Marshall DSL15H (2012) [6/10] Dsl15c front panel controls switche
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Marshall DSL15H (2012) [6/10] Dsl15c front panel controls switche

Marshall DSL15H (2012) [6/10] Dsl15c front panel controls switche
4
DSL15C Front Panel Controls & Switches (from Left to Right)
GAIN
6
4
2
0
10
8
VOLUME
6
4
2
0
10
8
GAIN
6
4
2
0
10
8
VOLUME
6
4
2
0
10
8
TREBLE
6
4
2
0
10
8
MIDDLE
6
4
2
0
10
8
6
4
2
0
10
8
BASS
PRESENCE
6
4
2
0
10
8
REVERB
6
4
2
0
10
8
POWER
Channel
Select
Tone
Shift
Deep
INPUT
CLASSIC GAIN ULTRA GAIN
EQUALISATION
DSL
15C
6
4
2
0
1
0
8
CLASSI
6
4
2
0
10
8
SI
6
4
2
0
1
0
8
ULTRA
6
4
2
0
1
0
8
A GAIN
A
6
4
2
0
1
0
8
6
4
2
0
1
0
8
EQUALI
6
4
2
0
1
0
8
SATION
I
S
6
4
2
0
1
0
8
6
4
2
0
1
0
8
POWER
1
2
3
4
5 6
7
8
9 10
1. INPUT
Input jack socket for guitar cable.
CLASSIC GAIN CHANNEL
–––––––––––––––––––––––
TONAL NOTE: This channel is based on the
“Clean” mode of the DSL100H’s Classic Gain
channel – producing a tone reminiscent of an early
1959 Plexi Super Lead head.
2. CLASSIC GAIN CHANNEL GAIN CONTROL
Controls the Gain level for the Classic Gain
channel. As the amount of gain increases, so will
the distortion level in your sound.
3. CLASSIC GAIN CHANNEL VOLUME CONTROL
Controls the volume level for the Classic Gain
channel.
4. CLASSIC GAIN CHANNEL LED
This LED lights-up green to indicate that the
Classic Gain channel has been selected.
5. CHANNEL SELECTION BUTTON
Selects Ultra Gain channel when pushed “in” and
the Classic Gain channel when “out.”
ULTRA GAIN CHANNEL
–––––––––––––––––––––––––
TONAL NOTE: This channel is based on the
“Lead 2” mode of the DSL100H’s Ultra Gain
channel – producing a high-gain, mid-boosted
tone based on a hot-rodded JCM800 2203.
6. ULTRA GAIN CHANNEL LED
This LED lights-up red to indicate that the Ultra
Gain channel has been selected.
7. ULTRA GAIN CHANNEL GAIN CONTROL
Controls the Gain level for the Ultra Gain channel.
As the amount of gain increases, so will the
distortion level in your sound.
8. ULTRA GAIN CHANNEL VOLUME CONTROL
Controls the volume level for the Ultra Gain
channel.
EQUALISATION SECTION
–––––––––––––––––––––––––
9. TONE SHIFT BUTTON
The Tone Shift reconfigures the tone network to give
a new dimension to passive tone shaping. When the
button is pushed “in” and the Middle control (11) is
turned down, the result is an aggressive, scooped-
mid sound, ideal for many modern metal styles.
10. TREBLE CONTROL
Controls the high frequencies of the guitar tone,
making your guitar sound brighter when it is turned
clockwise.
11. MIDDLE CONTROL
This dictates the middle register of your guitar’s
sound. Turning this up will make your guitar
sound fatter, while turning it down will result in a
sharper, “scooped” tone – especially when used in
conjunction with the Tone Shift button.
12. BASS CONTROL
Controls the amount of bottom end (low frequencies)
in your tone.
13. PRESENCE CONTROL
Turning this control clockwise adds higher
frequencies to your guitar tone, creating crispness
and bite and making the sound more cutting and
“in your face.” This is a function of the powerstage.
14. DEEP BUTTON
When pressed “in” this switch adds a resonant
bass boost to your sound, increasing bottom end
thud while making your tone fatter around that
all-important low end. This is a function of the
power-stage.
REVERB SECTION
–––––––––––––––––––––––––––––––
15. REVERB CONTROL
Controls the level of the studio-quality, digital spring
Reverb for both channels.
POWER SECTION
––––––––––––––––––––––––––––––––
16. POWER SWITCH
On/Off switch for mains power to the amplifier.

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