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Behringer SX2442FX EURODESK [6/21] Control elements and 2 connections
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6 EURODESK SX2442FX/SX3242FX User Manual
Control Elements and 2.
Connections
This chapter describes the various control elements of your mixing console.
All controls and connections are explained in full detail.
Mono input channels2.1
Microphone and line inputs2.1.1
[1]
[2]
[3]
[4]
[5]
Fig. 2.1: Connectors and controls of the mic/line inputs
Each mono input channel is equipped with a balanced microphone input [1]
on an XLR connector, which provides +48 V phantom power for condenser
microphones at the touch of a button (see rear panel).
Be sure to switch off your audio system before you activate the ◊
phantom power supply to prevent audible switch-on thumps from
reaching your monitor speakers. Please also note the information given
in chapter 2.11 “Rear panel”.
Each mono input also has a balanced line input on ¼" TRS connectors. [2]
Of course, these inputs can also be used with unbalanced plugs
(¼" TS connector).
The [3] INSERT I/O connector is used to process a signal with dynamic
processors or equalizers. This insert point isprefader, pre-EQ and
pre-aux send.
Unlike reverb and other eects, which are usually added to the dry signal,
dynamic processors process the entire signal. So, aux send buses are not the
best solution here. Instead, dynamic processors and equalizers are inserted
into the signal path. Once processed, the signal then re-enters the mixing
console at the same point where it left. Signal interruption only occurs if
a plug is inserted into the corresponding jack (¼" stereo plug: tip = signal
output, ring = input). All mono input channels are equipped with insert
points. They can also be used as pre-EQ direct outputs, without signal
ow interruption. For this you need a cable with a ¼" TS connector on the
recorder/eects processor end, and a bridged stereo ¼" TRS connector on
the console end (tip and ring interconnected).
The [4] GAIN control adjusts the input gain. Be sure to set this control fully
counter-clockwise before you connect or disconnect a signal source to or
from one of the inputs.
GAIN has a dual scale: the rst scale has a gain from +10 to +60 dB for
the MIC input.
The second scale has a gain from +1 0 to -40 dBu for the line input.
For devices with a nomal line output level of-10 dBV or +4 dBu the setting
is as follows: with GAIN fully counter-clockwise connect the external device
and adjust the output level recommended by the manufacturer. If available,
the output level display of the external device should read 0 dB with signal
peaks. For +4 dBu increase GAIN, for -10 dBV increase it further. The ne-
tuning can be done with a music signal and the LEVEL SET LED, which will
illuminate when the optimum operating level has been set.
Mono channels are equipped with a high-slope [5] LOW CUT lter eliminating
unwanted low-frequency signals, such as oor rumble (18 dB/oct., -3 dB
at 80 Hz).
Equalizer2.1.2
All mono input channels are equipped with a 3-band equalizer. The maximum
boost/cut of the individual bands is 15 dB, in mid position the EQ is set to neutral.
[6]
[7]
[8]
Fig. 2.2: Equalizer section of input channels
The [6] HIGH control in the EQ section controls the high frequency range of
the respective channel. It is a shelving-type lter which can boost or cut all
frequencies above a xed frequency (12 kHz).
The [7] MID control allows you to raise or lower the mid-range level. It is a semi-
parametric peak lter, which boosts or cuts the frequency range around a
variable mid-range frequency. Use the FREQ control to select the mid-range
frequency from 100 Hz to 8 kHz. Then use the MID control to boost or cut the
selected frequency range.
The [8] LOW control boosts or cuts the low-frequency range. Like the HIGH lter
it is a shelving-type lter, which raises or lowers the level of all frequencies
below a specic frequency (80 Hz).
Aux/FX send buses2.1.3
Aux sends enable you to take the signals from one or multiple channels and
collect them on one bus. This signal is then present at one of the aux send jacks,
from where it can be routed to an active monitor speaker or external eects
device, for example. The FX returns are subsequently used as a return bus for the
processed signal.
[9]
[11]
[10]
Fig. 2.3: AUX/FX send controls in the channel strips
Содержание
- Eurodesk sx2442fx sx3242fx 1
- User manual 1
- Table of contents 2
- Thank you 2
- Important safety instructions 3
- Legal disclaimer 3
- Limited warranty 3
- Limited warranty important safety instructions 3
- Online registration 2 3
- Return materials authorization 3 3
- Warranty 1 3
- Amendment 9 4
- Claim for damage 6 4
- Limitation of liability 7 4
- Other warranty rights and 8 national law 4
- Warranty exclusions 4 4
- Warranty transferability 5 4
- Before you get started 1 5
- Introduction 1 5
- The manual 1 5
- Control elements and 2 connections 6
- Mono input channels 2 6
- Stereo channels 2 7
- Stereo channels 21 24 sx2442fx or 2 29 32 sx3242fx 8
- Subgroups 1 4 2 8
- Main out section 2 9
- Mono out section for 2 subwoofer applications 9
- Cd 2 tape 10
- Master aux send 1 and 2 2 10
- Effects section 2 0 11
- Graphic 9 band stereo equalizer 2 11
- 71 69 70 73 12
- Digital effects processor 3 12
- Rear panel 2 1 12
- 1 2 and 3 4 is pressed in the channels connected to the recorder returns otherwise a feedback loop will be created as soon as you start recording only press the main switch on these input channels so that the tape return signals are routed to the main outs and phones ctrl room outputs of the console 13
- Behringer com 13
- Eurodesk sx2442fx sx3242fx user manual 13
- On the remaining two tracks the four return paths from the recorder are connected to four separate mono input channels on the eurodesk the built in compressor is used only for the bass which is why this input channel is separate from all buses sub and main switch not pressed the bass signal is directly routed from the built in effects processor to the respective subgroups fx to main control the main sub switch in the fx1 section is pressed but not the sub 1 2 sub 3 4 button 13
- Please make sure that none of the subgroup routing switches 13
- Studio set up 4 13
- The following wiring example shows a studio set up for 4 track recording the drums are mixed down to two subgroups and then routed via the subgroup outputs to two tracks of the multi track recorder the remaining two subgroups are used to record the guitar keyboard stereo channel and two vocal signals 13
- Wiring examples 4 13
- Behringer com 14
- Eurodesk sx2442fx sx3242fx user manual 14
- Fig 4 wiring the console for live operation 14
- Live set up 4 14
- This example shows a classic live set up as in the studio example four drum microphones bass keyboard stereo channel guitar and two vocal microphones are connected the four drum channels kick drum snare overhead l overhead r are mixed down to two subgroups and then routed to the main mix this way it is possible to conveniently control the volume of the entire drums in the main mix with the two subgroup faders the built in compressor insert effect is used for the bass the corresponding input channel is separate from all buses and the bass signal is routed directly from the internal effects processor to the main mix bus the main sub switch must not be pressed in this case and the position of the sub 1 2 sub 3 4 switch is irrelevant 14
- Audio connectors 5 15
- Balanced use with xlr connectors 15
- Balanced ¼ trs connector 15
- Behringer com 15
- Eurodesk during installation and operation the user must have sufficient electrical contact to earth electrostatic charges might affect the operation of the unit 15
- Eurodesk sx2442fx sx3242fx user manual 15
- Fig 5 rca cable 15
- Fig 5 xlr connectors 15
- Fig 5 ¼ trs connector 15
- Fig 5 ¼ trs footswitch connector 15
- Fig 5 ¼ ts connector 15
- Please ensure that only qualified personnel install and operate the 15
- The inputs and outputs of the behringer eurodesk are designed as unbalanced ¼ ts connectors except for the balanced line inputs of the mono and stereo channels and the main out connectors of course all inputs and outputs work with both balanced and unbalanced connectors the tape ins and outs are stereo rca connectors 15
- Unbalanced ¼ ts connector 15
- ¼ ts footswitch connector 15
- Behringer com 16
- Eurodesk sx2442fx sx3242fx user manual 16
- Fig 5 insert send and return ¼ trs connector 16
- Fig 5 ¼ trs connector for headphones 16
- Insert send return ¼ trs connector 16
- ¼ trs headphones connector 16
- Behringer com 17
- Eurodesk sx2442fx sx3242fx user manual 17
- Presets 6 17
- Specifications 7 18
- Eurodesk sx2442fx sx3242fx 20
- Federal communications commission compliance information 20
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