MartinLogan CLS IIz [7/24] Final placement
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Placement 7
Imaging
In their final location, your CLS IIz’s should have a stage width
somewhat wider than the speakers themselves. On well-
recorded music, the instruments should extend beyond
the edges of each speaker to the left and to the right, yet a
vocalist should appear directly in the middle. The size of
the instruments should be neither too large nor too
small. Additionally, you should find good clues as to stage
depth. Make sure that the vertical alignment, distance
from the front wall, and toe-in, is exactly the same from
one speaker to the other. This will greatly enhance the
quality of your imaging.
Bass Response
Your bass response should neither be one note nor too
heavy. It should extend to even the deepest organ pas-
sages, yet it should be tight and well defined. Kick-drums
should be tight and percussive—string bass notes should
be uniform and consistent throughout the entirety of the
run without any booming or thudding.
Tonal Balance
Voices should be natural and full, cymbals should be
detailed and articulate yet not bright and piercing, pianos
should have a nice transient characteristic and deep tonal
registers as well. If you cannot attain these virtues, read the
section on Room Acoustics (pages 10–11). This will give
you clues on how to get closer to those ideal virtues.
Final Placement
After obtaining good wall treatments and attaining proper
angle, begin to experiment with the distance from the wall
behind the speakers. Move your speaker slightly forward
into the room. What happened to the bass response?
What happened to the imaging? If the imaging is more
open and spacious and the bass response is tightened, that
is a superior position. Move the speakers back six inches
from the initial setup position and again listen to the imaging
and bass response. There will be a position where you will
have pinpoint imaging and good bass response. That position
is the point of the optimal placement from the front wall.
Now experiment with placing the speakers farther apart.
As the speakers are positioned farther apart, listen again,
not so much for bass response but for stage width and
good pinpoint focusing.
Your ideal listening position and speaker position will
be determined by:
•Tightness and extension of bass response
•Width of the stage
•Pinpoint focusing of imaging
Once you have determined the best of all three of these
considerations, you will have your best speaker location.
The Extra “Tweak”
A major cable company developed the following procedure
for speaker placement. As a final test of exact placement,
use these measurements for your speakers placement, and
see what can happen to the ultimate enhancement of
your system’s performance. These two basic formulas will
determine optimum placement of your speakers to minimize
standing waves.
1. Distance from the front wall (the wall in front of the listening
position) to the center of the curvilinear transducer. To
determine distance from the front wall, measure the height
of your ceiling (inches) and multiply the figure by 0.618
(i.e., ceiling height in inches x 0.618 = the distance from
the front wall to the center of the curvilinear transducer).
2. Distance from the side-walls to the center of the curvilinear
transducer. To determine distance from the side walls,
measure the width of your room (inches) and divide by
18. Next, multiply the quotient by 5 (i.e., room width in
inches/18 x 5 = the distance from the side-walls to the
center of the curvilinear transducer).
Enjoy Yourself
The CLS IIz is a very refined speaker and benefits from care
in setup. With these tips in mind you will find, over your
months of listening, that small changes can result in
measurable differences. As you live with your speakers, do
not be afraid to experiment with their positioning until
you find the optimal relationship between your room and
speaker system that gives to you the best results. Your efforts
will be rewarded.
You are now armed with the fundamental knowledge of
room acoustics and the specific fundamentals of the CLS IIz
loudspeaker. Happy listening!
Содержание
- Front cover 1
- U s e r s m a n u a l 1
- Contents 2
- Ontents 2
- Installation in brief 3
- Making sure that you have made a firm 3
- Nstallation i 3
- Plug them i 3
- Ac power connection 4
- Ac power connection introduction 4
- Introduction 4
- Introduction and operation 4
- Ntroductio 4
- Peration 4
- Quality and will provide years of enduring enjoyment and 4
- Signal connection 4
- A variety of speaker cables are now available whose 5
- Break in 5
- High frequency softening switch 5
- Peration 5
- Experimentation 6
- Lacement 6
- Listening position 6
- Placement 6
- The side walls 6
- The wall behind the listener 6
- The wall behind the speakers 6
- Your initial setup for the next few days as the speaker 6
- Enjoy yourself 7
- Final placement 7
- The extra tweak 7
- Coustics 8
- Room acoustics 8
- Rules of thumb 8
- Terminology 8
- Your room 8
- Dipolar speakers and your room 9
- Solid footing 9
- Controlled horizontal dispersion 10
- Controlled horizontal dispersion three major types of dispersion 10
- Controlled vertical dispersion 10
- Dispersion interactions 10
- Ispersion 10
- Nteractions 10
- Three major types of dispersion 10
- Dispersion interactions 11 11
- Dvantages 12
- Electrostatic advantages 12
- Lectrostati 12
- Conventional loudspeaker cls iiz 14
- Critical zone 200hz 20khz 14
- Full range operation 14
- Curvilinear line source cl 15
- Curvilinear line source cls tm 15
- Martinlogan exclusives 15
- Transducer integrity 15
- Vapor deposited film 15
- Xclusives 15
- Advantage of the new recording medium bell labs 16
- Electrostatic loudspeaker history 16
- Istory 16
- Lectrostati 16
- Oudspeake 16
- Rice and kellogg had narrowed the field of contestants down to the cone and the electrostat 16
- Electrostatic speakers have progressed and prospered 17
- These developments allow the consumer to own the highest performance loud speaker products ever built 17
- When janszen corporation was 17
- Frequently asked questions 18
- Requentl 18
- Uestions 18
- Roubleshooting 20
- Troubleshooting 20
- General information 21
- Nformation 21
- Service 21
- Specifications 21
- Warranty and registration 21
- Warranty and registration specifications 21
- Glossary of audio terms 22
- Lossary o 22
- A r t i 24
- Back cover 24
- O g a n 24
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