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Yamaha PSR-248 [7/51] Acmp on off button
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7
A Power switch (STANDBY/ON)
B MASTER VOLUME dial
This determines the overall volume of the
PortaTone.
C OVERALL buttons
(s, t, +, -)
These are for selecting the various “overall”
functions and setting their values. (See page 23.)
D SONG button
This selects the Song mode. (See page 20.)
5 STYLE button
This selects the Style mode. (See page 28.)
6 VOICE button
This selects the Voice mode. (See page 15.)
G Numeric keypad, +/- buttons
These are for selecting songs, voices, and styles.
(See page 16.) They are also used for entering
certain values, such as the time signature for the
Metronome (page 14), and the key signature for
the Smart Chord function (page 38).
H ACMP ON/OFF button
When the Style mode is selected, this turns the
auto accompaniment on and off. (See page 31.)
This button has no function in the Song mode.
I SYNC-START, Pause (❙❙) button
When the Style mode is selected, this turns the
Sync-Start function on and off. (See page 29.)
When the Song mode is selected, this alternately
pauses and starts song playback. (See page 24.)
J START/STOP (>/■) button
When the Style mode is selected, this alternately
starts and stops the auto accompaniment. (See
page 29.) When the Song mode is selected, this
alternately starts and stops song playback. (See
page 24.)
K INTRO/ENDING, button
When the Style mode is selected, this is used to
control the Intro and Ending functions. (See
pages 29, 30.) When the Song mode is selected,
this is used to control the A/B Repeat function.
(See page 24.)
L MAIN A/B (AUTO FILL), Fast Forward
(f)/Rewind (r) buttons
When the Style mode is selected, these are used to
change auto accompaniment sections and control
the Auto Fill function. (See page 32.) When the
Song mode is selected, these are used to respec-
tively fast forward and rewind during song play-
back. When Song playback is stopped, they can be
used to advance or reverse to specific measure
numbers in the song. (See page 24.)
M OTS, VOICE CHANGE button
When the Style mode is selected, this is used to
turn the One Touch Setting (OTS) function on and
off. (See page 36.) When the Song mode is
selected, this is used to turn the Voice Change
function on and off. (See page 27.)
N CHORD GUIDE, MELODY GUIDE button
When the Style mode is selected, this is used to
control the Chord Guide functions. (See page 37.)
When the Song mode is selected, this is used to
control the Melody Guide function. (See page
26.)
O PORTABLE GRAND button
This instantly changes to the Voice mode and calls
up the Grand Piano voice. (See page 13.)
P METRONOME button
This turns the metronome on and off. (See page
13.)
Q MULTI PAD buttons
These are used to automatically play pre-pro-
grammed musical phrases. (See page 40.)
R DEMO button
This is used to play the Demo songs. (See page 11.)
S TOUCH button
This turns the Touch Response function on and off.
It also lets you set the Touch Sensitivity setting.
(See page 19.)
Panel Controls and Terminals
5
Содержание
- Environmental issues 2
- Fcc information u s a 2
- Name plate location 2
- Notice 2
- Please keep this manual 2
- Purchase date 2
- Serial no 2
- Special message section 2
- Specifications subject to change 2
- Always follow the basic precautions listed below to avoid the possibility of physical injury to you or others or damage to the instrument or other property these precautions include but are not limited to the following 3
- Always follow the basic precautions listed below to avoid the possibility of serious injury or even death from electrical shock short circuiting damages fire or other hazards these precautions include but are not limited to the following 3
- Caution 3
- I saving user data 3
- Please keep these precautions in a safe place for future reference 3
- Please read carefully before proceeding 3
- Precautions 3
- Warning 3
- Congratulations on your purchase of the yamaha psr 248 portatone 4
- Contents 4
- Getting started playing the demo songs 11 4
- Midi 41 4
- Panel controls and terminals 6 4
- Panel display indications 12 4
- Portable grand 13 4
- Read this owner s manual carefully while playing your new portatone in order to take full advantage of its various features 4
- Selecting and playing songs the song mode 20 4
- Selecting and playing styles the style mode 28 4
- Selecting and playing voices the voice mode 15 4
- Setting up 9 4
- You now own a portable keyboard that combines advanced functions great sound and exceptional ease of use in a highly compact package its outstanding features also make it a remarkably expressive and versatile instrument 4
- Main features 5
- Other powerful features include 5
- Portable grand 5
- The psr 248 is a sophisticated yet easy to use keyboard with the following fea tures and functions 5
- Yamaha education suite 5
- Ballad 6
- Bt ballad 6
- Dance pop 6
- Front panel 6
- Gpl shuffle 6
- Min max 6
- Panel controls and terminals 6
- Acmp on off button 7
- Chord guide melody guide button 7
- Demo button 7
- I button 7
- Intro ending button 7
- Main a b auto fill fast forward f rewind r buttons 7
- Master volume dial 7
- Metronome button 7
- Multi pad buttons 7
- Numeric keypad buttons 7
- Ots voice change button 7
- Overall buttons s t 7
- Portable grand button 7
- Power switch standby on 7
- Song button 7
- Style button 7
- Sync start pause ss button 7
- Touch button 7
- Voice button 7
- Rear panel 8
- Power requirements 9
- Setting up 9
- This section contains information about setting up your portatone for playing make sure to read this section carefully before using the instrument 9
- Turning on the power 9
- Using an ac power adaptor 9
- Using batteries 9
- Accessory jacks 10
- Music stand 10
- First turn on the power 11
- Getting started playing the demo songs 11
- Press the demo button 11
- Set the volume 11
- Starwars 11
- Panel display indications 12
- Wholenew 12
- Change the value 13
- Portable grand 13
- Press the piano shaped portable grand button 13
- Set the desired tempo with the tempo function in the overall menu 13
- Turn on the metronome 13
- Using the metronome 13
- Adjusting the metronome volume 14
- Change the value 14
- Mtrvol 14
- Select the metronome volume function in the overall menu 14
- Setting the metronome time signature 14
- Simultaneously hold down the metronome button and press the button on the numeric keypad that corresponds to the desired time signature see chart at right 14
- Select the desired voice number 15
- Select the voice mode 15
- Selecting and playing a voice 15
- Selecting and playing voices the voice mode 15
- Trombone 16
- Using the keys 16
- Using the numeric keypad 16
- Using the voice button 16
- Also included are special percussion voices 90 with echo and 100 that let you play various drum and percussion sounds from the keyboard refer to the percussion voice chart 17
- Below symbols are also printed above the keyboard conveniently indicating which sounds are played from which keys 17
- Harmony voices 61 70 automatically add a one two or three note harmony to the origi nal voice split voices 71 80 feature two separate voices each playable from opposite sections of the keyboard the lower voice playable up to b2 and the upper voice from c3 middle c echo voices 81 90 provide an echo effect that adds delayed repeats to the original voice dual voices 91 99 blend two voices together for a rich layered sound 17
- I button the last selected song or style will be played 17
- I percussion voice chart voices 90 and 100 17
- Note about the harmony voices since harmony voices are designed to automatically play two or more notes with the notes you play on the keyboard only one note can be played on the keyboard at a time if several notes are played together only the last note or highest note played will be used for the harmony effect 17
- Note the portatone is polyphonic up to a maximum of 16 notes depending on the voice selected such as split voices and dual voices fewer notes may be available this includes not only the notes played from the keyboard but also the notes in a style pattern the notes played by a pad page 40 and so on thus if you play too many notes at one time some may not sound and or others may be cancelled 17
- Play the selected voice 17
- Selecting and playing voices the voice mode 17
- The type of harmony used depends on the particular voice that is selected 17
- To change to another voice repeat step 2 above 17
- Change the value 18
- Select the transpose function in the overall menu 18
- Transpos 18
- Transpose 18
- Transpose and tuning 18
- Change the touch sensitivity value 19
- Change the value 19
- Select the tuning function in the overall menu 19
- Touch response 19
- Tuning 19
- Select the desired song number 20
- Select the song mode 20
- Selecting and playing a song 20
- Selecting and playing songs the song mode 20
- Start the selected song 20
- Changing the tempo 21
- If you want to change to another song repeat step 2 above 21
- Select the tempo function in the overall menu 21
- Stop the song 21
- Change the value 22
- Adjusting the song volume 23
- Change the value 23
- Select the song volume function in the overall menu 23
- Songvol 23
- A b repeat 24
- Repeat 24
- Song controls 24
- While playing back a song set point a the start point of the section 24
- Pause or stop playback as needed 25
- Repeat 25
- Set point b the end point of the section 25
- Turn off the a b repeat func tion 25
- Melody guide 26
- Minusone 26
- Select a song 26
- Set the melody guide function 26
- Waiting 26
- Change the voice change setting 27
- Change the voice directly 27
- Clarinet 27
- Select a song 27
- Start playback of the song and play the melody from the keyboard 27
- Voice change 27
- Select the desired style number 28
- Select the style mode 28
- Selecting and playing a style 28
- Selecting and playing styles the style mode 28
- About the beat display 29
- Intro a 29
- Start the selected style 29
- You can do this in one of the following ways 29
- Note to have the ending section gradually slow down as it is playing press the intro ending button twice quickly 30
- Pressing the start stop button the rhythm accompaniment stops playing immediately 30
- Pressing the sync start button this stops the style and automatically enables sync start letting you re start the style by simply playing a chord or key in the acmp section of the keyboard or any key when accompaniment is off 30
- Selecting and playing styles the style mode 30
- Stop the style 30
- Style controls 30
- Using an ending section press the intro ending button the style stops after the ending section is finished 30
- When the style mode is active the panel buttons below the display function as style controls 30
- You can do this in one of three ways 30
- Change chords using the auto accompaniment feature 31
- Changing the tempo 31
- Select and play a style 31
- Turn on the auto accompaniment 31
- Using the auto accompaniment features 31
- Acmpvol 32
- Adjusting the accompaniment volume 32
- Change the value 32
- Select the accompani ment volume function in the overall menu 32
- Style sections main a main b and fill ins 32
- Fingered chords 33
- Single finger chords 33
- Using auto accompaniment multi fingering 33
- Augmented chord ex 34
- Beautiful sounding harmonies can be built in this manner the use of intervals and chords is one of the most important elements in music a wide variety of emotions and feelings can be cre ated depending on the types of chords used and the order in which they are arranged 34
- Diminished chord ex 34
- In this triad the lowest note is the root the root also called the tonic is the most impor tant note in the chord because it anchors the sound harmonically by determining its key and forms the basis for how we hear the other notes of the chord 34
- Keep in mind that we can also change the voicing of a chord for example change the order of the notes called inversions or play the same notes in different octaves without chang ing the basic nature of the chord itself 34
- Major chord ex c 34
- Minor chord ex 34
- Selecting and playing styles the style mode 34
- The organization of notes in the example at left a triad chord produces a pleasant harmonious sound triads are made up of three notes and are the most basic and common chords in most music 34
- The second note of this chord is four semitones higher than the first and the third is three semitones higher than the second keeping our root note fixed and changing these notes by a semitone up or down sharp or flat we can create four different chords 34
- The simple answer three or more notes played simultaneously is a chord two notes played together is an interval an interval being the distance between two different notes this is also referred to as a harmony depending on the intervals between the three or more notes a chord can sound beautiful or muddy and dissonant 34
- What is a chord 34
- First write the root note of the chord in an uppercase letter if you need to specify sharp or flat indicate that to the right of the root the chord type should be indicated to the right as well examples for the key of c are shown below 35
- Knowing how to read and write chord names is an easy yet invaluable skill chords are often written in a kind of shorthand that makes them instantly recognizable and gives you the free dom to play them with the voicing or inversion that you prefer once you understand the basic principles of harmony and chords it s very simple to use this shorthand to write out the chords of a song 35
- One important point chords are made up of notes stacked on top of each other and the stacked notes are indicated in the chord name of the chord type as a number the number being the distance of the note from the root see the keyboard diagram below for example the minor 6th chord includes the 6th note of the scale the major 7th chord has the 7th note of the scale etc 35
- Other chords 35
- The intervals of the scale 35
- To better understand the intervals and the numbers used to represent them in the chord name study this diagram of the c major scale 35
- Writing chord names 35
- One touch setting ots 36
- Ots on 36
- Play the style 36
- Select a style 36
- Turn on the one touch setting function 36
- Chord guide 37
- Select a style 37
- Select the smart chord guide 37
- Set the desired key 37
- For example if you want to perform with the following score set the key to b 1 f or dm 38
- For example when the key has been set to f major pressing the following single notes results in the chord progression below 38
- Notice that the minor chords appropriate to the key of f major are automatically converted 38
- Play the style and play single note chords root notes in the acmp section 38
- Start style playback in the desired way for specific instructions on starting styles see page 29 38
- Dictionary 39
- Play the chord 39
- Specify the root of the chord 39
- Specify the type of the chord major minor seventh etc 39
- With the style mode active select the dictionary chord guide 39
- Multi pads 40
- Pianist1 40
- Play the multi pads 40
- Select the desired bank 40
- Select the pad function in the overall menu 40
- About midi 41
- How can midi be used 41
- The portatone also features midi terminals allowing you to interface the portatone with other midi instruments and devices 41
- Possible cause and solution 42
- Problem 42
- Troubleshooting 42
- Il est impossible de choisir directement les voix suivantes à partir des commandes de la console en effet il s agit de voix spéciales programmées dans les morceaux du portatone et sont automatiquement sélectionnées avec la reproduction des morceaux cependant elles peuvent être sélectionnées en branchant un appareil midi à l instrument les messages de sélection de la banque correspondante sont comme suit msb 00h lsb 00h 45
- The following voices cannot be directly selected from the panel controls they are special voices programmed into the songs of the portatone and are selected automatically in song playback however they can be selected by a connected midi device the corresponding bank select messages are msb 00h lsb 00h 45
- Voice list liste des voix 45
- Multi pad list liste de multi pad 46
- Specifications spécifications 47
- Midi implementation chart 48
- Midi implementation chart feuille d implémentation 48
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- Die einzelheiten zu produkten sind bei ihrer unten aufgeführten nie derlassung und bei yamaha vertragshändlern in den jeweiligen bestimmungsländern erhältlich 50
- Europe 50
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- For details of products please contact your nearest yamaha or the authorized distributor listed below 50
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- Greece 50
- Head office 50
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- Para detalles sobre productos contacte su tienda yamaha más cercana o el distribuidor autorizado que se lista debajo 50
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- Pour plus de détails sur les produits veuillez vous adresser à yamaha ou au distributeur le plus proche de vous figurant dans la liste suivante 50
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- Yamaha corporation electronic musical instrument division 50
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