecentrefrequencyofthemid rangefilter p.33
• Adjusttheboost attenuationofthemfbell typefilter p.33
• Adjusttheboost attenuationofthehighfrequencyshelvingfilter p.33
• Activate the high pass filter p.33
• 12 12mtk user manual p.33
• Adjusttheboost attenuationofthelowfrequencyshelvingfilter p.34
• Adjust the signal s stereo position and group routing p.34
• Adjust the level of this channel s contribution to the aux 1 and aux 2 busses p.34
• Adjust the level of this channel s contribution both to the aux 3 bus as per aux 1 and 2 and the internal fx processor p.34
• 12 12mtk user manual p.34
• Mute the signal p.34
• Mono input controls p.34
• Lf level p.34
• Aux3 fx p.34
• Aux1 aux2 p.34
• Route the signal to the solo bus and mute any channels not routed to the solo bus p.35
• Route the channel output to the master left right bus p.35
• Route the channel output to group 1 and 2 busses p.35
• Peak mute led p.35
• Mono input controls p.35
• Lights when signal reaches peak level or shows that the channel is muted p.35
• Grp 1 2 p.35
• Adjust signal level p.35
• 12 12mtk user manual p.35
• Aux 1 2 3 fx p.36
• 12 12mtk user manual p.36
• There are two types of signature stereo input channels the normal type has two jack inputs normalised so that a single jack or microphone input will operate as a mono input channel balance becomes pan note controls common to all input channel types are shown in the mono input chan nel control list 5 p.36
• Stereo input controls p.36
• Pan bal p.36
• Aux 1 2 pre post p.36
• Stereo input controls p.37
• Route the channel output to group 1 and 2 busses p.37
• Grp 1 2 p.37
• Adjust stereo balance for this channel p.37
• 12 12mtk user manual p.37
• Grp 1 2 p.38
• Fx return controls p.38
• 12 12mtk user manual p.38
• Aux master output p.39
• 12 12mtk user manual p.39
• Group master output p.40
• 12 12mtk user manual p.40
• Master stereo output p.41
• Interval mute p.41
• 12 12mtk user manual p.41
• Solo and monitoring p.42
• 12 12mtk user manual p.42
• Switch the after fader listen function p.43
• Solo and monitoring p.43
• Phones level p.43
• Pfl afl led p.43
• Lights when a pfl or afl is active p.43
• Enable the pre fade listen function p.43
• Bargraph metering p.43
• Bargraph display of current monitoring headphones signal p.43
• Adjust the level of the headphone output p.43
• 12 12mtk user manual p.43
• 12 12mtk user manual p.44
• Usb operation p.44
• Usb send p.45
• Usb i o p.45
• There are two usb send output options to send either the master stereo mst output or the aux 1 and 2 outputs these are sent on usb output channels 1 and 2 p.45
• The signature 10 and 12 consoles have 2 track usb input and output functionality this could be used for recording a mix to a pc or tablet for example or to use a computer as a playback device chan nels 1 and 2 are received by the highest numbered stereo channel 9 10 for signature 10 11 12 for signature 12 p.45
• Signature 10 12 usb p.45
• Signature 10 12 p.45
• 12 12mtk user manual p.45
• Signature 12mtk usb p.46
• Signature 12mtk p.46
• 12 12mtk user manual p.46
• Signature 12mtk usb p.47
• Signature 12mtk p.47
• Press to use the usb return path for this channel p.47
• A usb standard b plug for usb data connection p.47
• 12 12mtk user manual p.47
• Usb rtn p.47
• Usb i o p.47
• Lexicon fx p.48
• 12 12mtk user manual p.48
• 0 lexicon fx p.48
• Tousethefx simplyturnupanactiveinputchannel saux3sendcontrol withthefxtypeencod erselectanappropriatealgorithmandpresstheencodertoactivate pushupthefxreturnchannel fader on signature 12 and 12mtk you must ensure that the fx return output routing is correctly for the application mst and or grp 1 2 p.49
• Param 1 param 2 p.49
• Fx type p.49
• Fx control p.49
• Becausetheinternalfxprocessorhasfixedrouting operationisverysimple p.49
• 12 12mtk user manual p.49
• Room mod p.50
• Reverbs p.50
• Reverberation or reverb for short is the complex effect created by the way we perceive sound in an enclosed space when sound waves encounter an object or boundary they don t just stop some of thesoundisabsorbedbytheobject butmostofthesoundisreflectedorisdiffused inanenclosed space reverb is dependent on many features of that space including the size shape and the type of materials that line the walls even with closed eyes a listener can easily tell the difference between a cupboard a locker room and a large auditorium reverb is a natural component of the acoustic experience and most people feel that something is missing without it p.50
• Plate mod p.50
• 12 12mtk user manual p.50
• Spring p.51
• Reverbs p.51
• Plate delay p.51
• Plate chorus p.51
• Hall delay p.51
• Hall chorus p.51
• 12 12mtk user manual p.51
• Slap karaoke p.52
• Modulationeffectsusealowfrequencyoscillatortovaryfrequency amplitude andfilterparameters over time p.52
• Delaysrepeatasoundashorttimeafteritfirstoccurs delaybecomesechowhentheoutputisfed back into the input feedback this turns a single repeat into a series of repeats each a little softer than the last p.52
• Delays modulation p.52
• Delay mod p.52
• Delay 2 sec p.52
• 12 12mtk user manual p.52
• Delays modulation p.53
• 12 12mtk user manual p.53
• Tremolo p.53
• Studio chorus p.53
• Rotary p.53
• Parameter 1 number of repeats parameter 2 delay time p.53
• Parameter 1 modulation speed parameter 2 modulation depth p.53
• Modern chorus p.53
• Vibrato p.54
• Vibrapan p.54
• Phaser p.54
• Parameter 1 modulation speed parameter 2 modulation depth p.54
• Parameter 1 modulation speed parameter 2 modify phase control p.54
• Delays modulation p.54
• 12 12mtk user manual p.54
• Appendix 1 no sound p.55
• A troubleshooting guide isaninputfailingtoappearatappearingatanoutput thebestapproachitistofirstmakesurethe inputisvalid andthenworkthroughthesignalpathtofindoutwherethe break is checktheexact audio path of any signal by referring to the signal path diagrams in chapter 4 p.55
• 12 12mtk user manual p.55
• No sound p.55
• Check solos p.55
• Check input channel path to solo bus p.55
• Check input channel path to routing p.55
• Check bus masters p.55