RME OCTAMIC II [17/32] Line out
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User’s Guide OctaMic II © RME
17
10.2 Line Out
The 8 short circuit protected, low impedance and servo balanced line outputs are available as
(stereo) 1/4" TRS jacks. The electronic output stage is built in a servo balanced design which
handles monaural and stereo jacks correctly.
The pinout follows international standards. Tip + or hot, ring – or cold.
To maintain an optimum level for devices connected to the analog outputs, the OctaMic in-
cludes a switch which allows to change the reference level of all 8 outputs simultaneously.
The OctaMic II can generate a maximum level of +21 dBu without distortion. However, the CLIP
LED has been designed to act like the OVR LEDs of the ADI-8 series. It lights up 2 dB before
the reference level selected on the back of the unit, plus a headroom of 9 dB, is reached. At Hi
Gain the LED lights up at +17 dBu output level, selecting +4 dBu it lights up at +11 dBu, select-
ing –10 dBV it lights up at 0 dBV.
Setting Reference Clip LED True Clip ADC Level
Hi Gain +19 dBu +17 dBu +21 dBu -2 dBFS
+4 dBu +13 dBu +11 dBu +15 dBu -2 dBFS
-10 dBV +2 dBV 0 dBV +4 dBV -2 dBFS
This also means that the CLIP LED lights up 4 dB before the OctaMic II actually reaches the
maximum level. Such an additional headroom is considered to be useful in real world operation.
The chosen reference level has no meaning for the digital outputs. The AD-conversion is de-
signed for a level of –2 dBFS as soon as the Clip LED lights up.
Selecting +4 dBu the output signal is attenuated by 6 dB, so for the same output level the ampli-
fication has to be increased via GAIN. With this trick the OctaMic reaches the maximum signal
to noise ratio on +4 dBu based inputs (like our ADI-8 series), because microphone preamps
have better EIN values at higher amplification. In case of an extreme recording situation, where
the gain of the OctaMic is no longer sufficient, selecting Hi Gain will again provide the highest
amplification possible.
The same is true and even more efficient at –10 dBV. In this case the output level is reduced by
around 14 dB – the same happens to the basic noise of the unit!
Содержание
- Octamic ii 1
- Professional mic line preamp and ad converter 8 channel microphone line preamp with line outputs 8 channel analog to aes adat interface 24 bit 192 khz digital audio 1
- Steadycloc 1
- User s guide 1
- General 2
- Inputs and outputs 2
- Technical reference 2
- Usage and operation 2
- Important safety instructions 3
- General 5
- Octamic ii 5
- User s guide 5
- Brief description and characteristics 6
- Introduction 6
- Package contents 6
- Accessories 7
- Appendix 8
- Warranty 8
- Ce fcc compliance 9
- Iso 9001 9
- Note on disposal 9
- Octamic ii 11
- Usage and operation 11
- User s guide 11
- Controls 12
- Displays 12
- Front panel controls 12
- Connectors 13
- Dip switches 13
- Rear panel 13
- Aes d sub 14
- External synchronization 14
- Word clock bnc 14
- Inputs and outputs 15
- Octamic ii 15
- User s guide 15
- Analog inputs outputs 16
- Mic line in 16
- Line out 17
- Aes ebu 18
- Digital outputs 18
- Adat optical 19
- Operation and technical background 20
- Word clock 20
- Cabling and termination 21
- Octamic ii 23
- Technical reference 23
- User s guide 23
- Analog 24
- Digital inputs 24
- Technical specifications 24
- Digital 25
- Digital outputs 25
- General 25
- Connector pinouts 26
- Technical background 28
- Terminology 28
- Ds double speed 29
- Qs quad speed 29
- Aes ebu spdif 30
- Steadyclock 31
- Block diagram 32
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