MartinLogan CLS IIz [5/24] Break in
![MartinLogan CLS IIz [5/24] Break in](/views2/1197601/page5/bg5.png)
OPERATION
Operation 5
A variety of speaker cables are now available whose
manufacturers claim better performance over standard
heavy gauge wire. We have verified this in many cases, and
the improvements available are often more noticeable
than the differences between wires of different gauge. The
effects of cables may be masked if the equipment is not of
the highest quality.
We also recommend, if possible, that short runs of speaker
cable connect the power amplifier(s) and speakers and that
high-quality long interconnect cables be used to connect
the preamplifier and power amplifier. This results in the
power amplifiers being close to the speakers, which may
be practically or cosmetically difficult, but if the length of
the speaker cables can be reduced to a few meters, sonic
advantages may be obtained.
Connections are made at the Signal Input section on the
rear electronics panel of the CLS IIz. Use spade connectors
for optimum contact and ease of installation. Make certain
that all of your connections are tight.
Be consistent when connecting the speaker cables to the
Signal Input terminals. Take care to assign the same color
cable lead to the (+) terminal on both the left and right
channel speakers. If bass is nonexistent and you cannot
discern a tight, coherent image, you may need to reverse
the (+) and (–) leads on one speaker to bring the system
into proper polarity.
WARNING! Turn your amplifier off before making
or breaking any signal connections!
When you first begin to play your CLS IIz speakers allow
90 hours of break-in at 90 dB (moderate listening levels)
before any critical listening. The CLS will benefit from the
initial break in process like any conventional driver. The
membrane will flex and become more supple resulting in a
richer, more detailed and accurate sound quality compared
to the initial, out of the box, performance. Typically the bulk
of the break-in will occur in the first 90 hours but subtle
improvements will continue for quite some time.
High-Frequency Softening Switch
On the rear panel of the CLS IIz electronics module, near
the signal input, is a two position High Frequency Softening
switch that allows you to select the type of high frequency
response that you desire.
The ‘Flat’ position is considered the normal setting for
most rooms. However, due to different listening environ-
ments, different electronics characteristics and personal
preferences, you may prefer the ‘Soft’ Position. We sug-
gest that you listen to the speaker using both switch
positions and decide which position is correct for you par-
ticular situation.
Break-In
Содержание
- Front cover 1
- U s e r s m a n u a l 1
- Contents 2
- Ontents 2
- Installation in brief 3
- Making sure that you have made a firm 3
- Nstallation i 3
- Plug them i 3
- Ac power connection 4
- Ac power connection introduction 4
- Introduction 4
- Introduction and operation 4
- Ntroductio 4
- Peration 4
- Quality and will provide years of enduring enjoyment and 4
- Signal connection 4
- A variety of speaker cables are now available whose 5
- Break in 5
- High frequency softening switch 5
- Peration 5
- Experimentation 6
- Lacement 6
- Listening position 6
- Placement 6
- The side walls 6
- The wall behind the listener 6
- The wall behind the speakers 6
- Your initial setup for the next few days as the speaker 6
- Enjoy yourself 7
- Final placement 7
- The extra tweak 7
- Coustics 8
- Room acoustics 8
- Rules of thumb 8
- Terminology 8
- Your room 8
- Dipolar speakers and your room 9
- Solid footing 9
- Controlled horizontal dispersion 10
- Controlled horizontal dispersion three major types of dispersion 10
- Controlled vertical dispersion 10
- Dispersion interactions 10
- Ispersion 10
- Nteractions 10
- Three major types of dispersion 10
- Dispersion interactions 11 11
- Dvantages 12
- Electrostatic advantages 12
- Lectrostati 12
- Conventional loudspeaker cls iiz 14
- Critical zone 200hz 20khz 14
- Full range operation 14
- Curvilinear line source cl 15
- Curvilinear line source cls tm 15
- Martinlogan exclusives 15
- Transducer integrity 15
- Vapor deposited film 15
- Xclusives 15
- Advantage of the new recording medium bell labs 16
- Electrostatic loudspeaker history 16
- Istory 16
- Lectrostati 16
- Oudspeake 16
- Rice and kellogg had narrowed the field of contestants down to the cone and the electrostat 16
- Electrostatic speakers have progressed and prospered 17
- These developments allow the consumer to own the highest performance loud speaker products ever built 17
- When janszen corporation was 17
- Frequently asked questions 18
- Requentl 18
- Uestions 18
- Roubleshooting 20
- Troubleshooting 20
- General information 21
- Nformation 21
- Service 21
- Specifications 21
- Warranty and registration 21
- Warranty and registration specifications 21
- Glossary of audio terms 22
- Lossary o 22
- A r t i 24
- Back cover 24
- O g a n 24
Похожие устройства
- MartinLogan CLX Краткое руководство пользователя
- MartinLogan CLX Руководство пользователя
- MartinLogan CLX: 25th Anniversary Краткое руководство пользователя
- MartinLogan CLX: 25th Anniversary Руководство пользователя
- DALI HELICON 800 MK2 Руководство пользователя
- DALI HELICON 400 LE 25th Руководство пользователя
- DALI HELICON 400 MK2 Руководство пользователя
- DALI HELICON 300 MK2 Руководство пользователя
- DALI HELICON C200 MK2 Руководство пользователя
- DALI RUBICON 8 Руководство пользователя
- DALI RUBICON 6 Руководство пользователя
- DALI RUBICON 5 Руководство пользователя
- DALI RUBICON 2 Руководство пользователя
- DALI RUBICON LCR Руководство пользователя
- DALI RUBICON VOKAL Руководство пользователя
- DALI OPTICON 8 Руководство пользователя
- DALI OPTICON 6 Руководство пользователя
- DALI OPTICON 5 Руководство пользователя
- DALI OPTICON 2 Руководство пользователя
- DALI OPTICON 1 Руководство пользователя