M-Audio Mixim 10 [5/12] Channel controls and inputs
![M-Audio Mixim 10 [5/12] Channel controls and inputs](/views2/1019832/page5/bg5.png)
5
Overview
While reading the following description of how miXim 10 works
it may be helpful to refer to the preceding Front and Rear Panels -
Figure 1, or the Block Diagram - Figure 3 located in the back of
this manual.
Channel Controls and Inputs
Channels 1 to 4: The miXim 10 has 4 mono inputs (1 through 4)
with gain control, pan control, a mono send and 3 stage EQ.
Channels 1 and 2: Channels 1 and 2 have both XLR and 1/4"
inputs. If a plug is inserted into the 1/4" input of Channels 1 and
2 the XLR is switched out. These inputs can be switched between
high gain, for mics, or low gain, for line level using the corre-
sponding Line Gain dip switches on the back of the unit. Since
the 1/4" inputs on channel 1 and 2 are in parallel with the bal-
anced XLR inputs they can also function as high or low gain
inputs. These 1/4" inputs are somewhat special in that they can
be used as unbalanced inputs by using a mono plug, or as bal-
anced inputs by using a stereo plug.
IMPORTANT: Because channel 1 and 2 are high gain inputs,
we suggest that if you are not using either of these channels
make sure the unused channel’s gain control is turned all the
way down.
XLR Phantom Power: If you are using the XLR inputs on channels
1 and 2 and need to switch phantom power on, you may do so by
using the Phantom power dip switches on the back of the unit.
EQ Controls: The 3 band EQ controls on Channels 1 through 4
offer 15 dB of boost when all the way right and -15 dB of cut when
all the way left. When centered these controls have no effect. The
Low, Mid and High controls act as follows: Low provides shelv-
ing below 80 hz; Mid provides peaking centered at 2.5 Khz; and
High provides shelving at 12 Khz.
Содержание
- Applications and hints 1
- Block diagram fig 3 1
- Contents 1
- Front rear panels fig 1
- Introductio 1
- Limited warranty 1
- Manual 1
- Overview 1
- Setting up 1
- Typical set up fig 2 1
- Front end to a digital audio system 2
- Introduction 2
- Home studios 3
- If you need additional tech support have comments or sugges tions about mixim 10 or any midiman product we invite you to contact us directly at any one of the following numbers 3
- Live band duos and trios 3
- Midiman 3
- Mixim 10 can mix all the modules in a typical electronic instru ment set up and it provides stereo mixing of acoustic instruments and vocals 3
- Mixim 10 takes up very little space with its built in mic preamps and variety of controls it can mix all instruments along with microphones and drive a power amplifier 3
- Nal effects and more it will more than meet any of your digital audio input and mixing needs 3
- Submixer for larger consoles 3
- When many keyboards and modules need to be mixed and expensive studio console inputs are at a premium mixim 10 is the answer for combining several of the instruments into a single stereo mix which is then patched into the main mixing board 3
- Front rear panels fig 1 4
- Channel controls and inputs 5
- Overview 5
- Headphone out 7
- Main level pot and leds 7
- Power indicator switch 7
- Stereo return 7
- Tape out rcas 7
- Channel mixer 8
- Effects unit 8
- Headphones 8
- Input output mix 8
- Master keyboard 8
- Microphones 8
- Midi sound module 8
- Out r out l 8
- Power amplifier 8
- Send str ret to eqable ins 3 4 8
- Speakers 8
- To unity gain ins 9 10 8
- Typical set up fig 2 8
- See typical set up diagram 9
- Setting up 9
- Setting up the outputs 9
- Applications and hints 10
- Gain settings 10
- Headphones 10
- Using the send and return for effects 10
- Block diagram fig 3 11
- Enables you to incorporate stereo effects in your mix if you need more than one stereo return use two of the regular channel inputs this technique also enables you to adjust the placement of the effect in the stereo field by adjusting the pan pots on the chan nels to which you have routed the effects unit 11
- For the best s n ratio set the send level on the mixim 10 so that the effects unit is getting the hottest possible signal without overloading set the effects unit to output wet processed signal only and use the mixim 10 s return level to control the mix of processed and non processed signal 11
- Limited lifetime warranty 12
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