M-Audio Mixim 10 [9/12] Setting up
![M-Audio Mixim 10 [9/12] Setting up](/views2/1019832/page9/bg9.png)
9
Setting Up (see "Typical Set-Up" diagram)
When setting up, you should first decide if you are going to need
mic inputs. If you are going to be using mics you need to set the
Line Gain dip switch of the channel you will be using (1 or 2) to
High. If you are going to use one of these channels as a mic in
and the other as a line level in make sure the Line Gain dip
switches on the back of the unit are set accordingly.
IMPORTANT: Because channel 1 and 2 are high gain inputs,
we suggest that if you are not using either of these channels
make sure the unused channel’s gain control is turned all the
way down.
Make sure that the line level instruments that are connected to
inputs 1 through 8 are set to their maximum volume, and control
the mix level from the miXim 10 channel gain pots. Levels of
instruments connected to the unity gain 9 and 10 inputs will have
to be controlled from the individual instruments. If you have a
MIDI volume controllable instrument, you can plug its stereo out-
put into the 9 and 10 inputs and make level adjustments with
your sequencer or MIDI mixing controller.
You will also need to decide how to assign effects and sends. If
you are using miXim 10 for live performance, you may want to
use the send and the stereo return to add stereo effects to your
mix. If you are not using the send to add effects you may use it as
a mono monitor mix. You may also use the headphone out as a
monitor mix. However, it is a stereo output and it doesn't have an
independent volume control.
Setting Up the Outputs
If you are using the miXim 10 in live performance, you will prob-
ably want to connect the Left and Right Outs to the input(s) of a
power amplifier. If you are using miXim 10 in a studio applica-
tion, you will probably plug one output (for mono) or both out-
puts (for stereo) into one input (for mono) or two inputs (for
stereo) on your mixing board.
Содержание
- Applications and hints 1
- Block diagram fig 3 1
- Contents 1
- Front rear panels fig 1
- Introductio 1
- Limited warranty 1
- Manual 1
- Overview 1
- Setting up 1
- Typical set up fig 2 1
- Front end to a digital audio system 2
- Introduction 2
- Home studios 3
- If you need additional tech support have comments or sugges tions about mixim 10 or any midiman product we invite you to contact us directly at any one of the following numbers 3
- Live band duos and trios 3
- Midiman 3
- Mixim 10 can mix all the modules in a typical electronic instru ment set up and it provides stereo mixing of acoustic instruments and vocals 3
- Mixim 10 takes up very little space with its built in mic preamps and variety of controls it can mix all instruments along with microphones and drive a power amplifier 3
- Nal effects and more it will more than meet any of your digital audio input and mixing needs 3
- Submixer for larger consoles 3
- When many keyboards and modules need to be mixed and expensive studio console inputs are at a premium mixim 10 is the answer for combining several of the instruments into a single stereo mix which is then patched into the main mixing board 3
- Front rear panels fig 1 4
- Channel controls and inputs 5
- Overview 5
- Headphone out 7
- Main level pot and leds 7
- Power indicator switch 7
- Stereo return 7
- Tape out rcas 7
- Channel mixer 8
- Effects unit 8
- Headphones 8
- Input output mix 8
- Master keyboard 8
- Microphones 8
- Midi sound module 8
- Out r out l 8
- Power amplifier 8
- Send str ret to eqable ins 3 4 8
- Speakers 8
- To unity gain ins 9 10 8
- Typical set up fig 2 8
- See typical set up diagram 9
- Setting up 9
- Setting up the outputs 9
- Applications and hints 10
- Gain settings 10
- Headphones 10
- Using the send and return for effects 10
- Block diagram fig 3 11
- Enables you to incorporate stereo effects in your mix if you need more than one stereo return use two of the regular channel inputs this technique also enables you to adjust the placement of the effect in the stereo field by adjusting the pan pots on the chan nels to which you have routed the effects unit 11
- For the best s n ratio set the send level on the mixim 10 so that the effects unit is getting the hottest possible signal without overloading set the effects unit to output wet processed signal only and use the mixim 10 s return level to control the mix of processed and non processed signal 11
- Limited lifetime warranty 12
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