![Behringer SX2442FX EURODESK [7/21] Stereo channels 2](/img/pdf.png)
Behringer SX2442FX EURODESK [7/21] Stereo channels 2
![Behringer SX2442FX EURODESK [7/21] Stereo channels 2](/views2/2009547/page7/bg7.png)
7 EURODESK SX2442FX/SX3242FX User Manual
behringer.com
On each channel, the [9] AUX 1 and AUX 2 controls allow you to determine the
level of the aux signals sent from the channel. The main aux send signal
comprising the aux send signals from all channels can then be adjusted
with the corresponding master AUX SEND controls [51], and is present at the
AUX SEND outputs [52]. Both aux sends are mono, post-EQ, with a gain of up
to +15 dB.
Press the [10] PRE switch to set all aux sends to pre-fader. In this case,
the volume of the aux signals is no longer dependent on the fader position,
so you can create completely independent monitor mixes.
For most applications when controlling an external effects device from ◊
one of the aux buses, the aux sends must be set post-fader, so that
the effect volume in a channel depends on the position of the channel
fader. Otherwise, the effect signal would still be audible, even if the
channel was turned down completely. For this type of application it is
advisable to leave the PRE switch out (= not pressed).
FX 1[11] and FX 2 controls provide a direct route to the built-in eects processor.
Additionally, they can be used to control an external eects unit, via the
FX SEND 1 and 2 outputs (similar to the AUX SEND 1 and 2 jacks). To ensure
that the internal eects processor and the FX SEND outputs actually get a
signal, the corresponding FX control must not be set fully counter-clockwise
(-oo), and the master FX SEND (see [60]) must be turned up. The FX buses are
hard wired post-fader.
Please also read chapter 2.10 “Effects section” and ◊
3 “Digital effects processor”.
Mono channel fader and further control elements2.1.4
[12]
[18]
[13]
[14]
[15]
[16]
[17]
Fig. 2.4: Channel fader, pan control, mute button, etc.
The [12] PAN control determines the position of the channel signal in the
stereo mix as well as the subgroup to which the channel signal is routed
(see chapter 2.4).
Use the [13] MUTE switch to mute the channel signal, so it is no longer part of
the main mix. At the same time, all aux buses set to post-fader are muted for
the respective channel, while the pre-fader monitor buses remain operative.
The MUTE LED is illuminated when the channel is muted.
The [14] CLIP LED illuminates when the channel overloads. In this case,
please reduce the input gain using the GAIN control. This LED also illuminates
when you activate the solo function with the SOLO switch below.
The [15] SOLO switch routes the channel signal to the solo bus (Solo In Place)
or the PFL bus (Pre Fader Listen). Thus, you can monitor a channel signal
without aecting the main output signal. The signal to be monitored is
taken either pre (PFL, mono) or post-panorama control (Solo, stereo) and
post-channel fader (depending on the position of the SOLO/PFL switch [40]).
The [16] SUB switch routes the signal to the respective subgroups.
Your EURODESK features 4 subgroups (1-2 and 3-4). With the PAN control on
the input channel (see [12]) you can determine to which of the two groups the
signal is routed (hard left: sub 1 or 3, hard right: sub 2 or 4).
The [17] MAIN switch routes the signal to the main mix.
The channel fader governs the level of the channel signal as part of the main [18]
mix (or submix).
Stereo channels2.2
Channel inputs2.2.1
[19]
[20]
Fig. 2.5: Stereo channel inputs
Each stereo channel is equipped with two balanced line-level inputs on [19]
¼" TRS connectors for the left and right channels. The channels can also
process mono signal, as long as you use the “LEFT” jack only.
All stereo channel strips have a [20] GAIN control for gain adjustment. Its scale
ranges from +20 to -20 dB and allows you to adapt the input level to the
line inputs.
Stereo channel equalizer2.2.2
[21]
Fig. 2.6: Stereo channel equalizer
The stereo channels are equipped with a stereo equalizer. The lter types
and cuto frequencies for HIGH and LOW lters are the same as on the mono
channels. Instead of one semi-paramtric midrange band, the stereo channels
have two separate midrange bands [21](HIGH MID and LOW MID) with xed
mid-frequencies (3 kHz and 400 Hz). Stereo EQs are preferable for processing
the frequency response of stereo signals. With two mono equalizers you might
encounter problems with dierent settings between the left and right channels.
Содержание
- Eurodesk sx2442fx sx3242fx 1
- User manual 1
- Table of contents 2
- Thank you 2
- Important safety instructions 3
- Legal disclaimer 3
- Limited warranty 3
- Limited warranty important safety instructions 3
- Online registration 2 3
- Return materials authorization 3 3
- Warranty 1 3
- Amendment 9 4
- Claim for damage 6 4
- Limitation of liability 7 4
- Other warranty rights and 8 national law 4
- Warranty exclusions 4 4
- Warranty transferability 5 4
- Before you get started 1 5
- Introduction 1 5
- The manual 1 5
- Control elements and 2 connections 6
- Mono input channels 2 6
- Stereo channels 2 7
- Stereo channels 21 24 sx2442fx or 2 29 32 sx3242fx 8
- Subgroups 1 4 2 8
- Main out section 2 9
- Mono out section for 2 subwoofer applications 9
- Cd 2 tape 10
- Master aux send 1 and 2 2 10
- Effects section 2 0 11
- Graphic 9 band stereo equalizer 2 11
- 71 69 70 73 12
- Digital effects processor 3 12
- Rear panel 2 1 12
- 1 2 and 3 4 is pressed in the channels connected to the recorder returns otherwise a feedback loop will be created as soon as you start recording only press the main switch on these input channels so that the tape return signals are routed to the main outs and phones ctrl room outputs of the console 13
- Behringer com 13
- Eurodesk sx2442fx sx3242fx user manual 13
- On the remaining two tracks the four return paths from the recorder are connected to four separate mono input channels on the eurodesk the built in compressor is used only for the bass which is why this input channel is separate from all buses sub and main switch not pressed the bass signal is directly routed from the built in effects processor to the respective subgroups fx to main control the main sub switch in the fx1 section is pressed but not the sub 1 2 sub 3 4 button 13
- Please make sure that none of the subgroup routing switches 13
- Studio set up 4 13
- The following wiring example shows a studio set up for 4 track recording the drums are mixed down to two subgroups and then routed via the subgroup outputs to two tracks of the multi track recorder the remaining two subgroups are used to record the guitar keyboard stereo channel and two vocal signals 13
- Wiring examples 4 13
- Behringer com 14
- Eurodesk sx2442fx sx3242fx user manual 14
- Fig 4 wiring the console for live operation 14
- Live set up 4 14
- This example shows a classic live set up as in the studio example four drum microphones bass keyboard stereo channel guitar and two vocal microphones are connected the four drum channels kick drum snare overhead l overhead r are mixed down to two subgroups and then routed to the main mix this way it is possible to conveniently control the volume of the entire drums in the main mix with the two subgroup faders the built in compressor insert effect is used for the bass the corresponding input channel is separate from all buses and the bass signal is routed directly from the internal effects processor to the main mix bus the main sub switch must not be pressed in this case and the position of the sub 1 2 sub 3 4 switch is irrelevant 14
- Audio connectors 5 15
- Balanced use with xlr connectors 15
- Balanced ¼ trs connector 15
- Behringer com 15
- Eurodesk during installation and operation the user must have sufficient electrical contact to earth electrostatic charges might affect the operation of the unit 15
- Eurodesk sx2442fx sx3242fx user manual 15
- Fig 5 rca cable 15
- Fig 5 xlr connectors 15
- Fig 5 ¼ trs connector 15
- Fig 5 ¼ trs footswitch connector 15
- Fig 5 ¼ ts connector 15
- Please ensure that only qualified personnel install and operate the 15
- The inputs and outputs of the behringer eurodesk are designed as unbalanced ¼ ts connectors except for the balanced line inputs of the mono and stereo channels and the main out connectors of course all inputs and outputs work with both balanced and unbalanced connectors the tape ins and outs are stereo rca connectors 15
- Unbalanced ¼ ts connector 15
- ¼ ts footswitch connector 15
- Behringer com 16
- Eurodesk sx2442fx sx3242fx user manual 16
- Fig 5 insert send and return ¼ trs connector 16
- Fig 5 ¼ trs connector for headphones 16
- Insert send return ¼ trs connector 16
- ¼ trs headphones connector 16
- Behringer com 17
- Eurodesk sx2442fx sx3242fx user manual 17
- Presets 6 17
- Specifications 7 18
- Eurodesk sx2442fx sx3242fx 20
- Federal communications commission compliance information 20
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