![RME M-32 DA [30/57] Technical specifications](/img/pdf.png)
RME M-32 DA [30/57] Technical specifications
![RME M-32 DA [30/57] Technical specifications](/views2/2007998/page30/bg1e.png)
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User’s Guide M-32 DA © RME
15. Technical Specifications
15.1 Analog
Line Out, TRS
• Maximum output level: +21 dBu
• Output: 6.3 mm TRS jack, servo-balanced
• Output impedance: 75 Ohm
• Output level switchable +13 dBu, +19 dBu @ 0 dBFS
Line Out, D-Sub
• Maximum output level: +27 dBu
• Output: D-sub 25-pin, electronically balanced
• Output impedance: 150 Ohm
• Output level switchable +13 dBu, +19 dBu, +24 dBu @ 0 dBFS
DA-Conversion
• Resolution: 24 bit
• Signal to Noise ratio (SNR) @ +24 dBu, 44.1 kHz: 115 dB RMS unweighted, 118 dBA
• Signal to Noise ratio (SNR) @ +19 dBu: 115 dB RMS unweighted, 118 dBA
• Signal to Noise ratio (SNR) @ +13 dBu: 115 dB RMS unweighted, 118 dBA
• Frequency response @ 44.1 kHz, -0.5 dB: 5 Hz – 22 kHz
• Frequency response @ 96 kHz, -0.5 dB: 5 Hz – 34 kHz
• Frequency response @ 192 kHz, -1 dB: 5 Hz – 50 kHz
• THD: < - 104 dB, < 0.00063 %
• THD+N: < -100 dB, < 0.001 %
• Channel separation: > 110 dB
15.2 Digital Inputs
ADAT Optical
• 4 x TOSLINK, according to Alesis specification
• Standard: 32 channels 24 bits, up to 48 kHz
• S/MUX: 16 channels 24 bits 96 kHz
• S/MUX4: 8 channels 24 bits 192 kHz
• Bitclock PLL ensures perfect synchronisation even in varispeed operation
• Lock Range: 31.5 kHz – 50 kHz
• Jitter when synced to input signal: < 1 ns
• Jitter suppression: > 30 dB (2.4 kHz)
Word Clock
• BNC, not terminated (10 kOhm)
• Switch for internal termination 75 Ohm
• Automatic Double/Quad Speed detection and internal conversion to Single Speed
• SteadyClock guarantees super low jitter synchronization even in varispeed operation
• Not affected by DC-offsets within the network
• Signal Adaptation Circuit: signal refresh through auto-center and hysteresis
• Overvoltage protection
• Level range: 1.0 Vpp – 5.6 Vpp
• Lock Range: 27 kHz – 200 kHz
• Jitter when synced to input signal: < 1 ns
• Jitter suppression: > 30 dB (2.4 kHz)
Содержание
- I o steadycloc 1
- M 16 da 1
- M 32 da 1
- Madi i o 1
- Professional 32 16 channel d a converter double balanced output stages 32 16 channel analog to madi adat interface 24 bit 192 khz digital audio midi remote control 1
- Syncchec 1
- Totalremot 1
- User s guide 1
- General 2
- Inputs and outputs 2
- Usage and operation 2
- Application examples 3
- Technical reference 3
- Important safety instructions 4
- General 5
- M 16 da 5
- M 32 da 5
- User s guide 5
- Brief description and characteristics 6
- Introduction 6
- Package contents 6
- Controls connectors displays 7
- First usage quick start 7
- Quick start 9
- Accessories 10
- Appendix 11
- Warranty 11
- Ce fcc compliance 12
- Iso 9001 12
- Note on disposal 12
- M 16 da 13
- M 32 da 13
- Usage and operation 13
- User s guide 13
- Analog input 14
- Front panel controls 14
- Madi in 14
- Madi input 14
- Madi output 14
- Adat sync 15
- Clock section 15
- Lock keys 17
- Remote 17
- Midi over madi 18
- Remote control 18
- Remote control software 19
- Inputs and outputs 21
- M 16 da 21
- M 32 da 21
- User s guide 21
- Analog outputs 22
- Adat optical 23
- Digital inputs outputs 23
- Madi input 23
- Madi output 24
- Word clock 25
- Word clock input and output 25
- Operation and technical background 26
- Cabling and termination 27
- M 16 da 29
- M 32 da 29
- Technical reference 29
- User s guide 29
- Analog 30
- Digital inputs 30
- Technical specifications 30
- Digital 31
- Digital outputs madi 31
- Firmware 32
- General 32
- Madi user bit chart 32
- Connector pinouts d sub analog outputs 33
- Trs jacks analog outputs 33
- Technical background 34
- Terminology 34
- Lock and synccheck 35
- Latency and monitoring 36
- Ds double speed 37
- Qs quad speed 37
- Madi basics 38
- Steadyclock 39
- Block diagram m 32 da 40
- Block diagram m 16 da 41
- Basic sysex format 42
- Message types 42
- Midi implementation m series 42
- Application examples 47
- M 16 ad 47
- M 32 ad 47
- User s guide 47
- Formats and number of channels 48
- Multichannel playback 49
- Multichannel recording 51
- Multichannel recording and playback 53
- Digital multicore 56
- Multiple playbacks 57
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