M-Audio Omni i/o Инструкция по эксплуатации онлайн [8/30] 19296
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stereo) plug on the 1/4” jacks of the Omni (that are designed for unbal/balanced
operation) will give you this balanced line—tip positive, ring negative, and
sleeve ground. Generally, if the Omni outputs connect to a system or device that
accepts a balanced line at +4dB (nominal level) operating level, you should use
TRS plugs on the outputs.
XLR connectors also carry a balanced signal. If your device or monitoring system
accepts an XLR connector, you may need a cable that has 1/4” TRS to male or
female XLR. The mic input of the Omni Mic/Instr Inputs accepts a male XLR,
with a balanced mic cable being female XLR to male XLR.
5.2 Unbalanced Signals
An unbalanced line on the Omni outputs connects to a 1/4” TS (tip positive,
sleeve ground) plug on a shielded cable with a single conductor, and is
appropriate to use when the device you are connecting to accepts a 1/4” TS plug
or an RCA plug. Typically, the signal on unbalanced lines has an operating line
level of –10dB (nominal level), though this varies somewhat.
You may want to consult the user guide of your sound card or sound system if
you’re not sure what type of signal it can accept. If you need to, find a primer on
recording or sound reinforcement to learn more about this and the other subjects
covered in this manual.
5.3. Phantom Power
Unlike dynamic microphones, large diaphragm condenser microphones need to
receive a DC voltage (generally 48v) from an external source before they can
generate an output signal. If the condenser mic doesn’t come with its own
power supply, then phantom power must be applied from the Omni’s Mic/Instr
pre-amps. Pressing the “Phantom” button and engaging phantom power on the
Omni will send the necessary voltage to both of the XLR Mic Inputs.
Phantom power will not affect a dynamic mic adversely, so its not a problem to
have a dynamic mic at the XLR input while phantom power is switched on.
Some ‘ribbon’ microphones (not very common) may be harmed, however, so
check you mic’s documentation.
5.4 Sends and Returns
These are sometimes elusive terms, as they can be used in a variety of ways. A
“send” is an output from a device (such as a mixing console), to another device
(what might be considered ‘outboard’). There is some expectation that the signal
that is sent from the send output is going to “return” to the sending device’s
signal flow. A return is an input to a device.
8
Содержание
- Table of contents 1
- Introduction 2
- Theory of operation 2
- Features 3
- Front rear and top panel descriptions 4
- What s in the box 4
- Operational basics definitions 7
- Basic playback setup for the omni i o 11
- Basic recording setup for the omni i o 14
- Inputs 15
- Outboard gear 15
- Omni signal flow chart 16
- Sequencing and the omni i o 17
- Below for your convenience we ve created a chart describing what source you should select within your music software for your respective omni inputs next you ll want to set up the way you monitor the signals you are recording then set up the gain structure for your recording levels 19
- Having read the basic recording setup in section 7 of this manual you understand that omni mic instr channel 1 is connected to the delta h w hardware in1 omni mic instr channel 2 is connected to the delta h w hardware in 2 and omni line ins 3 4 are connected to delta h w ins 3 4 respectively this is the omni recording section and these are the record channels 19
- Recording audio to the delta 44 or 66 19
- Recording software will vary but once you ve set up your levels recording them is fairly basic recording is also covered extensively in your delta manual and there should also be a tutorial in your software s manual 19
- Take some time to read the delta manual that came with your delta card recording audio tracks requires a proper record setup but setup for monitoring those signals while recording is equally important 19
- With the gain controls on the omni turned down plug a microphone or an instrument such as electric or acoustic guitar into mic instr channel 1 and or channel 2 or plug a line level device such as a cd player or additional mic instrument pre amps into line ins 3 4 19
- Mixing with the omni 26
- Alternate omni setups 28
- Limited lifetime warranty 30
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