M-Audio Omni i/o Инструкция по эксплуатации онлайн
Table of Contents
Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2
1. Theory of Operation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .2
2. Features . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3
2.1 Recording Section . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .3
2.2 Mixing Section (all balanced/unbalanced on TRS jacks) . . . . . . . . .3
3. What’s In the Box . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4
4. Front, Rear, and Top Panel Descriptions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4
4.1 Front Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .4
4.2 Rear Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .6
4.3 Top Panel . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
5. Operational Basics & Definitions . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
5.1 Balanced Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .7
5.2 Unbalanced Signals . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8
5.3 Phantom Power . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8
5.4 Sends and Returns . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .8
5.5 Plugs and Jacks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .9
5.6 Balanced Cabling & Connections . . . . . . . . . . . . . . . . . . . . . . . . . . .9
5.7 Unbalalanced Cabling & Connections . . . . . . . . . . . . . . . . . . . . . . .9
5.8 Stereo Input and Insert Cables/Connections . . . . . . . . . . . . . . . . . .10
5.9 Line Levels vs. Mic/Instr Levels . . . . . . . . . . . . . . . . . . . . . . . . . . .10
5.10 Virtual Tracks . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .10
6. Basic Playback Setup for the Omni I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . .11
7. Basic Recording Setup for the Omni I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . .14
8. Omni Signal Flow Chart . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .16
9. Sequencing and the Omni I/O . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17
9.1 MIDI Sequencing . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .17
9.2 Setting MIDI Playback Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . .18
10. Recording Audio to the Delta 44 or 66 . . . . . . . . . . . . . . . . . . . . . . . . . . . . .19
10.1 Monitoring the Signals You Are Recording . . . . . . . . . . . . . . . . .20
10.2 Monitoring the Record Inputs Using ASIO or EASI . . . . . . . . . .22
10.3 Setting Record Levels . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .22
10.4 Record Levels Using the Inserts . . . . . . . . . . . . . . . . . . . . . . . . . .23
10.5 Setting the Audio Track Playback Levels . . . . . . . . . . . . . . . . . . .24
10.6 Adding Effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .25
10.7 Recording Your MIDI Instruments as Audio Tracks . . . . . . . . . . .25
11. Mixing With the Omni . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .26
11.1 Organizing the Audio Tracks for Mixing . . . . . . . . . . . . . . . . . . .27
11.2 Using the Direct Outs 1-4 . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27
12. Alternate Omni Setups . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28
12.1 Recording with Four Pre-Amps . . . . . . . . . . . . . . . . . . . . . . . . . .28
12.2 Monitoring While Recording to Four Tracks . . . . . . . . . . . . . . . .28
12.3 Recording Four Line Inputs . . . . . . . . . . . . . . . . . . . . . . . . . . . . .28
12.4 Recording FX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
12.5 Submixing MIDI Instrument . . . . . . . . . . . . . . . . . . . . . . . . . . . . .29
Limited Lifetime Warranty . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .30
Содержание
- Table of contents 1
- Introduction 2
- Theory of operation 2
- Features 3
- Front rear and top panel descriptions 4
- What s in the box 4
- Operational basics definitions 7
- Basic playback setup for the omni i o 11
- Basic recording setup for the omni i o 14
- Inputs 15
- Outboard gear 15
- Omni signal flow chart 16
- Sequencing and the omni i o 17
- Below for your convenience we ve created a chart describing what source you should select within your music software for your respective omni inputs next you ll want to set up the way you monitor the signals you are recording then set up the gain structure for your recording levels 19
- Having read the basic recording setup in section 7 of this manual you understand that omni mic instr channel 1 is connected to the delta h w hardware in1 omni mic instr channel 2 is connected to the delta h w hardware in 2 and omni line ins 3 4 are connected to delta h w ins 3 4 respectively this is the omni recording section and these are the record channels 19
- Recording audio to the delta 44 or 66 19
- Recording software will vary but once you ve set up your levels recording them is fairly basic recording is also covered extensively in your delta manual and there should also be a tutorial in your software s manual 19
- Take some time to read the delta manual that came with your delta card recording audio tracks requires a proper record setup but setup for monitoring those signals while recording is equally important 19
- With the gain controls on the omni turned down plug a microphone or an instrument such as electric or acoustic guitar into mic instr channel 1 and or channel 2 or plug a line level device such as a cd player or additional mic instrument pre amps into line ins 3 4 19
- Mixing with the omni 26
- Alternate omni setups 28
- Limited lifetime warranty 30
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