RME OCTAMIC II [28/32] Technical background
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User’s Guide OctaMic II © RME
14. Technical Background
14.1 Terminology
Single Speed
Sample rate range originally used in Digital Audio. Typical applications are 32 kHz (digital radio
broadcast), 44.1 kHz (CD), and 48 kHz (DAT).
Double Speed
Doubles the original sample rate range, in order to achieve higher audio quality and improved
audio processing. 64 kHz is practically never used, 88.2 kHz is quite rare in spite of certain ad-
vantages. 96 kHz is a common format. Sometimes called Double Fast.
Quad Speed
Controversially discussed way of ensuring hi-end audio quality and processing by quadrupling
the sample frequency. 128 kHz is non-existent, 176.4 kHz is rare, if at all then 192 kHz is used,
e.g. for DVD Audio.
Single Wire
Standard audio data transfer, where the audio signal's sample rate is equal to the rate of the
digital signal. Used from 32 to 192 kHz. Sometimes called Single Wide.
Double Wire
Before 1998 there were no receiver/transmitter circuits available that could receive or transmit
more than 48 kHz. Higher sample rates were transferred by splitting odd and even bits across
the L/R channels of a single AES connection. This provides for twice the data rate, and hence
twice the sample rate. A stereo signal subsequently requires two AES/EBU ports.
The Double Wire method is an industry standard today, however it has a number of different
names, like Dual AES, Double Wide, Dual Line and Wide Wire. The AES3 specification uses
the uncommon term Single channel double sampling frequency mode. When used with the
ADAT format, the term S/MUX is commonly used.
Double Wire not only works with Single Speed signals, but also with Double Speed. As an ex-
ample, Pro Tools HD, whose AES receiver/transmitter only work up to 96 kHz, uses Double
Wire to transmit 192 kHz. Four channels of 96 kHz turn into two channels of 192 kHz.
Quad Wire
Similar to Double Wire, with samples of one channel spread across four channels. This way
single speed devices can transmit up to 192 kHz, but need two AES/EBU ports to transmit one
channel. Also called Quad AES.
S/MUX
Since the ADAT hardware interface is limited to Single Speed, the Double Wire method is used
for sample rates up to 96 kHz, but usually referred to as S/MUX (Sample Multiplexing). An
ADAT port supports four channels this way.
S/MUX4
The Quad Wire method allows to transmit two channels at up to 192 kHz via ADAT. The
method is referred to as S/MUX4.
Note
: All conversions of the described methods are lossless. The existing samples are just
spread or re-united between the channels.
Содержание
- Octamic ii 1
- Professional mic line preamp and ad converter 8 channel microphone line preamp with line outputs 8 channel analog to aes adat interface 24 bit 192 khz digital audio 1
- Steadycloc 1
- User s guide 1
- General 2
- Inputs and outputs 2
- Technical reference 2
- Usage and operation 2
- Important safety instructions 3
- General 5
- Octamic ii 5
- User s guide 5
- Brief description and characteristics 6
- Introduction 6
- Package contents 6
- Accessories 7
- Appendix 8
- Warranty 8
- Ce fcc compliance 9
- Iso 9001 9
- Note on disposal 9
- Octamic ii 11
- Usage and operation 11
- User s guide 11
- Controls 12
- Displays 12
- Front panel controls 12
- Connectors 13
- Dip switches 13
- Rear panel 13
- Aes d sub 14
- External synchronization 14
- Word clock bnc 14
- Inputs and outputs 15
- Octamic ii 15
- User s guide 15
- Analog inputs outputs 16
- Mic line in 16
- Line out 17
- Aes ebu 18
- Digital outputs 18
- Adat optical 19
- Operation and technical background 20
- Word clock 20
- Cabling and termination 21
- Octamic ii 23
- Technical reference 23
- User s guide 23
- Analog 24
- Digital inputs 24
- Technical specifications 24
- Digital 25
- Digital outputs 25
- General 25
- Connector pinouts 26
- Technical background 28
- Terminology 28
- Ds double speed 29
- Qs quad speed 29
- Aes ebu spdif 30
- Steadyclock 31
- Block diagram 32
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