![CLAVIA DMI AB CLAVIA NORD Lead 2X [110/119] Performance dump](/img/pdf.png)
CLAVIA DMI AB CLAVIA NORD Lead 2X [110/119] Performance dump
![CLAVIA DMI AB CLAVIA NORD Lead 2X [110/119] Performance dump](/views2/1992201/page110/bg6e.png)
13. MIDI implementation: System Exclusive implementation NORD LEAD 2X V1.0x
Page 108
• If Message Type = 10 (Edit Buffer), the Message Specification can be $00 to $03, corresponding to
Patch Slot buttons A to D.
• If Message Type = 11 to 14, then the Message Specification (00 to 98) corresponds to the Program
Number within the Bank (01 to 99).
P
PP
P
E
EE
ER
RR
RF
FF
FO
OO
OR
RR
RM
MM
MA
AA
AN
NN
NC
CC
CE
EE
E
D
D D
D
U
UU
UM
MM
MP
PP
P
This message contains the actual Performance. One complete message contains the data for one Perform-
ance.
This message is transmitted from the Nord Lead 2X in one of two cases:
• When a Performance Dump is initiated from the front panel.
• When a valid Performance Request message has been received.
This message should be sent to the Nord Lead 2X when you want to replace a Performance currently in
the instrument, with a new one. The Message Type and Message Specification then specify in which
memory location the Performance should be stored.
$00 to $03 or
$00-$6C
0 to 3 or 0 to 108 Message Specification specifies the exact memory location, see
below.
$F7 247 End Of Exclusive
Byte (Hex) Byte (Decimal) Description
$F0 240 System Exclusive
$33 51 Manufacturer ID (clavia)
<Device ID> = Global MIDI Channel. 0 to 15 ($0-$F).
$04 4 Model ID for Nord Lead 2X
$1E or $1F-$22 30 or 31-34 Message Type specifies Performance Edit Buffer (30) or
Performance Bank 1-4 (31-34)
$00 or $00-$63 0 or 0 to 99 Message Specification specifies the Performance number,
see below.
<Perf. Data 1> See page 112.
<Perf. Data 2>
<Perf. Data 3>
:
<Perf. Data 708>
$F7 247 End Of Exclusive
Byte (Hex) Byte (Decimal) Description
Содержание
- Os version 1 x 1
- User manual nord lead 2 x 1
- Additional safety information 2
- Caution attention 2
- Important safety instructions 2
- Instructions pertaining to a risk of fire electric shock or injury to persons 2
- Save these instructions 2
- 1 1 1 introduction introduction introduction introduction 777 3
- 2 2 2 connections connections connections connections 888 3
- 3 3 3 basic operation basic operation basic operation basic operation 0 10 10 10 3
- Table of content table of content table of content table of content 3
- 5 5 5 programming velocity sensitivity programming velocity sensitivity programming velocity sensitivity programming velocity sensitivity 4 24 24 24 4
- 6 6 6 percussion kits percussion kits percussion kits percussion kits 8 28 28 28 4
- 7 7 7 performances performances performances performances 2 32 32 32 4
- Editing programs 4 editing programs 4 editing programs 4 editing programs 2 22 22 22 4
- 8 8 8 panel reference panel reference panel reference panel reference 7 37 37 37 5
- 9 9 9 shift functions shift functions shift functions shift functions 2 62 62 62 6
- 10 10 10 midi midi midi midi 4 74 74 74 7
- 11 11 11 synthesis basics synthesis basics synthesis basics synthesis basics 9 79 79 79 7
- 12 12 12 factory presets factory presets factory presets factory presets 4 94 94 94 8
- 13 13 13 midi implementation midi implementation midi implementation midi implementation 103 103 103 103 8
- Index index index index 115 115 115 115 8
- About this manual 9
- Clavia on the internet 9
- I 1 i 1 i 1 9
- Introduction 9
- N n n nttttr rr ro o o od d d du u u uc cc cttttiiiio o o on n n n 9
- Reading the manual in adobe acrobat reader 9
- Welcome 9
- C 2 c 2 c 2 10
- Connections 10
- Inputs and outputs 10
- O o o on n n nn n n neeeec cc cttttiiiio o o on n n ns ss s 10
- Connecting pedals 11
- Aaaas ss siiiic cc c o o o oppppeeeer rr raaaattttiiiio o o on n n n 12
- B 3 b 3 b 3 12
- Basic midi settings for the nord rack 2x 12
- Basic operation 12
- Demo play function 12
- Midi s midi s midi s midi 12
- X 2x 2x 2x 12
- Nord lead 2x v1 x 3 basic operation basic midi settings for the nord rack 2x 13
- Page 11 13
- Selecting programs 14
- The trig button 14
- Eeeelllleeeec cc cttttiiiin n n ng g g 15
- Eeeer rr rc cc cu u u us ss ss ss siiiio o o on n n 15
- Iiiitttts ss s 15
- Nord lead 2x v1 x 3 basic operation selecting percussion kits 15
- Page 13 15
- Selecting percussion kits 15
- Activating 16
- Deactivating 16
- Layering 16
- Using the slots to switch programs 16
- Changing programs in the layer 17
- Eeeeyyyyb bb bo o o oaaaar rr rd d d d 17
- Nord lead 2x v1 x 3 basic operation splitting the keyboard 17
- Page 15 17
- Polyphony 17
- Pppplllliiiittttttttiiiin n n ng g g g tttth h h heee 17
- Splitting the keyboard 17
- Basic operation performances nord lead 2x v1 x 18
- Combining split and layer 18
- Eeeer rr rffffo o o or rr rm m m maaaan n n nc cc ceeees ss s 18
- Page 16 18
- Performances 18
- Setting the split point 18
- Monophonic and polyphonic operation 19
- Stereo mono 19
- Aaaas ss stttteeeer rr 20
- Basic operation pitch stick and modulation wheel nord lead 2x v1 x 20
- H h h heeeeeeeellll 20
- Iiiittttc cc ch h h 20
- Master tune 20
- Modulation wheel 20
- O o o od d d du u u ullllaaaattttiiiio o o on n n 20
- Page 18 20
- Pitch stick 20
- Pitch stick and modulation wheel 20
- Ttttiiiic cc ck kk k aaaan n n nd d d 20
- U u u un n n neeee 20
- Using a control expression pedal 21
- Using a sustain pedal 21
- Basic operation using a control expression pedal nord lead 2x v1 x 22
- Page 20 22
- The panic button 23
- Changing an existing program 24
- Changing one program in a layer 24
- D d d diiiittttiiiin n n ng g g 24
- E 4 e 4 e 4 24
- Editing programs 24
- R rr ro o o og g g gr rr raaaam m m ms ss s 24
- Reverting to the original program 24
- Using manual mode 24
- Copying programs 25
- Customizing manual mode 25
- Storing programs 25
- Eeeellllo o o oc cc ciiiittttyyyy 26
- Eeeen n n ns ss siiiittttiiiivvvviiiittttyyyy 26
- Making any parameter velocity dependent 26
- P 5 p 5 p 5 26
- Programming velocity sensitivity 26
- R rr ro o o og g g gr rr raaaam m m mm m m miiiin n n ng g g 26
- Setting the parameter ranges 26
- The filter velocity function 26
- Moving the range 27
- Nord lead 2x v1 x 5 programming velocity sensitivity making any parameter velocity dependent 27
- Page 25 27
- Clearing all velocity programming 28
- Clearing velocity programming for one knob 28
- Morphing 29
- Nord lead 2x v1 x 5 programming velocity sensitivity morphing 29
- O o o or rr rpppph h h hiiiin n n ng g g g 29
- Page 27 29
- Eeeer rr rc cc cu u u us ss ss ss siiiio o o on n n 30
- Iiiitttts ss s 30
- P 6 p 6 p 6 30
- Percussion kits 30
- Selecting and playing a percussion kit 30
- Editing the sounds in a percussion kit 31
- Copying extracting and importing individual percussion sounds 32
- Saving percussion kits 32
- Sysex dumps of percussion kits 32
- Using percussion kits in performance mode 33
- Eeeer rr rffffo o o or rr rm m m maaaan n n nc cc ceeees ss s 34
- P 7 p 7 p 7 34
- Performances 34
- Recalling a performance 34
- What is a performance 34
- D d d diiiittttiiiin n n ng g g g aaa 35
- Editing a performance 35
- Eeeer rr rffffo o o or rr rm m m maaaan n n nc cc ceeee 35
- Nord lead 2x v1 x 7 performances editing a performance 35
- Page 33 35
- Selecting programs as base for a performance 35
- Aaaavvvviiiin n n ng g g g aaa 36
- Eeeer rr rffffo o o or rr rm m m maaaan n n nc cc ceeee 36
- Layering and editing 36
- Page 34 36
- Performances saving a performance nord lead 2x v1 x 36
- Saving a performance 36
- Shift functions 36
- Exiting performance mode 37
- Extracting single sounds from a performance 37
- Eeeer rr rffffo o o or rr rm m m maaaan n n nc cc ceeee c cc co o o on n n nttttaaaaiiiin n n ns ss s 38
- For each program slot 38
- For the entire performance 38
- H h h haaaatttt aaa 38
- Page 36 38
- Performances what a performance contains nord lead 2x v1 x 38
- What a performance contains 38
- Aaaan n n neeeelll 39
- Eeeeffffeeeer rr reeeen n n nc cc ceeee 39
- Oscillator 1 39
- P 8 p 8 p 8 39
- Panel reference 39
- S ss sc cc ciiiillllllllaaaatttto o o or rr 39
- Waveform selector 39
- For a theoretical introduction to waveforms see page 80 40
- Knob the pulse wave can also be modulated by lfo 1 and the modulation envelope this waveform is suitable for many type of sounds and has a more hollow character than the sawtooth wave 40
- Page 38 40
- Panel reference oscillator 1 nord lead 2x v1 x 40
- The frequency spectrum at 10 pulse width now also even harmonics are gradually introduced making the sound sharper but also thinner 40
- The pulse wave at 10 pulse width 40
- The pulse wave at 5 pulse width the narrower the pulse width the more harmonics are present in the frequency spectrum 40
- The pulse wave contains only odd harmonics at 50 pulse width square wave this waveform is special in that its harmonic content can be varied continuously by adjusting the pulse width with the 40
- The pure square wave a pulse wave with 50 pulse width the frequency spectrum of a pure square wave the sig nal contains only odd harmonics 40
- The sawtooth signal shape the sawtooth signal frequency spectrum 40
- The sawtooth wave contains all harmonics and is the richest of the available waveforms it is suitable for all sorts of sounds 40
- Nord lead 2x v1 x 8 panel reference oscillator 2 41
- Oscillator 2 41
- Page 39 41
- S ss sc cc ciiiillllllllaaaatttto o o or rr 41
- Waveform selector 41
- Knob it can be controlled by the velocity morph function but is not affected by lfo 1 the modulation envelope or the modulation wheel even when these have oscillator 2 selected as modulation destination 42
- Markings around the 42
- Page 40 42
- Panel reference oscillator 2 nord lead 2x v1 x 42
- Eeeettttttttiiiin n n ng g g gs ss s ffffo o o or rr r b bb bo o o otttth h h 43
- Fine tune 43
- Fm a fm a fm a fm 43
- Fm amount 43
- Kbd t kbd t kbd t kbd 43
- Kbd track 43
- Nord lead 2x v1 x 8 panel reference settings for both oscillators 43
- Page 41 43
- S ss sc cc ciiiillllllllaaaatttto o o or rr rs ss s 43
- Semitones 43
- Settings for both oscillators 43
- Iiiin n n ng g g 44
- O o o od d d d 44
- Page 42 44
- Panel reference settings for both oscillators nord lead 2x v1 x 44
- Ring mod 44
- Activate oscillator sync by pressing the 45
- Button until both indicators are lit see ring mod on page 42 45
- Button until the sync led is lit in this mode oscillator 2 is synched to oscillator 1 this means that each time a period in oscillator 1 s waveform starts oscillator 2 is forced to start over with a new period as well 45
- For example this can be used to create harmonically varying timbres with a very characteristic sound sync and ring modulation can be activated at the same time just press the 45
- Knob for oscillator 2 while holding down a note when trying out sync make sure you listen to oscillator 2 since this is the one affected by the changes 45
- Nord lead 2x v1 x 8 panel reference settings for both oscillators 45
- Page 43 45
- Please note you can modulate the pitch of oscillator 2 in various ways from lfo 1 the mod env and from the 45
- The easiest way to try this out is probably to activate sync and adjust the 45
- The effect of this is that if oscillator 2 s pitch is higher than oscillator 1 its resulting waveform will have a pitch determined by oscillator 1 but a timbre depending on the pitch of oscillator 2 see page 84 for a more details 45
- Yyyyn n n nc cc c 45
- Amplifier 46
- M m m mpppplllliiiiffffiiiieeeer rr r 46
- Page 44 46
- Panel reference amplifier nord lead 2x v1 x 46
- Pulse width 46
- Attack 47
- Eeeec cc caaaayyyy 47
- Nord lead 2x v1 x 8 panel reference amplifier 47
- Page 45 47
- Ttttttttaaaac cc ck kk k 47
- Adsr e adsr e adsr e adsr 48
- Adsr envelope behavior 48
- Page 46 48
- Panel reference amplifier nord lead 2x v1 x 48
- Release 48
- Sustain 48
- Filter 49
- Iiiilllltttteeeer rr r 49
- Nord lead 2x v1 x 8 panel reference filter 49
- Page 47 49
- Filter type 50
- Iiiilllltttteeeer rr 50
- Page 48 50
- Panel reference filter nord lead 2x v1 x 50
- Yyyyppppeeee 50
- Frequency 51
- Nord lead 2x v1 x 8 panel reference filter 51
- Page 49 51
- R rr reeeeq q q qu u u ueeeen n n nc cc cyyyy 51
- Eeees ss so o o on n n naaaan n n nc cc ceeee 52
- If you for example select a low pass filter and turn the frequency knob clock wise more and more high frequency material will be allowed to pass through the filter 52
- If you have the high pass or lp notch filter selected increasing resonance will work pretty much as with the lp filter 52
- Knob will make the sound resonant to a point where the filter adds a ringing quality to the sound exactly where in the frequency spectrum this ringing appears depends on the filter fre quency setting 52
- Page 50 52
- Panel reference filter nord lead 2x v1 x 52
- Please note that if the envelope amount setting is raised from its full left position turning the frequency knob might not change the sound as expected for more information see below 52
- Resonance 52
- This control is used to emphasize the amplitude of the frequencies at and close to the cutoff frequency if you are using a low pass filter increasing resonance will emphasize frequencies around the set filter frequency and de emphasize the rest of the frequency spectrum making the sound thinner further rais ing the 52
- When you use the band pass filter adjusting the resonance also adjusts the width of the pass band when you raise the resonance the band where frequencies are let through will become narrower 52
- Envelope amount 53
- Kbd t kbd t kbd t kbd 53
- Kbd track 53
- Nord lead 2x v1 x 8 panel reference filter 53
- Page 51 53
- Velocity 53
- Attack decay sustain and release 54
- Distortion 54
- Lfo 1 lfo 1 lfo 1 lfo 1 54
- Page 52 54
- Panel reference lfo 1 nord lead 2x v1 x 54
- 2 1 2 1 2 1 2 this routes the lfo to the frequency of both oscillators in equal amounts together with the triangle waveform this creates traditional vibrato 55
- 2 2 2 this routes the lfo to the pitch of oscillator 2 only this can for example be used together with sync see page 43 to create a pulsating change in timbre 55
- Aaaatttteeee 55
- Aaaavvvveeeeffffo o o or rr rm m m m 55
- Destination 55
- Eeees ss sttttiiiin n n naaaattttiiiio o o on n n n 55
- Fm fm fm fm this routes the lfo to the fm amount for special timbre changes 55
- Nord lead 2x v1 x 8 panel reference lfo 1 55
- Page 53 55
- Pw pw pw pw this routes the output of the lfo to the pulse width of both oscillators for this to have any effect pulse wave must of course be selected for at least one of the oscillators this destination can be used with an lfo triangle waveform to create a chorus like sound suitable for strings and pads 55
- This adds smooth random modulation to the destination this is mainly useful for effect sounds 55
- This adds stepped random modulation to the destination this is mainly useful for effect sounds 55
- This button is used to select the shape of the output from the lfo 55
- This creates a ramp which can be used for example for auto repeats when applied to the filter 55
- This is a waveform for abrupt modulation changes suitable for trills distinct tremolos etc 55
- This is suitable for normal vibrato effects and for classic pulse width modulation 55
- This is used to set the frequency of the lfo in other words the speed of the vibrato the rate can be controlled externally via midi see page 68 55
- This routes the lfo to the filter frequency this can for example be used for wah wah effects triangle wave and for auto repeating sounds sawtooth wave 55
- This used to set which parameter the lfo should affect 55
- Waveform 55
- You never hear the actual output of the lfo instead the output from the lfo is used for modulat ing that is controlling other functions like for example the main oscillator frequency vibrato or the filter frequency wah wah 55
- Amount 56
- Arp switch 56
- Arpeggio mode 56
- Lfo 2 a lfo 2 a lfo 2 a lfo 2 56
- Lfo 2 arpeggiator 56
- Lfo 2 arpeggiator mode 56
- O o o od d d deeee 56
- Page 54 56
- Panel reference lfo 2 arpeggiator nord lead 2x v1 x 56
- R rr rppppeeeeg g g gg g g giiiiaaaatttto o o or rr 56
- R rr rppppeeeeg g g gg g g giiiiaaaatttto o o or rr r 56
- About the echo function 57
- Arp range 57
- Arpeggio hold 57
- B bb bo o o ou u u utttt tttth h h heee 57
- C cc ch h h ho o o o ffffu u u un n n nc cc cttttiiiio o o on n n n 57
- Nord lead 2x v1 x 8 panel reference lfo 2 arpeggiator mode 57
- O o o olllld d d d 57
- Page 55 57
- R rr rpppp r rr raaaan n n ng g g geeee 57
- R rr rppppeeeeg g g gg g g giiiio o o 57
- Destination 58
- Lfo 2 lfo m lfo 2 lfo m lfo 2 lfo m lfo 2 lfo 58
- Lfo 2 lfo mode 58
- O o o od d d deeee 58
- Page 56 58
- Panel reference lfo 2 lfo mode nord lead 2x v1 x 58
- Amount 59
- Attack 59
- Destination 59
- Modulation envelope 59
- N n n nvvvveeeellllo o o oppppeeee 59
- Nord lead 2x v1 x 8 panel reference modulation envelope 59
- O o o od d d du u u ullllaaaattttiiiio o o on n n 59
- Page 57 59
- Page 58 60
- Panel reference modulation envelope nord lead 2x v1 x 60
- Eeeeg g g gaaaatttto o o 61
- Eeees ss sttttiiiin n n naaaattttiiiio o o on n n n 61
- Filter 61
- Fm fm fm fm 61
- H h h heeeeeeeelll 61
- Lfo 1 lfo 1 lfo 1 lfo 1 61
- Mod wheel destination 61
- Nord lead 2x v1 x 8 panel reference mod wheel destination 61
- O o o od d d 61
- O o o ollllyyy 61
- O o o on n n no o o o 61
- Page 59 61
- Poly legato mono 61
- Legato 62
- N n n niiiis ss so o o on n n n 62
- O o o or rr rttttaaaam m m meeeen n n ntttto o o o 62
- Page 60 62
- Panel reference unison nord lead 2x v1 x 62
- Portamento 62
- Portamento time 62
- Unison 62
- C cc cttt 63
- H h h hiiiifffftttt 63
- Keyboard octave shift 63
- Nord lead 2x v1 x 8 panel reference oct shift 63
- Oct shift 63
- Page 61 63
- Slot octave shift 63
- Accessing the shift functions 64
- H h h hiiiifffftttt ffffu u u un n n nc cc cttttiiiio o o on n n ns ss s 64
- S 9 s 9 s 9 64
- Selecting a shift function 64
- Shift functions 64
- Can look like for each function 65
- Each time you turn on power local on off is set to on and all the special functions are turned off however the special settings are saved with the performances 65
- H h h hiiiifffftttt ffffu u u un n n nc cc cttttiiiio o o on n n n lllliiiis ss stttt 65
- Nord lead 2x v1 x 9 shift functions shift function list 65
- Page 63 65
- Shift function list 65
- The table below shows you what shift functions are available for each of the seven buttons and an exam ple of what the 65
- Aaaas ss stttteeeer rr 66
- About global and slot functions 66
- Exiting the shift functions mode 66
- O o o od d d deeee 66
- Out mode 66
- Page 64 66
- Setting the value 66
- Shift functions tune master tune nord lead 2x v1 x 66
- Tune master tune 66
- U u u un n n neee 66
- U u u uttt 66
- A a a a 67
- B b b b 67
- C c c c 67
- D d d d 67
- Nord lead 2x v1 x 9 shift functions out mode 67
- Page 65 67
- Settings for slot a and b 67
- Settings for slot c and d 67
- About local control and control change transmission 68
- Arpeggio and midi out 68
- Midi o midi o midi o midi 68
- O o o oc cc caaaallll 68
- Page 66 68
- Prog ctrl 68
- R rr ro o o og g g 68
- Shift functions local nord lead 2x v1 x 68
- Ttttr rr rllll 68
- Global midi channel 69
- H h h haaaan n n nn n n neeeellll 69
- Midi c midi c midi c midi 69
- Midi channel 69
- Nord lead 2x v1 x 9 shift functions midi channel 69
- Page 67 69
- Ppppeeeec cc ciiiiaaaallll 69
- Slot midi channel 69
- Special 69
- 1 s 1 s 1 s 1 70
- Accessing the special functions 70
- Function 1 synchronizing lfo 1 to midi clock 70
- Lfo 1 lfo 1 lfo 1 lfo 1 70
- Midi c midi c midi c midi 70
- Page 68 70
- Shift functions special nord lead 2x v1 x 70
- 2 s 2 s 2 s 2 71
- F e f e f e f 71
- Function 2 synchronizing lfo2 arpeggio to midi clock 71
- Function f external triggering of filter envelope 71
- Lfo2 a lfo2 a lfo2 a lfo2 71
- Midi midi midi midi c cc 71
- Nord lead 2x v1 x 9 shift functions special 71
- Page 69 71
- Page 70 72
- Shift functions special nord lead 2x v1 x 72
- A e a e a e a 73
- Function a external triggering of amplifier envelope 73
- Function s external velocity morph 73
- Nord lead 2x v1 x 9 shift functions special 73
- Page 71 73
- S e s e s e s 73
- Aftertouch and expression pedal settings 74
- Eeeed d d daaaalll 74
- Eeeettttttttiiiin n n ng g g gs ss s 74
- Fffftttteeeer rr rtttto o o ou u u uc cc ch h h h aaaan n n nd d d 74
- Page 72 74
- Shift functions special nord lead 2x v1 x 74
- Xxxxppppr rr reeees ss ss ss siiiio o o on n n 74
- Nord lead 2x v1 x 9 shift functions system 75
- Page 73 75
- Pitch bend range br 75
- Sp sp sp sp 75
- Sustain pedal sp 75
- System 75
- Unison detune un 75
- Yyyys ss stttteeeem m m m 75
- About the midi implementation 76
- Aftertouch 76
- B bb bo o o ou u u utttt tttth h h heee 76
- Controllers 76
- Iiiim m m mpppplllleeeem m m meeeen n n nttttaaaattttiiiio o o on n n n 76
- Midi 10 midi 10 midi 10 midi 76
- Midi midi midi midi 76
- Pitch bend 76
- H h h haaaan n n ng g g geeee 77
- Nord lead 2x v1 x 10 midi about the midi implementation 77
- Page 75 77
- Program change 77
- R rr ro o o og g g gr rr raaaam m m 77
- Bank select 78
- Connections 78
- Eeeeaaaad d d 78
- Local on off 78
- Midi c midi c midi c midi 78
- Midi channels 78
- Midi using nord lead 2x with a sequencer nord lead 2x v1 x 78
- O o o or rr rd d d 78
- Page 76 78
- S ss siiiin n n ng g g 78
- System exclusive 78
- Using nord lead 2x with a sequencer 78
- W w w wiiiitttth h h h aaaa s ss seeeeq q q qu u u ueeeen n n nc cc ceeeer rr r 78
- X 2x 2x 2x 78
- Controllers 79
- H h h haaaan n n ng g g geeee 79
- Nord lead 2x v1 x 10 midi using nord lead 2x with a sequencer 79
- O o o on n n nttttr rr ro o o olllllllleeeer rr rs ss s 79
- Page 77 79
- Program change 79
- R rr ro o o og g g gr rr raaaam m m 79
- Midi midi sysex bulk dump nord lead 2x v1 x 80
- Midi s midi s midi s midi 80
- Midi sysex bulk dump 80
- Page 78 80
- Some notes about controllers and chasing 80
- Xxxx b bb bu u u ullllk kk k d d d du u u um m m mpppp 80
- Yyyys ss 80
- Amplifier 81
- Filter 81
- Introduction 81
- Oscillator 81
- S 11 s 11 s 11 81
- Synthesis basics 81
- The building blocks 81
- Yyyyn n n ntttth h h heeees ss siiiis ss s b bb baaaas ss siiiic cc cs ss s 81
- Connections 82
- Envelopes 82
- The oscillators and waveforms 82
- Aaaavvvveeeeffffo o o or rr rm m m m 83
- Nord lead 2x v1 x 11 synthesis basics the oscillators and waveforms 83
- Page 81 83
- Waveform 83
- If you understand the principle you also understand that if the harmonics with high numbers have a high amplitude the sound will be perceived as bright 84
- In the illustrations below only some of the first harmonics are displayed in reality waveforms like these have an infinite amount of harmonics 84
- Let s take a look at some common waveforms and their spectra 84
- Page 82 84
- Synthesis basics the oscillators and waveforms nord lead 2x v1 x 84
- The height of each line represents the amplitude of each harmonic 84
- The sawtooth wave has a simple spectrum all harmonics are present in the wave in proportional values as you can see the high harmonics have a fairly high amplitude which makes this waveform sound bright 84
- The triangle wave does not have very strong harmonics furthermore they only appear at odd harmonic numbers the first fact makes the tone pure a bit like a flute and the second fact gives the sound a slightly hollow character 84
- Nord lead 2x v1 x 11 synthesis basics the oscillators and waveforms 85
- Page 83 85
- Page 84 86
- Synthesis basics the oscillators and waveforms nord lead 2x v1 x 86
- H h h heeee ffffiiiilllltttteeeer rr r 87
- Nord lead 2x v1 x 11 synthesis basics the filter 87
- Page 85 87
- The filter 87
- Filter types 88
- Iiiilllltttteeeer rr r ttttyyyyppppeeees ss s 88
- Page 86 88
- Synthesis basics the filter nord lead 2x v1 x 88
- Nord lead 2x v1 x 11 synthesis basics the filter 89
- O o o offffffff 89
- O o o olllllll 89
- Page 87 89
- Roll off 89
- Cutoff frequency 90
- Page 88 90
- Synthesis basics the filter nord lead 2x v1 x 90
- U u u utttto o o offffffff ffffr rr reeeeq q q qu u u ueeeen n n nc cc cyyyy 90
- Eeees ss so o o on n n naaaan n n nc cc ceeee 91
- Nord lead 2x v1 x 11 synthesis basics the filter 91
- Page 89 91
- Resonance 91
- Adsr e adsr e adsr e adsr 92
- Adsr envelope 92
- Envelopes 92
- H h h heee 92
- M m m mpppplllliiiiffffiiiieeeer rr r 92
- N n n nvvvveeeellllo o o oppppeeees ss s 92
- Page 90 92
- Synthesis basics the amplifier nord lead 2x v1 x 92
- The amplifier 92
- Nord lead 2x v1 x 11 synthesis basics envelopes 93
- Page 91 93
- Page 92 94
- Synthesis basics envelopes nord lead 2x v1 x 94
- Ad e ad e ad e ad 95
- Ad envelope 95
- Lfo lfo lfo lf 95
- Nord lead 2x v1 x 11 synthesis basics lfos 95
- Page 93 95
- S ss s 95
- 3 0 3 0 3 0 3 96
- Aaaac cc ctttto o o or rr ryyyy ppppr rr reeees ss seeeetttts ss s 96
- Aaaan n n nk kk ks ss 96
- F 12 f 12 f 12 96
- Factory presets 96
- Program banks 0 3 96
- R rr ro o o og g g gr rr raaaam m m 96
- 7 4 7 4 7 4 7 97
- Aaaan n n nk kk ks ss 97
- Nord lead 2x v1 x 12 factory presets program banks 4 7 97
- Page 95 97
- Program banks 4 7 97
- R rr ro o o og g g gr rr raaaam m m 97
- 9 8 9 8 9 8 9 98
- Aaaan n n nk kk ks ss 98
- Eeeer rr rc cc cu u u us ss ss ss siiiio o o on n n 98
- Factory presets program banks 8 9 nord lead 2x v1 x 98
- Iiiitttts ss s 98
- Page 96 98
- Percussion kits 98
- Program banks 8 9 98
- R rr ro o o og g g gr rr raaaam m m 98
- 1 0 1 0 1 0 1 99
- Aaaan n n nk kk ks ss 99
- Eeeer rr rffffo o o or rr rm m m maaaan n n nc cc ceee 99
- Nord lead 2x v1 x 12 factory presets performance banks 0 1 99
- Page 97 99
- Performance banks 0 1 99
- 3 2 3 2 3 2 3 100
- Aaaan n n nk kk ks ss 100
- Eeeer rr rffffo o o or rr rm m m maaaan n n nc cc ceee 100
- Factory presets performance banks 2 3 nord lead 2x v1 x 100
- Page 98 100
- Performance banks 2 3 100
- Please note that many of the performances consist of two three or four slot layers which will lead to reduced polyphony 100
- About the organ sounds 101
- B bb bo o o ou u u utttt tttth h h heeee o o o or rr rg g g gaaaan n n n s ss so o o ou u u un n n nd d d ds ss s 101
- Drawbar organ essentials 101
- Nord lead 2x v1 x 12 factory presets about the organ sounds 101
- Page 99 101
- A large part of the characteristic organ sound is due to the rotary speaker cabinet such a cabinet moves the sound around either by rotating the actual speakers or by directing the sounds with rotating baffles or horns usually the rotation speed can be changed from slow producing a full chorus like effect to fast producing a very special doppler shifted tremolo sound several of the organ sounds in the nord lead 2x include a rotary speaker effect emulated by the lfo s and the morph function change the rotor speed from slow to fast by raising the modulation wheel 102
- Factory presets about the organ sounds nord lead 2x v1 x 102
- Page 100 102
- This table shows the drawbar configurations simulated by each organ performance the configuration is indicated by 9 numbers volume settings 0 8 for each drawbar in the simulated sound for all performances you can activate slot d to add click to the sound 102
- 5 5 5 5 103
- About the prophet 5 sound recreations 103
- B bb bo o o ou u u utttt tttth h h heee 103
- Button the names of the recreated prophet 5 patches refer to their original location in the prophet 5 program banks 103
- Nord lead 2x v1 x 12 factory presets about the prophet 5 sound recreations 103
- Over 40 of the 120 original factory sounds from the classic vintage prophet 5 synthesizer have been faithfully recreated and stored in the factory performances of the nord lead 2x you find the prophet sounds in performance memory locations 1 h8 to 1 j9 103
- Page 101 103
- R rr ro o o opppph h h heeeettt 103
- S ss so o o ou u u un n n nd d d d r rr reeeec cc cr rr reeeeaaaattttiiiio o o on n n ns ss s 103
- Since each of these sounds uses one slot only four different prophet sounds have been stored in each performance to try out the different patches in one performance select slot a b c or d by pressing the respective 103
- Eeeeaaaad d d 104
- Factory presets nord lead 2 ram factory programs nord lead 2x v1 x 104
- Ffffaaaac cc ctttto o o or rr ryyyy ppppr rr ro o o og g g gr rr raaaam m m ms ss s 104
- Nord lead 2 ram factory programs 104
- O o o or rr rd d d 104
- Page 102 104
- Ram 2 ram 2 ram 2 ram 104
- The 40 original ram factory programs of the nord lead 2 are featured in rom performances 1 l0 to 1 l9 as listed below to extract one of these sounds from its performance and store it as a regular pro gram follow the instructions on page 35 104
- Iiiim m m mpppplllleeeem m m meeeen n n nttttaaaattttiiiio o o on n n n 105
- Midi 13 midi 13 midi 13 midi 105
- Midi c midi c midi c midi 105
- Midi controller list 105
- Midi implementation 105
- O o o on n n nttttr rr ro o o olllllllleeeer rr r lllliiiis ss stttt 105
- Bank select messages are transmitted and received as controller 32 106
- If the pedal input is used for sustain this is transmitted as controller 64 damper pedal 106
- If the pedal input is used with an expression pedal this is transmitted and received as controller 11 106
- In addition to the above following controllers are used 106
- Midi implementation midi controller list nord lead 2x v1 x 106
- Page 104 106
- The modulation wheel transmits and receives controller 1 106
- General message format 107
- Nord lead 2x v1 x 13 midi implementation system exclusive implementation 107
- Page 105 107
- Patch dumps 107
- System exclusive implementation 107
- Xxxxc cc cllllu u u us ss siiiivvvveeee iiiim m m mpppplllleeeem m m meeeen n n nttttaaaattttiiiio o o on n n n 107
- Yyyys ss stttteeeem m m 107
- Aaaattttc cc ch h h 108
- Eeeer rr rc cc cu u u us ss ss ss siiiio o o on n n 108
- If message type 0 edit buffer the message specification can be 0 to 3 corresponding to patch slot buttons a to d 108
- If message type 1 to 10 then the message specification 00 to 98 corresponds to the program number within the bank 01 to 99 108
- If the sys ex data for a single patch is sent upon receiving a patch dump request message either the pro gram location or the edit buffer will be stored depending on the message type byte in the request message this will also determine where the patch will be placed when it is sent back to a nord lead 2x 108
- Iiiittt 108
- Midi implementation system exclusive implementation nord lead 2x v1 x 108
- Page 106 108
- Percussion kit patch dump 108
- Percussion kit patch dump messages will also be sent if the dump all command is used 108
- This message contains all settings in a percussion kit it is transmitted from the nord lead 2x in one of two cases 108
- U u u um m m mpppp 108
- When a patch dump is initiated from the front panel and a percussion kit is selected 108
- When a valid patch dump request message has been received specifying a percussion kit location or an edit buffer containing a percussion kit 108
- Aaaattttc cc ch h h 109
- Eeeeq q q qu u u ueeees ss stttt 109
- If message type 0 edit buffer the message specification can be 16 to 19 corresponding to patch slot buttons a to d 109
- If message type 1 to 4 then the message specification 99 to 108 corresponds to the percussion kit locations p0 to p9 of the selected bank 109
- Nord lead 2x v1 x 13 midi implementation system exclusive implementation 109
- Page 107 109
- Patch dump request 109
- This message is used for requesting the nord lead 2x to transmit one patch or percussion kit dump message the message type and message specification are used to specify which patch should be trans mitted this message is never transmitted from the nord lead 2x 109
- This message should be sent to the nord lead 2x when you want to replace a percussion kit currently in the instrument with a new one when it comes to the location of the received percussion kit dumps the same rules apply as when receiving regular program dumps 109
- U u u um m m mppp 109
- Eeeer rr rffffo o o or rr rm m m maaaan n n nc cc ceee 110
- If message type 10 edit buffer the message specification can be 00 to 03 corresponding to patch slot buttons a to d 110
- If message type 11 to 14 then the message specification 00 to 98 corresponds to the program number within the bank 01 to 99 110
- Midi implementation system exclusive implementation nord lead 2x v1 x 110
- Page 108 110
- Performance dump 110
- This message contains the actual performance one complete message contains the data for one perform ance 110
- This message is transmitted from the nord lead 2x in one of two cases 110
- This message should be sent to the nord lead 2x when you want to replace a performance currently in the instrument with a new one the message type and message specification then specify in which memory location the performance should be stored 110
- U u u um m m mpppp 110
- When a performance dump is initiated from the front panel 110
- When a valid performance request message has been received 110
- All controllers request 111
- Nord lead 2x v1 x 13 midi implementation system exclusive implementation 111
- Page 109 111
- Performance dump request 111
- Midi implementation system exclusive implementation nord lead 2x v1 x 112
- Page 110 112
- Patch and performance data formats 112
- Nord lead 2x v1 x 13 midi implementation system exclusive implementation 113
- Page 111 113
- For percussion kit sys ex dumps the above parameters will be repeated eight times once for each sound in the percussion kit 114
- Midi implementation system exclusive implementation nord lead 2x v1 x 114
- Page 112 114
- H h h haaaar rr rtttt 115
- M m m mpppplllleeeem m m meeeen n n nttttaaaattttiiiio o o on n n 115
- Midi i midi i midi i midi 115
- Midi implementation chart 115
- Model clavia nord lead 2x keyboard and rack date 2003 04 01 115
- Nord lead 2x v1 x 13 midi implementation midi implementation chart 115
- Page 113 115
- Index index index index 117
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