Behringer S16 [6/9] Standard operation
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10 DIGITAL SNAKE S16 User Manual 11 DIGITAL SNAKE S16 User Manual
4.1 Standard Operation
The S16 is in Standard (default) mode when all the conguration STATUS LEDs
on the front display are o. This is useful for using the unit as a digital snake
along with the X32 console to conveniently transfer 16 channels from the
stage to FOH, andsend40 total channels back to the stage. The sends to the
stage are arranged as AES50 channels 1-8 which appear on the 8 analog XLR
OUTPUTS, AES50 channels17-24 and 25-32 which appear on the ADAT OUTPUTS,
andAES50channels 33-48 appearing at the P16 OUTPUT. The specic routing
ofthe AES50 channels can be congured on the X32.
4.2 Cascaded Operation
To make use of the S16’s full potential, up to 3 units can be cascaded to allow
48channels of bidirectional audio. Any AES50 signals cascaded from one S16’s
port A to another S16’s port B are automatically shifted up 16 channels,
allowingthe last S16 in the chain to transmit all audio channels to and from the
stage via its AES50-A port. The X32 Routing home page allows selection of the
incoming AES50 signals that can be connected to the channel processing.
Therouting of the audio sent from console to stage box can be adjusted on the
X32 Routing AES50 pages, respectively.
Signals sent from the X32 to the stage are seen the same on all S16 units in the
chain. AES50 channels 1-8 will appear on the XLR OUTPUTS of each unit.
Toachieve maximum output to the stage, the 2nd and 3rd units in the chain
must have their physical OUTPUTS set to OUT +8 and OUT +16 respectively.
The following chart details the signal ow to and from the stage when
using3S16 units.
Содержание
- Digital snake s16 1
- User manual 1
- Callouts 2
- Cascaded operation 0 2
- Configuring the s16 2
- Hookup diagrams 2
- Important safety instructions 2
- Introduction 2
- Legal disclaimer 2
- Limited warranty 2
- Midi communication 12 2
- Specifications 13 2
- Standalone operation 12 2
- Standard operation 0 2
- Table of contents 2
- 17 18 15 3
- 3 4 6 8 7 9 10 11 3
- Callouts 3
- Hookup diagrams 3
- Introduction 3
- Digital snake s16 user manual 7 digital snake s16 user manual 4
- Rear panel connections s16 as standalone snake 4
- By using the config button and select adjust knob the s16 can be configured to suit many different applications the status leds indicate the current settings by holding the config knob while turning the select adjust knob you can scroll through all 10 configuration options see the operation mode chart for the routing details of each configuration setting 5
- Configuring the s16 5
- Digital snake s16 operation mode chart 5
- Linking two s16 units 5
- Note the signals on both s16 units out 1 8 and 9 16 and both ada8000 units out 17 24 and 25 32 are fully defined on the x32 s routing aes50 output page the second s16 s outputs must be set to out 8 on the unit itself 5
- Splitter mode routes the 16 local analog inputs directly to the adat outputs and p16 output this is useful when using the s16 as a standalone snake where the p16 monitor mix cannot be adjusted from an x32 console additionally the s16 can be used as a high quality mic preamp that sends the 16 inputs to an interface or computer with an adat card for recording purposes when splitter mode is off the adat outputs carry aes50 channels 17 32 and the p16 output carries channels 33 48 5
- The out 8 and out 16 options shift the xlr outputs for use with multiple s16s for example if a connection scenario involves 3 daisy chained s16s the first unit will carry aes50 channels 1 8 the second unit should be set to out 8 so that its analog outputs carry channels 9 16 and the 3rd s16 should be set to out 16 so that its analog outputs carry channels 17 24 this way you can provide up to 24 return signals to the stage alternatively you may also use the same block of 8 output signals on a set of distributed s16 stageboxes 5
- When using multiple s16 units activating sn ake master mode on one unit allows that unit to control the preamp gain of the second unit an s16 set to sn master will also dictate the overall clock synchronization 44 or 48 khz this is useful when using a pair of s16s as a standalone digital snake 16 x 16 or a 32 channel mic preamp via adat see the standalone operation section for details 5
- Cascaded operation 6
- Standard operation 6
- Midi communication 7
- Specifications 7
- Standalone operation 7
- Digital snake s16 8
- Federal communications commission compliance information 8
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