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Behringer DEQ1024 — универсальный цифровой эквалайзер для студийной записи и мастеринга [4/12]

Behringer DEQ1024 [4/12] Before you get started

4 ULTRAGRAPH DIGITAL DEQ1024

1. Introduction

In addition to graphic EQing, the ULTRAGRAPH DIGITAL gives you a wide array

of additional functions, such as feedback destroyer, pink noise generator,

limiter/noise gate etc., leaving no wishes open. With these and many more

features the DEQ1024 is an absolutely all-purpose device for your recording or

mastering studio and will denitely upgrade your equipment.

◊ The following user’s manual is intended to familiarize you with the

unit’s control elements, so that you can master all the functions.

After having thoroughly read the user’s manual, store it at a safe place

for future reference.

1.1 Before you get started

1.1.1 Shipment

The DEQ1024 was carefully packed at the factory to assure secure transport.

Should the condition of the cardboard box suggest that damage may have taken

place, please inspect the unit immediately and look for physical indications

ofdamage.

◊ Damaged units should NEVER be sent directly to us. Please inform the

dealer from whom you acquired the unit immediately as well as the

transportation company from which you took delivery of the unit.

Otherwise, all claims for replacement/repair may be rendered invalid.

1.1.2 Initial operation

Please make sure the unit is provided with sucient ventilation, and never place

the ULTRAGRAPH DIGITAL on top of an amplier or in the vicinity of a heater to

avoid the risk of overheating.

◊ Faulty fuses must be replaced with fuses of appropriate rating without

exception! The correct value of the fuses needed can be found in the

chapter “SPECIFICATIONS”.

Power is delivered via the cable enclosed with the unit. All requiered safety

precautions have been adhered to.

◊ Please make sure that the unit is grounded at all times. For your own

protection, you should never tamper with the grounding of the cable or

the unit itself.

1.1.3 Online registration

Please take a few minutes and send us the completely lled out warranty

card within 14 days of the date of purchase. You may also register online at

behringer.com. The serial number needed for the registration is located at the top

of the unit. Failure to register your product may void future warranty claims.

1.2 The user’s manual

The user’s manual is designed to give you both an overview of the control

elements, as well as detailed information on how to use them. In order to help

you understand the links between the controls, we have arranged them in

groups according to their function. If you need to know more about specic

issues, please visit our website at behringer.com, where you’ll nd additional

information on mixing consoles, eects units and dynamic processors.

2. Control Elements

2.1 Front panel

(1)

(14) (2) (4) (5) (6) (7) (11) (13) (10)(3)

(12) (8) (9)

Fig. 2.1: Front panel control elements

(1) Use the 45-mm EQ faders to increase or decrease any one of the

31frequency bands. Each fader has its own red LED.

(2) Use the FADER RANGE switches to regulate increasing/decreasing in

three dierent levels: +12/-12 dB (green LED), +6/-6 dB (green LED) and

0/-24dB (yellow LED). The last option is well suited for eliminating feedback

frequencies, since you can select a very pronounced lowering of a specic

frequency range (-24 dB).

◊ Each switch on your DEQ1024 (with the exception of CONFIG and

CLOCK) has its own LED that lights up when the respective function

is activated.

◊ All settings you implement always affect both channels of

your DEQ1024.

(3) The DEQ1024 features an automatic FEEDBACK DESTROYER.

Activating the FEEDBACK DESTROYER:

When you press the ON/OFF switch (yellow LED lights up), the feedback

destroyer scans the audio signal for feedback frequencies. As soon as

one or more frequencies show feedback, the red LED of the RESET (HOLD)

switch lights up. The aected frequencies are then automatically lowered.

In addition, your audio program is constantly scanned for new feedback

frequencies, and feedback is destroyed as it comes up. This makes sense

for microphones that are in constant motion during a stage performance

(e. g. vocal microphones), where feedback may arrise constantly.

Behringer DEQ1024 — универсальный цифровой эквалайзер для студийной записи и мастеринга [4/12]

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