MartinLogan CLS IIz [12/24] Dvantages
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How can sound be reproduced by something that you are
able to see through? Electrostatic energy makes this possible.
Where the world of traditional loudspeaker technology deals
with cones, domes, diaphragms and ribbons that are moved
with magnetism, the world of electrostatic loudspeakers deals
with charged electrons attracting and repelling each other.
To fully understand the electrostatic concept, some back-
ground information will be helpful. Remember when you
learned in a science or physics class that like charges repel
each other and opposite charges attract each other? Well,
this principle is the foundation of the electrostatic concept.
An electrostatic transducer consists of three pieces: the
stators, the diaphragm and the spacers (See Figure 11). The
diaphragm is what actually moves to excite the air and
create music. The stator’s job is to remain stationary, hence
the word stator, and to provide a reference point for the
moving diaphragm. The spacers provide the diaphragm
with a fixed distance in which to move between the stators.
As your amplifier sends music signals to an electrostatic
speaker, these signals are changed into two high-voltage
signals that are equal in strength but opposite in polarity.
These high voltage signals are then applied to the stators.
The resulting electrostatic field, created by the opposing
high voltage on the stators, works simultaneously with
and against the diaphragm, consequently moving it back
and forth, producing music. This technique is known as
push-pull operation and is a major contributor to the sonic
purity of the electrostatic concept due to its exceptional
linearity and low distortion.
Figure 11. Cut-away view of an electrostatic transducer.
Notice the simplicity due to minimal parts usage.
12 Electrostatic Advantages
ELECTROSTATIC ADVANTAGES
Содержание
- Front cover 1
- U s e r s m a n u a l 1
- Contents 2
- Ontents 2
- Installation in brief 3
- Making sure that you have made a firm 3
- Nstallation i 3
- Plug them i 3
- Ac power connection 4
- Ac power connection introduction 4
- Introduction 4
- Introduction and operation 4
- Ntroductio 4
- Peration 4
- Quality and will provide years of enduring enjoyment and 4
- Signal connection 4
- A variety of speaker cables are now available whose 5
- Break in 5
- High frequency softening switch 5
- Peration 5
- Experimentation 6
- Lacement 6
- Listening position 6
- Placement 6
- The side walls 6
- The wall behind the listener 6
- The wall behind the speakers 6
- Your initial setup for the next few days as the speaker 6
- Enjoy yourself 7
- Final placement 7
- The extra tweak 7
- Coustics 8
- Room acoustics 8
- Rules of thumb 8
- Terminology 8
- Your room 8
- Dipolar speakers and your room 9
- Solid footing 9
- Controlled horizontal dispersion 10
- Controlled horizontal dispersion three major types of dispersion 10
- Controlled vertical dispersion 10
- Dispersion interactions 10
- Ispersion 10
- Nteractions 10
- Three major types of dispersion 10
- Dispersion interactions 11 11
- Dvantages 12
- Electrostatic advantages 12
- Lectrostati 12
- Conventional loudspeaker cls iiz 14
- Critical zone 200hz 20khz 14
- Full range operation 14
- Curvilinear line source cl 15
- Curvilinear line source cls tm 15
- Martinlogan exclusives 15
- Transducer integrity 15
- Vapor deposited film 15
- Xclusives 15
- Advantage of the new recording medium bell labs 16
- Electrostatic loudspeaker history 16
- Istory 16
- Lectrostati 16
- Oudspeake 16
- Rice and kellogg had narrowed the field of contestants down to the cone and the electrostat 16
- Electrostatic speakers have progressed and prospered 17
- These developments allow the consumer to own the highest performance loud speaker products ever built 17
- When janszen corporation was 17
- Frequently asked questions 18
- Requentl 18
- Uestions 18
- Roubleshooting 20
- Troubleshooting 20
- General information 21
- Nformation 21
- Service 21
- Specifications 21
- Warranty and registration 21
- Warranty and registration specifications 21
- Glossary of audio terms 22
- Lossary o 22
- A r t i 24
- Back cover 24
- O g a n 24
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