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CLAVIA NORD Lead 2X
Руководство по эксплуатации Страница: 11

CLAVIA DMI AB CLAVIA NORD Lead 2X [11/119] Connecting pedals

NORD LEAD 2X V1.0x 2. Connections: Connecting pedals

Page 9

The Nord Lead 2X has two pedal inputs, one for a sustain pedal and one for a control pedal (an expres-

sion-type pedal, used to control various parameters in much the same way as the modulation wheel).

Connect the pedals as shown in the figure below:

• When connecting an expression-type pedal to the Control Pedal input, you should use a stereo cable

(Tip-Ring-Sleeve). Please note that the pedal must have a stereo output jack. The resistance range of

the Control Pedal should be 10 kOhm to 50 kOhm

• For information on how to set the Nord Lead 2X up for use with sustain or expression pedal, see page

19.

Содержание

Os version 1 x 1
User manual nord lead 2 x 1
Additional safety information 2
Caution attention 2
Important safety instructions 2
Instructions pertaining to a risk of fire electric shock or injury to persons 2
Save these instructions 2
1 1 1 introduction introduction introduction introduction 777 3
2 2 2 connections connections connections connections 888 3
3 3 3 basic operation basic operation basic operation basic operation 0 10 10 10 3
Table of content table of content table of content table of content 3
5 5 5 programming velocity sensitivity programming velocity sensitivity programming velocity sensitivity programming velocity sensitivity 4 24 24 24 4
6 6 6 percussion kits percussion kits percussion kits percussion kits 8 28 28 28 4
7 7 7 performances performances performances performances 2 32 32 32 4
Editing programs 4 editing programs 4 editing programs 4 editing programs 2 22 22 22 4
8 8 8 panel reference panel reference panel reference panel reference 7 37 37 37 5
9 9 9 shift functions shift functions shift functions shift functions 2 62 62 62 6
10 10 10 midi midi midi midi 4 74 74 74 7
11 11 11 synthesis basics synthesis basics synthesis basics synthesis basics 9 79 79 79 7
12 12 12 factory presets factory presets factory presets factory presets 4 94 94 94 8
13 13 13 midi implementation midi implementation midi implementation midi implementation 103 103 103 103 8
Index index index index 115 115 115 115 8
About this manual 9
Clavia on the internet 9
I 1 i 1 i 1 9
Introduction 9
N n n nttttr rr ro o o od d d du u u uc cc cttttiiiio o o on n n n 9
Reading the manual in adobe acrobat reader 9
Welcome 9
C 2 c 2 c 2 10
Connections 10
Inputs and outputs 10
O o o on n n nn n n neeeec cc cttttiiiio o o on n n ns ss s 10
Connecting pedals 11
Aaaas ss siiiic cc c o o o oppppeeeer rr raaaattttiiiio o o on n n n 12
B 3 b 3 b 3 12
Basic midi settings for the nord rack 2x 12
Basic operation 12
Demo play function 12
Midi s midi s midi s midi 12
X 2x 2x 2x 12
Nord lead 2x v1 x 3 basic operation basic midi settings for the nord rack 2x 13
Page 11 13
Selecting programs 14
The trig button 14
Eeeelllleeeec cc cttttiiiin n n ng g g 15
Eeeer rr rc cc cu u u us ss ss ss siiiio o o on n n 15
Iiiitttts ss s 15
Nord lead 2x v1 x 3 basic operation selecting percussion kits 15
Page 13 15
Selecting percussion kits 15
Activating 16
Deactivating 16
Layering 16
Using the slots to switch programs 16
Changing programs in the layer 17
Eeeeyyyyb bb bo o o oaaaar rr rd d d d 17
Nord lead 2x v1 x 3 basic operation splitting the keyboard 17
Page 15 17
Polyphony 17
Pppplllliiiittttttttiiiin n n ng g g g tttth h h heee 17
Splitting the keyboard 17
Basic operation performances nord lead 2x v1 x 18
Combining split and layer 18
Eeeer rr rffffo o o or rr rm m m maaaan n n nc cc ceeees ss s 18
Page 16 18
Performances 18
Setting the split point 18
Monophonic and polyphonic operation 19
Stereo mono 19
Aaaas ss stttteeeer rr 20
Basic operation pitch stick and modulation wheel nord lead 2x v1 x 20
H h h heeeeeeeellll 20
Iiiittttc cc ch h h 20
Master tune 20
Modulation wheel 20
O o o od d d du u u ullllaaaattttiiiio o o on n n 20
Page 18 20
Pitch stick 20
Pitch stick and modulation wheel 20
Ttttiiiic cc ck kk k aaaan n n nd d d 20
U u u un n n neeee 20
Using a control expression pedal 21
Using a sustain pedal 21
Basic operation using a control expression pedal nord lead 2x v1 x 22
Page 20 22
The panic button 23
Changing an existing program 24
Changing one program in a layer 24
D d d diiiittttiiiin n n ng g g 24
E 4 e 4 e 4 24
Editing programs 24
R rr ro o o og g g gr rr raaaam m m ms ss s 24
Reverting to the original program 24
Using manual mode 24
Copying programs 25
Customizing manual mode 25
Storing programs 25
Eeeellllo o o oc cc ciiiittttyyyy 26
Eeeen n n ns ss siiiittttiiiivvvviiiittttyyyy 26
Making any parameter velocity dependent 26
P 5 p 5 p 5 26
Programming velocity sensitivity 26
R rr ro o o og g g gr rr raaaam m m mm m m miiiin n n ng g g 26
Setting the parameter ranges 26
The filter velocity function 26
Moving the range 27
Nord lead 2x v1 x 5 programming velocity sensitivity making any parameter velocity dependent 27
Page 25 27
Clearing all velocity programming 28
Clearing velocity programming for one knob 28
Morphing 29
Nord lead 2x v1 x 5 programming velocity sensitivity morphing 29
O o o or rr rpppph h h hiiiin n n ng g g g 29
Page 27 29
Eeeer rr rc cc cu u u us ss ss ss siiiio o o on n n 30
Iiiitttts ss s 30
P 6 p 6 p 6 30
Percussion kits 30
Selecting and playing a percussion kit 30
Editing the sounds in a percussion kit 31
Copying extracting and importing individual percussion sounds 32
Saving percussion kits 32
Sysex dumps of percussion kits 32
Using percussion kits in performance mode 33
Eeeer rr rffffo o o or rr rm m m maaaan n n nc cc ceeees ss s 34
P 7 p 7 p 7 34
Performances 34
Recalling a performance 34
What is a performance 34
D d d diiiittttiiiin n n ng g g g aaa 35
Editing a performance 35
Eeeer rr rffffo o o or rr rm m m maaaan n n nc cc ceeee 35
Nord lead 2x v1 x 7 performances editing a performance 35
Page 33 35
Selecting programs as base for a performance 35
Aaaavvvviiiin n n ng g g g aaa 36
Eeeer rr rffffo o o or rr rm m m maaaan n n nc cc ceeee 36
Layering and editing 36
Page 34 36
Performances saving a performance nord lead 2x v1 x 36
Saving a performance 36
Shift functions 36
Exiting performance mode 37
Extracting single sounds from a performance 37
Eeeer rr rffffo o o or rr rm m m maaaan n n nc cc ceeee c cc co o o on n n nttttaaaaiiiin n n ns ss s 38
For each program slot 38
For the entire performance 38
H h h haaaatttt aaa 38
Page 36 38
Performances what a performance contains nord lead 2x v1 x 38
What a performance contains 38
Aaaan n n neeeelll 39
Eeeeffffeeeer rr reeeen n n nc cc ceeee 39
Oscillator 1 39
P 8 p 8 p 8 39
Panel reference 39
S ss sc cc ciiiillllllllaaaatttto o o or rr 39
Waveform selector 39
For a theoretical introduction to waveforms see page 80 40
Knob the pulse wave can also be modulated by lfo 1 and the modulation envelope this waveform is suitable for many type of sounds and has a more hollow character than the sawtooth wave 40
Page 38 40
Panel reference oscillator 1 nord lead 2x v1 x 40
The frequency spectrum at 10 pulse width now also even harmonics are gradually introduced making the sound sharper but also thinner 40
The pulse wave at 10 pulse width 40
The pulse wave at 5 pulse width the narrower the pulse width the more harmonics are present in the frequency spectrum 40
The pulse wave contains only odd harmonics at 50 pulse width square wave this waveform is special in that its harmonic content can be varied continuously by adjusting the pulse width with the 40
The pure square wave a pulse wave with 50 pulse width the frequency spectrum of a pure square wave the sig nal contains only odd harmonics 40
The sawtooth signal shape the sawtooth signal frequency spectrum 40
The sawtooth wave contains all harmonics and is the richest of the available waveforms it is suitable for all sorts of sounds 40
Nord lead 2x v1 x 8 panel reference oscillator 2 41
Oscillator 2 41
Page 39 41
S ss sc cc ciiiillllllllaaaatttto o o or rr 41
Waveform selector 41
Knob it can be controlled by the velocity morph function but is not affected by lfo 1 the modulation envelope or the modulation wheel even when these have oscillator 2 selected as modulation destination 42
Markings around the 42
Page 40 42
Panel reference oscillator 2 nord lead 2x v1 x 42
Eeeettttttttiiiin n n ng g g gs ss s ffffo o o or rr r b bb bo o o otttth h h 43
Fine tune 43
Fm a fm a fm a fm 43
Fm amount 43
Kbd t kbd t kbd t kbd 43
Kbd track 43
Nord lead 2x v1 x 8 panel reference settings for both oscillators 43
Page 41 43
S ss sc cc ciiiillllllllaaaatttto o o or rr rs ss s 43
Semitones 43
Settings for both oscillators 43
Iiiin n n ng g g 44
O o o od d d d 44
Page 42 44
Panel reference settings for both oscillators nord lead 2x v1 x 44
Ring mod 44
Activate oscillator sync by pressing the 45
Button until both indicators are lit see ring mod on page 42 45
Button until the sync led is lit in this mode oscillator 2 is synched to oscillator 1 this means that each time a period in oscillator 1 s waveform starts oscillator 2 is forced to start over with a new period as well 45
For example this can be used to create harmonically varying timbres with a very characteristic sound sync and ring modulation can be activated at the same time just press the 45
Knob for oscillator 2 while holding down a note when trying out sync make sure you listen to oscillator 2 since this is the one affected by the changes 45
Nord lead 2x v1 x 8 panel reference settings for both oscillators 45
Page 43 45
Please note you can modulate the pitch of oscillator 2 in various ways from lfo 1 the mod env and from the 45
The easiest way to try this out is probably to activate sync and adjust the 45
The effect of this is that if oscillator 2 s pitch is higher than oscillator 1 its resulting waveform will have a pitch determined by oscillator 1 but a timbre depending on the pitch of oscillator 2 see page 84 for a more details 45
Yyyyn n n nc cc c 45
Amplifier 46
M m m mpppplllliiiiffffiiiieeeer rr r 46
Page 44 46
Panel reference amplifier nord lead 2x v1 x 46
Pulse width 46
Attack 47
Eeeec cc caaaayyyy 47
Nord lead 2x v1 x 8 panel reference amplifier 47
Page 45 47
Ttttttttaaaac cc ck kk k 47
Adsr e adsr e adsr e adsr 48
Adsr envelope behavior 48
Page 46 48
Panel reference amplifier nord lead 2x v1 x 48
Release 48
Sustain 48
Filter 49
Iiiilllltttteeeer rr r 49
Nord lead 2x v1 x 8 panel reference filter 49
Page 47 49
Filter type 50
Iiiilllltttteeeer rr 50
Page 48 50
Panel reference filter nord lead 2x v1 x 50
Yyyyppppeeee 50
Frequency 51
Nord lead 2x v1 x 8 panel reference filter 51
Page 49 51
R rr reeeeq q q qu u u ueeeen n n nc cc cyyyy 51
Eeees ss so o o on n n naaaan n n nc cc ceeee 52
If you for example select a low pass filter and turn the frequency knob clock wise more and more high frequency material will be allowed to pass through the filter 52
If you have the high pass or lp notch filter selected increasing resonance will work pretty much as with the lp filter 52
Knob will make the sound resonant to a point where the filter adds a ringing quality to the sound exactly where in the frequency spectrum this ringing appears depends on the filter fre quency setting 52
Page 50 52
Panel reference filter nord lead 2x v1 x 52
Please note that if the envelope amount setting is raised from its full left position turning the frequency knob might not change the sound as expected for more information see below 52
Resonance 52
This control is used to emphasize the amplitude of the frequencies at and close to the cutoff frequency if you are using a low pass filter increasing resonance will emphasize frequencies around the set filter frequency and de emphasize the rest of the frequency spectrum making the sound thinner further rais ing the 52
When you use the band pass filter adjusting the resonance also adjusts the width of the pass band when you raise the resonance the band where frequencies are let through will become narrower 52
Envelope amount 53
Kbd t kbd t kbd t kbd 53
Kbd track 53
Nord lead 2x v1 x 8 panel reference filter 53
Page 51 53
Velocity 53
Attack decay sustain and release 54
Distortion 54
Lfo 1 lfo 1 lfo 1 lfo 1 54
Page 52 54
Panel reference lfo 1 nord lead 2x v1 x 54
2 1 2 1 2 1 2 this routes the lfo to the frequency of both oscillators in equal amounts together with the triangle waveform this creates traditional vibrato 55
2 2 2 this routes the lfo to the pitch of oscillator 2 only this can for example be used together with sync see page 43 to create a pulsating change in timbre 55
Aaaatttteeee 55
Aaaavvvveeeeffffo o o or rr rm m m m 55
Destination 55
Eeees ss sttttiiiin n n naaaattttiiiio o o on n n n 55
Fm fm fm fm this routes the lfo to the fm amount for special timbre changes 55
Nord lead 2x v1 x 8 panel reference lfo 1 55
Page 53 55
Pw pw pw pw this routes the output of the lfo to the pulse width of both oscillators for this to have any effect pulse wave must of course be selected for at least one of the oscillators this destination can be used with an lfo triangle waveform to create a chorus like sound suitable for strings and pads 55
This adds smooth random modulation to the destination this is mainly useful for effect sounds 55
This adds stepped random modulation to the destination this is mainly useful for effect sounds 55
This button is used to select the shape of the output from the lfo 55
This creates a ramp which can be used for example for auto repeats when applied to the filter 55
This is a waveform for abrupt modulation changes suitable for trills distinct tremolos etc 55
This is suitable for normal vibrato effects and for classic pulse width modulation 55
This is used to set the frequency of the lfo in other words the speed of the vibrato the rate can be controlled externally via midi see page 68 55
This routes the lfo to the filter frequency this can for example be used for wah wah effects triangle wave and for auto repeating sounds sawtooth wave 55
This used to set which parameter the lfo should affect 55
Waveform 55
You never hear the actual output of the lfo instead the output from the lfo is used for modulat ing that is controlling other functions like for example the main oscillator frequency vibrato or the filter frequency wah wah 55
Amount 56
Arp switch 56
Arpeggio mode 56
Lfo 2 a lfo 2 a lfo 2 a lfo 2 56
Lfo 2 arpeggiator 56
Lfo 2 arpeggiator mode 56
O o o od d d deeee 56
Page 54 56
Panel reference lfo 2 arpeggiator nord lead 2x v1 x 56
R rr rppppeeeeg g g gg g g giiiiaaaatttto o o or rr 56
R rr rppppeeeeg g g gg g g giiiiaaaatttto o o or rr r 56
About the echo function 57
Arp range 57
Arpeggio hold 57
B bb bo o o ou u u utttt tttth h h heee 57
C cc ch h h ho o o o ffffu u u un n n nc cc cttttiiiio o o on n n n 57
Nord lead 2x v1 x 8 panel reference lfo 2 arpeggiator mode 57
O o o olllld d d d 57
Page 55 57
R rr rpppp r rr raaaan n n ng g g geeee 57
R rr rppppeeeeg g g gg g g giiiio o o 57
Destination 58
Lfo 2 lfo m lfo 2 lfo m lfo 2 lfo m lfo 2 lfo 58
Lfo 2 lfo mode 58
O o o od d d deeee 58
Page 56 58
Panel reference lfo 2 lfo mode nord lead 2x v1 x 58
Amount 59
Attack 59
Destination 59
Modulation envelope 59
N n n nvvvveeeellllo o o oppppeeee 59
Nord lead 2x v1 x 8 panel reference modulation envelope 59
O o o od d d du u u ullllaaaattttiiiio o o on n n 59
Page 57 59
Page 58 60
Panel reference modulation envelope nord lead 2x v1 x 60
Eeeeg g g gaaaatttto o o 61
Eeees ss sttttiiiin n n naaaattttiiiio o o on n n n 61
Filter 61
Fm fm fm fm 61
H h h heeeeeeeelll 61
Lfo 1 lfo 1 lfo 1 lfo 1 61
Mod wheel destination 61
Nord lead 2x v1 x 8 panel reference mod wheel destination 61
O o o od d d 61
O o o ollllyyy 61
O o o on n n no o o o 61
Page 59 61
Poly legato mono 61
Legato 62
N n n niiiis ss so o o on n n n 62
O o o or rr rttttaaaam m m meeeen n n ntttto o o o 62
Page 60 62
Panel reference unison nord lead 2x v1 x 62
Portamento 62
Portamento time 62
Unison 62
C cc cttt 63
H h h hiiiifffftttt 63
Keyboard octave shift 63
Nord lead 2x v1 x 8 panel reference oct shift 63
Oct shift 63
Page 61 63
Slot octave shift 63
Accessing the shift functions 64
H h h hiiiifffftttt ffffu u u un n n nc cc cttttiiiio o o on n n ns ss s 64
S 9 s 9 s 9 64
Selecting a shift function 64
Shift functions 64
Can look like for each function 65
Each time you turn on power local on off is set to on and all the special functions are turned off however the special settings are saved with the performances 65
H h h hiiiifffftttt ffffu u u un n n nc cc cttttiiiio o o on n n n lllliiiis ss stttt 65
Nord lead 2x v1 x 9 shift functions shift function list 65
Page 63 65
Shift function list 65
The table below shows you what shift functions are available for each of the seven buttons and an exam ple of what the 65
Aaaas ss stttteeeer rr 66
About global and slot functions 66
Exiting the shift functions mode 66
O o o od d d deeee 66
Out mode 66
Page 64 66
Setting the value 66
Shift functions tune master tune nord lead 2x v1 x 66
Tune master tune 66
U u u un n n neee 66
U u u uttt 66
A a a a 67
B b b b 67
C c c c 67
D d d d 67
Nord lead 2x v1 x 9 shift functions out mode 67
Page 65 67
Settings for slot a and b 67
Settings for slot c and d 67
About local control and control change transmission 68
Arpeggio and midi out 68
Midi o midi o midi o midi 68
O o o oc cc caaaallll 68
Page 66 68
Prog ctrl 68
R rr ro o o og g g 68
Shift functions local nord lead 2x v1 x 68
Ttttr rr rllll 68
Global midi channel 69
H h h haaaan n n nn n n neeeellll 69
Midi c midi c midi c midi 69
Midi channel 69
Nord lead 2x v1 x 9 shift functions midi channel 69
Page 67 69
Ppppeeeec cc ciiiiaaaallll 69
Slot midi channel 69
Special 69
1 s 1 s 1 s 1 70
Accessing the special functions 70
Function 1 synchronizing lfo 1 to midi clock 70
Lfo 1 lfo 1 lfo 1 lfo 1 70
Midi c midi c midi c midi 70
Page 68 70
Shift functions special nord lead 2x v1 x 70
2 s 2 s 2 s 2 71
F e f e f e f 71
Function 2 synchronizing lfo2 arpeggio to midi clock 71
Function f external triggering of filter envelope 71
Lfo2 a lfo2 a lfo2 a lfo2 71
Midi midi midi midi c cc 71
Nord lead 2x v1 x 9 shift functions special 71
Page 69 71
Page 70 72
Shift functions special nord lead 2x v1 x 72
A e a e a e a 73
Function a external triggering of amplifier envelope 73
Function s external velocity morph 73
Nord lead 2x v1 x 9 shift functions special 73
Page 71 73
S e s e s e s 73
Aftertouch and expression pedal settings 74
Eeeed d d daaaalll 74
Eeeettttttttiiiin n n ng g g gs ss s 74
Fffftttteeeer rr rtttto o o ou u u uc cc ch h h h aaaan n n nd d d 74
Page 72 74
Shift functions special nord lead 2x v1 x 74
Xxxxppppr rr reeees ss ss ss siiiio o o on n n 74
Nord lead 2x v1 x 9 shift functions system 75
Page 73 75
Pitch bend range br 75
Sp sp sp sp 75
Sustain pedal sp 75
System 75
Unison detune un 75
Yyyys ss stttteeeem m m m 75
About the midi implementation 76
Aftertouch 76
B bb bo o o ou u u utttt tttth h h heee 76
Controllers 76
Iiiim m m mpppplllleeeem m m meeeen n n nttttaaaattttiiiio o o on n n n 76
Midi 10 midi 10 midi 10 midi 76
Midi midi midi midi 76
Pitch bend 76
H h h haaaan n n ng g g geeee 77
Nord lead 2x v1 x 10 midi about the midi implementation 77
Page 75 77
Program change 77
R rr ro o o og g g gr rr raaaam m m 77
Bank select 78
Connections 78
Eeeeaaaad d d 78
Local on off 78
Midi c midi c midi c midi 78
Midi channels 78
Midi using nord lead 2x with a sequencer nord lead 2x v1 x 78
O o o or rr rd d d 78
Page 76 78
S ss siiiin n n ng g g 78
System exclusive 78
Using nord lead 2x with a sequencer 78
W w w wiiiitttth h h h aaaa s ss seeeeq q q qu u u ueeeen n n nc cc ceeeer rr r 78
X 2x 2x 2x 78
Controllers 79
H h h haaaan n n ng g g geeee 79
Nord lead 2x v1 x 10 midi using nord lead 2x with a sequencer 79
O o o on n n nttttr rr ro o o olllllllleeeer rr rs ss s 79
Page 77 79
Program change 79
R rr ro o o og g g gr rr raaaam m m 79
Midi midi sysex bulk dump nord lead 2x v1 x 80
Midi s midi s midi s midi 80
Midi sysex bulk dump 80
Page 78 80
Some notes about controllers and chasing 80
Xxxx b bb bu u u ullllk kk k d d d du u u um m m mpppp 80
Yyyys ss 80
Amplifier 81
Filter 81
Introduction 81
Oscillator 81
S 11 s 11 s 11 81
Synthesis basics 81
The building blocks 81
Yyyyn n n ntttth h h heeees ss siiiis ss s b bb baaaas ss siiiic cc cs ss s 81
Connections 82
Envelopes 82
The oscillators and waveforms 82
Aaaavvvveeeeffffo o o or rr rm m m m 83
Nord lead 2x v1 x 11 synthesis basics the oscillators and waveforms 83
Page 81 83
Waveform 83
If you understand the principle you also understand that if the harmonics with high numbers have a high amplitude the sound will be perceived as bright 84
In the illustrations below only some of the first harmonics are displayed in reality waveforms like these have an infinite amount of harmonics 84
Let s take a look at some common waveforms and their spectra 84
Page 82 84
Synthesis basics the oscillators and waveforms nord lead 2x v1 x 84
The height of each line represents the amplitude of each harmonic 84
The sawtooth wave has a simple spectrum all harmonics are present in the wave in proportional values as you can see the high harmonics have a fairly high amplitude which makes this waveform sound bright 84
The triangle wave does not have very strong harmonics furthermore they only appear at odd harmonic numbers the first fact makes the tone pure a bit like a flute and the second fact gives the sound a slightly hollow character 84
Nord lead 2x v1 x 11 synthesis basics the oscillators and waveforms 85
Page 83 85
Page 84 86
Synthesis basics the oscillators and waveforms nord lead 2x v1 x 86
H h h heeee ffffiiiilllltttteeeer rr r 87
Nord lead 2x v1 x 11 synthesis basics the filter 87
Page 85 87
The filter 87
Filter types 88
Iiiilllltttteeeer rr r ttttyyyyppppeeees ss s 88
Page 86 88
Synthesis basics the filter nord lead 2x v1 x 88
Nord lead 2x v1 x 11 synthesis basics the filter 89
O o o offffffff 89
O o o olllllll 89
Page 87 89
Roll off 89
Cutoff frequency 90
Page 88 90
Synthesis basics the filter nord lead 2x v1 x 90
U u u utttto o o offffffff ffffr rr reeeeq q q qu u u ueeeen n n nc cc cyyyy 90
Eeees ss so o o on n n naaaan n n nc cc ceeee 91
Nord lead 2x v1 x 11 synthesis basics the filter 91
Page 89 91
Resonance 91
Adsr e adsr e adsr e adsr 92
Adsr envelope 92
Envelopes 92
H h h heee 92
M m m mpppplllliiiiffffiiiieeeer rr r 92
N n n nvvvveeeellllo o o oppppeeees ss s 92
Page 90 92
Synthesis basics the amplifier nord lead 2x v1 x 92
The amplifier 92
Nord lead 2x v1 x 11 synthesis basics envelopes 93
Page 91 93
Page 92 94
Synthesis basics envelopes nord lead 2x v1 x 94
Ad e ad e ad e ad 95
Ad envelope 95
Lfo lfo lfo lf 95
Nord lead 2x v1 x 11 synthesis basics lfos 95
Page 93 95
S ss s 95
3 0 3 0 3 0 3 96
Aaaac cc ctttto o o or rr ryyyy ppppr rr reeees ss seeeetttts ss s 96
Aaaan n n nk kk ks ss 96
F 12 f 12 f 12 96
Factory presets 96
Program banks 0 3 96
R rr ro o o og g g gr rr raaaam m m 96
7 4 7 4 7 4 7 97
Aaaan n n nk kk ks ss 97
Nord lead 2x v1 x 12 factory presets program banks 4 7 97
Page 95 97
Program banks 4 7 97
R rr ro o o og g g gr rr raaaam m m 97
9 8 9 8 9 8 9 98
Aaaan n n nk kk ks ss 98
Eeeer rr rc cc cu u u us ss ss ss siiiio o o on n n 98
Factory presets program banks 8 9 nord lead 2x v1 x 98
Iiiitttts ss s 98
Page 96 98
Percussion kits 98
Program banks 8 9 98
R rr ro o o og g g gr rr raaaam m m 98
1 0 1 0 1 0 1 99
Aaaan n n nk kk ks ss 99
Eeeer rr rffffo o o or rr rm m m maaaan n n nc cc ceee 99
Nord lead 2x v1 x 12 factory presets performance banks 0 1 99
Page 97 99
Performance banks 0 1 99
3 2 3 2 3 2 3 100
Aaaan n n nk kk ks ss 100
Eeeer rr rffffo o o or rr rm m m maaaan n n nc cc ceee 100
Factory presets performance banks 2 3 nord lead 2x v1 x 100
Page 98 100
Performance banks 2 3 100
Please note that many of the performances consist of two three or four slot layers which will lead to reduced polyphony 100
About the organ sounds 101
B bb bo o o ou u u utttt tttth h h heeee o o o or rr rg g g gaaaan n n n s ss so o o ou u u un n n nd d d ds ss s 101
Drawbar organ essentials 101
Nord lead 2x v1 x 12 factory presets about the organ sounds 101
Page 99 101
A large part of the characteristic organ sound is due to the rotary speaker cabinet such a cabinet moves the sound around either by rotating the actual speakers or by directing the sounds with rotating baffles or horns usually the rotation speed can be changed from slow producing a full chorus like effect to fast producing a very special doppler shifted tremolo sound several of the organ sounds in the nord lead 2x include a rotary speaker effect emulated by the lfo s and the morph function change the rotor speed from slow to fast by raising the modulation wheel 102
Factory presets about the organ sounds nord lead 2x v1 x 102
Page 100 102
This table shows the drawbar configurations simulated by each organ performance the configuration is indicated by 9 numbers volume settings 0 8 for each drawbar in the simulated sound for all performances you can activate slot d to add click to the sound 102
5 5 5 5 103
About the prophet 5 sound recreations 103
B bb bo o o ou u u utttt tttth h h heee 103
Button the names of the recreated prophet 5 patches refer to their original location in the prophet 5 program banks 103
Nord lead 2x v1 x 12 factory presets about the prophet 5 sound recreations 103
Over 40 of the 120 original factory sounds from the classic vintage prophet 5 synthesizer have been faithfully recreated and stored in the factory performances of the nord lead 2x you find the prophet sounds in performance memory locations 1 h8 to 1 j9 103
Page 101 103
R rr ro o o opppph h h heeeettt 103
S ss so o o ou u u un n n nd d d d r rr reeeec cc cr rr reeeeaaaattttiiiio o o on n n ns ss s 103
Since each of these sounds uses one slot only four different prophet sounds have been stored in each performance to try out the different patches in one performance select slot a b c or d by pressing the respective 103
Eeeeaaaad d d 104
Factory presets nord lead 2 ram factory programs nord lead 2x v1 x 104
Ffffaaaac cc ctttto o o or rr ryyyy ppppr rr ro o o og g g gr rr raaaam m m ms ss s 104
Nord lead 2 ram factory programs 104
O o o or rr rd d d 104
Page 102 104
Ram 2 ram 2 ram 2 ram 104
The 40 original ram factory programs of the nord lead 2 are featured in rom performances 1 l0 to 1 l9 as listed below to extract one of these sounds from its performance and store it as a regular pro gram follow the instructions on page 35 104
Iiiim m m mpppplllleeeem m m meeeen n n nttttaaaattttiiiio o o on n n n 105
Midi 13 midi 13 midi 13 midi 105
Midi c midi c midi c midi 105
Midi controller list 105
Midi implementation 105
O o o on n n nttttr rr ro o o olllllllleeeer rr r lllliiiis ss stttt 105
Bank select messages are transmitted and received as controller 32 106
If the pedal input is used for sustain this is transmitted as controller 64 damper pedal 106
If the pedal input is used with an expression pedal this is transmitted and received as controller 11 106
In addition to the above following controllers are used 106
Midi implementation midi controller list nord lead 2x v1 x 106
Page 104 106
The modulation wheel transmits and receives controller 1 106
General message format 107
Nord lead 2x v1 x 13 midi implementation system exclusive implementation 107
Page 105 107
Patch dumps 107
System exclusive implementation 107
Xxxxc cc cllllu u u us ss siiiivvvveeee iiiim m m mpppplllleeeem m m meeeen n n nttttaaaattttiiiio o o on n n n 107
Yyyys ss stttteeeem m m 107
Aaaattttc cc ch h h 108
Eeeer rr rc cc cu u u us ss ss ss siiiio o o on n n 108
If message type 0 edit buffer the message specification can be 0 to 3 corresponding to patch slot buttons a to d 108
If message type 1 to 10 then the message specification 00 to 98 corresponds to the program number within the bank 01 to 99 108
If the sys ex data for a single patch is sent upon receiving a patch dump request message either the pro gram location or the edit buffer will be stored depending on the message type byte in the request message this will also determine where the patch will be placed when it is sent back to a nord lead 2x 108
Iiiittt 108
Midi implementation system exclusive implementation nord lead 2x v1 x 108
Page 106 108
Percussion kit patch dump 108
Percussion kit patch dump messages will also be sent if the dump all command is used 108
This message contains all settings in a percussion kit it is transmitted from the nord lead 2x in one of two cases 108
U u u um m m mpppp 108
When a patch dump is initiated from the front panel and a percussion kit is selected 108
When a valid patch dump request message has been received specifying a percussion kit location or an edit buffer containing a percussion kit 108
Aaaattttc cc ch h h 109
Eeeeq q q qu u u ueeees ss stttt 109
If message type 0 edit buffer the message specification can be 16 to 19 corresponding to patch slot buttons a to d 109
If message type 1 to 4 then the message specification 99 to 108 corresponds to the percussion kit locations p0 to p9 of the selected bank 109
Nord lead 2x v1 x 13 midi implementation system exclusive implementation 109
Page 107 109
Patch dump request 109
This message is used for requesting the nord lead 2x to transmit one patch or percussion kit dump message the message type and message specification are used to specify which patch should be trans mitted this message is never transmitted from the nord lead 2x 109
This message should be sent to the nord lead 2x when you want to replace a percussion kit currently in the instrument with a new one when it comes to the location of the received percussion kit dumps the same rules apply as when receiving regular program dumps 109
U u u um m m mppp 109
Eeeer rr rffffo o o or rr rm m m maaaan n n nc cc ceee 110
If message type 10 edit buffer the message specification can be 00 to 03 corresponding to patch slot buttons a to d 110
If message type 11 to 14 then the message specification 00 to 98 corresponds to the program number within the bank 01 to 99 110
Midi implementation system exclusive implementation nord lead 2x v1 x 110
Page 108 110
Performance dump 110
This message contains the actual performance one complete message contains the data for one perform ance 110
This message is transmitted from the nord lead 2x in one of two cases 110
This message should be sent to the nord lead 2x when you want to replace a performance currently in the instrument with a new one the message type and message specification then specify in which memory location the performance should be stored 110
U u u um m m mpppp 110
When a performance dump is initiated from the front panel 110
When a valid performance request message has been received 110
All controllers request 111
Nord lead 2x v1 x 13 midi implementation system exclusive implementation 111
Page 109 111
Performance dump request 111
Midi implementation system exclusive implementation nord lead 2x v1 x 112
Page 110 112
Patch and performance data formats 112
Nord lead 2x v1 x 13 midi implementation system exclusive implementation 113
Page 111 113
For percussion kit sys ex dumps the above parameters will be repeated eight times once for each sound in the percussion kit 114
Midi implementation system exclusive implementation nord lead 2x v1 x 114
Page 112 114
H h h haaaar rr rtttt 115
M m m mpppplllleeeem m m meeeen n n nttttaaaattttiiiio o o on n n 115
Midi i midi i midi i midi 115
Midi implementation chart 115
Model clavia nord lead 2x keyboard and rack date 2003 04 01 115
Nord lead 2x v1 x 13 midi implementation midi implementation chart 115
Page 113 115
Index index index index 117

CLAVIA DMI AB CLAVIA NORD Lead 2X [11/119] Connecting pedals

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