![Yamaha AW16G [36/219] Recording a sound clip](/img/pdf.png)
Yamaha AW16G [36/219] Recording a sound clip
![Yamaha AW16G [36/219] Recording a sound clip](/views2/1624742/page36/bg24.png)
Recording to a sound clip
36
■ Recording a sound clip
1
In the Locate section, press the [SOUND
CLIP] key.
The CLIP screen will appear, where you can record
and play sound clips.
1 Metronome button
Switches the metronome on/off.
B Metronome knob
Adjusts the volume level of the metronome. The
value shown above the knob shows the current set-
ting in dB units.
C START button
Specifies the current location as the start point of
the sound clip (the location at which playback will
begin). The current location is shown in minutes/
seconds/milliseconds at the left.
D END button
Specifies the current location as the end point of the
sound clip (the location at which playback will
end). The current location is shown in minutes/sec-
onds/milliseconds at the left.
E CLIP button
When you turn this button on, the START button
(
3) and END button (4) settings will be enabled.
Note
Note
Recording and playback in the Recorder section cannot
be performed while the CLIP screen is displayed.
2
If you want to use the metronome, move the
cursor to the metronome button and press
the [ENTER] key.
The time signature and tempo used by the metro-
nome are displayed above the metronome button.
3
To change the tempo of the metronome,
move the cursor to the tempo value and turn
the [DATA/JOG] dial.
Note
Note
The time signature of the metronome is determined by
the tempo map setting immediately prior to accessing the
CLIP screen. Please be aware that the setting cannot be
edited from this screen. (For details on tempo map set-
tings
→
p. 142)
4
In the Transport section, hold down the REC
[●] key and press the PLAY [ ] key.
The metronome will begin sounding, and the
counter display will advance. The counter in the
CLIP screen always starts from 0, and indicates the
current time in minutes/seconds/milliseconds. This
counter is separate from the counter of a conven-
tional song.
5
Play your instrument in time with the metro-
nome.
Tip!
Tip!
• The metronome sound will not be recorded in the
sound clip. If necessary, you can move the cursor to the
metronome knob and turn the [DATA/JOG] dial to
adjust the volume level of the metronome sound.
• In addition to an instrument connected to the MIC/
LINE INPUT jacks, your performance on the quick loop
sampler pads can also be recorded.
• The knobs/keys of the selected channel are active even
while the CLIP screen is displayed. If necessary, you can
record the signal processed by EQ and dynamics (
→
p. 50).
6
To stop recording, press the STOP [■] key.
The display will show S and E symbols to indicate
the start point and end point.
Tip!
Tip!
•With the default settings of the AW16G, a maximum of
30 seconds can be recorded in a sound clip. If you con-
tinue recording for longer than 30 seconds, the last 30
seconds of your playing before you stopped recording
will be recorded. (However, the counter display during
recording will continue to advance.)
• In the UTILITY screen PREFER page, you can specify up
to 180 seconds as the maximum length that can be
recorded in a sound clip. You are free to make this set-
ting before creating a new song, but this cannot be
changed once the song has been created. (
→
p. 162)
1 42 3 5
Содержание
- Fcc information u s a 2
- Important 2
- Caution 3
- In case an abnormality occurs during operation 3
- Installation 3
- Operation 3
- Precautions 3
- Precautions for safe operation 3
- Warning 3
- Be sure to turn off the power when you are finished 4
- Connector pin assignments 4
- Handling the cd r rw media 4
- Influence on cell phone usage 4
- Interference with other electrical devices 4
- Precautions for correct operation 4
- Replacing abrasive parts 4
- Responsibility for loss of data etc 4
- Storing produced data 4
- Cautions for handling optional equipment 5
- Copyright notice 5
- Before you start 6
- Contents 6
- Introducing the aw16g 3 6
- Listening to the demo song 7 6
- Memories 73 6
- Mixdown and bounce operations 81 6
- Overdubbing 55 6
- Recording to a sound clip 3 6
- Track recording 9 6
- Using libraries and scene 6
- Various types of playback 65 6
- Appendix 171 7
- Creating an audio cd 7 7
- External devices 163 7
- Midi and utility functions 149 7
- Quick loop sampler 07 7
- Song management 37 7
- Track editing 23 7
- Using the aw16g with 7
- Before you start 9
- Chapter 1 9
- Introduction 9
- Remember to back up your data 9
- About the cd rw drive 10
- Installing the cd rw drive 10
- Removing the cd rw drive 11
- Using the cd rw drive 11
- Connecting the ac adaptor 12
- Turning the power off shut down 12
- Turning the power on 12
- Turning the power on off 12
- Chapter 2 13
- Features of the aw16g 13
- Introducing the aw16g 13
- Cd rw drive 14
- Quick loop sampler section 14
- Recorder section 14
- Aw16g terminology 15
- Channels 15
- Locate points markers 15
- Mixer section 15
- Paired tracks 15
- Recorder section 15
- Tracks 15
- Libraries 16
- Overall 16
- Pad track 16
- Paired channels 16
- Quick loop sampler section 16
- Sample banks and samples 16
- Scenes and scene memories 16
- System data 16
- Tempo map 16
- Parts of the aw16g and what they do 17
- Top panel 17
- Display 18
- Input output section 18
- Quick loop sampler section 18
- Quick navigate section 18
- Work navigate section 18
- Mixer section 19
- Selected channel section 19
- Data entry control section 20
- Locate section 20
- Tip tip 20
- Rear panel 21
- Tip tip 21
- Transport section 21
- B eject hole 22
- C access indicator 22
- Cd rw drive 22
- Eject button 22
- Front panel 22
- G phantom 48v switch 22
- H foot sw jack 22
- I midi in connector j midi out thru connector 22
- K digital stereo in out jacks 22
- L grounding terminal 22
- M power switch 22
- N dc in connector 22
- Note note 22
- Accessing a screen page channel 23
- Basic operation on the aw16g 23
- Viewing the display 23
- B text palette 24
- C cancel button 24
- D ok button 24
- E button 24
- Editing a value in the display 24
- F ins button 24
- G del button 24
- Inputting text 24
- Press the enter key 24
- Switching a button on off 24
- Text input box 24
- To switch pages within a screen you can either repeatedly press the same key as in step 1 or hold down the same key as in step 1 and use the cursor keys 24
- Turn the data jog dial to edit the value 24
- Use the cursor keys to move the cur sor to the desired fader knob or param eter value 24
- Use the cursor keys to move the cursor to the desired button in the screen 24
- Note note 25
- Using the selected channel sec tion 25
- Using the selected channel section 25
- Chapter 3 27
- Connect external devices and turn on the 27
- Connect external devices and turn on the power 27
- Listening to the demo song 27
- Loading the demo song 28
- Note note 28
- Playing the demo song 29
- Listening to the demo song 30
- Mixer section 30
- Mixing the demo song 30
- Recorder section 30
- Signal flow during song playback 30
- Track channels 1 8 and 9 10 15 16 are directly con trolled by the faders and track select keys of the panel here s how you can adjust the mix level of each track channel and switch it on off while the song plays back 30
- When you play back a song tracks 1 16 of the recorder are directly connected to track channels 1 8 and 9 10 15 16 of the mixer the signals that pass through track channels 1 8 and 9 10 15 16 are sent to the stereo bus routed through the stereo output channel and sent from the stereo aux out jacks or the monitor out jacks 30
- Note note 31
- Chapter 4 33
- Connecting your instrument or mic 33
- Recording to a sound clip 33
- Adjusting the input level 34
- Tip tip 34
- Recording playing a sound clip 35
- Recording a sound clip 36
- Tip tip 36
- Playing a sound clip 37
- Chapter 5 39
- Creating a new song 39
- Track recording 39
- Direct recording 40
- Direct recording and bus recording 40
- Instruments mics connected to the aw16g can be assigned to tracks in one of the following two ways 40
- Mixer section 40
- Recorder section 40
- Track recording 40
- With this method input channels are assigned to tracks in a one to one correspondence this method requires the same number of tracks as the number of input channels you use however this method has the advantage that you will be free to adjust the vol ume pan stereo position and tone of each instru ment after it has been recorded 40
- Bus recording 41
- Note note 41
- Assigning input signals to tracks 42
- Assigning input signals to tracks direct recording 42
- Direct recording 42
- Tip tip 42
- Note note 44
- To adjust the pan of the monitor signal press the track sel key for the corresponding track channel and turn the pan bal knob of the selected channel section 44
- Assigning input signals to tracks 45
- Assigning input signals to tracks bus recording 45
- Bus recording 45
- Tip tip 46
- Enabling the metronome 47
- Note note 48
- Recording on a track 48
- Pairing input channels track channels 49
- Note note 50
- Using the input library 50
- Tip tip 51
- Tip tip 52
- Using the eq library 52
- Using the dynamics library 53
- About overdubbing 55
- Chapter 6 55
- Overdubbing 55
- Assigning the input signal to a track 56
- Instantly recalling an eq library 56
- Tip tip 56
- Instantly recalling a dynamics library 57
- Setting the mix balance and pan 57
- Overdubbing 58
- Tip tip 58
- Auto punch in out 59
- Manual punch in out 59
- Punch in out 59
- Tip tip 60
- Using the undo list 61
- Switching virtual tracks 62
- Saving the current song 63
- Loading an existing song 64
- Note note 64
- Chapter 7 65
- Using the locator 65
- Various types of playback 65
- Note note 66
- Tip tip 66
- Using markers 67
- Adjusting the position of a locate point or 68
- Adjusting the position of a locate point or marker 68
- Marker 68
- Tip tip 68
- Erasing a locate point or marker 69
- Repeatedly playing a specific region the a b repeat function 70
- Repeatedly playing a specific region 70
- The a b repeat function 70
- Tip tip 70
- Finding a location while you listen to the 71
- Finding a location while you listen to the sound the nudge function 71
- Sound the nudge function 71
- Finding a location while you view the 72
- Finding a location while you view the waveform 72
- Tip tip 72
- Waveform 72
- About scene memories 73
- About the libraries 73
- Chapter 8 73
- Using libraries and scene memories 73
- Basic operation for libraries and scene 74
- Basic operation for libraries and scene memories 74
- Memories 74
- Storing library or scene data 74
- Tip tip 74
- Deleting library or scene data 75
- Recalling library or scene data 75
- Tip tip 75
- Naming library or scene data 76
- Note note 76
- Details on libraries and scene memory 77
- Eq library 77
- Input library 77
- Dynamics library 78
- Effect library 78
- Mastering library 78
- Note note 78
- Recalling dynamics library data 78
- Recalling effect library data 78
- Recalling mastering library data 78
- Sample library 78
- Channel library 79
- Recalling a scene memory 79
- Recalling channel library data 79
- Recalling sample library data 79
- Scene memories 79
- Tip tip 79
- Tip tip 80
- Using the recall safe function 80
- About mixdown and bouncing 81
- Chapter 9 81
- Mixdown and bounce operations 81
- Preparing for mixdown 83
- Internally connecting an internal effect via send return 84
- Using the internal effects via send return 84
- Adjusting the effect send level 85
- Recording on the stereo track 86
- Tip tip 86
- Bounce ping pong recording procedure 87
- Tip tip 88
- Adding input signals or pad per formances during mixdown 89
- Adding input signals or pad performances during mixdown 89
- Bounce operations 89
- Convenient functions during mixdown 89
- Convenient functions during mixdown bounce operations 89
- 4 5 6 m k l 7 90
- 4 5 6 n 7 l 90
- B att knob 90
- B pre post buttons 90
- C level meters 90
- C phase except for the stereo output chan nel 90
- Note note 90
- Pairing 90
- Peak button 90
- Using meters to check the level of each channel 90
- Viewing all parameters for a cer tain channel 90
- Viewing all parameters for a certain channel 90
- Initializing a channel 91
- Note note 91
- 4 5 3 6 92
- B response curve 92
- C flat button 92
- D att attenuation knob 92
- E output meter 92
- Editing the eq parameters 92
- F q knobs 92
- G f frequency knobs 92
- H g gain knobs 92
- If desired load library data from the eq library 92
- Move the cursor to the parameter that you want to edit and use the data jog dial to adjust the value 92
- On off button 92
- Press an input sel key a pad 1 4 a track sel key or the stereo sel key to select the channel whose eq you want to adjust 92
- Repeatedly press the selected channel sec tion eq knob or hold down the eq knob and use the cursor keys to access the edit page of the eq screen 92
- Tip tip 92
- To switch the eq on off press the enter key 92
- To switch the high band type turn the high band q knob all the way to the left 92
- To switch the low band type move the cur sor to the low band q knob and turn the data jog dial toward the left 92
- Editing the dynamics parameters 93
- Tip tip 93
- Editing the parameters of an internal effect 94
- Note note 94
- Tip tip 95
- Inserting an effect into a track channel 96
- Note note 96
- Tip tip 96
- Cd rw drive 97
- Chapter 10 97
- Creating an audio cd 97
- Types of media that you can use with the 97
- Types of media that you can use with the cd rw drive 97
- Methods of writing an audio cd 98
- Note note 98
- Basic settings for the cd rw drive 99
- Tip tip 100
- Writing audio data track at once 100
- Tip tip 101
- Tip tip 102
- Writing audio data disc at once 102
- Finalizing cd r rw media 104
- Tip tip 104
- Erasing cd rw media 105
- Playing an audio cd 106
- Tip tip 106
- About the quick loop sampler 107
- Chapter 11 107
- Quick loop sampler 107
- Note note 108
- Tip tip 108
- Using sample libraries 109
- Recording playing a pad performance 110
- Tip tip 110
- Importing from an audio cd wav file to a pad 112
- Importing from an audio cd wav file to a 112
- Tip tip 112
- Tip tip 113
- Importing from an audio track stereo track 114
- Importing from an audio track stereo track to a pad 114
- Tip tip 114
- To a pad 114
- Sampling an external input signal 115
- Auto record 116
- Manual record 116
- Tip tip 116
- Editing the sample name 117
- Tip tip 118
- Trimming the playback region 118
- Switching the playback mode for each pad 119
- Tip tip 120
- Using the slice function 120
- Play back the song and press the pad for which you turned the slice function on 121
- Repeatedly press the track key or hold down the track key and use the cursor keys to access the view page of the track screen 121
- Strike the pad to hear the result 121
- Deleting an unwanted sample 122
- To delete the unused portions of the selected sample 122
- To erase the entire sample 122
- Chapter 12 123
- Track editing 123
- What you can do using editing commands 123
- Basic procedure for track editing 124
- Note note 124
- Select the editing command 124
- Select the track s to edit 124
- Execute the command 125
- Specify the editing region 125
- List of editing commands 126
- Note note 126
- Parameter list 126
- Delete 127
- Insert 127
- Note note 127
- Parameter list 127
- Copies the specified region of data to the specified loca tion of the specified track 128
- For a pad track loop 128
- For a pad track one shot 128
- For an audio track 128
- Parameter list 128
- Track editing 128
- Parameter list 129
- Exchange 130
- Note note 130
- Parameter list 130
- Time comp exp time com pression expansion 130
- Time comp exp time compression expansion 130
- Export 131
- Parameter list 131
- Pitch change 131
- Exporting wav files 132
- Exporting wav files and importing audio cd or wav files 132
- Exporting wav files 132
- Exporting wav files and importing audio cd 132
- Note note 132
- Or wav files 132
- Importing from an audio cd or wav file 133
- Importing from an audio cd or wav file 133
- Tip tip 133
- B from start 134
- C from end 134
- D listen button 134
- E to track 134
- F to v tr 134
- From cd track 134
- G to start 134
- In the work navigate section repeatedly press the track key or hold down the track key and use the cursor keys to access the cd import page 134
- Insert a cd into the cd rw drive 134
- Press the enter key 134
- Tip tip 134
- About songs 137
- Chapter 13 137
- Song management 137
- Editing the song name 138
- Note note 138
- Editing various settings for the song 139
- Copying or deleting a song 140
- To copy a song 140
- To delete a song 140
- Optimizing a song 141
- Creating a tempo map 142
- Editing a tempo map event 142
- Adding a tempo map event 143
- Deleting a tempo map event 143
- Importing a specific track 144
- Importing data from an existing song 144
- Importing library scene tempo map data 144
- Selecting the song from which you will import data 144
- Backing up songs and sample libraries 145
- Note note 146
- Tip tip 146
- Restoring songs or sample libraries 147
- Aw4416 aw2816 148
- Backing up an aw16g song in a for mat compatible with the aw4416 aw2816 148
- Exchanging song data with the 148
- Exchanging song data with the aw4416 aw2816 148
- Restoring aw4416 aw2816 songs 148
- Chapter 14 149
- Midi and utility functions 149
- What you can do using midi 149
- Basic midi settings 150
- Note note 150
- Tip tip 150
- Note note 151
- Tip tip 151
- Midi and utility functions 152
- When ctrl chg mode 1 152
- When ctrl chg mode 2 152
- Midi and utility functions 153
- When ctrl chg mode 3 153
- Bulk dump 154
- Note note 154
- Tip tip 154
- Transmitting the aw16g s settings via midi 154
- Transmitting the aw16g s settings via midi bulk dump 154
- About the midi remote function 155
- Messages that can be assigned to faders 155
- Messages that can be assigned to the track sel keys 155
- Using the midi remote function 155
- Using the midi remote function presets 155
- 3 2 4 5 157
- 8 9 6 j 157
- B selected channel 157
- C fader track sel key function name 157
- C transport 157
- D name button 157
- Tip tip 157
- Transport 157
- Using the user defined remote function 157
- Using the user defined remote function 157
- E all init button 158
- F fader button 158
- G sel sw button 158
- H latch unlatch button 158
- I learn button 158
- J midi message 158
- Note note 158
- Tip tip 158
- Tip tip 159
- Using the test tone oscillator 159
- Digital input settings checking and 160
- Digital input settings checking and initializing the internal hard disk 160
- Initializing the internal hard disk 160
- Note note 160
- Tip tip 160
- Note note 161
- Tip tip 161
- B recall confirm on off button 162
- C d out copyright on off button 162
- D param disp time 162
- E fader flip 162
- F nudge mode 162
- G nudge time 162
- H sound clip time 162
- I preroll time 162
- J 3 9 4 162
- J postroll time 162
- Note note 162
- Overall settings for the aw16g 162
- Store confirm on off button 162
- Chapter 15 163
- Synchronizing the aw16g with the workstation s sequencer 163
- Using the aw16g with a workstation synth 163
- Using the aw16g with external devices 163
- Connect the aw16g and your workstation as shown in the following diagram 164
- In the work navigate section use the util ity key to access the midi page of the util ity screen turn on the master button in the mtc mode area and turn on the midi button and clk button in the midi out area 164
- Make settings on your workstation synth so that its built in sequencer will follow external midi clock messages also set the sequencer to record ready mode 164
- Move the cursor to the ctrl chg mode area and turn the data jog dial to select 1 out of the possible range of 1 3 164
- Note note 164
- Operate the aw16g s mix parameters such as fader and pan 164
- Play back the aw16g song from the begin ning 164
- Recording playing aw16g mix operations on the workstation s sequencer 164
- Switch the workstation s sequencer to play back ready mode and play back the aw16g song from the beginning 164
- When you are finished recording stop the aw16g song 164
- Assign scenes to program changes 165
- Switching aw16g scenes from the workstation s sequencer 165
- Transmit program changes to switch scenes 165
- Remotely controlling a tone generator module 166
- Tip tip 166
- Using external effects 167
- Note note 168
- Connecting an md recorder 169
- Mixing down to an md recorder 169
- Note note 170
- Recording audio data from an md recorder 170
- Appendix 171
- Input library list 171
- Appendix 172
- Mastering library list 172
- Eq library list 173
- These are the preset equalizer settings provided by the library 173
- Tip tip 173
- Compressor 174
- Dynamics parameters 174
- Dynamics processors are generally used to correct or control signal levels however you can also use them creatively to shape the vol ume envelope of a sound the aw16g features comprehensive dynamics processors for all the input channels tape returns and the bus and stereo outputs these processors allow you to compress expand compress expand compand gate or duck the signals pass ing through the mixer giving you unparalleled sonic quality and flex ibility 174
- Compander 175
- Expander 175
- Gate and ducking 176
- Dynamics library list 177
- These are the preset dynamics settings provided by the aw16g for details on the function of each parameter refer to page 174 177
- Appendix 178
- Delays 178
- Distortion type effects 178
- Effects library list 178
- Modulation type effects 178
- Reverb type effects 178
- The following table lists the preset effects programs see effects parameters p 180 for detailed parameter information effects programs that use the hq pitch effect can be used only with effect 2 178
- Appendix 179
- Combined effects 179
- Dynamic effects 179
- Other effects 179
- Appendix 180
- Early ref 180
- Early reflections 180
- Early reflections with gate and early reflections with reverse gate 180
- Effects parameters 180
- Gate reverb reverse gate 180
- Hall room stage and plate simulations all with gates 180
- Ms 2 3 s 180
- Ms 46 s 180
- Reverb hall reverb room reverb stage reverb plate 180
- Appendix 181
- Basic repeat delay 181
- Basic repeat delay with modulation 181
- Basic stereo delay 181
- Delay lcr 181
- Mod delay 181
- Mono delay 181
- Stereo delay 181
- Three tap delay left center right 181
- Appendix 182
- Chorus 182
- Chorus effect 182
- Flange 182
- Flange effect 182
- Stereo delay with crossed feedback loop 182
- Appendix 183
- Auto panner 183
- Autopan 183
- Phaser 183
- Stage phaser 183
- Symphonic 183
- Symphonic efect 183
- Appendix 184
- Dual pitch 184
- High quality pitch shifter 184
- Hq pitch effect 2 only 184
- Tremolo 184
- Tremolo effect 184
- Twin voice pitch shifter 184
- Appendix 185
- Distortion 185
- Distortion effect 185
- Lfo modulation type filter 185
- Mod filter 185
- Ring mod 185
- Ring modulator 185
- Rotary 185
- Rotary speaker simulator 185
- Amp simulate 186
- Appendix 186
- Dyna filter 186
- Dyna flange 186
- Dynamically controlled filter 186
- Dynamically controlled flanger 186
- Guitar amp simulator 186
- Appendix 187
- Chorus 187
- Dyna phaser 187
- Dynamically controlled phaser 187
- Rev chorus 187
- Reverb and chorus effects in parallel 187
- Reverb and chorus effects in series 187
- Appendix 188
- Flange 188
- Rev flange 188
- Rev sympho 188
- Reverb and symphonic effects in parallel 188
- Reverb and flanger effects in parallel 188
- Reverb and flanger effects in series 188
- Appendix 189
- Delay and early reflections effects in parallel 189
- Delay er 189
- Reverb and auto pan effects in parallel 189
- Reverb and symphonic effects in series 189
- Sympho 189
- Appendix 190
- Delay and early reflections effects in series 190
- Delay and reverb effects in parallel 190
- Delay rev 190
- Appendix 191
- Delay and reverb effects in series 191
- Distortion and delay effects in series 191
- Multi filter 191
- Three band parallel filter 24 db octave 191
- Appendix 192
- Sample library list 192
- This is a list of the sample libraries that are installed on the internal hard disk when the aw16g is shipped from the factory the list is printed here in the order as sorted by the old button 192
- Appendix 193
- L loop 193
- No assigns 193
- O oneshot 193
- Can t record something is wrong with the recorded sound 194
- If the aw16g does not operate as you expect or if you suspect a problem please refer to the following points and take the appropri ate action 194
- No sound 194
- Troubleshooting 194
- Recorder operations 195
- Something wrong with the sound 195
- Cd operations 196
- Midi operations 196
- Sampler operations 196
- Song operations 196
- A b points not found 198
- Bulk byte count mismatch 198
- Bulk check sum mismatch 198
- Bulk memory protected 198
- Cannot redo 198
- Cannot set mark 198
- Cannot undo 198
- Cd play mode now 198
- Ch parameter initialized 198
- Different tc frame type 198
- Digital st in rec prohibit 198
- Disk busy 198
- Disk full 198
- Display message list 198
- In out points not found 198
- In out points too close 198
- Locate point erased 198
- Locate point set 198
- Mark point erased 198
- Mark point set 198
- Memory full 198
- Messages 198
- Midi bulk received 198
- Midi in data framing error 198
- Midi in data overrun 198
- Midi rx buffer full 198
- Midi tx buffer full 198
- Mtc slave mode now 198
- No mark left 198
- No media 198
- Record track not selected 198
- Recorder busy 198
- Recorder running 198
- Redo complete 198
- Repeat points too close 198
- Sound clip mode now 198
- Stereo track playback mod 198
- System error 198
- This song is protected 198
- Too many regions 198
- Trigger list recording 198
- Undo complete 198
- Wrong word clock 198
- Atapi error 199
- Can t select current song 199
- Cd rw drive error 199
- Cd rw drive not found 199
- Cd size full 199
- Cd track over 199
- Cd write error 199
- Change media invalid order 199
- Change media not 1st media 199
- Change media please 199
- Compare error 199
- Disk full 199
- End range over 199
- Exchange next media 199
- File number full 199
- File system error 199
- For effect2 only 199
- Hdd error 199
- Ide error 199
- Invalid parameter 199
- Media error 199
- Media full 199
- Memory full 199
- No data 199
- No data to backup 199
- No data to restore 199
- No media 199
- No song to write 199
- No stereo track 199
- Not 44 khz 16bit song 199
- Popup messages 199
- Prohibit cd import 199
- Protected 199
- Read only 199
- Recognized aw2816 formatted media 199
- Recognized aw4416 formatted media 199
- Song number full 199
- System error 199
- Too small file 199
- Too small region 199
- Track length too short 199
- Track not recorded 199
- About the cd rom included with the aw16g 200
- Caution 200
- Contents of the cd rom 200
- Initializing the internal hard disk 200
- Restoring the internal hard disk to the factory set condition 200
- Installing a remote file 201
- Installing a remote file 201
- Loading the demo song and sample library 201
- Note note 201
- Windows users 201
- A dialog box will appear select the logic preference file logic32 prf from the included cd rom and click the open but ton 202
- Copy the template to the folder in which sonar 2 cakewalkproaudio is installed 202
- If you are using cakewalk 202
- If you are using sonar 2 202
- In the menu bar click option audio 202
- In the menu bar click option midi devices 202
- In the menu bar click option settings key commands 202
- Start up logic 202
- Start up sonar 2 cakewalkproaudio 202
- The cakewalk directshow audio dialog box will appear change the number of aux busses from the default value of 2 to 3 and click the ok button 202
- The key commands window will open in the menu bar click option import key commands 202
- The midi ports window will open in the input ports field assign the midi device that you are using 202
- A dialog box will appear select the logic preference file logic preferences from the included cd rom and click the open but ton 203
- Click option settings key com mands 203
- In the menu bar click setup peripher als 203
- Macintosh users 203
- Start up logic 203
- The key commands window will open in the key commands window click option import key commands 203
- The peripherals window will open click the midi controllers button 203
- Aw16g settings and operation 204
- Effect control 204
- Functions 204
- Midi clock transmission 204
- Midi data format 204
- Midi data flow diagram 204
- Midi out 204
- Midi remote 204
- Midi rx ch 204
- Midi setup 204
- Midi tx ch 204
- Mmc control 204
- Mmc dev 204
- Mmc mode 204
- Mtc reception mtc slave 204
- Mtc sync average 204
- Mtc sync mode 204
- Mtc sync offset 204
- Mtc transmission mtc master 204
- Realtime control of parameters 204
- Scene change 204
- Transmission of scene memories or data 204
- Appendix 205
- Bulk dump bulk dump request 205
- Bulk dump category 205
- Channel message 205
- Control change mode 205
- Interval 205
- Library 205
- Midi bulk dump 205
- Midi format list 205
- Midi program change table 205
- Program change mode 205
- Program change table 205
- Remote 205
- Request 205
- Rx disable 205
- System 205
- System common message 205
- System exclusive message 4 realtime system exclusive 4 mmc 205
- System realtime message 205
- Transmit 205
- Appendix 206
- Midi format details 206
- Appendix 207
- If the aw16g is operating as an mmc slave the transport will begin fast forward when this message is received with a matching device number or a device number of 7f 207
- If the aw16g is operating as an mmc slave the transport will begin playback when this message is received with a matching device num ber or a device number of 7f 207
- If the aw16g is operating as an mmc slave the transport will begin rewind when this message is received with a matching device number or a device number of 7f 207
- If the aw16g is operating as an mmc slave the transport will stop when this message is received with a matching device number or a device number of 7f 207
- This message is received if the aw16g is operating as an mmc slave and the device number matches or is 7f if the transport is stopped then recording will begin if the transport is playing then punch in will occur 207
- This message is received if the aw16g is operating as an mmc slave and the device number matches or is 7f mmc related internal set tings will be reset to the power on state 207
- This message is received if the aw16gis operating as an mmc slave and the device number matches the transport will locate to the time code position specified within the command data 207
- This message is received if theaw16g is operating as an mmc slave and the device number matches or is 7f if the transport is recording then punch out will occur 207
- This message is transmitted with a device number of 7f when a locate related key such as mark search in out is pressed a ff rew shuttle operation is performed when the transport returns to the auto punch pre roll point or when repeating 207
- This message is transmitted with a device number of 7f when song loading is finished 207
- This message is transmitted with a device number of 7f when the ff key is pressed or when the shuttle is rotated toward the right to enter cue mode 207
- This message is transmitted with a device number of 7f when the play key is pressed 207
- This message is transmitted with a device number of 7f when the rewind key is pressed or when the shuttle is rotated toward the left to enter review mode 207
- All data is divided into 4 bit units 208
- Appendix 208
- Bulk dump bulk dump request 208
- Bulk dump messages are transmitted on the tx ch in response to key operations in the midi bulk dump screen bulk dump messages are transmitted on the received midi channel in response to a bulk dump request 208
- Remote memory bulk dump format 208
- Scene memory bulk dump format 208
- Scene memory bulk dump request format 208
- System memory bulk dump format 208
- System memory bulk dump request format 208
- This message inputs outputs the contents of various internal memo ries the unique header is used to distinguish whether the data belongs to the aw16g the check sum is calculated by adding the bytes starting after byte count low and ending before check sum then inverting the bits and adding 1 binary complement and setting bit 7 to 0 check sum sum 0x7f 208
- This message is received if rx disable is off and the midi rx ch matches the midi channel included in the sub status when a bulk dump is received it is immediately written into the specified memory when a bulk dump request is received a bulk dump will be transmit ted immediately system memory bulk dump is not received while the recorder is running 208
- All data is divided into 4 bit units 209
- Appendix 209
- Dynamics library bulk dump format 209
- Dynamics library bulk dump request format 209
- Effect library bulk dump format 209
- Equalizer library bulk dump format 209
- Equalizer library bulk dump request format 209
- Remote memory bulk dump request format 209
- All data is divided into 4 bit units 210
- All data is divided into 7 bit units 210
- Appendix 210
- Channel library bulk dump format 210
- Channel library bulk dump request format 210
- Effect library bulk dump request format 210
- Program change table bulk dump format 210
- Program change table bulk dump request format 210
- Midi implementation chart 211
- General specifications 212
- Mixer section 212
- Specifications 212
- Specifications 212
- Control i o 213
- Controls 213
- Quick loop sampler 213
- Recorder section 213
- Dimensions 214
- Block diagram 218
- Owner s manual owner s manual 219
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