M-Audio Delta RBUS Инструкция по эксплуатации онлайн [36/60] 19013

6. In the Monitor Mixer page, scroll to the right until you see the H/W

inputs for R-BUS channels 1/2, 3/4, 5/6, and 7/8. Unmute tracks in

succession, and raise the fader level until you begin to hear sound

from the analog outputs through your sound system. You may choose

to engage the “Stereo Link” switch, and raise or lower faders in stereo

pairs. You may pan tracks, and basically set up a mix for monitoring

purposes. These levels are “pre-fader,” and will not affect your

recording levels. Since this is a digital transfer, if your Roland tracks

were recorded properly, the levels you see in the Delta’s monitor

mixer and consequently within your music software should be fine.

7. Within your recording software, you’ll need to set up eight tracks for

recording, assuming that your Roland multitrack recording contains

eight tracks. This could be done with eight mono tracks or four stereo

tracks, but for this example we will use eight mono tracks. Select

"PCM In Left 1/2 Delta-R-BUS," as the audio input device, then “PCM

In Right 1/2 Delta-R-BUS,” then “PCM In Left 3/4,” “PCM In Right

3/4,” etc. If you are using ASIO, these input devices will appear with

different names. Consult the section, “Using the Delta R-BUS With

Your Music Software.”

8. Start your software recording and then start your Roland multitrack

material playing. You should be able to hear the multitrack material

through your sound system while the music software records the

transfer from the Roland multitrack.

This setup would also allow us to perform a R-BUS to S/PDIF transfer in real

time. Remember that the signal at the analog output is duplicated at the

S/PDIF output. Our mix that is set up in the Delta Control Panel’s Monitor

Mixer can be output to a S/PDIF capable device (such as a DAT) while

staying in the digital domain.