RME M-32 DA [23/57] Digital inputs outputs
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User’s Guide M-32 DA © RME
23
11. Digital Inputs / Outputs
11.1 ADAT Optical
The M-32 DA has four optical ADAT inputs. When used with sample rates up to 48 kHz 32 input
channels are provided (8 per port). Higher sample rates are transmitted by Sample Multiplexing
(S/MUX). Therefore the channel count decreases to 16 channels at Double Speed and 8 chan-
nels at Quad Speed.
With signals encoded as S/MUX, the Clock Section (STATE) has to be switched into DS mode
manually, depending on the current application. Each port carries the data of 4 channels only.
With signals encoded as S/MUX4, the Clock Section (STATE) has to be switched into QS mode
manually, depending on the current application. Each port carries the data of 2 channels only.
A usual TOSLINK cable is sufficient for connection.
11.2 MADI Input
Both MADI inputs are located on the rear of the M-32 DA.
The BNC input's ground-free design is built according to AES10-1991. The input's impedance is
75 Ohm. It will operate without error from about 180 mVpp.
The optical input uses a FDDI (ISO/IEC 9413-3) compatible optical module, according to
AES10-1991. More information can be found in chapter 16.6, MADI Basics.
The M-32 DA includes automatic input selection. In case the current input signal fails, the unit
switches to the other input immediately. This mode, called redundancy mode, offers improved
safety against errors on the transmission line. Switching the inputs is done in about one second.
The unit displays redundancy operation by a blinking LED of the original input, while the input
LED of the currently active input will be lit constantly.
The MADI input serves not only as audio source and optional external clock source, but also as
MADI pass-through input. Since the M-32 DA converts only 32 channels of the MADI signal, all
channels of the input signal are passed to the output. Additional M-32 DA or M-16 DA can be
connected serially to convert the remaining signals, in any combination, up to a maximum of 64
channels: One M-32 DA with one or two M-16 DA or up to four M-16 DA.
As MADI covers long distances up to 2 km, even the same channels can be converted in sev-
eral different (electrically separated) locations, with comfortable and unambiguous front panel
channel selection.
The currently used 16- or 32-channel block is set on every unit’s front plate via the MADI IN
key.
Содержание
- I o steadycloc 1
- M 16 da 1
- M 32 da 1
- Madi i o 1
- Professional 32 16 channel d a converter double balanced output stages 32 16 channel analog to madi adat interface 24 bit 192 khz digital audio midi remote control 1
- Syncchec 1
- Totalremot 1
- User s guide 1
- General 2
- Inputs and outputs 2
- Usage and operation 2
- Application examples 3
- Technical reference 3
- Important safety instructions 4
- General 5
- M 16 da 5
- M 32 da 5
- User s guide 5
- Brief description and characteristics 6
- Introduction 6
- Package contents 6
- Controls connectors displays 7
- First usage quick start 7
- Quick start 9
- Accessories 10
- Appendix 11
- Warranty 11
- Ce fcc compliance 12
- Iso 9001 12
- Note on disposal 12
- M 16 da 13
- M 32 da 13
- Usage and operation 13
- User s guide 13
- Analog input 14
- Front panel controls 14
- Madi in 14
- Madi input 14
- Madi output 14
- Adat sync 15
- Clock section 15
- Lock keys 17
- Remote 17
- Midi over madi 18
- Remote control 18
- Remote control software 19
- Inputs and outputs 21
- M 16 da 21
- M 32 da 21
- User s guide 21
- Analog outputs 22
- Adat optical 23
- Digital inputs outputs 23
- Madi input 23
- Madi output 24
- Word clock 25
- Word clock input and output 25
- Operation and technical background 26
- Cabling and termination 27
- M 16 da 29
- M 32 da 29
- Technical reference 29
- User s guide 29
- Analog 30
- Digital inputs 30
- Technical specifications 30
- Digital 31
- Digital outputs madi 31
- Firmware 32
- General 32
- Madi user bit chart 32
- Connector pinouts d sub analog outputs 33
- Trs jacks analog outputs 33
- Technical background 34
- Terminology 34
- Lock and synccheck 35
- Latency and monitoring 36
- Ds double speed 37
- Qs quad speed 37
- Madi basics 38
- Steadyclock 39
- Block diagram m 32 da 40
- Block diagram m 16 da 41
- Basic sysex format 42
- Message types 42
- Midi implementation m series 42
- Application examples 47
- M 16 ad 47
- M 32 ad 47
- User s guide 47
- Formats and number of channels 48
- Multichannel playback 49
- Multichannel recording 51
- Multichannel recording and playback 53
- Digital multicore 56
- Multiple playbacks 57
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